New Books Network

Statistics are everywhere: in news reports, at the doctor's office, and in every sort of forecast, from the stock market to the weather. Blogger, teacher, and computer scientist Allen B. Downey knows well that people have an innate ability both to understand statistics and to be fooled by them. As he makes clear in this accessible introduction to statistical thinking, the stakes are big. Simple misunderstandings have led to incorrect medical prognoses, underestimated the likelihood of large earthquakes, hindered social justice efforts, and resulted in dubious policy decisions. There are right and wrong ways to look at numbers, and Downey will help you see which are which.

Probably Overthinking It: How to Use Data to Answer Questions, Avoid Statistical Traps, and Make Better Decisions (University of Chicago Press, 2023) uses real data to delve into real examples with real consequences, drawing on cases from health campaigns, political movements, chess rankings, and more. He lays out common pitfalls--like the base rate fallacy, length-biased sampling, and Simpson's paradox--and shines a light on what we learn when we interpret data correctly, and what goes wrong when we don't. Using data visualizations instead of equations, he builds understanding from the basics to help you recognize errors, whether in your own thinking or in media reports. Even if you have never studied statistics--or if you have and forgot everything you learned--this book will offer new insight into the methods and measurements that help us understand the world.

Allen B. Downey is a curriculum designer at the online learning company Brilliant and professor emeritus of computer science at Olin College.

Gregory McNiff is a Managing Director in the New York office of the Blueshirt Group, an IR firm focused on technology. Greg holds an MBA from the University of Chicago Booth School of Business, an M. Litt. in Shakespeare Studies from the University of St. Andrews and a B.A. in Classical Languages from Columbia University.

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John R. Davis's Keep Your Ear to the Ground (Georgetown University Press, 2025) is the first history of the fanzines that emerged from Washington, DC's highly influential punk community DIY culture has always been at the heart of DC's thriving punk community. As Washington, DC's punk scene emerged in the mid-1970s, so did the periodicals--"fanzines"--that celebrated it. Before the rise of the internet, fanzines were a potent way for fans to communicate and to revel in the joy of fandom. These zines were more than just publications; they were a distillation of punk's allure, connecting the city to the broader punk community. Fanzines remain a meaningful, tactile, creative medium for punk fans to connect with like-minded people outside the corporate-controlled world. In Keep Your Ear to the Ground, the archivist and musician John R. Davis unveils the development of punk fanzines and their role in supporting DC's hardcore and punk scene from the 1970s into the twenty-first century. He sheds new light on DC's scene and highlights some of its key personalities, including many who are often left out of punk history, with high-quality images of rare zines and insights from numerous interviews with zine creators and musicians. This book vividly weaves together the origin of zines and their importance in underground communities. For punk enthusiasts, zine creators, American studies scholars, and anyone who has ever felt like an outsider, Keep Your Ear to the Ground traces how the unique environment of Washington, DC, helped zines thrive.

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Few places are more notorious for civil rights–era violence than Philadelphia, Mississippi, the site of the 1964 “Mississippi Burning” murders. Yet in a striking turn of events, Philadelphia has become a beacon in Mississippi’s racial reckoning in the decades since. In Between Remembrance and Repair: Commemorating Racial Violence in Philadelphia, Mississippi (UNC Press, 2020) Claire Whitlinger investigates how this community came to acknowledge its past, offering significant insight into the social impacts of commemoration. Examining two commemorations around key anniversaries of the murders held in 1989 and 2004, Whitlinger shows the differences in how those events unfolded. She also charts how the 2004 commemoration offered a springboard for the trial of former Klan leader Edgar Ray Killen for his role in the 1964 murders, the 2006 passage of Mississippi’s Civil Rights/Human Rights education bill, and the initiation of the Mississippi Truth Project. In doing so, Whitlinger provides the first comprehensive account of these high profile events and expands our understanding of how commemorations both emerge out of and catalyze associated memory movements.
Threading a compelling story with theoretical insights, Whitlinger delivers a study that will help scholars, students, and activists alike better understand the dynamics of commemorating difficult pasts, commemorative practices in general, and the links between memory, race, and social change.

Claire Whitlinger is Associate Professor of Sociology at Furman University.

Host: Michael L. Rosino is Assistant Professor of Sociology at Molloy University, studying racial politics, media, and democracy. His most recent book, Democracy Is Awkward: Grappling with Racism Inside Grassroots Political Organizing, is now available with the University of North Carolina Press.

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A bracing, accessible history of white American liberals—and why it’s time to change the conversation about them.
If there’s one thing most Americans can agree on, it’s that everyone hates white liberals. Conservatives hate them for being culturally tolerant and threatening to usher in communism. Libertarians hate them for believing in the power of the state. Socialists hate them for serving as capitalism’s beard. Even liberals hate liberals—either because they can’t manage to overcome their own prejudices, or precisely because they’re so self-hating.
This is the starting point for Kevin M. Schultz’s lively new history of white liberals in the United States. He efficiently lays out the array of objections to liberals—ineffective, spineless, judgmental, authoritarian, and more—in a historical frame that shows how protean the concept has been throughout the past hundred years. It turns out, he declares, that how you define a “white liberal” is less a reflection of reality and more a Rorschach test revealing your own anxieties.
Sharply assessing how decades of attacks on liberals and liberalism have steadily hollowed out the center of American political life, Schultz also explains precisely what needs to be done to avoid digging ourselves even further into the hole of polarization. The ultimate goal, he argues, is to achieve political fragmentation that will fuel the rise of a true multiparty system, where ideology will matter more, not less.
With a tight command of postwar American history and a spirited voice, Why Everyone Hates White Liberals (Including White Liberals): A Critical History (University of Chicago Press, 2025) is a must-read for anyone wishing to understand—and envision a way forward in—the complicated landscape of American politics.

