New Books Network

In this NBN episode, host Hollay Ghadery speaks with acclaimed Calgary, Alberta poet David Martin about is new collection, nightstead (Palimpsest Press, 2026). 

In his most personal collection to date, award-winning poet David Martin elegizes his younger brother who died by suicide at the age of twenty-three. With a mixture of childhood recollections and anguished moments nightstead produces a complex memorial while pushing against the utmost limits of memory's power. Dislocating experiments juxtapose with searingly direct verse to make this book a haunting poetic memoir that will remain with readers long after they put it down.

David Martin has published three previous collections of poetry: Tar Swan (NeWest Press, 2018), Kink Bands (NeWest Press, 2023), and Limited Verse (University of Calgary Press, 2024). He lives in Calgary.

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Acclaimed TC contributor Lauren Groff speaks to managing editor Emily Everett about her new story collection, Brawler, out this month from Riverhead, and her origins as a writer at Amherst College, where The Common is based. She also discusses how a story collection comes together over many years, how working with her longtime agent Bill Clegg has shaped her work, and what she’s working on now and next. Groff’s work appears most often in The New Yorker these days, but The Common published a story of hers in Issue 01, more than 15 years ago.

Lauren Groff is a three-time National Book Award finalist and the New York Times bestselling author of the novels The Monsters of Templeton, Arcadia, Fates and Furies, Matrix, and The Vaster Wilds, and the celebrated short story collections Delicate Edible Birds and Florida. She has won the Story Prize and the Joyce Carol Oates Prize, and has been a finalist for the National Book Critics Circle Award. In 2024 she was named one of the “TIME 100 most influential people.” Groff’s work regularly appears in The New Yorker, The Atlantic, and elsewhere. Her work has been translated into thirty-six languages. She lives in Gainesville, Florida, where she and her husband run an independent bookstore, The Lynx.

­­Read Lauren Groff’s story “Exquisite Corpse” in The Common here.

Learn more about Brawler and order it here.

Find out more here.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her 2025 debut novel All That Life Can Afford was a Reese’s Book Club pick, and her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.

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The revelatory and urgent story of how an explosion of misogyny is driving a surge of mass and far-right violence throughout the West--from an internationally recognized extremism expert and media commentator

What two things do most mass shooters, terrorists, or violent extremists have in common? Most of us know the first: they are almost always men or boys. But the second? They are almost always virulent misogynists, homophobes, or transphobes--even if they are also motivated by racism, antisemitism, or xenophobia. The antigovernment militiamen charged with plotting to kidnap and execute Michigan governor Gretchen Whitmer used language saturated with misogyny, with one telling an FBI informant, "Just grab the bitch." The men who killed scores at Virginia Tech, the Pulse nightclub, and a Maryland newsroom all had prior reports of stalking, domestic violence, or harassment of women. And in dozens of other incidents--from North America to Norway to New Zealand--an increasing number of misogynist incel (involuntary celibate) and male supremacist attackers have explicitly targeted and killed women, blaming feminism or sexual frustration with women as motivation for their attacks.

Yet, despite all evidence, the bright red thread of misogyny running through these attacks is barely acknowledged by the media or even experts--and this failing leaves us powerless to stop the violence. In Man Up: The New Misogyny and the Rise of Violent Extremism (Princeton UP, 2025), Cynthia Miller-Idriss, a leading expert on extremism, addresses this crucial oversight head-on, revealing how an epidemic of misogyny--both online and off--and a patriarchal backlash are driving an exponential rise in mass and far-right violence. She also offers essential strategies that all of us--including parents, teachers, and counselors--can use to fight the rising tide of violence, beginning with recognizing the misogyny that pervades our everyday lives.

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In the summer of 2014, three long estranged Iraqi-British sisters are pulled back into each other’s orbit by the rediscovery of their late father’s long-lost paintings. Beautiful, elusive Zainab; embittered, practical Mediha; and headstrong, queer Ishtar each lay claim to their father’s legacy—an artistic and personal inheritance entwined with betrayal, exile, and a homeland they no longer recognize.

