New Books Network

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A home cook's guide to one of America's most diverse - and delicious - cuisines, from James Beard Award-winning author and culinary historian Michael W. Twitty 'Our cuisine, with its grits and black-eyed peas, crab cakes, red rice, and endless variations on the staple foods of the region, casts a spell that, if you're lucky, gets passed down with snapping string beans at the table and chewing cane on the back porch.' - Michael W. Twitty In the introduction to this groundbreaking recipe collection, acclaimed historian Michael W. Twitty declares, 'No one state or area can give you the breadth of the Southern story or fully set the Southern table.' To answer this, Recipes from the American South journeys from the Louisiana Bayou to the Chesapeake Bay, showcasing more than 260 of the region's most beloved dishes. Across more than 400 pages, Twitty explores the broad culinary sweep that Southern history and its many cultures represent. Recipes for breads and biscuits, mains and sides, stews, sauces, and sweets feature insightful headnotes and clear, step-by-step instructions. Home cooks will discover both iconic dishes and lesser-known specialties: Chicken and Dumplings, She-crab Soup, Red Eye Gravy, Benne Seed Wafers, Hummingbird Cake, and Mint Juleps appear alongside Shrimp Pilau, Chorizo Dirty Rice, Sumac Lemonade, and Cajun Pig's Ears Pastry. A masterful storyteller, Twitty enriches his extensive recipe collection with lyrical, deeply researched essays that celebrate the region's "multicultural gumbo" of influences from immigrants from across the globe. Vibrant food photography adds further color to the fascinating narrative. Expansive, authoritative, and beautifully designed, Recipes from the American South is a classic cookbook in the making.

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Unleashing Black Power: Grassroots Organizing in Harlem and the Advent of the Long, Hot Summers (UVA Press, 2025) explores the local dynamics, national connections, and global context of the Black freedom movement in Harlem from 1954 to 1964, illuminating how activists, organizers, and ordinary people mounted their resistance to systemic racism in the Jim Crow North. The richness of Black radical thought and action in this period made Harlem a key battleground in the national civil rights movement, transformed local Black grassroots politics, and facilitated the rise of Black Power in New York City. At the same time, the city’s attempts to clamp down on activists revealed the repressive nature of Northern liberalism and heralded the expansion of the carceral state. Peter Blackmer argues that this decade of confrontations between Black communities and white state power caused Harlem residents and activists to seek “new means” for achieving freedom within a city, state, and nation determined to deny it. Tracing the dual evolution of Black radicalism and white resistance, Unleashing Black Power offers a new framework for analyzing the epochal urban uprisings in the 1960s.

Guest: Peter Blackmer (he/him) is an associate professor of Africology and African American Studies at Eastern Michigan University and his research and teaching explore the ways in which Black-led grassroots organizing campaigns for self-determination in the 20th and 21st Century United States have shaped local and national politics through struggles for civil rights, human rights, and political power in American cities.

Host: Michael Stauch (he/him) is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

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On January 5, 1895, Captain Alfred Dreyfus’s cries of innocence were drowned out by a mob shouting “Death to Judas!” In Alfred Dreyfus: The Man at the Center of the Affair (Yale UP, 2024), Maurice Samuels gives readers new insight into Dreyfus himself—the man at the center of the affair. He tells the story of Dreyfus’s early life in Paris, his promising career as a French officer, the false accusation leading to his imprisonment on Devil’s Island, the fight to prove his innocence that divided the French nation, and his life of quiet obscurity after World War I.
Samuels’s striking perspective is enriched by a newly available archive of more than three thousand documents and objects donated by the Dreyfus family. Unlike many historians, Samuels argues that Dreyfus was not an “assimilated” Jew. Rather, he epitomized a new model of Jewish identity made possible by the French Revolution, when France became the first European nation to grant Jews full legal equality. This book analyzes Dreyfus’s complex relationship to Judaism and to antisemitism over the course of his life—a story that, as global antisemitism rises, echoes still. It also shows the profound effect of the Dreyfus Affair on the lives of Jews around the world.

