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Chen examines the Chinese Nationalist government's distinctive support for private Muslim teachers schools between the 1920s and 1940s, and explores the complex relationship between these institutions and the Chinese state during the Republican period.
In 1933, the government issued the Teachers Schools Regulations, mandating that all teachers schools be state-run. However, the Nationalists viewed private Muslim teachers schools as valuable allies in their efforts to assert influence in China’s Muslim-dominated northwestern frontier region and deliberately refrained from enforcing the 1933 Teachers Schools Regulations on them. Instead, the government applied the 1933 Amended Private Schools Regulations, which did not specifically address teachers schools, to govern Muslim teachers schools. By charting the evolving dynamics between the Nationalist state and Chinese Hui Muslims, Hui Muslims in the Shaping of Modern China: Education, Frontier Politics, and Nation-State (Routledge, 2025) reevaluates the Hui Muslims’ role in shaping modern China.
Offering crucial context on the role of Islam in modern China, this book is a valuable resource for scholars and students of Chinese history, as well as for policymakers and journalists interested in religion in China.
Bin Chen is Assistant Professor at Hong Kong Polytechnic University. He received his PhD from Pennsylvania State University, and his research interests include China’s modern transition and Islam in China. His publications have appeared in The Journal of Asian Studies, Journal of Modern Chinese History, International Journal of Asian Studies, and others.
Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. More details about his scholarship and research interests can be found here.
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Marxists have an obvious interest in understanding social movements. Less obvious, even with the voluminous theoretical archives at hand, is how to pull their various forms together into a cohesive theory of collective action. While one can see images on the news of strikes, riots, protests, coups, and uprisings, and draw occasional connections between them, turning this vast array of phenomena into a cohesive theory that can be built upon remains a challenge, but it's one my guests today, Augustin Santella and Adrian Piva have risen to. Assembling a number of essays from scholars from all over the world, their book, Marxism, Social Movements and Collective Action (Palgrave Macmillan, 2023) tries to understand the various forms collective struggle can take, all the while chasing the underlying logic that might unite them. While the book will not be the final word on the topic, its essays will prove rich resources for those looking for both empirical examples and philosophical speculations on the nature of collective struggle.
Augustin Santella and Adrian Piva are both professors at the University of Buenos Aires, Argentina.
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Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states.
For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text.
The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states.
Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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This episode is brought to you by the BISA Environment and Climate Politics Working Group.
African Climate Futures (Oxford UP, 2025) shows how climate-changed futures are imagined in Africa and by Africans, and how these future visions shape political debates and struggles in the present. Scientific climate scenarios forecast bleak futures, with increased droughts, floods, lethal heatwaves, sea level rises, declining crop yields, and greater exposure to vector-borne diseases. Yet, African climate futures could also encompass energy transitions and socio-economic revolutions, transformed political agency and human subjectivities, and radically reparative more-than-human climate politics.
At the heart of the book is an original and interdisciplinary approach. It studies official climate policy strategies and fictional texts side-by-side, as ecopolitical imaginaries that envision low-carbon, climate-changed futures, and narrate pathways from 'here' to 'there'. It discusses net zero strategies from Ethiopia, The Gambia, Nigeria, South Africa, and Zimbabwe and draws on postcolonial, feminist, and queer theory, arguing that Africanfuturist climate fiction can inspire more radical, reparative, more-than-human ecopolitical imaginaries. These stories can help us to understand the debts we all owe, imagine what reparations might entail, and explore the contours of living convivially alongside more-than-human others in heterotopian, climate-changed futures.
Stories can help explore how we might feel in climate-changed futures and can help us to narrate a path through them. This book uses Africanfuturist climate fiction to inspire new ways of challenging and enriching theoretical debates in global climate change politics, including how we understand the places, temporalities, ecologies, and politics of climate futures. If we want to survive to tell new stories in liveable futures then we need to urgently and radically transform carboniferous capitalism.
Carl Death joined the University of Manchester in August 2013 as a Senior Lecturer in International Political Economy, after four years in the Department of International Politics, Aberystwyth University, and a year in the School of Law and Government, Dublin City University. He has conducted research in South Africa, Tanzania and the USA, and has held visiting researcher positions at The MacMillan Centre for International and Area Studies and the Agrarian Studies Program at Yale University; the Wits Institute for Social and Economic Research (WISER) at the University of the Witwatersrand in Johannesburg; Stellenbosch University; and the Centre for Civil Society (CCS) at the University of KwaZulu-Natal in Durban.
Pauline Heinrichs is a Lecturer in War Studies (Climate and Energy) at King’s College London. Her research focuses climate and energy security. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank.
