New Books Network

Only songs are able to comfort the soul in its darkness—but can anyone hear them?

Iman Humaydan’s saga Songs for Darkness (Interlink, 2026) recalls the voices of four generations of women from one family in the imaginary village of Kasura, in Mount Lebanon. Its narrator, Asmahan, named after the beloved Syrian singer, has devoted her adult life to recovering the stories of her ancestors, who persisted in the shadows of male supremacy, war, military occupation, and impoverishment.

Her mother, Layla, disappeared when Asmahan was still a teenager. Her grandmother, Yasmine, died giving birth. And her great-grandmother, Shahira, struggled through two world wars, famine, and suffocating gender norms to win an education for her children and eke out a better life for her family. Asmahan is determined to protect her daughter and break out of the cycle of intergenerational violence and wounds that the women who came before her suffered. She packs up her daughter to emigrate after a divorce, when her husband takes their son away from her on his seventh birthday, during the darkest days of the 1982 Israeli invasion.

These women’s legacies span and echo the scarred history of an abused homeland, from the eve of the first World War to the 1982 Lebanon War. In honoring their unfulfilled lives, Iman Humaydan insistently preserves intimate stories of abundant tenacity, generosity, sacrifice—and songs, provisions sorely needed for dark times.

A conversation with translator Michelle Hartman

Iman Humaydan Yunis is a Lebanese novelist, creative writing teacher, editor, and freelance journalist. Her novels received wide international acclaim and were translated into English, French, Italian, Dutch, German, Armenian, Polish, and Georgian. She is the author of five novels, including B as in Beirut, Wild Mulberries, Other Lives, and The Weight of Paradise, all published in English by Interlink. She is also the editor of the collection of short stories Beirut Noir. She is the president of the Lebanese chapter of PEN, and splits her time between Beirut and Paris.

Michelle Hartman is a literary translator and professor of Arabic literature at McGill University. She has translated more than a dozen novels from Arabic to English including three other novels by Iman Humaydan, The Weight of Paradise, Other Lives, and Wild Mulberries. Her latest translation is A Long Walk from Gaza (Interlink, 2024). She has also written on Lebanese women and the Civil War in two co-authored volumes (with Malek Abisaab), Women’s War Stories: The Lebanese Civil War, Women’s Labor and the Creative Arts (Syracuse UP, 2022) and What the War Left Behind: Women’s Stories of Resistance and Struggle in Lebanon (Syracuse UP, 2024).

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Winner of the 2025 James Laughlin Award from The Academy of American Poets 

When her grandmother died, poet Diamond Forde inherited a well-worn family Bible to remember her by. In The Book of Alice (Scribner, 2026), she retells the story of her grandmother’s life through the framework of the only poetry Alice knew: the King James Bible. A Black woman born in the Jim Crow South, Alice joined the tide of the Great Migration when she made her exodus to New York City. She married, divorced, and raised eight children, all while struggling to define herself in an America that looks frighteningly like our own. Using found forms like recipes, a family tree, and a US Census Report alongside imagined psalms and scriptures, Diamond draws bold parallels between biblical narratives and the lived experiences of those often relegated to the margins of history. The result is both a heartfelt elegy and a new sacred text.

Find Diamond at her website and on Instagram.

And find host, Sullivan Summer, at her website, on Instagram, and over on Substack, where she and Diamond continued their conversation.

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Most of us would agree that American journalism has problems. Rushed reporting and thin coverage. Timidity in the face of adversity. Polarized perspectives and euphemistic language. Groupthink about complicated events.
While much blame has been levelled at big tech, in How the Cold War Broke the News: The Surprising Roots of Journalism's Decline (Polity, 2025) Dr. Barbie Zelizer traces the decline of American journalism to the Cold War. She makes the bold claim that Cold War-era practices are to blame for the state of journalism today, undermining a once trusted media environment. This groundbreaking book shows how journalism's current problems can be traced back to customs developed over half a century ago and demonstrates how they've continued to upend journalism, journalists and the news ever since.