Maurice Samuels is the Betty Jane Anlyan Professor of French and director of the Yale Program for the Study of Antisemitism at Yale University. He is the author most recently of The Betrayal of the Duchess: The Scandal That Unmade the Bourbon Monarchy and Made France Modern. He lives in Branford, CT.

Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.

Mentioned in the podcast:

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Since her death, Sylvia Plath (1932–1963) has become an endless source of fascination for a wide audience ranging from readers of The Bell Jar, her semiautobiographical novel, to her groundbreaking poetry as exemplified by Ariel. Beyond her writing, however, interest in Plath has also been fueled in part by the tragic nature of her death. As a result, a steady stream of biographies of Plath have appeared over the last fifty-five years that mainly focus on her death or contain projections of an array of points of view about the writer.

Until now, little sustained attention has been paid to the influences on Plath’s life and work. What movies did she watch? Which books did she read? How did media shape her worldview? In this meticulously researched biography The Making of Sylvia Plath (UP Mississippi, 2024), Carl Rollyson explores the intricate web of literature, cinema, spirituality, psychology, and popular culture that profoundly influenced Plath's life and writing. At the heart of this biography is a compelling exploration of William Sheldon’s seminal work, Psychology and the Promethean Will, which Plath devoured in her quest for self-discovery and understanding. Through Plath’s intense study of this work, readers gain unprecedented access to Plath's innermost thoughts, her therapeutic treatments, and the overarching worldview that fueled her creative genius.
Through Sheldon as well as Plath’s other influences, Rollyson offers a captivating survey of the symbiotic relationship between an artist and the world around her and offers readers new insights into the enigmatic mind of one of the most important writers of the twentieth century.  

Jane Scimeca, Professor of History at Brookdale Community College Website here

@janescimeca.bsky.social

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What's the secret to keeping your balance? The ear does more than hear: it helps us stay stable by perceiving movements and gravity. Elegant sensors deep within the skull detect every twist, turn, and tumble, powering swift reflexes that keep vision and balance steady. This is the vestibular system. It's primordial and ubiquitous: every animal has one, and even plants have a rudimentary version. It works so well that we take it for granted--until it fails. How does this remarkable system function? What happens when it goes haywire? How can modern medicine treat vestibular disease?

The Great Balancing Act: An Insider's Guide to the Human Vestibular System (Columbia UP, 2025) tells the story of the vestibular system, from T. rex hearing organs to cochlear implants, and from the unsung power of hair cells to inner-ear problems in outer space. Combining neuroscience, history, and medicine, Jeffrey D. Sharon--a vestibular doctor and researcher--explains the sense of balance using accessible language and wry humor. He recounts how pioneering scientists solved the mysteries of the vestibular system and shows why it is necessary for spatial reasoning and abstract thought. Sharon explores the devastating consequences of vestibular problems such as vertigo, dizziness, and imbalance, offering an expert, patient-friendly look at emerging and future treatments. Engaging and entertaining, this book invites readers to discover a little-known yet vital part of ourselves.

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Chinese cinema has a long history of engagement with China’s art traditions, and literati (wenren) landscape painting has been an enduring source of inspiration. Literati Lenses: Wenren Landscape in Chinese Cinema of the Mao Era (U Hawai’i Press, 2019) explores this interplay during the Mao era, a time when cinema, at the forefront of ideological campaigns and purges, was held to strict political guidelines. Through four films―Li Shizhen (1956), Stage Sisters (1964), Early Spring in February (1963), and Legend of Tianyun Mountain (1979)― Mia Liu reveals how landscape offered an alternative text that could operate beyond political constraints and provide a portal for smuggling interesting discourses into the film. While allusions to pictorial traditions associated with a bygone era inevitably took on different meanings in the context of Mao-era cinema, cinematic engagement with literati landscape endowed films with creative and critical space as well as political poignancy. Liu not only identifies how the conventions and aesthetics of traditional literati landscape art were reinvented and mediated on multiple levels in cinema, but also explores how post-1949 Chinese filmmakers configured themselves as modern intellectuals in the spaces forged among the vestiges of the old. In the process, she deepens her analysis, suggesting that landscape be seen as an allegory of human life, a mirror of the age, and a commentary on national affairs.

