New Books Network

In Breathing Aesthetics (Duke University Press (2022), Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and experienced through respiration. They identify responses to the crisis in breathing in aesthetic practices ranging from the film work of Cuban American artist Ana Mendieta to the disability diaries of Bob Flanagan, to the Black queer speculative fiction of Renee Gladman. In readings of these and other minoritarian works of experimental film, endurance performance, ecopoetics, and cinema-vérité, Tremblay contends that articulations of survival now depend on the management and dispersal of respiratory hazards. In so doing, they reveal how an aesthetic attention to breathing generates historically, culturally, and environmentally situated tactics and strategies for living under precarity.

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Patricia Anne Simpson joins Jana Byars to talk about Early Modern Women's Work: Kinship, Community, and Social Justice (Routledge, 2025). The book examines the contributions of female writers, artists, scientists, religious leaders, and patrons who engaged in entrepreneurial, intellectual, and emotional labor in German-speaking Europe. Through individual and collective authorship, the women analyzed in this study assert a claim to kinship and community, often beyond the hegemonic, heteronormative relationships to family, religion, and monarch. The contributions of early modern women to the construction of productive work spaces and the establishment of intellectual and actual communities are often overlooked or underestimated in scholarship on this period. This book serves as a cultural corrective to suppositions of gender-coded work, because alongside the dominant history of the private sphere as a feminine domain, a counter-narrative emerges with collective authorship. Despite the disparities in their biographies, the women whose work Simpson foregrounds highlight a range of early modern concerns, primarily but not exclusively in German-speaking Europe. These include debates about women's education and erudition; migration and displacement in search of religious or professional freedom; a persistent but varied discourse about female authorship and creative agency; and the assertion of subjectivity against the violent, fractious history of the Thirty Years' War and beyond. This book will be an ideal resource for students, scholars, and all those interested in German and European studies, women and gender studies, and the history of early modern work.

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Stefania Marghitu's Teen TV (Routledge, 2021)explores the history of television's relationship to teens as a desired, but elusive audience, and the ways in which television has embraced youth subcultures, tracing the shifts in American and global televisual and youth cultures. Organized chronologically, Teen TV starts with Baby Boomers and moves to Gen X, Millennials, and Gen Z as a way to contextualize and discuss cultural and historical contexts of teen television and television audiences. The book examines a wide range of historical and contemporary programming: from the broadcast bottleneck, multi-channel era that included youth targeted spaces like MTV, the WB, and the CW, to the rise of streaming platforms and global crossovers. It covers the thematic concerns and narrative structure of the coming-of-age story, and the prevalent genres of teen TV, and milestones faced by teen characters. The book also includes interviews with creators and showrunners of hit network television teen series, including Degrassi's Linda Schulyer, and the costume designer that established a heightened turn in the significance of teen fashion on the small screen in Gossip Girl, Eric Daman. 

Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.

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The dream of the modern worker’s house emerged in early twentieth-century America as wage earners gained access to new, larger, and better-equipped dwellings. Building a Social Contract: Modern Workers’ Houses in Early Twentieth-Century Detroit (Temple UP, 2023) is a cogent history of the houses those workers dreamed of and labored for. Dr. Michael McCulloch chronicles the efforts of employers, government agencies, and the building industry who, along with workers themselves, produced an unprecedented boom in housing construction that peaked in the mid-1920s.

Through oral histories, letters, photographs, and period fiction, Dr. McCulloch traces wage earners’ agency in negotiating a new implicit social contract, one that rewarded hard work with upward mobility in modern houses. This promise reflected workers’ increased bargaining power but, at the same time, left them increasingly vulnerable to layoffs.

Building a Social Contract focuses on Detroit, the quintessential city of the era, where migrant workers came and were Americanized, and real estate agents and the speculative housebuilding industry thrived. The Motor City epitomized the struggle of Black workers in this period, who sought better lives through industrial labor but struggled to translate their wages into housing security amid racist segregation and violence. When Depression-era unemployment created an eviction crisis, the social contract unraveled, and workers rose up—at the polls and in the streets—to create a labor movement that reshaped American capitalism for decades.