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The average estimated words-per-minute in a feature film is 90; His Girl Friday (1940) clocks in at 240. And yet the fast dialogue is only one of its many fascinations. Everything about it perfectly lands: the script, the casting, the camerawork, the minor players–all contribute to what can be called, without the kind of hyperbole found in the Morning Post, a perfect film. It’s as cynical as Network yet as joyful as Singin’ in the Rain and skewers the news-tainment complex with an affection for its perpetrators. Join us for an appreciation for one of the best.
Incredible bumper music by John Deley.
Admirers of the film will enjoy this beautifully designed book edition of the original screenplay, in which the original dialogue from the film is reproduced complete with an accompanying commentary.
Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at [email protected] with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla’s substack, The Grumbler’s Almanac, for commentary on offbeat topics of the day.
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Brussels is full of lobbyists. Over decades, big companies have been using their financial might not only to influence EU policies but even to shape how EU institutions are designed and what their key goals are. Host Licia Cianetti talks to Kenneth Haar, who for almost two decades has been conducting research on corporate lobbying in the EU for Corporate Europe Observatory. Kenneth explains how corporate lobbying works, what lobbyists want, and how a sketchily defined “competitiveness” agenda is driving a far-reaching deregulation drive by the European Commission, which endangers hard fought for environmental, social, health, and labour protections.
Guest: Kenneth Haar is a researcher and campaigner at Corporate Europe Observatory (CEO). His freely downloadable book, A Europe of Capital, details how corporate lobbyists got to the core of the European project. Corporate Europe Observatory is an advocacy and investigative research group. Their many reports, articles, and infographics on corporate lobbying in the EU are available on the CEO website. You can download their alternative tourist guide to Bussels here: “Lobby Planet – Brussels”. CEO’s podcast EU Watchdog Radio is also highly recommended!
Presenter: Licia Cianetti is Associate Professor at the University of Birmingham and Founding Deputy Director of CEDAR.
The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom.
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This episode features a conversation with the founding members of the Feminist Critical Hindu Studies Collective, also known as the Auntylectuals. We began with each of them reflecting on their pathway into Hindu Studies and how the questions of caste and gender shaped their approaches to this field. We then discussed their motivations for starting the collective and what interventions they hoped to make through it. This took us deeper into some thorny topics: caste as a form of embodied knowledge that is often accompanied by the denial of its continued social power; the politics of Hinduism in North America where Hindus are both predominantly upper caste and a racial minority; the relationship between Hinduism and Hindutva, or Hindu nationalism; the traffic in language and tactics between Hindutva and Zionism; and the efforts to push back against the movement to make caste a protected category in U.S. anti-discrimination law.
Guests:
Shreena Gandhi: Professor of Religious Studies, Michigan State University
Harshita Kamath: Professor of Telugu Culture, Literature, and History, Emory University
Sailaja Krishnamurti: Professor of Gender Studies, Queen’s University
Shana Sippy, Professor of Religion, Centre College
Mentioned in the episode:
Rajiv Malhotra: an ideologue of the Hindu nationalist movement in the U.S. and founder of Infinity Foundation
Harshita Kamath, Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance
Amar Chitra Katha: an Indian comic book publisher whose comics are hugely popular and widely available in India and the Indian diaspora.
Sailaja Krishnamurti, “Learning about Hindu Religion through Comics and Popular Culture,” David Yoo and Khyati Y Joshi eds. Envisioning Religion, Race and Asian Americans, Honolulu: University of Hawai’i Press, 207-226, 2020.
Babri Masjid: a 16th century mosque that became the target of Hindu nationalist mobilization and was destroyed by vigilante mobs in December 1992.
Marko Geslani, “A Model Minority Religion: The Race of Hindu Studies,” American Religion, forthcoming.
Thenmozhi Soundarajan, The Trauma of Caste
Sarah Ahmed, Queer Phenomenology: Orientations, Objects, Others
Feminist Critical Hindu Studies Collective, “Feminist Critical Hindu Studies in formation”
Feminist Critical Hindu Studies Collective, “Hindu fragility and the politics of mimicry in North America”
Feminist Critical Hindu Studies Collective, “Hinduphobia is a smokescreen for Hindu nationalists”
Shana Sippy and Sailaja Krishnamurti, “Not all Hinduism is Hindutva, but Hindutva is in fact Hinduism”
Shana Sippy, “Strange and Storied Alliances: Hindus and Jews, India and Israel,” manuscript in progress
Shana Sippy, "Victimization, Supremacism, Solidarity, and the Affective and Emulative Politics of American Hindus"
Tomako Masuzawa, The Invention of World Religions, Or How European Universalism Was Preserved in the Language of Pluralism
Shreena Gandhi, “Framing Islam as American Religion Despite White Supremacy”
Equality Labs is a South Asian Dalit civil rights organization.