Jing Li teaches Chinese language, literature, and film. Her research explores rural China and independent cinema. She’s also guest editor for the Chinese Independent Cinema Observer.

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Animals speak. Plants do too. Seas and mountains are not a mute background to human actions, but have interests and agency. Many more-than-human beings are political actors. All of us are part of a web of relations in which we affect others and are affected by them. To counter the current ecological destruction and find more just ways to co-exist, humans need new ways of doing politics with other earth beings. In Multispecies Assemblies (Vine Press, 2025), Dutch philosopher Eva Meijer develops such a new political model: the multispecies assembly. Multispecies assemblies are a form of direct democracy in which some beings speak for themselves and others are represented. Living differently as humans is possible, but we must begin to listen to others, and learn from them.

Eva Meijer is a philosopher, visual artist, writer and singer-songwriter. They write novels, philosophical essays, academic texts, poems and columns, and their work has been translated into over twenty languages. Recurring themes are language including silence, madness, nonhuman animals, and politics. Meijer also works as a postdoctoral researcher at the University of Amsterdam, writes essays and columns for Dutch newspapers, and is a member of the Multispecies Collective.

Kyle Johannsen is Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent authored book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021).

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Risible: Laughter without Reason and the Reproduction of Sound (University of California Press, 2024) explores the forgotten history of laughter, from ancient Greece to the sitcom stages of Hollywood. Delia Casadei approaches laughter not as a phenomenon that can be accounted for by studies of humor and theories of comedy but rather as a technique of the human body, knowable by its repetitive, clipped, and proliferating sound and its enduring links to the capacity for language and reproduction. This buried genealogy of laughter re-emerges with explosive force thanks to the binding of laughter to sound reproduction technology in the late nineteenth century. Analyzing case studies ranging from the early global market for phonographic laughing songs to the McCarthy-era rise of prerecorded laugh tracks, Casadei convincingly demonstrates how laughter was central to the twentieth century’s development of the very category of sound as not-quite-human, unintelligible, reproductive, reproducible, and contagious.

A free e-book version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit here to learn more.​

Nathan Smith is a PhD candidate in Music Theory at Yale University

[email protected]

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In the age of AI, where personal data fuels corporate profits and state surveillance, what are the implications for democracy?

This incisive book You Must Become an Algorithmic Problem: Renegotiating the Socio-Technical Contract (Policy Press, 2025) explores the unspoken agreement we have with tech companies. In exchange for reducing the anxiety of an increasingly complex online world, we submit to algorithmic classification and predictability. This reduces incentives for us to become “algorithmic problems” with dire consequences for liberal democracy. He calls for a movement to demand that algorithms promote play, creativity and potentiality rather than conformity.

This is a must-read for anyone navigating the intersection of technology, politics and identity in an increasingly data-driven world.

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What does contemporary China’s diverse and exciting fiction tell us about its culture, and the relationship between art and politics?

The Subplot: What China Is Reading and Why It Matters (Columbia Global Reports, 2022) by Megan Walsh takes us on a lively journey through a literary landscape like you’ve never seen before: a vast migrant-worker poetry movement, homoerotic romances by “rotten girls,” swaggering literary popstars, millionaire e-writers churning out the longest-ever novels, underground comics, the surreal works of Yu Hua, Yan Lianke, and Nobel-laureate Mo Yan, and what is widely hailed as a golden-age of sci-fi. Chinese online fiction is now the largest publishing platform in the world.

Fueled by her passionate engagement with the arts and ideas of China’s people, Walsh, a brilliant young critic, shows us why it's important to finally pay attention to Chinese fiction—an exuberant drama that illustrates the complex relationship between art and politics, one that is increasingly shaping the West as well. Turns out, writers write neither what their government nor foreign readers want or expect, as they work on a different wavelength to keep alive ideas and events that are censored by the propaganda machine. The Subplot vividly captures the way in which literature offers an alternative—perhaps truer—way to understanding the contradictions that make up China itself.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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