New Books Network

My guest today is Carla Kaplan, the author of Troublemaker: The Fierce, Unruly Life of Jessica Mitford (Harper, 2025). In Troublemaker, Kaplan tells the wild and unlikely story of Jessica Mitford, fifth of the six famous Mitford Girls, a British aristocrat-turned-American Communist, famous for exposés like The American Way of Death. This biography brings her astonishing self-transformation to life with a riveting, often hilarious account of trading wealth and status for a life of radical activism. Jessica Mitford, always known as Decca, was brought up by an eccentric English family to marry well and reproduce her wealth and privilege, not to advocate for the rights of others. Decca ran away to America to forge a rebel’s life. As this richly researched book details, Decca broke the Mitford mold. Instead of settling for life as a professional Beauty, she fought fascism in the Spanish Civil War, became an American Communist and pioneered witty, hugely popular journalism, including her 1963 blockbuster The American Way of Death. Decca dedicated her life to social justice and proved herself an immensely effective ally, but she also injected laughter into all her political work, annoying some activists with her relentless antics but encouraging many others to find joy in the struggle. Mining extensive, untapped sources, and with nearly fifty new interviews, Kaplan’s passionate biography beautifully illuminates how Decca’s hard-won and self-taught social empathy offers a powerful example of female freedom, the dramatic, novelistic story of an extraordinary woman of her time who is remarkably relevant and resonant today.

Carla Kaplan is an award-winning professor and writer who holds the Stanton W. and Elisabeth K. Davis Distinguished Professorship in American Literature at Northeastern University. She has published seven books, including Zora Neale Hurston: A Life in Letters and Miss Anne in Harlem: The White Women of the Black Renaissance, both New York Times Notable Books. A recipient of Guggenheim and National Endowment for the Humanities “Public Scholar” fellowships, Kaplan has been a fellow in residence at the Cullman Center for Scholars and Writers, the Schomburg Center for Research in Black Culture, and the W. E. B. Du Bois Research Institute; is a fellow of the Society of American Historians; and serves on the board of Biographers International. She divides her time between Boston and Cape Cod.

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All over the world, masses of people watch, follow, document, and obsess over baseball. Everything remarkable about the impact of baseball derives from the game's history and cultural status as events that draw people together in these ways. Understanding baseball as a cultural phenomenon is therefore less a matter of mastering the vocabulary of the game or merely recollecting its iconic stadiums, players, and stats. While all those details compel insiders and inspire fans, baseball's peculiar and persistent appeal can only be understood by adopting a wider lens. It requires reckoning with the history of structured competition. The classic backyard game of catch between a father and son draws meaning from its associations with the organized sport and its history. The challenge lies less in finding one perfect spot to look, but rather in identifying the many different places where baseball has accumulated significance.

Out of the Ballpark: How to Think about Baseball (Oxford University Press, 2026) reconsiders the character, meaning, and delights of the game by exploring both baseball's unusual features and the sport's many resonances with other aspects of modern life. To this end, it abandons several assumptions and mythologies that underlie most approaches to histories of baseball: that it is unique among sports and fundamentally different from other kinds of entertainment; that it is specific to the United States; that it has changed fundamentally in recent years; and that the keys to understanding it lie primarily in examining what happens on the field of play.

Instead, David M. Henkin moves across time and space to examine baseball's history since the nineteenth century and beyond US borders. He takes readers inside the structures of clubs and leagues, interprets the sacred scripture of rulebooks, and illuminates some of baseball's rites and rituals that are often associated with honor and manhood. He charts baseball's significance along the routes of American and Japanese imperial expansion and the shifting maps of race and ethnicity in the US. Baseball is found at negotiating tables that pit capital against labor and in pivotal moments in the history of mass media. Here, we are shown how baseball might offer a complex and capacious space for thinking about such things as spectatorship, success, community, order, and contingency in the modern world.

David M. Henkin is Professor of History at the University of California, Berkeley, where he has taught courses on society and culture in nineteenth-century America for close to three decades.

Caleb Zakarin is CEO and Publisher of the New Books Network.

