New Books Network

A sweeping historical coming-of-age novel set against India’s 1948 takeover of Hyderabad, The Sirens of September (India Penguin, 2025) shifts between the palaces of princely Hyderabad, the refugee camps of post-Partition Bombay, army command rooms and the seedy lanes of London’s Piccadilly. Farishteh Ali Khan, an aristocratic teenager who enjoys a gilded existence, tumbles into a web of international espionage, political intrigue and dark family secrets. A few chance meetings between her and an air force pilot, Saleem El Edroos, lead to them striking up a long-distance courtship. When Hyderabad falls, the new regime makes the Ali Khans and the Edrooses answer for their old loyalties. The one person who can come to their aid can also tear Farishteh’s family apart.

Author Bio Note: Zeenath Khan is a writer who divides her time between Hyderabad, India and New York City. The Sirens of September is her debut novel. She has written about history, travel and current affairs for Scroll, Mint Lounge, Siasat and Literary Traveler. Aside from writing, she enjoys reading, working out, baking, and spending time with her friends and three grown-up children.

The article mentioned in the podcast can be found here

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Drag: A British History (University of California Press, 2023) is a groundbreaking study of the sustained popularity and changing forms of male drag performance in modern Britain. With this book, Jacob Bloomfield provides fresh perspectives on drag and recovers previously neglected episodes in the history of the art form. Despite its transgressive associations, drag has persisted as an intrinsic, and common, part of British popular culture--drag artists have consistently asserted themselves as some of the most renowned and significant entertainers of their day. As Bloomfield demonstrates, drag was also at the center of public discussions around gender and sexuality in the nineteenth and twentieth centuries, from Victorian sex scandals to the "permissive society" of the 1960s. This compelling new history demythologizes drag, stressing its ordinariness while affirming its important place in British cultural heritage.

Jacob Bloomfield is a Zukunftskolleg Postdoctoral Fellow at the University of Konstanz and an Honorary Research Fellow at the University of Kent. His research is situated primarily in the fields of cultural history, the history of sexuality, and gender history. Jacob is the author of Drag: A British History (2023). His second monograph will be about the historical reception to, and cultural impact of, musician Little Richard.

Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries.

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Blending travelogue, history, and archaeology, Searching for Ashoka: Questing for a Buddhist King from India to Thailand (SUNY Press, 2023) unravels the various avatars of India's most famous emperor, revealing how he came to be remembered—and forgotten—in distinctive ways at particular points in time and in specific locations. Through personal journeys that take her across India and to various sites and cities in Sri Lanka, Myanmar, and Thailand, archaeologist Nayanjot Lahiri explores how Ashoka's visibility from antiquity to the modern era has been accompanied by a reinvention of his persona. Although the historical Ashoka spoke expansively of his ideas of governance and a new kind of morality, his afterlife is a jumble of stories and representations within various Buddhist imaginings. By remembering Ashoka selectively, Lahiri argues, ancient kings and chroniclers created an artifice, constantly appropriating and then remolding history to suit their own social visions, political agendas, and moral purposes.

Nayanjot Lahiri is Professor of History at Ashoka University. Her previous books include Finding Forgotten Cities: How the Indus Civilization was Discovered; Marshalling the Past: Ancient India and Its Modern Histories; and Ashoka in Ancient India, which was awarded the John F. Richards Prize in South Asian History in 2016.

Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.

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From Octavian's victory at Actium (31 B.C.) to its traditional endpoint in the West (476), the Roman Empire lasted a solid 500 years -- an impressive number by any standard, and fully one-fifth of all recorded history. In fact, the decline and final collapse of the Roman Empire took longer than most other empires even existed. Any historian trying to unearth the grand strategy of the Roman Empire must, therefore, always remain cognizant of the time scale, in which she is dealing. Although the pace of change in the Roman era never approached that of the modern era, it was not an empire in stasis. While the visible trappings may have changed little, the challenges Rome faced at its end were vastly different than those faced by Augustus and the Julio-Claudians. Over the centuries, the Empire's underlying economy, political arrangements, military affairs, and, most importantly, the myriad of external threats it faced were in constant flux, making adaptability to changing circumstances as important to Roman strategists as it is to strategists of the modern era.