Today, the lessons Dr. McCulloch provides from early twentieth-century Detroit are a necessary reminder that wages are not enough, and only working-class political power can secure affordable housing.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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We the Young Fighters: Pop Culture, Terror, and War in Sierra Leone (U Georgia Press, 2023) by Dr. Marc Sommers is at once a history of a nation, the story of a war, and the saga of downtrodden young people and three pop culture superstars. Reggae idol Bob Marley, rap legend Tupac Shakur, and the John Rambo movie character all portrayed an upside-down world, where those in the right are blamed while the powerful attack them. Their collective example found fertile ground in the West African nation of Sierra Leone, where youth were entrapped, inequality was blatant, and dissent was impossible.
When warfare spotlighting diamonds, marijuana, and extreme terror began in 1991, military leaders exploited the trio’s transcendent power over their young fighters and captives. Once the war expired, youth again turned to Marley for inspiration and Tupac for friendship.
Thoroughly researched and accessibly written, We the Young Fighters probes terror-based warfare and how Tupac, Rambo, and—especially—Bob Marley wove their way into the fabric of alienation, resistance, and hope in Sierra Leone. The tale of pop culture heroes radicalizing warfare and shaping peacetime underscores the need to engage with alienated youth and reform predatory governments. The book ends with a framework for customizing the international response to these twin challenges.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Among the many things expectant parents are told to buy, none is a more visible symbol of status and parenting philosophy than a stroller. Although its association with wealth dates back to the invention of the first pram in the 1700s, in recent decades, four-figure strollers have become not just status symbols but cultural identifiers.

There are sleek jogging strollers for serious athletes, impossibly compact strollers for parents determined to travel internationally with pre-ambulatory children, and those featuring a ride-on kick board or second, less “babyish” seat, designed with older siblings in mind. Despite the many models available, we are all familiar with the image of a harried mother struggling to use a stroller of any kind in a public space that does not accommodate it. There are anti-stroller evangelists, fervently preaching the gospel of baby wearing and attachment parenting. All of these attitudes, seemingly about an object, are also revealing of how we believe parents and children ought to move through the world.

Amanda Parrish Morgan's book Stroller (Bloomsbury, 2022) is part Object Lessons, a series of short, beautifully designed books about the hidden lives of ordinary things.

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Josh Levine's Pretty, Pretty, Pretty Good: Larry David and the Making of Seinfeld and Curb Your Enthusiasm, Fully Revised and Updated (ECW Press, 2025) is fully revised and includes a full insightful episode guide to the entire "Curb Your Enthusiasm." For Larry David, success was no sure thing. A frustrated New York comic who was known to walk off the stage in disgust, David was barely making a living. At least until his friend Jerry Seinfeld asked him to create a new kind of television sitcom for NBC. The result — Seinfeld — started slowly but became a gigantic hit. But most people didn’t know that the real genius behind the show was Larry David. Rich beyond his wildest dreams, David still had something to prove — and some television boundaries to push. And so he created Curb Your Enthusiasm, the improvised comedy that cast aside political correctness and made for hilarious, cringeworthy TV, a show that dared to relive the disastrous Seinfeld finale and turn it into a triumph. This second, fully updated edition of Pretty, Pretty, Pretty Good offers a complete episode-by-episode guide to the series and recounts David’s early struggle to succeed in television and movies, the creation and development of his hit sitcoms, and his later success starring in the HBO film Clear History and the Broadway hit Fish in the Dark. It also explores Larry’s on- and offscreen relationships with famous pals like Richard Lewis, Ted Danson, and Jerry, Jason, Julia, and Michael. Filled with candor and humor David himself would respect, Pretty, Pretty, Pretty Good is an essential companion to a comedic force.

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Conservatism needs to be rediscovered. That is, it needs to be differentiated from the post WWII concept of liberal democracy and return to its traditional three pillars of religion, nationalism, and economic growth. And it needs to be thought of as Anglo-American conservatism, rooted in the tradition of the English Constitution going back to such thinkers as John Fortescue (c. 1394 –1479) and John Selden (1584 –1654). We need to be a God-fearing nation, with nation and religion at the center of our national belief system. We must live conservative lives.

These are some of the arguments made by the political theorist and public intellectual Yoram Hazony in his 2022 book Conservatism: A Rediscovery (Regnery Publishing, 2022).

It is a provocative book that even many conservatives may take issue with.