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The balance of global power changed profoundly over the course of the twentieth century, above all with the economic and political rise of Asia. Asia after Europe: Imagining a Continent in the Long Twentieth Century (Harvard UP, 2024) is a bold new interpretation of the period, focusing on the conflicting and overlapping ways in which Asians have conceived their bonds and their roles in the world. Tracking the circulation of ideas and people across colonial and national borders, Sugata Bose explores developments in Asian thought, art, and politics that defied Euro-American models and defined Asianness as a locus of solidarity for all humanity.
Impressive in scale, yet driven by the stories of fascinating and influential individuals, Asia after Europe examines early intimations of Asian solidarity and universalism preceding Japan’s victory over Russia in 1905; the revolutionary collaborations of the First World War and its aftermath, when Asian universalism took shape alongside Wilsonian internationalism and Bolshevism; the impact of the Great Depression and Second World War on the idea of Asia; and the persistence of forms of Asian universalism in the postwar period, despite the consolidation of postcolonial nation-states on a European model.
Diverse Asian universalisms were forged and fractured through phases of poverty and prosperity, among elites and common people, throughout the span of the twentieth century. Noting the endurance of nationalist rivalries, often tied to religious exclusion and violence, Bose concludes with reflections on the continuing potential of political thought beyond European definitions of reason, nation, and identity.
Sugata Bose is Gardiner Professor of Oceanic History and Affairs, Harvard University.
Lucas Tse is Examination Fellow at All Souls College, Oxford University.
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Settler Colonialism is the Disaster: A Critique of New Orleans After Hurricane Katrina and During the COVID-19 Pandemic (U Illinois Press, 2026) is the new book from Dr. Cassandra Shepard, Assistant Professor in the Department of African American and Diaspora Studies at Xavier University of Louisiana. Published with University of Illinois Press, this encompassing and engrossing book focuses on the crises that have engulfed New Orleans, including the disasters of colonialism, Hurricane Katrina in 2005, and COVID-19, taking the reader through their causes and impacts on not only a broad level but through the everyday and often traumatic experiences of the residents of New Orleans. The analysis moves from the Lower Ninth Ward in New Orleans, to state-level post-disaster reconstruction contracts, to international forms of colonialism, and even encompasses Beyonce. This book, which is also includes poetry and a recommended playlist, is also very relevant to the current global moment.
Shepard analyses the overlapping and intersecting disasters that have affected New Orleans through ideas of disaster capitalism and settler colonialism, demonstrating how Black and Indigenous peoples have been deprived of critical resources. The reconstruction processes following, and during, these crises have often sought to exploit the authentic New Orleans culture and vibrancy to further the consolidation of power, profit, and privilege of white elites, to the detriment of Black and Indigenous peoples. Shepard’s book, Settler Colonialism is the Disaster, takes a multi-scalar view of settler colonialism and investigates how it has not only operated historically in New Orleans, but clearly demonstrates that it is a continual process that still determines reconstruction, relief, and other projects today. Shepard connects the ongoing violence and dispossession inherent in settler colonialism within New Orleans, expressed through structural responses to Hurricane Katrina and COVID-19, to other settler colonial projects around the world, such as in Canada, Israel, New Zealand, and Australia.
Cassandra Shepard’s new book is an exceptional, theoretically and empirically rich book that offers a new critique into ‘best practice’ reconstruction, which demands attention. Settler Colonialism is the Disaster offers an urgent, critical view of the political economy of reconstruction, aid, and government responses; a view which is crucial to take seriously in our world today, plagued as it is by crisis, war, and settler colonialism.
Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press.
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Answers to the question 'what is medical progress?' have always been contested, and any one response is always bound up with contextual ideas of personhood, society, and health. However, the widely held enthusiasm for medical progress escapes more general critiques of progress as a conceptual category.
From the intersection of intellectual history, philosophy, and the medical humanities, in Making Medical Progress: History of a Contested Idea (Cambridge UP, 2025) Dr. Vanessa Rampton sheds light on the politics of medical progress and how they have downplayed the tensions between individual and social goods. She examines how a shared consensus about its value gives medical progress vast political and economic capital, revealing who benefits, who is left out, and who is harmed by this narrative. From ancient Greece to artificial intelligence, exploring the origins and ethics of different visions of progress offers valuable insight into how we can make them more meaningful in future. This title is also available as open access on Cambridge Core.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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