New Books Network

Developmental editing holds the power to make a manuscript connect with publishers and readers, yet few scholarly writers have the training to do it well. Make Your Manuscript Work: A Guide to Developmental Editing for Scholarly Writers (Princeton UP, 2025) offers scholars a practical method for assessing and refining the features of their texts that matter most—argument, evidence, structure, and style. Dr. Laura Portwood-Stacer, a writer, editor, and consultant for academic authors, explains how manuscripts move through the publication process and identifies the key stages for authors to improve their texts. Her guide shows scholarly writers how to identify what’s been holding their writing back and fix it so they can accomplish their publication goals. It includes a checklist of assessment questions, examples from real scholarly manuscripts, tips on seeking additional help, and advice on offering developmental editing assistance to other writers. Written with candor, empathy, and a deep awareness of the challenges faced by academic writers who want to publish, Make Your Manuscript Work is an indispensable how-to guide for scholars at all career stages.

Our guest is: Dr. Laura Portwood-Stacer, who is a developmental editor and founder of Manuscript Works, a consultancy serving academic authors around the world. She is also the author of The Book Proposal Book: A Guide for Scholarly Authors, and Lifestyle Politics and Radical Activism. She previously taught media and cultural studies at NYU and USC.

Our host is: Dr. Christina Gessler, who is a writing coach and a developmental editor working with scholars in the humanities and social sciences at all stages of their writing journey—from grad student to alt-ac, and from the idea-stage to final draft. She is the executive producer of the Academic Life podcast, and writes the show’s newsletter at christinagessler.substack.com.

Playlist for listeners:

Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 280+ Academic Life episodes? Find them here. And thank you for listening!

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Genevieve Yang, the protagonist of Jemimah Wei’s debut novel The Original Daughter (Doubleday/Weidenfeld & Nicolson, 2025) works a dead-end job in Singapore, living in the shadow of her adopted younger sister, Arin, a rising movie star. Genevieve’s dying mother asks her to call Arin; Genevieve refuses.

Jemimah’s novel then teases out the history of Gen and Arin’s sibling relationship, from their first meeting in the late 90s, through their shared experience in school, to the final grievance that splits them apart.

Naomi Xu Elegant, journalist and author of Gingko Season, also joins the show today.

Jemimah Wei is a National Book Foundation 5 under 35 Honouree, William Van Dyke Short Story Prize winner, and was a Wallace Stegner Fellow at Stanford University and Felipe P. De Alba Fellow at Columbia University. A recipient of awards and fellowships from Singapore’s National Arts Council, Sewanee Writers’ Conference, Bread Loaf Writers’ Conference, and Writers in Paradise, Jemimah’s writing has appeared in Joyland, Guernica, and Narrative, amongst others. She can be found on social media at @jemmawei on socials, or at jemmawei.com.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Original Daughter. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Seeds of Exchange: Soviets, Americans, and Cooperation in Agriculture, 1921–1935 (Northern Illinois UP, 2025) examines the US and Soviet exchange of agricultural knowledge and technology during the interwar period.

Maria Fedorova challenges the perception of the Soviet Union as a passive recipient of American technology and expertise. She reveals the circular nature of this exchange through official government bureaus, amid anxious farmers in crowded auditoriums, in cramped cars across North Dakota and Montana, and by train over the once fertile steppes of the Volga.

Amid the post–World War I food insecurity, Soviet and American agricultural experts relied on transnational networks, bridging ideological differences. As Soviets traveled across the US agricultural regions and Americans plowed steppes in the southern Urals and the lower Volga, both groups believed that innovative solutions could be found beyond their own national borders. Soviets were avidly interested in American technology and American agricultural experts perceived the Soviet Union to be an ideal setting for experimenting with and refining modern farm systems and organizational practices. As Seeds of Exchange shows, agricultural modernization was not the exclusive domain of Western countries.

Guest: Maria Fedorova (she/her) is an Assistant Professor in the Department of Russian Studies at Macalester College. She received her PhD in history at the University of California, Santa Barbara. Her research focuses on the history of agriculture, food insecurity, US-Russia/Soviet relations, and transnational history.

Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.

Scholars@Duke: https://scholars.duke.edu/pers...

