New Books Network

What does it mean to be a political subject? This is one of the key questions asked by Massimo Modonesi in ​The Antagonistic Principle: Marxism and Political Action (2019)​, published as part of the Historical Materialism book series from Brill and Haymarket books. The book takes on the theories of Marx and Gramsci to develop a philosophical triad of subalternity-antagonism-autonomy as a way of studying political subjectification under oppressive conditions and the potential for resistance. The book then looks at political developments in South and Latin America, trying to understand the underlying dynamics of both where it’s coming from, and what its possibilities are for anticapitalist resistance.

Massimo Modonesi is professor and chair of the Political and Social Sciences Faculty at the Autonomous National University in Mexico, and is the author of numerous books on political theory and history in Latin America, his most recent in English being ​Subalternity, Antagonism, Autonomy: Constructing the Political Subject.​ He is a member of the coordinating committee of the International Gramsci Society.

Maria Vignau served as a research assistant under Modonesi, and now teaches while working on her PhD at the University of Washington in Seattle.

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A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production? 

In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media.

Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

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In No Standard Oil: Managing Abundant Petroleum in a Warming World (Oxford University Press, 2021), Deborah Gordon shows that no two oils or gases are environmentally alike. Each has a distinct, quantifiable climate impact. While all oils and gases pollute, some are much worse for the climate than others. In clear, accessible language, Gordon explains the results of the Oil Climate Index Plus Gas (OCI+), an innovative, open-source model that estimates global oil and gas emissions. Gordon identifies the oils and gases from every region of the globe–– along with the specific production, processing, and refining activities–– that are the most harmful to the planet, and proposes innovative solutions to reduce their climate footprints.

Global climate stabilization cannot afford to wait for oil and gas to run out. No Standard Oil shows how we can take immediate, practical steps to cut greenhouse gas emissions in the crucial oil and gas sector while making sustainable progress in transitioning to a carbon-free energy future.

Deborah Gordon is a senior principal in the Climate Intelligence Program at RMI where she leads the Oil and Gas Solutions Initiative. Gordon also serves as a senior fellow at the Watson Institute for International and Public Affairs at Brown University and the principal investigator for the Oil Climate Project.

Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).

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Though his advice has saved the lives of millions of people, the name Ignaz Semmelweis is not one commonly known today. In his book Anthony Valerio’s Semmelweis: The Women's Doctor (Zantedeschi Books, 2019). Valerio details the many struggles Semmelweis faced in winning acceptance for his advice on antiseptic procedures. The son of a Buda spice merchant, Semmelweis started his studies in law before a chance attendance at a medical lecture sparked his interest in becoming a doctor. After earning his degree he decided to specialize in obstetrics, a choice that soon brought him to confront the problem of childbed fever. Deducing that exposure to cadavers was a factor, Semmelweis devised a regimen of hand washing that dramatically reduced the morality rate at the maternity clinic where he worked. Though Semmelweis’s treatment was simple, his ideas faced considerable resistance from leading figures in the Western medical community, with the stress from his campaigns to promote his ideas contributing to the institutionalization that led to his death in 1865.

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The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman’s interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians’ actual words.

Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century’s extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope.

The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA’s prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people.

This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman’s deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.”

Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.

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How should one live? What should one do? And what do these questions have to do with being a good person? In Unbecoming Persons: The Rise and Demine of the Modern Moral Self (University of Chicago Press, 2025), Ladelle McWhorter reorients these questions through a genealogy of the concept of personhood. That genealogy is in the service of showing us not only that personhood is historically contingent, but that it is also optional. In unbecoming persons, we can feel relief, vital belonging, and exhilaration. We can also embrace an ethos of active belonging, a mode of living that eschews the trappings of personhood for the possibilities of life together.

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In his new book, The First Soldier: Hitler as a Military Leader (Yale University Press, 2018), Stephen Fritz professor of history at East Tennessee State University reexamines Hitler as a military commander and strategist. That Hitler saw World War II as the only way to retrieve Germany’s fortunes and build an expansionist Thousand-Year Reich is uncontroversial. But while his generals did sometimes object to Hitler’s tactics and operational direction, they often made the same errors in judgment and were in agreement regarding larger strategic and political goals. A necessary volume for understanding the influence of World War I on Hitler’s thinking, this work is also an eye-opening reappraisal of major events like the invasion of Russia and the battle for Normandy.

Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at [email protected] or on twitter @craig_sorvillo.

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Animals are staging a revolution—they’re just not telling us. From radioactive boar invading towns to jellyfish disarming battleships, Animal Revolution (U Minnesota Press, 2022) threads together news accounts and more in a powerful and timely work of creative, speculative nonfiction that imagines a revolution stirring and asks how humans can be a part of it. If the coronavirus pandemic has taught us anything, it is that we should pay attention to how we bump up against animal worlds and how animals will push back. Animal Revolution is a passionate, provocative, cogent call for us to do so.

Ron Broglio reveals how fur and claw and feather and fin are jamming the gears of our social machine. We can try to frame such disruptions as environmental intervention or through the lens of philosophy or biopolitics, but regardless the animals persist beyond our comprehension in reminding us that we too are part of an animal world. Animals see our technologies and machines as invasive beings and, in a nonlinguistic but nonetheless intensive mode of communicating with us, resist our attempts to control them and diminish their habitats. In doing so, they expose the environmental injustices and vulnerabilities in our systems.

A witty, informative, and captivating work—at the juncture of posthumanism, animal studies, phenomenology, and environmental studies—Broglio reminds us of our inadequacy as humans, not our exceptionalism.

Ron Broglio is professor of English, director of Desert Humanities, and associate director of the Institute for Humanities Research at Arizona State University. He is author or editor of several books, including Beasts of Burden: Biopolitics, Labor, and Animal Life and Surface Encounters: Thinking with Animals and Art.

Callie Smith is a poet and a PhD candidate in English at the University of Louisiana at Lafayette.

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Today I talked to Elliott Rabin about his book The Biblical Hero: Portraits in Nobility and Fallibility (Jewish Publication Society, 2020).

Approaching the Bible in an original way—comparing biblical heroes to heroes in world literature—Rabin addresses a core biblical question: What is the Bible telling us about what it means to be a hero?

Focusing on the lives of six major biblical characters—Moses, Samson, David, Esther, Abraham, and Jacob—Rabin examines their resemblance to hero types found in (and perhaps drawn from) other literatures and analyzes why the Bible depicts its heroes less gloriously than do the texts of other cultures.

Matthew Miller is a graduate of Yeshivat Yesodei HaTorah. He studied Jewish Studies and Linguistics at McGill for his BA and completed an MA in Hebrew Linguistics at Queen Mary University of London. He works with Jewish organizations in media and content distribution, such as TheHabura.com and RabbiEfremGoldberg.org.

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In his new book, Plots Against Hitler (Eamon Dolan/Houghton Mifflin Harcourt, 2016), Danny Orbach, Senior Lecturer at the Hebrew University of Jerusalem offers a profound and complete examination of the plots to assassinate Nazi dictator Adolf Hitler. A riveting narrative of the organization, conspiracy, and sacrifices made by those who led the resistance against Hitler. Orbach deftly analyzes the mixed motives, moral ambiguities and organizational vulnerability that marked their work, while reminding us forcefully of their essential bravery and rightness. And he challenges us to ask whether we would have summoned the same courage.

Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at [email protected] on twitter @craig_sorvillo.

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