As the sisters fight to preserve, erase, or repurpose the past, Zainab’s estranged son Nizar, a war correspondent haunted by trauma and heartbreak, returns to the family fold. With the reemergence of buried memories comes a reckoning, and the family is forced to confront the personal and political betrayals that tore them apart.

Spanning continents and decades—from 1950s Baghdad to contemporary London, from the Tigris River to Yemeni refugee camps—Floodlines (Europa, 2026) is at once an intimate family drama and, in its scope, a modern epic. It is a rare novel that bridges the historic and the immediate and a heartfelt meditation on what it means to belong, to create, to endure.

Saleem Haddad was born in Kuwait City to a Palestinian-Lebanese father and an Iraqi-German mother, and educated in Jordan, Canada, and the United Kingdom. He has worked as an aid worker with Doctors Without Borders in Yemen, Syria, and Iraq, and has advised on humanitarian and peacebuilding issues throughout West Asia and North Africa. He is the author of the acclaimed debut Guapa, a 2017 Stonewall Honor Book and the winner of the 2017 Polari Prize. His 2019 directorial debut, Marco, was nominated for the 2019 Iris Prize for “Best British Short Film” and is available to watch on YouTube. He is currently based in Lisbon.

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Even those who do not know much Yiddish have probably heard the word “shtetl,” but what does that word mean exactly? Can we just say that it was a small town in Eastern Europe with a lot of Jews—and leave it at that? Or was the shtetl that nostalgic world of “tradition” so lovingly celebrated in Fiddler on the Roof? How are we to understand imaginary shtetls like Sholom Aleichem’s Kasrilevke, where the “little people” ran around, talked non stop, and tried to make sense of a world they could no longer understand or control?

Indeed the “shtetl” meant many things to many people. For many Zionists and Jewish leftists, the shtetl was a pathetic symbol of Jewish backwardness. Others cherished it as a place of real Jewishness, that fixed point that gave Jews in the diaspora the feeling of being home. The destruction of the Holocaust encouraged this nostalgia for the lost shtetl, especially as many Jews in the post-war world, newly comfortable and secure in their new homes, showed a new interest in their ethnic roots.

In this lecture, YIVO Visiting Research Historian Samuel Kassow will explore the “real shtetl” and the “imagined shtetl,” which both formed an integral part of Eastern European Jewish peoplehood.

Jonathan Brent is the Executive Director and CEO of YIVO.

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Jewish law, known as halakhah, is a unique legal system that has developed over a period of nearly two millennia, across multiple continents, and in innumerable different contexts. Dealing not only with ritual, Jewish law extends to virtually every aspect of life including ethics, business, war, and sex. This Handbook highlights foundational questions about the nature of Jewish law, emphasizing what distinguishes it from other legal systems and illuminating its vitality throughout history. The Oxford Handbook of Jewish Law (Oxford UP, 2025) navigates core issues such as halakhah's authority, its interpretation, and the meaningfulness of an ancient legal system in a modern period. With contributions from an interdisciplinary cast of authors, the Handbook spans law, history, sociology, and religion. Its chapters draw from a wide range of sources, including traditional texts such as Mishnah and Talmud, rabbinical codes, and legal opinions known as responsa. Moreover, chapters addressing pressing modern issues cover the material from diverse denominational perspectives. As halakhah remains deeply woven into the fabric of Jewish life and scholarship, The Oxford Handbook of Jewish Law offers readers an in-depth understanding of this rich and enduring legal tradition.

Zev Eleff is President and Professor of American Jewish history at Gratz College.

Roberta Rosenthal Kwall is the Raymond P. Niro Professor at DePaul University College of Law.

Chaim Saiman is Chair in Jewish Law at Villanova University Charles Widger School of Law.

Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.