We all need a news environment that works. This book tells us why it doesn't and offers a plan to make it better. If our news is better, so is our democracy. And, if our democracy is better, we may be too.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Most development histories focus on large-scale projects and multi-year plans. But how would we understand development differently if we chose a different starting point? In Village Work: Development and Rural Statecraft in Twentieth-Century Ghana (Ohio UP, 2021), Alice Wiemers exchanges the center for the periphery. Writing outwards from Kpasenpke, a village in northern Ghana, Wiemers shows how the daily labor of rural people, local officials and family networks have all shaped a practice of rural statecraft centered on developmentalism. By insisting on the specificity of the hinterland and interchangeability of its so-called “developers”, Village Work proposes a new framework for approaching Ghana’s twentieth century.

Elisa Prosperetti is a Visiting Assistant Professor in African history at Mount Holyoke College. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at: www.elisaprosperetti.net.

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Black Women's Bodily Autonomy, Sexual Freedom, and Pleasure: Explorations of the Hot Girl Movement (Routledge, 2025) explores scholarship, practice, and advocacy for Black women’s pursuit of bodily autonomy, sexual freedom, and pleasure. Inspired by Megan Thee Stallion’s song "Hot Girl Summer" and pleasure activism, Dr. Clarissa E. Francis ("The Real Hot Girl Doc") examines the cultural and social impacts of "hot girl" music and its transformative effects on Black women’s sexual liberation journeys. Francis introduces readers to the Hot Girl Movement, addressing intergenerational trauma, denial of bodily autonomy, and pleasure politics.

This book offers a historical review and current documentation of Black women’s role in the evolving movement for sexual liberation in the United States, with a particular focus on Atlanta, Georgia. Chapters delve into the history of systemic oppression, presenting research on Black women’s experiences with gendered racism while demonstrating the socio-cultural influences shaping Black women’s sexual liberation. The book centers Black women’s narratives, featuring the work of sexologists, clinicians, somatic practitioners, and community organizers in guiding Black women to achieve sexual liberation.

The final chapter outlines conclusions of the research on the Hot Girl Movement and provides recommendations for participating in and supporting this movement. This interdisciplinary text is essential reading for scholars, clinicians, healing practitioners, birthworkers, and activists, including those in fields of sexuality, sex therapy, sociology, gender studies, Black/Africana studies, public health, and social justice. 

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In today’s podcast we talked to Dr. Sandra Greene about her book Slave Owners of West Africa. Decision Making in the Age of Abolition published in 2017 by Indiana University Press. In this book Dr. Greene presents us with the biographies of three individuals who lived in the southeastern corner of what is today the Republic of Ghana between the mid-nineteenth century and the early part of the twentieth century. These men became wealthy and prominent in their own communities largely through their trading activities. They had multiple wives and dependents many of whom were slaves. By documenting the lives of these three men—Amegashie Afeku of Keta, Nyaho Tamakloe of Anlo, and Noah Yawo of Ho Kpenoe—Dr. Greene examines the different ways in which they confronted the processes of European colonization and the abolition of slavery. As slaveholders, all three had much to lose from these transitions and yet, they all adopted different positions and strategies. What personal, political and economic factors informed these decisions are the central questions examined in Greene’s book.

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A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take.

Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression.

The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval."

Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it’s festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert.

Michael on Twitter and Bluesky.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.

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In this expanded edition to a groundbreaking work, now in paperback, Lincoln and the Jews: A History (NYU Press, 2025), Jonathan D. Sarna and Benjamin Shapell reveal how Abraham Lincoln's unprecedentedly inclusive relationship with American Jews broadened him as president, and, as a result, broadened America. A conversation with Professor Jonathan D. Sarna.

