New Books Network

Immigration is one of the most controversial topics in the United States―and everywhere else. Pundits, politicians, and the public usually depict immigrants either as villains who pose a threat to our economy, culture, and safety, or as victims―needy outsiders whom we must help, at our own cost if necessary. But the data clearly debunk both narratives. From jobs, investment, and innovation to cultural vitality and national security, more immigration has an overwhelmingly positive impact on everything that makes a society successful.
In The Truth About Immigration: Why Successful Societies Welcome Newcomers (St. Martin's Press, 2024), Wharton professor Zeke Hernandez draws from nearly twenty years of research to answer all the big questions about immigration. He combines moving personal stories with rigorous research to offer an accessible, apolitical, and evidence-based look at how newcomers affect our local communities and our nation. You’ll learn about the overlooked impact of immigrants on investment and job creation; realize how much we take for granted the novel technologies, products, and businesses newcomers create; get the facts straight about perennial concerns like jobs, crime, and undocumented immigrants; and gain new perspectives on misunderstood issues such as the border, taxes, and assimilation.
Hernandez turns fear into hope by proving that immigrants are essential for economically prosperous and socially vibrant nations.

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In this episode, our hosts Saeed Khan, Amina Easat Daas, Marchella Ward and Claudia Radiven get together for a reflection and round up of the last season. The conversation took a journey back to the guests earlier in the season and looked at some of the main themes covered, namely resistance, global Islamophobia and the rise of ethno-nationalism. This episode also gave our hosts the opportunity to look at some of the emerging issues at the end of 2025 whilst looking to the future, at what will be coming up for the Critical Muslim Studies Project in 2026.

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Government critics and pro-democracy campaigners used to be relatively safe when they fled into exile. Now transnational repression means that corrupt and abusive regimes can target them through a wide range of strategies ranging from online intimidation through to physical violence and assassination, no matter where they are in the world. So are we now living in the golden age of transnational repression – and if so, what does that mean for the future of civil liberties and political rights? Join the People, Power, Politics podcast as we talk to Nate Schenkkan, former Senior Director of Research at Freedom House, to discuss these issues and so much more!

Transcript of the episode here

Guest: Nate Schenkkan is a researcher and policy analyst specializing in authoritarianism, transnational repression, and democratic resilience. He previously served as Senior Director of Research at Freedom House. His previous work has examined authoritarian influence networks, repression of exiles and diasporas, and the erosion of democratic institutions across Eurasia and beyond. A frequent commentator and author, Schenkkan’s research has been featured in major international outlets and policy forums, contributing to our understanding of how autocrats extend coercion across borders and how democracies can respond.

Presenter: Dr Nic Cheeseman is the Professor of Democracy and International Development at the University of Birmingham and Founding Director of CEDAR.

The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham!

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A racial demographic transition has come to rural northern New England. White population losses sit alongside racial and ethnic minority population gains in nearly all of the small towns of the Upper Valley region spanning New Hampshire and Vermont. Homesick considers these trends in a part of the country widely considered to be progressive, offering new insights on the ways white residents maintain racial hierarchies even there.

In Homesick: Race and Exclusion in Rural New England Walton focuses on the experiences of mostly well-educated migrants of color moving to the area to take well-paid jobs - in this case in health care, higher education, software development, and engineering. Walton shows that white residents maintain their social position through misrecognition-a failure or unwillingness to see people of color as legitimate, welcome, and valuable members of the community. The ultimate impact of such misrecognition is a profound sense of homesickness, a deep longing for a place in which one can feel safe, wanted, and accepted.

Tightly and sensitively argued, this book helps us better understand how to recognize and unsettle such processes of exclusion in diversifying spaces in general.

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What is the future of museums? In Deconstituting Museums: Participation’s Affective Work Helen Graham, an Associate Professor in School of Fine Art, History of Art and Cultural Studies at the University of Leeds, considers the current state of the sector and stresses the need for significant change. Drawing on both professional reflections and academic analysis, the book introduces the concept of the museum constitution as a key site for struggle within the institution. It shows the challenge of making participation meaningful, and the scale of transformation needed to reframe museums’ central ideas and activities. Essential reading for both academics and museum professionals, as well as audiences, the book is available open access here

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It’s The Pop Culture Professors, and we analyze the first three episodes of The Night Manager, season two. We consider the season as a continuation of Le Carré’s narrative, and consider how far the themes of this new iteration of the series match those of Le Carré’s wider body of work. We look into the ideologies (and views on ideology) that underpin the series, and consider the extent to which the Pine character, cycling endlessly from one identity to the next, is a hero for our post-truth age.

