New Books Network

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP’s increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s.

Nathan Smith is a PhD candidate in Music Theory at Yale University

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Naomi R Williams is associate professor of Labor Studies and Employment Relations at Rutgers University. Their primary research interests include labor and working-class history, urban history and politics, gender and women, race and politics, and more broadly, social and economic movements of working people. Naomi focuses on worker voice and late-capitalism at the end of the 20th century. Naomi’s research also examines the ways working people impact local and national political economies and the ways workers participate in collaborative social justice movements. Naomi engages working-class history in urban settings, looking at low-wage service work, industrial employment, and workers in higher education.

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In this double interview I talked to Michael Kinnamon, author of A Rooftop in Jerusalem and Philip Graubart author of Here There Is No Why.

A Rooftop In Jerusalem: When Daniel Jacobs decides to spend his junior year abroad in Israel, he never dreams he'll fall in love with both Jerusalem's Old City and an Israeli woman, Shoshana. It's the year religion becomes a part of his identity, from the heights of a simple rooftop. A year he encounters the tragic complexity of the Israeli-Palestinian struggle. A year that begins a four-decade-long love affair, as complicated and heartbreaking as the political conflict with which it's intertwined. As Daniel moves through life-through marriage and divorce, career and travel-he returns periodically to Jerusalem, where his heart faithfully remains. A Rooftop in Jerusalem brings the Old City's walls, holy sites, and inhabitants to life, while putting a human face on headlines from the Middle East.

Here There Is No Why: Did Chaim Lerner, acclaimed Israeli author and Holocaust survivor, kill himself in 1983, thirty-eight years after surviving Auschwitz? If so, was it traumatic memories finally catching up to him? Or despair over Holocaust denialism? Or ordinary, difficult health issues-an aching hip, a damaged knee? Or simply a deadly episode of depression? Or was it murder? In 2005, Judah Loeb, Lerner's former student and now a struggling American journalist and single father, travels to Jerusalem to investigate Lerner's death. He drags along his fifteen-year-old daughter, Hannah, and they team up with Charlie, Judah's former Hebrew University roommate, now a Jerusalem homicide detective. Their investigation takes them through the darker corners of the Israeli psyche, where they uncover secrets that threaten to destroy Lerner's reputation and alter Jewish history. While probing the mysteries of Israel's past, they encounter personal betrayal, heartbreak, and the fragile possibilities of forgiveness and redemption.

Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at [email protected]. Blusky and IG: @robbyref

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Civil War Americans, like people today, used the past to understand and traverse their turbulent present. As Dr. Aaron Sheehan-Dean reveals in this fascinating work of comparative intellectual history, nineteenth-century Americans were especially conversant with narratives of the English Civil Wars of the 1600s. Northerners and Southerners alike drew from histories of the English past to make sense of their own conflict, interpreting the events of the past in drastically different ways. Confederates, for example, likened themselves to England’s Royalists (also known as Cavaliers), hoping to preserve a social order built on hierarchy and claiming the right to resist what they perceived as radicals' assaults on tradition. Meanwhile, conservative Northerners painted President Lincoln as a tyrant in the mold of English Lord Protector Oliver Cromwell, while radical abolitionists drew inspiration from Cromwell and sought to rebuild the South as Cromwell had attempted with Ireland.

Surveying two centuries of history-making and everyday engagement with historical thought, in Fighting with the Past: How Seventeenth-Century History Shaped the American Civil War (University of North Carolina Press, 2025), Dr. Sheehan-Dean convincingly argues that history itself was a battlefront of the American Civil War, with narratives of the past exercising surprising agency in interpretations of the nineteenth-century present. Dr. Sheehan-Dean’s discoveries provide an entirely fresh perspective on the role of historical memory in the Civil War era and offer a broader meditation on the construction and uses of history itself.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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In American Judaism today, Orthodoxy is the fastest growing movement. However, Orthodoxy is anything but monolithic.

Living in Both Worlds: Modern Orthodox Judaism in the United States, 1945–2025 by Lawrence Grossman explores a piece of the Orthodox story, that of Modern Orthodoxy.

For those who may be unfamiliar, Modern Orthodoxy affirms the traditional tenets and practices of Orthodox Judaism while at the same time maintaining an openness to contemporary cultural and intellectual developments. Beginning in the post-World War II era, Living in Both Worlds shows how a fledgling Modern Orthodoxy carved out an identity separate and apart from unacculturated ultra-Orthodoxy to its right and Conservative Judaism to its left, and follows its development through the first quarter of the twenty-first century as new, divisive issues such as feminism, LGBTQ rights, and the spread of academic biblical scholarship challenged its coherence, and a rejuvenated ultra-Orthodoxy contested its religious legitimacy.

This is a book that not only records history but challenges us to think deeply about question about how modernity and tradition intersect and explores the delicate dance to have fidelity to both the past and the present moment.

Rabbi Lawrence Grossman worked at the American Jewish Committee for close to 40 years, serving as director of publications and editor of the American Jewish Year Book. He earned BA and MHL degrees and rabbinical ordination from Yeshiva University, and a PhD in history from the City University of New York Graduate Center.