Kevin M. Schultz is professor and chair of history at the University of Illinois Chicago (UIC). He is the author of Buckley and Mailer and Tri-Faith America.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos

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The Pearlsong (Harvard University Press, 2025) offers the reader a beautifully translated story of a young child who goes on a journey to far away places, donning glistening garments, meeting dragons, and encountering talking letters. In addition to the translated text of The Pearlsong Syriac poem, the reader will find a thorough commentary and glossary. The appendices of the book offer further delights to explore: everything from a discussion of Syriac poetry and meter, to translations of the Acts of Thomas, to an assemblage of ancient sources about pearls. The expansive subjects, texts, and translations covered in the book will be a treasure to any reader. The Pearlsong is available as a free pdf on the Center for the Study of World Religions website.

New Books in Late Antiquity is presented by Ancient Jew Review.

Dr. Adam Bremer-McCollum is Series Co-Editor of the Texts & Translations of Transcendence & Transformation (4T) Series and Research Associate at The Center for the Study of World Religions at Harvard Divinity School.

Lydia Bremer-McCollum teaches Religious Studies at Spelman College.

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In the late 1930s, fieldworkers with the Works Progress Administration interviewed about 3,500 formerly enslaved people resulting in approximately 20,000 pages of unedited typescripts. This collection of oral histories is arguably the single greatest body of African American folklore extant, and a significant portion is devoted to folk music and song. John Minton’s Folk Music and Song in the WPA Ex-Slave Narratives (UP of Mississippi, 2024) examines the musical references in these narratives. A combination of reference information and analysis, Minton contextualizes and scrutinizes the vocal and instrumental music the narrators talked about, explains the various musical and cultural influences on Black folk music, and discusses the place of music and dance in the lives of enslaved people. He covers instrumental music and social dancing, spirituals and hymns, singing games and lullabies, ring plays and reels, worksongs, minstrel songs, ballads, war songs, slavery laments, and more. In the course of this exhaustive book, Minton helps his readers understand the lives of the narrators and the conditions in which they lived before and after emancipation.

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The speech debates have not abated, and it’s clear that invoking the First Amendment, and the importance of free speech for democracy, does not settle these debates but provokes more questions. We have lost our way, it seems, since people on all sides invoke free speech and then try to silence those they disagree with. Historian Fara Dabhoiwala of Princeton University reminds us that free speech has always been contested, and that it became a political and social value only recently. We invited him to discuss his new book What Is Free Speech?: The History of a Dangerous Idea.

Dabhoiwala examines how free speech started as a risky and radical concept, and how it evolved through centuries of political battles to become central to democracy only at a certain point in history. As Professor Dabhoiwala explains, speech rights have come and gone long before campus protests, debates over what talk show hosts can say, and whether there ought to be limits to speech that’s defined as dangerous, offensive, or unpatriotic. If we hope to find a way out of our current predicament, we should study this history carefully – with Professor Dahhoiwala as the perfect guide.

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Driving Productivity: Automation, Labor, and Industrial Development in the United States and Germany (Brill, 2025) reconstructs the industrial histories of the American and German automotive industries in a new light. From the Fordist assembly line to Japanese lean production and Industry 4.0, Anthony J. Knowles critically examines major technical developments within the historical dynamics of capitalism. Both countries face the pressure to automate, transform labor, and increase efficiency, yet their responses differ due to divergent paradigms of integrating business, labor, and government. Driving Productivity makes the case that improving productivity is a never-ending process that becomes a compulsory social imperative that industries must respond to but are nevertheless responded to differently between countries.

Guest: Anthony Knowles (he/him) is a Teaching Assistant Professor in Sociology and a Postdoctoral Researcher at the Center for Transportation Research at the University of Tennessee.

Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.

Scholars@Duke: here

Linktree: here

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In this episode, Raj Balkaran speaks with Karen Pechilis, Jarrod Whitaker, and Valerie Stoker about A Cultural History of Hinduism (Bloomsbury, 2024), a landmark six-volume series that traces Hindu traditions from the ancient world to the present. Each volume is organized around eight core themes—Sources of Authority; Body and Mind; Social Organization; Identity and Difference; Politics and Power; Arts and Visual Culture; Lineages and Exemplars; and Global Contexts—allowing readers to compare developments across historical periods. Covering the Ancient, Classical, Post-Classical, Empires, Late Colonial, and Independence eras, the series brings together leading voices in Hindu studies.

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In this NBN episode, host Hollay Ghadery speaks with Aisha Sasha John about her poetry collection, total: poems (McClelland & Stewart, 2025). 

"John is brilliant at communicating. She's also really funny. Poems don't get more direct and precise and unforgettable than this." —National Post The highly anticipated new collection from Griffin Poetry Prize finalist Aisha Sasha John. IS THERE A SYNONYM CLOSER TO COMPASSION THAN PATIENCE? A PERSON WHO LOVES BEAUTY MORE THAN THEY FEAR IT THE CLOSEST TO NOTHING YOU CAN DO FOR MONEY TO TOUCH TIME TO ITSELF

About Aisha Sasha John:

AISHA SASHA JOHN is the author of i have to live (2017), a finalist for the Griffin Poetry Prize; THOU (2014), a finalist for the Trillium Book Award for Poetry and the ReLit Poetry Award; and The Shining Material (2011). She choreographs and performs in the feminist collective WIVES as well as solo performances (The Aisha of Oz, VOLUNTEER). Aisha's video work and text art have been exhibited in galleries (Doris McCarthy, Oakville Galleries) and installed at Union Station in Toronto (Art Metropole). She was born in Montreal.

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