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From the beginning of the seventeenth century, French colonies and trading posts sprawled across the Atlantic and Indian Oceans. In the first pan-imperial history of the early French Empire in the English language, Mélanie Lamotte shows how an increasingly cohesive legal culture came to govern the lives of enslaved and free people of African, Malagasy, South Asian, and Native American descent. She also illuminates the important role played by these populations in the development of the empire, from Louisiana to Guadeloupe, Senegambia, Madagascar, Isle Bourbon, and India.

The early French Empire has often been portrayed as a fragmented conglomerate of isolated colonies or regions. Yet Lamotte shows that racial policies issued by the metropole, as well as by officials in the Atlantic and Indian Oceans, significantly influenced one another. Rather than focusing on the actions of administrators, however, Lamotte also reveals the extensive influence of people on the ground—especially those of non-European descent. Through their sexuality and their labor, along with their socio-economic and political endeavors, they played a critical role in building the empire and setting its limits. As they sought justice for themselves, strove to protect their kin, and aimed to improve their social conditions, these individuals also pushed against the advancement of white dominion in unexpected ways.

Archivally rich and rigorously documented, By Flesh and Toil: How Sex, Race, and Labor Shaped the Early French Empire (Harvard UP, 2026) illuminates the transoceanic connections that united the French colonial world—and recasts people of African, Malagasy, South Asian, and Native American descent as key actors in the story of empire-building.

This interview is conducted by Dr Lewis Wade, a Humboldt Research Fellow at the University of Bamberg. He is the author of the prize-winning Privilege, Economy and State in Old Regime France and can be found on Bluesky @wadehistory.bsky.social.

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“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie’s success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D’Apparecida.

Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

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In this episode, Ted Striphas, Jeffrey Herlihy-Mera and Alex Rivera Cartagena discuss Algorithmic Culture Before the Internet

Their conversation traces the history of computation while engaging

This episode and the Instituto Nuevos Horizontes are sponsored in part by the Teagle Foundation.
Our conversation in Spanish about Algorithmic Culture Before the Internet is available here.

Topics and scholars mentioned in this episode:

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How the war on drugs created the gold standard treatment for addiction--until America's opioid crisis got privatized for profit, to the detriment of patients.

Despite epidemic levels of overdoses in the United States, by 2020, only twenty percent of Americans suffering from opioid use disorder (OUD) received medication-assisted treatment (MAT), the gold standard of addiction treatment, which uses methadone, buprenorphine, or naltrexone to reduce illicit drug use and curb the symptoms of withdrawal. While MAT is the most effective treatment available for OUD, it's also the most controversial, the most expensive, and the most difficult to access. And yet, the medications at the center of this treatment--and the private industries that distribute them--generate roughly sixteen billion dollars each year, on par with national sales of coffee and pet food.

In Addiction, Inc: Medication-Assisted Treatment and America's Forgotten War on Drugs, historian Emily Dufton explains how this promising avenue of treatment emerged during President Richard Nixon's war on drugs in 1971 as a radical experiment in public health, when hundreds of federally-funded treatment clinics opened nationwide. Dufton then explores how these nationalized clinics gave way to an immensely profitable private industry that offers poor care at high costs to an insufficient number of people. Drawing on original research and over a hundred interviews with policymakers, medical experts, pharmaceutical lobbyists, and patients and their families, she tells a gripping story of squandered potential and missed opportunities, as MAT transformed from a revolutionary political project launched from the White House itself into a commercial success--and a public health disaster.

Urgent, eye-opening, and deeply human, Addiction, Inc. reveals how, over the past fifty years, the United States built an addiction treatment system that made recovery harder instead of easier, and what it will take to change its course.

Despite epidemic levels of overdoses in the United States, by 2020, only twenty percent of Americans suffering from opioid use disorder (OUD) received medication-assisted treatment (MAT), the gold standard of addiction treatment, which uses methadone, buprenorphine, or naltrexone to reduce illicit drug use and curb the symptoms of withdrawal. While MAT is the most effective treatment available for OUD, it's also the most controversial, the most expensive, and the most difficult to access. And yet, the medications at the center of this treatment--and the private industries that distribute them--generate roughly sixteen billion dollars each year, on par with national sales of coffee and pet food.