Yet the very idea of Rome having a grand strategy, or what it might be, did not concern historians until Edward Luttwak wrote The Grand Strategy of the Roman Empire: From the First Century A.D. to the Third forty years ago. Although the work generated much debate, it failed to win over many ancient historians, in part because of its heavy emphasis on military force. By mostly neglecting any considerations of diplomacy, economics, politics, culture, or even the changing nature of the threats Rome faced, Luttwak tells only a portion of what should have been a much more wide-ranging narrative.

For this and other reasons, such as its often dull presentation, it left an opportunity for another account of the rise and fall of Rome from a strategy perspective. Through a more encompassing definition of strategy and by focusing much of the narrative on crucial historical moments and the personalities involved, Rome: Strategy of Empire (Oxford UP, 2022) promises to provide a more persuasive and engaging history than Luttwak's. It aims not only to correct Luttwak's flaws and omissions, but will also employ the most recent work of current classical historians and archeologists to present a more complete and nuanced narrative of Roman strategic thinking and execution than is currently available.

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Thomas Princen explores issues of social and ecological sustainability at the School of Natural Resources and Environment at the University of Michigan. He works on principles for sustainability, overconsumption, the language and ethics of resource use, and the transition out of fossil fuels. His latest book is Fire and Flood: Extreme Events and Social Change Past, Present, Future (MIT Press, 2025).

Princen is the author of Treading Softly: Paths to Ecological Order (2010), author of The Logic of Sufficiency (2005), and lead editor of Confronting Consumption (2002), all three published by MIT Press. The last two were awarded the International Studies Association's Harold and Margaret Sprout Award for the best book in the study of international environmental problems. He is co-editor of The Localization Reader: Adapting to the Coming Downshift (MIT Press, 2012), co-author of Environmental NGOs in World Politics: Linking the Local and the Global (Routledge, 1994) and author of Intermediaries in International Conflict (Princeton University Press, 1992/1995).

 Princen was named an Aldo Leopold Leadership Fellow, sponsored by the Packard Foundation, and before that was a Pew Faculty Fellow for International Affairs.

Princen received his Ph.D. in Political Economy and Government from Harvard University in 1988 and a Bachelor of Arts in biology from Pomona College in 1975. He was a MacArthur Foundation Post-Doctoral Visiting Research Fellow in International Peace & Security at Princeton University from 1988 to 1989. He now serves as an Associate Professor of Natural Resources and Environmental Policy at the University of Michigan.

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Activists utilize digital technologies to communicate, coordinate, and organize for social change. In Appropriate, Negotiate, Challenge: Activist Imaginaries and the Politics of Digital Technologies (U California Press, 2024) Elisabetta Ferrari examines both the politics of Silicon Valley's technological imaginary and how leftist activists appropriate, negotiate, and challenge Silicon Valley's vision of technology. Researching movements in Italy, Hungary, and the United States, Ferrari shows how activists construct their own activist technological imaginaries that reflect and shape the politics of social movement how activists think about their political possibilities. Ultimately, Ferrari centers the political and imaginative work that activists need to perform in order to navigate the politics of mainstream digital technologies. 

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Policing is a source of perennial conflict and philosophical disagreement. Current political developments in the United States have only increased the urgency of this topic. Today we welcome philosopher Jake Monaghan to discuss his book, Just Policing (Oxford UP, 2023), which applies interdisciplinary insights to examine the morality of policing.

Though the injustices of our world seemingly require some kind of policing, the police are often sources of injustice themselves. But this is not always the result of intentionally or negligently bad policing. Sometimes it is an unavoidable result of the injustices that emerge from interactions with other social systems. This raises an important question of just policing: how should police respond to the injustices built into the system? Just Policing attempts an answer, offering a theory of just policing in non-ideal contexts.

Monaghan argues that police discretion is not only unavoidable, but in light of non-ideal circumstances, valuable. This claim conflicts with a widespread but inchoate view of just policing, the legalist view that finds justice in faithful enforcement of the criminal code.