Linktree: https://linktr.ee/jennapittman

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, Sarah talks to Daniel J. Sherman about his most recent book, Sensations: French Archaeology Between Science and Spectacle, 1890-1940 (U Chicago Press, 2025). Sensations is a history of the early years of professional archaeology in France through two controversies – the first in Carthage in what the French protectorate of Tunisia and the second in the small rural community of Glozel in central France. The book shows how “archaeology as we know it today grew out of a fundamental tension between archaeologist’s scientific ambitions and their continuing need for media attention.” (1) Timely without being presentist, funny without being unserious, the book explores questions of embodiment, performance, photography, fake news, professional quarrels, and the mediatization of scandal.

The conversation explores the two sites of controversy as well as the network of professional archaeologists, amateur “collectors”, journalists, and others who shaped how the public understood and engaged with the ancient past. In addition to discussing the major themes of the book, our conversation delves into considerations of historical empathy, archaeological performance and “the dig”, and the story of a technical report that sparked Sherman’s interest in the relationship between media and archaeology.

Daniel J. Sherman is Lineberger Distinguished Professor of Art History and History at the University of North Carolina, Chapel Hill. A scholar of museums, monuments, and commemorative practice in modern Europe, Dan has also researched the history of primitivism in the French visual arts as well as memory culture in late 19th and early 20th century France.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A conversation with Fr. Bogdan Bucur and Dr. Razvan Porumb

This publication represents the officially authorized translation of The Journal of Joy (SVS Press, 2025), carefully rendered to uphold the integrity of the original text in Romanian.

The ethos Steinhardt recommends to Christians is that of an aristocrat minus the stiff upper lip and aloofness, a style molded by kindness, calm, good manners, respect for the dignity of others, and thus for one's own dignity. Christ Himself, he emphasizes, always possessed ‘knightly’ traits: He is discreet, respectful; He knocks on the door and waits, never discouraged by a refusal; He is not suspicious but trusts, not greedy but gives abundantly; He forgives easily and completely; He is attentive and polite (‘Friend,’ He says to Judas, whose betrayal He knows well). In Him, there is no moralism or legalism, but rather the ability to discern in every person, beyond sin, the person that God calls and enables to love. Beyond totalitarianism, which is the fascination with power and death, and beyond market society, which holds up profit as its only god … If the journal of this resistance opens up for the future, it does so precisely because it is a Journal of Joy.

Olivier Clément, from the Preface to the French edition of the Journal of Joy

This is the Journal of Joy, a joy founded on the Resurrection, unconquerable by the manifest powers of death. Now at last available in English, its joy can help transform the petty anxieties that beset us.

Archpriest Andrew Louth, Professor Emeritus, Durham University

Translation by Paul Boboc, revised by Peter Andronache, with further revisions and explanatory notes by Peter Andronache, Bogdan G. Bucur, Nicolae Drăgușin, Brenda Mikitish, and Răzvan Porumb. Foreword by Răzvan Porumb.

About the Author:

Nicu Steinhardt, known in his later monastic years as Father Nicolae de la Rohia, was born in 1912 near Bucharest to Jewish parents. A refined scholar who had established himself as one of the most erudite voices of his generation, he was imprisoned by the repressive communist regime in 1960. Steinhardt asked to be baptized in his cell—“illicitly”—and eventually found profound joy amid the suffering and despair of the prison. After an extraordinary experience of Christ, the intense happiness accompanying him perpetually transfigured the cruel and gloomy surroundings into a luminous world permeated by God’s love and grace—which is why writing the Journal in the early 1970s was essential, even in the knowledge it would be banned by the communists. Nicolae Steinhardt, then a monk at Rohia, passed away in March 1989, nine months before the 1989 December Revolution toppled the communist dictatorship.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the decades leading up to the French Revolution, when Paris was celebrated as an oasis of liberty, slaves fled there, hoping to be freed. They pictured Paris as a refuge from France’s notorious slave-trading ports.

The French were late to the slave trade, but they dominated the global market in enslaved people by the late 1780s. This explosive growth transformed Paris, the cultural capital of the Enlightenment, into a dangerous place for people in bondage. Those seeking freedom in Paris faced manhunts, arrest, and deportation. Some put their faith in lawyers, believing the city’s courts would free them. Examining the lives of those whose dashed hopes and creative persistence capture the spirit of the era, in Slaves in Paris: Hidden Lives and Fugitive Histories (Harvard University Press, 2025), Dr. Miranda Spieler brings to light a hidden story of slavery and the struggle for freedom.