In Addiction, Inc., historian Emily Dufton explains how this promising avenue of treatment emerged during President Richard Nixon's war on drugs in 1971 as a radical experiment in public health, when hundreds of federally-funded treatment clinics opened nationwide. Dufton then explores how these nationalized clinics gave way to an immensely profitable private industry that offers poor care at high costs to an insufficient number of people. Drawing on original research and over a hundred interviews with policymakers, medical experts, pharmaceutical lobbyists, and patients and their families, she tells a gripping story of squandered potential and missed opportunities, as MAT transformed from a revolutionary political project launched from the White House itself into a commercial success--and a public health disaster.

Urgent, eye-opening, and deeply human, Addiction, Inc. reveals how, over the past fifty years, the United States built an addiction treatment system that made recovery harder instead of easier, and what it will take to change its course.

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Today we host the wonderfully talented award-winning author-illustrator Kristine A. Lombardi and celebrate her enchanting and funny brand new book, Crouton, published by Random House, in which a cat explains how it went about adopting a human. We talk about her early career and breaking in from advertising into children's literature. We also discuss the importance of persevering and of finding the right agent (in her case Stephen Fraser).

Kristine A. Lombardi has written and illustrated many other books for children, including Lovey Bunny, Mr. Biddles, My Wish for the World and The Grumpy Pets.

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International law scholars are often among the sharpest critics of the Trump administration—but what if the usual story misses something essential? In this episode, RBI interim director Eli Karetny speaks with NYU international law professor Robert Howse about Trump’s complicated relationship with the UN Charter system, from Gaza to Venezuela and Iran. The conversation also turns to political theory: Leo Strauss’s reputation as a neoconservative godfather, the shadow of Carl Schmitt, and how today’s MAGA New Right recycles older anxieties about liberalism, virtue, and masculinity.

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In Drama of Democracy: Political Representation in Mumbai (U Minnesota Press, 2025), Lisa Björkman invites our attention to political form and how they allow us to appreciate the various mediums through which representation is negotiated.

Drawing on a decade of research in the city of Mumbai closely following the movements of corporation election candidates, protesting crowds, political rally organisers, and social workers, the book maps the linguistic, visual, sonic, and semiotic tools used to construct the spectacle of democracy. It asks: how does the figure of the crowd subvert what euromodern conceptions of political representation? How do films and their constructions of the public, the organising of rallies, election season cash flows, garlanding, placards and slogans in protests inform new meanings of representation? Through this richly engaging and genre-breaking work, Bjorkman offers new ways – originating from Mumbai – to explain the reorganisation of political authority around the world.

Lisa Björkman is an Associate Professor in Urban and Public Affairs at the University of Louisville. She is the author of Pipe Politics, Contested Waters: Embedded Infrastructures of Millennial Mumbai, Waiting Town: Life in Transit and Mumbai’s Other World-Class Histories, and Bombay Brokers. Lisa is also a research associate at the Max Planck Institute for Social Anthropology in Halle.

Raghavi Viswanath is a postdoctoral researcher and teaching fellow at SOAS, University of London. Her research, supported by the Leverhulme Trust, examines how pastoralists claim grazing rights under India’s Forest Rights Act 2006 and how the everyday processes of staking such claims has been impacted by the authoritarian turn in India. LinkedIn. Email:[email protected]

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Agnes Luthi is a police officer in Lausanne, Switzerland who transfers from financial to violent crimes just in time to investigate the death of a young art appraiser in a magnificent mountain chateau. An employee of a London auction house, the young victim is at the chateau to take inventory of a priceless medieval art collection and other historical treasures. She’s stabbed to death on the eve of a blizzard that shuts down all power and the roads heading in and out. Everyone has a story; some are newcomers, others go back generations, and no one is forthcoming. Agnes feels trapped, but she’s determined to solve her first murder case. This is the first novel in Tracee de Hahn’s Agnes Luthi mystery series.

Tracee de Hahn is a writer and educator. She is the author of traditional mysteries set in Switzerland: Swiss Vendetta and A Well-Timed Murder, both published by Minotaur Books, as well as several non-fiction works on historical topics. Prior to writing fiction, she began her career in the practice of architecture and later received an advanced degree in European history. Each of these of these play a role in her writing. Born in Cape Girardeau, Missouri, she grew up in Kentucky and currently lives in Virginia. Tracee is the immediate past president of the National Board of Sisters in Crime. When not working on her own manuscripts, she acts as a writing mentor and lectures on topics related to writing and publishing. Otherwise, she fills her time baking, and occasionally painting dog portraits.

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