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Over the past three decades, jurisdictions across the United States have developed alternatives to traditional criminal procedures and punishments for adults accused of crimes that are associated with substance use and mental health disorders. The Veterans Treatment Court (VTC) is one example of these problem-solving courts. VTCs benefit from the availability of extensive (and free) medical and social services through the Department of Veterans Affairs, as well as the social and political legitimacy that comes with serving veterans. Worthy of Justice: The Politics of Veterans Treatment Courts in Practice (Stanford UP, 2025) takes this specific form of problem-solving court as lens for examining broader social inequalities in the criminal legal system. Jamie Rowen argues that the rationale for VTCs flows not from what veterans have done but from who they are. Their operations are fueled by the notion that their participants' criminal behavior is the result of military service rather than other personal choices made, thus making them uniquely worthy of public support. In this way, VTCs powerfully expose the contradictions inherent in the idea that criminals deserve punishment. Rowen draws on fieldwork at three such courts across the US. Ultimately, she illustrates how the politics of crime and the politics of welfare increasingly intersect and, together, construct classes of Americans who are either worthy, or not.

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In Everything Is Fine, I’ll Just Work Harder: Confessions of A Former Badass (Street Noise Books, 2025), Professor Cara Gormally draws us into the familiar academic world of chronic busyness. In panel after panel, Cara brings us into a life numbed by overwork. Then, as this graphic memoir shows us, during an ordinary early-morning run, Cara’s watch dings with a Facebook friend request. Their rapist wants to “friend” them.

Cara always had a long to-do list; always had many projects; always was busy. But as their rapist continued to send friend requests and tried to reconnect with them, they began to lose their grip on their work, projects, and relationships. But then Cara connects with a therapist who guides them through a long but powerful process of healing. And Cara works to desensitize, reprocess, excavate and relive the old wounds in order to move past them and heal.

This episode explores: Cara’s path to academia; how she discovered her love of science; how art and writing can help us heal; the work of going to therapy; what radical self-acceptance is; why overwork can be a sign of a trauma response; the risks and rewards of changing; and the importance of writing communities.

This episode does not discuss sexual assault.

Our guest is: Dr. Cara Gormally (they/them), who is a professor at Gallaudet University, in Washington, D.C. Their interdisciplinary research focuses on questions related to making science relevant and accessible to increase students' belonging in STEM. Their new book is Everything Is Fine, I’ll Just Work Harder: Confessions of a Former Badass.

Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and host of the Academic Life podcast.

Playlist for listeners:

Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

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In this interview we discuss The Unraveling Heart: Women's Oral Poetics and Literary Vernacularization in Marathi (Columbia UP, 2025). Women’s songs of the grind mill are among the oldest oral traditions in South Asia. They have been sung to accompany a daily household labor, making flour using a stone hand mill, for many centuries. Even today, grind mill songs are still well known in Maharashtra, testifying to the endurance of a remarkable genre. Yet these songs have long been understood through sociological or anthropological lenses, treated as entirely separate from literary culture.

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In today’s episode from the Vault, we revisit a 1982 lecture by the composer Lukas Foss, a leader of the American musical avant garde of the 1960s and 70s. In this lecture, a part of the “New American Music Series” of Gallatin Lectures at NYU, Foss discusses the state of American contemporary music, musical minimalism, and his own approach of combining serial elements with spontaneous composition.

Foss was born Lukas Fuchs in Berlin, on August 15, 1922, the son of a lawyer and a painter. He began studying piano and music theory when he was 7, and sketched out an opera when he was 11. His family fled to Paris in 1933, and arrived in the U.S. in 1937. He attended the Curtis Institute of Music in Philadelphia, and studied composition with Paul Hindemith at Yale.

In 1953, Foss succeeded Arnold Schoenberg as the head of the composition department at the University of California at Los Angeles. In 1962, “Time Cycle,” a four-movement vocal setting of texts by Auden, Housman, Kafka and Nietzsche, premiered with Leonard Bernstein and the New York Philharmonic. From 1971 to 1988 Foss was music director of the Brooklyn Philharmonic. After he left the Brooklyn Philharmonic, in 1990, Foss appeared as a guest conductor and pianist with orchestras around the world. He died in New York City on February 1, 2009.

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