But the criminal code leaves policing seriously underdetermined; full enforcement is neither possible nor desirable. Police need an alternative normative framework for evaluating and guiding their exercise of power.

Just Policing critiques popular approaches to police abolitionism while defending normative limits on police power. The book offers a defense of police discretion against common objections and evaluates controversial issues in order maintenance, such as the policing of "vice" and homelessness, democratic control over policing, community policing initiatives, police collaborations and alternatives like mental health response teams, and possibilities for structural reform.

Jake Monaghan is Assistant Professor of Philosophy at the University of Southern California. He earned his Ph.D. in philosophy at the University of Buffalo. His research is primarily in moral and political philosophy.

He is interviewed by Tom McInerney, an international lawyer, scholar, and strategist, who has worked to advance rule of law and development internationally for 25 years. He has taught in the Rule of Law for Development Program at Loyola University Chicago School of Law since 2011. He writes the Rights, Regulation and Rule of Law newsletter on Substack.

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One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars.

In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it.

Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come.

Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee.

Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne.

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As she taught university-level courses on modern French history, Darcie Fontaine felt like she could not find a textbook that provided an up-to-date narrative about the ways in which France has been involved in and influenced by the rest of the world—certainly not one that incorporated contributions from scholars of social and cultural history, gender studies, and the history of imperialism. So when the opportunity to develop a textbook for college professors that did just that presented itself, she decided to take the leap. Modern France and the World (Routledge, 2023) is the result of years of research, reading, and collaborative engagement with scholars in a diverse array of fields that provides readers with an engaging narrative of French history from the 18th century to the present that incorporates a consistent awareness of how France’s empire and global politics has shaped it as a nation. A useful resource for teachers, students, and scholars of modern France, the book incorporates brief discussions of cultural objects and major themes in French history that can serve as a foundation for a one- or two- semester survey, a specialized course, or even general undergraduate classes.

In this conversation, we talk not only about how she decided to take on this gargantuan task, but how she went about writing the book – gathering ideas and advice from scholars with different methodological expertise, reading widely in fields with which she was less familiar, and, eventually, whittling down all of this information into a concise text. Along the way, we discuss how collaboration, teaching, and an awareness of the influence of academic history shaped the decisions she made about what to include and what to leave out of the narrative. Fontaine demonstrates an astute awareness of the political importance and stakes of creating national narratives. As she explains: “everything about [the book] is a historiographic intervention… every choice I make about what to include, what not to include, is embedded in the historiography.”

Darcie Fontaine is a scholar of modern French imperialism, particularly in North Africa, though she has studied transnational women’s movements and refugee politics in nineteenth and twentieth century French history. Her first book, Decolonizing Christianity: Religion and the End of Empire in France and Algeria was published in 2016—and was featured on an episode of New Books in French Studies! She is currently working as a developmental editor and translator at Les plumes rouges, the new company she has launched with Dr. Sandrine Sanos.

Sarah K. Miles is a PhD Candidate in History at the University of North Carolina, Chapel Hill who specializes in global francophone history and the history of the French Left. If you have a recent title to suggest for the podcast, please send her an email ([email protected]).

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Sabrina Mittermeier's edited volume Fan Phenomena: Disney (Intellect Books, 2023) analyzes the fandom of Disney brands across a variety of media including film, television, novels, stage productions, and theme parks. It showcases fan engagement such as cosplay, fan art, and on social media, as well as the company’s reaction to it. Further, the volume deals with crucial issues—race and racism, the role of queerness, the impact of the COVID-19 pandemic, and the advent of the streaming service Disney+—within the Disney fandom and in Disney texts.

The authors come from a variety of disciplines including cultural and media studies, marketing and communications, cultural history, theater and performance studies, and more. In addition to interviews with fan practitioners, the essays feature both leading experts in fan and Disney studies alongside emerging voices in these fields. A vital new addition to the growing subdiscipline of fan studies, it will be popular with scholars of cultural studies, cultural history, and media studies.

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