For example, Hazony puts a great deal of emphasis on the importance of hierarchy both within the family and in society at large. Given that a good deal of the rationale of right-wing thinking in recent years has been predicated on the necessity for non-violent rebellion against the establishment in the Republican party and the left-wing dominance of academia, Hazony’s arguments may not be embraced by large swaths of the right. But to get conservatives and those on the right who do not identify as such thinking about what they stand for, what they want and how to get it is one of the goals of the book. It succeeds.

To those who might blanch at the embrace of religion in the public sphere, Hazony argues that for all intents and purposes the increasingly powerful political philosophy woke neo-Marxism is itself a religion. Hazony criticizes the right for acquiescing in the relegation of traditional religion to the private sphere. He argues robustly for religion, particularly Christianity, to serve as a countervailing force to wokeism. In the face of a progressive order that leaves people in the position of being unable to distinguish between a man and a woman, Hazony advocates for such measures as ending the ban on the Bible and God in the public school classroom.

This is a full-throated defense of conservatism and is, therefore, must reading for those on all sides of the political spectrum. Hazony addresses the need for the idea of a nation, its cohesion, and its inherited traditions. For that, he says, you need conservatism. And by conservatism, he means a public conservatism, a public traditionalism in those places where there is a majority that will support it. Hazony maintains that our culture must support parents and congregations in the work of the transmission of values that ensure respect for tradition, nation and hierarchy.

This book is a substantive intellectual history of conservative thought and profiles significant figures in the conservative movement (e.g., William F. Buckley, Frank Meyer, Russell Kirk). It is also a clarion call for those who claim to be conservatives to live genuinely conservative lives. Hazony urges conservatives to stand up for principles like the public acknowledgment of God and such core values as the honor due parents by their adult children, loyalty within marriage, and observance of the sabbath. In the Hazony version of conservatism, all ten of the Ten Commandments ought to be the basis for our country’s social and political life.

He includes in his book a memoir of his days at Princeton University in the 1980s, where a campus culture of loose living and rampant drinking led him to seek out a life of faith and family. College students of today and their parents would do well to read this moving chronicle of a young person surrounded by decadence who escapes its ravages via a solid marriage and a return to traditional religion.

Let’s hear from Mr. Hazony about his book and the path forward for conservatives and America itself.

Hope J. Leman is a grants researcher.

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In The Indebted Woman: Kinship, Sexuality, and Capitalism (Stanford UP, 2023), the authors Isabelle Guérin, Santosh Kumar and G. Venkatasubramanian conceptualise how gender, debt, and capitalism are related. For over ten years, the researchers have been working in the Indian countryside of east-central Tamil Nadu, observing a credit market that specifically targets Dalit women. The book highlights not only the ways how credit is distributed, but also how it is repaid. Combining in-depth ethnography with statistical surveys and financial diaries advanced the understanding of how Dalit women deal with debt, exposing the ways in which capitalism shapes womanhood. The authors' nuanced attention to body, identity, caste, and class provides a comprehensive theory of the sexual division of debt for the first time. 

Isabelle Guérin is Senior Research Fellow at the French Institute of Research for Sustainable Development, and Associate at the French Institute of Pondicherry. Santosh Kumar is a part-time researcher and founder and head of the Mithralaya School of music, dance, and arts. G. Venkatasubramanian has been a sociologist and Research Fellow at the French Institute of Pondicherry for the past thirty-five years.

Sarah Vogelsanger is a researcher on social justice, gender, art and migration, based in London.

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Art After Liberalism (Columbia UP, 2022) is an account of creative practice at a moment of converging political and social rifts – a moment that could be described as a crisis of liberalism. The apparent failures of liberal thinking are a starting point for an inquiry into emergent ways of living, acting, and making art in the company of others.

What happens when the framework of the nation-state, the figure of the enterprising individual, and the premise of limitless development can no longer be counted on to produce a world worth living in? It is increasingly clear that these commonplace liberal conceptions have failed to improve life in any lasting way. In fact, they conceal fundamental connections to enslavement, colonization, moral debt, and ecological devastation.

Nicholas Gamso speaks to Pierre d’Alancaisez about the ills of liberalism and art’s role in deciding on what may come after the impasse.

Nicholas Gamso is a writer and academic who works across theory, visual culture, performance, and space/place. He’s an editor at Places.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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