Mentioned in this episode:

Essays from the Oxford Handbook of Jewish Law:

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During the American Civil War, clothing became central to the ways people waged war and experienced its cost. Through the clothes they made, wore, mended, lost, and stole, Americans expressed their allegiances, showed their love, confronted their social and economic challenges, subverted expectations, and, ultimately, preserved their history. As the collections they left behind make clear, Civil War Americans believed clothing was not merely a reflection of one’s class, gender, race, military rank, political ideology, or taste. Instead, Northerners and Southerners alike understood that clothing—from the weave of a fabric to the style and make of a coat—had the power to affect people’s way of living through the war’s tumult.
In A Nation Unraveled: Clothing, Culture, and Violence in the American Civil War Era (UNC Press, 2026), Dr. Sarah Jones Weicksel reveals the meanings clothing had for Civil War Americans. Contributing to the growing body of scholarship on the material culture of the Civil War, Dr. Weicksel invites readers to understand how the war penetrated daily life by focusing on the intimate, visceral, material experiences that shaped how people moved through the world.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Le Corbusier on Camera: The Unknown Films of Ernest Weissmann (Birkhaüser, 2024) is based on amateur films, shot by the architect Ernest Weissmann (1903-1985) with a Pathé Motocamera in the years 1929-1933 at, among other places, the Atelier Le Corbusier and Pierre Jeanneret. These films capture moments from Le Corbusier's life that have never been seen before. It also documents his friendships with Pierre Jeanneret, Josep Lluís Sert, Charlotte Perriand, Norman Rice, Kunio Maekawa, Sigfried Giedion and others.

Across six chapters, the book shows impressive stills from these films and places them in the respective historical and personal context of Le Corbusier in introductory texts. Two introductions are devoted to the history of these pioneering amateur films and to Ernest Weissmann's life and his life-long relationship with Le Corbusier.

Veronique Boone is an architect from the University of Ghent, Belgium and doctor from the École Nationale Supérieure d’Architecture et de Paysage de Lille (ENSAPL), France and the Université Libre de Bruxelles (ULB), Belgium. She is an associate professor at the Faculty of Architecture La Cambre Horta at the ULB. She lectures on architectural history and theory as well as on the conservation of 20th-century architecture. Her research focuses on the history and theory, as well as the construction history, of modern architecture. She has published extensively in academic publications on Le Corbusier and the mediation of architecture by film and television, and is a correspondant for Belgian and international architectural magazines on contemporary architecture. She has worked on several exhibitions as curator and/or contributor to catalogues – among them, Lucien Hervé, l’oeil de l’architecte, CIVA, 2005; Le Corbusier and the Power of Photography, Musée des beaux-arts La Chaux-de-Fonds, 2012; L’Architecture modern à l’écran, Cinematek, 2014; In the Studio at 35, rue de Sèvres: an Amateur cameraman’s Informal View, Fondation Le Corbusier, 2017 and Atelier Jespers, 2018. She is also Vice-President of DOCOMOMO Belgium.

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Neuroscientific evidence increasingly shows that consciousness is a remarkable but explainable function of a machinelike brain. Alan J. McComas' discusses his article for the American Scientist.

Alan J. McComas is an emeritus professor of medicine at McMaster University in Hamilton, Canada.

Greg is the Executive Director and Founder of the World War II Discussion Forum (wwiidf.org). He also has a strong interest in literature, culture, religion, science and philosophy (translation: he's an eclectic reader who is constantly missing deadlines for book reviews).

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In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) tells the story of how traditional craft skills of the Islamic world, often thought to have died out with the advent of industrialization, were redirected toward a thriving new market in the colonial era: the fabrication and fictionalizing of antiquities, especially ceramics.
In this stunning work of art history, Dr. Margaret Graves shakes the foundations of the discipline, challenging us to reconsider what is and is not art. She traces how sophisticated fabrications—as modern as they were believed to be medieval—moved within an international network of diggers, dealers, and collectors who took advantage of a largely unregulated marketplace to exchange and amass objects that were fabulous in every sense of the word. She looks at canonical artworks as well as many previously unpublished and rarely seen objects, shedding light on the astonishingly varied ways Islamic ceramics were altered and remade by highly skilled craftspeople to meet the demands of Western collectors. Shifting away from the moralizing stance of past studies on reconstructed Islamic ceramics, Dr. Graves shows how fabrication and forgery became a major site of participation in modern global capitalism and establishes an entirely new paradigm in the history of art.
Drawing on a substantive new body of provenance research, archaeology, economic history, and laboratory analysis, Invisible Hands centers previously marginalized objects, reframing the practices of fabrication and forgery as crucial forms of invention and artistic skill worthy of study and admiration.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network