Co-authored with collector and scholar Benjamin Shapell, the book began as a lush coffee-table volume built around Shapell’s remarkable Civil War–era collection: letters, photographs, and documents that reveal Lincoln’s Jewish connections in real time. It has since been reissued in paperback by NYU Press, making it far easier to teach, carry, and assign. The shift mirrors the project’s purpose: from a beautiful artifact to a working tool for rethinking Lincoln’s world.

Sarna stresses that Lincoln didn’t “know Jews” in the abstract; he knew particular Jews who mattered. Abraham Jonas, an early ally, saw Lincoln as presidential material and encouraged the Republican Party to build a coalition of “outsiders,” explicitly including Jews. Lincoln also developed ties with German-speaking Jewish “48ers,” refugees of the failed 1848 revolutions who brought democratic ideals and anti-slavery commitments. Even in Illinois, Lincoln’s visits to Jewish clothing stores signaled a new kind of everyday encounter between Americans and Jewish merchants. The book opens with a table of concentric circles of relationships between Lincoln and the Jews.

Equally important is Lincoln’s religious formation. Raised in a Protestant culture steeped in the Hebrew Bible and divine providence, he drew heavily on biblical language. His letters and speeches are studded with scriptural echoes, reflecting a worldview in which Jews remain central to God’s historical drama rather than a superseded people. This helps explain his “live and let live” stance toward religious difference at a time when some ministers were moving toward more exclusionary theologies.

Our conversation touched on Lincoln’s reference to Haman from the Book of Esther in a letter to Joshua Speed. In an age of deep biblical literacy, Haman was a recognizable symbol of evil, later applied by some Jews to Grant after General Orders No. 11. Sarna also recounted the visit of a self-proclaimed prophet named Monk, who asked Lincoln to endorse a plan to “free the Jews” worldwide. Lincoln’s witty, biblically informed response (from the book of Joel) both acknowledged Jewish suffering abroad and rejected the idea of a special “Jewish problem” in the United States.

We also explored how 19th-century debates over the Mortara affair in Italy—where a secretly baptized Jewish child was taken from his parents by papal authorities—intersected with American slavery. President Buchanan’s refusal to condemn Rome, Sarna noted, reflected fears that criticizing Church-sanctioned child removal could invite scrutiny of the United States’ own separation of enslaved families.

Lincoln and the Jews ultimately invites us to place Jews back into the center of the American story. Lincoln’s friendships, his Hebrew Bible–shaped imagination, and his commitment to equality created a landscape in which Jews were not an abstract “question,” but neighbors and citizens. To understand Lincoln fully, Sarna suggests, we must see the Jews who walked beside him—and to understand American Jewish history, we must see how deeply it is entwined with Lincoln’s moral and political world.

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How do children negotiate social belonging? Ursina Jaeger followed the children of a kindergarten class in a stigmatized and diverse neighborhood for several years, both inside and outside of school. Along with giving vivid insights into the children's everyday lives, Children as Social Butterflies: Navigating Belonging in a Diverse Swiss Kindergarten (Rutgers UP 2025) examines how social differentiation is learned in diverse societies.

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In today’s podcast we talked to Dr. Sandra Greene about her book Slave Owners of West Africa. Decision Making in the Age of Abolition published in 2017 by Indiana University Press. In this book Dr. Greene presents us with the biographies of three individuals who lived in the southeastern corner of what is today the Republic of Ghana between the mid-nineteenth century and the early part of the twentieth century. These men became wealthy and prominent in their own communities largely through their trading activities. They had multiple wives and dependents many of whom were slaves. By documenting the lives of these three men—Amegashie Afeku of Keta, Nyaho Tamakloe of Anlo, and Noah Yawo of Ho Kpenoe—Dr. Greene examines the different ways in which they confronted the processes of European colonization and the abolition of slavery. As slaveholders, all three had much to lose from these transitions and yet, they all adopted different positions and strategies. What personal, political and economic factors informed these decisions are the central questions examined in Greene’s book.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network