Rabbi Marc Katz is the Senior Rabbi at Temple Ner Tamid in Bloomfield NJ. He is the author of Yochanan's Gamble: Judaism's Pragmatic Approach to Life (JPS)

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In “[M]y ‘case’ to work up’: William Carlos Williams’s Paterson” (William Carlos Williams Review, Volume 41, Number 2, 2024), Walter Scott Peterson argues that as a physician-poet Dr. Williams approaches his poetic material very much as he approaches his patients, and that the form of Paterson in particular is intentionally and actually reminiscent of the various forms taken by the medical case narrative, or “work-up.”

This episode concerns the poet and physician William Carlos Williams, whose mother, Raquel Hélène Rose Hoheb Williams, was born and raised in Mayagüez, Puerto Rico. This conversation is part of the STEM to STEAM initiative, sponsored by the Teagle Foundation, that links medicine, science, technology and engineering to the sensibilities honed in the humanities—rethinking ways to blend and combine studies in literature, poetry, history, philosophy, and the arts as more central dimensions of technical preparation.

The discussion explores the profound connection between medical humanities and poetry, highlighting how their combination enriches our understanding of patient care, fosters empathy, and humanizes the medical experience. Medical humanities is an interdisciplinary field combining arts, literature, philosophy and cultural approaches to the human condition—considering each of these as insights into the emotional and ethical dimensions of healthcare. Poetry can serve as a powerful tool for expressing the complex feelings and narratives that often go unspoken in clinical settings. Blending poetry and the science of healthcare reminds us that medicine is not just a science but also an art, emphasizing compassion, understanding, and the shared human experience at the heart of healing.

In this episode are:

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The Hydrocene: Eco-Aesthetics in the Age of Water champions the Hydrocene and presents it as disruptive, conceptual epoch and curatorial theory, emphasising water's pivotal role in the climate crisis and contemporary art. Essential reading for researchers, curators, artists, students of contemporary art, curatorial theory, climate concerns and environmental humanities.

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Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien’s warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture.

In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur’s round table and in Shakespeare’s A Midsummer Night’s Dream, in the terrible era of the witch trials, in magic’s peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Popular music history collides with data analytics, charts, and numbers in this insightful and surprising look at the greatest hits and musicians, fads, forgotten artists, and much more. Data analyst and musician Chris Dalla Riva reframes everything you thought you knew about music.

Did you know that hit songs in the late 1950s were regularly about gruesome death? That a US vice president wrote a number one hit? That while TikTok has spawned countless hits, it's made artists more anonymous than ever before? That pop songs have shaped race relations in the United States? That the key change died around 2003? And that's just the beginning.

Coupling hard data with engaging anecdotes, Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves (Bloomsbury, 2025) is both a takedown and celebration of popular music and provides new ways to think about your favorite songs, genres, and artists from the last 6 decades using unexpected statistics and playful visualizations. This entertaining history is filled with the most popular musicians of all time from The Beatles and The Bee Gees to Michael Jackson, Mariah Carey, and beyond. Whether you danced the twist or the dougie at your senior prom, you're sure to never listen to music again in the same way.

Chris Dalla Riva lives at the intersection of music and data. Playing in bands and recording music since his teenage years, Dalla Riva is currently a Senior Product Manager at Audiomack where he focuses on data analytics and personalization.

Gregory McNiff is a Managing Director in the New York office of the Blueshirt Group, an IR firm focused on technology. Greg holds an MBA from the University of Chicago Booth School of Business, an M. Litt. in Shakespeare Studies from the University of St. Andrews and a B.A. in Classical Languages from Columbia University.

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Since World War II, Protestant sermons have been an influential tool for defining American citizenship in the wake of national crises.

In the aftermath of national tragedies, Americans often turn to churches for solace. Because even secular citizens attend these services, they are also significant opportunities for the Protestant religious majority to define and redefine national identity and, in the process, to invest the nation-state with divinity. The sermons delivered in the wake of crises become integral to historical and communal memory--it matters greatly who is mourned and who is overlooked.

Melissa M. Matthes conceives of these sermons as theo-political texts. In When Sorrow Comes: The Power of Sermons from Pearl Harbor to Black Lives Matter (Harvard UP, 2021), she explores the continuities and discontinuities they reveal in the balance of state power and divine authority following the bombing of Pearl Harbor, the assassinations of JFK and MLK, the Rodney King verdict, the Oklahoma City bombing, the September 11 attacks, the Newtown shootings, and the Black Lives Matter movement. She argues that Protestant preachers use these moments to address questions about Christianity and citizenship and about the responsibilities of the Church and the State to respond to a national crisis. She also shows how post-crisis sermons have codified whiteness in ritual narratives of American history, excluding others from the collective account. These civic liturgies therefore illustrate the evolution of modern American politics and society.

Despite perceptions of the decline of religious authority in the twentieth century, the pulpit retains power after national tragedies. Sermons preached in such intense times of mourning and reckoning serve as a form of civic education with consequences for how Americans understand who belongs to the nation and how to imagine its future.

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