Fugitive slaves collided with spying networks, nosy neighbors, and overlapping judicial authorities. Their clandestine lives left a paper trail. In a feat of historical detective work, Dr. Spieler retraces their steps and brings to light the new racialized legal culture that permeated every aspect of everyday life. She pieces together vivid, granular portraits of men, women, and children who came from Africa, the Caribbean, and the Indian Ocean. We learn of their strategies and hiding places, their family histories and relationships to well-known Enlightenment figures. Slaves in Paris is a history of hunted people. It is also a tribute to their resilience.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN episode, host Hollay Ghadery interviews Farah Ghafoor about her poetry collection, Shadow Price (House of Anansi, 2025), which was longlisted for the 2025 Toronto Book Awards.

Borrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—Shadow Price is a stunning debut that examines the idea of value in a world that burns under our capitalist lens.

What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, Shadow Price captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth’s biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime.

Shadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast.

About Farah Ghafoor: 

Based in Tkaranto (Toronto), Farah Ghafoor is the author of Shadow Price (House of Anansi, 2025). A finalist for the Toronto Book Awards, selections of Shadow Price won the E.J. Pratt Medal and Prize in Poetry, and were finalists for the CBC Poetry Prize and the Far Horizons Award. Her work appears in magazines such as The Walrus, The Offing, Brick Magazine, and The Fiddlehead, art exhibitions like Who's Afraid of Labour Justice ? and FACE/WASTE, as well as anthologies and post-secondary course curriculums.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Orthodoxy on the Line: Russian Orthodox Christians and Labor Migration in the Progressive Era (NYU Press, 2025) is an Immigration and labor history of the Russian Orthodox Church in the US

At the turn of the twentieth century, thousands of immigrants from the borderlands of the Russian and Austro-Hungarian Empires built a transnational church in North America. The community that church leaders called American Orthodox Rus’ was created by and for working people, and transformed believers’ identities as Eastern European migrants, as Orthodox Christians, and as American workers.

Given how strongly the Russian Orthodox Christian community was tied to working class industrial life, this book makes the case that we cannot understand the scope of working class and immigrant religion in the United States without understanding American Orthodox Rus’. The work Russian Orthodox immigrants did in the Progressive Era United States occurred in factories, foundries, and mines; they lived mainly in industrial cities and mining towns; and they almost immediately got caught up in the most pivotal—and sometimes violent—political and social crises of their times, both nationally and internationally. To address their needs in these contexts, the Russian Orthodox Church expanded its missionary efforts in North America, forming a network of social and material aid for working-class believers. This book traces the rapid growth of this transnational religious world, then explores its unexpected collapse under the weight of the First World War, a global pandemic, and the transnational reach of revolutionary political change in Russia. A story of challenge and resilience, Orthodoxy on the Line complicates dominant paradigms in the study of labor and North American Religions.

Guest: Aram G. Sarkisian (he/him) is a historian of religion, immigration, and labor in the United States.

Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.

Scholars@Duke: here

Linktree: here

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of International Horizons, Eli Karetny speaks with Marlene Laruelle, Research Professor at George Washington University and director of the Illiberalism Studies Program, about the rise of illiberalism in Russia and beyond. They explore how illiberal movements define themselves against liberalism, Russia’s evolution since the 1990s, and how Putin has woven together competing narratives of nationalism, Eurasianism, and conservatism. The conversation also examines the growing role of religion in Russian politics, the appeal of Russia for parts of the American right, and the eschatological language shaping Russian elites’ views of the war in Ukraine.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The author of the award-winning national bestseller I Done Clicked My Heels Three Times returns with a poetry collection that transforms the Black female speaker from object, artistic muse, and victim to subject, critic, and master of her story.
Resting Bitch Face (Soft Skull Press, 2025) is a book for women, for Black women, for lovers of art and film criticism, and for writers interested in work that finds a middle ground between poetry and prose. Taylor Byas uses some of our most common ways of “watching” throughout history (painting, films, sculpture, and photographs) to explore how these mediums shape Black female subjectivity.
From the examination of artwork by Picasso, Gauguin, Sally Mann, and Nan Goldin, Byas displays her mastery of the poetic form by engaging in intimate and inventive writing. Fluctuating between watcher and watched, the speaker of these poems uses mirrors and reflections to flip the script and talk back to histories of art, text, photography, relationships, and men. From Polaroids to gesso primer to sculpture, Byas creates a world in which the artist calls out and the muse responds. For not only does she enter the world of the long-revered classic artist, but she also infuses her poems with such iconic pop culture works as The Joker, WandaVision, and Last Tango in Paris.

You can find Taylor on Instagram and Bluesky.

Find host Sullivan Summer online, on Instagram, and over on Substack, where she and Taylor went to continue their conversation.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network