New Books Network

In 1907, eight years before she published her first novel, a twenty-five-year-old Virginia Woolf drafted three interconnected comic stories chronicling the adventures of a giantess named Violet—a teasing tribute to Woolf’s friend Mary Violet Dickinson. But it was only in 2022 that Woolf scholar Urmila Seshagiri discovered a final, revised typescript of the stories. The typescript revealed that Woolf had finished this mock-biography, making it her first fully realized literary experiment and a work that anticipates her later masterpieces. Published here for the first time in its final form, The Life of Violet blends fantasy, fairy tale, and satire as it transports readers into a magical world where the heroine triumphs over sea-monsters as well as stifling social traditions.
In these irresistible and riotously plotted stories, Violet, who has powers “as marvelous as her height,” gleefully flouts aristocratic proprieties, finds joy in building “a cottage of one’s own,” and travels to Japan to help create a radical new social order. Amid flights of fancy such as a snowfall of sugared almonds and bathtubs made of painted ostrich eggs, The Life of Violet upends the marriage plot, rejects the Victorian belief that women must choose between virtue and ambition, and celebrates women’s friendships and laughter.
A major literary discovery that heralds Woolf’s ambitions to revolutionize fiction and sheds new light on her great themes, The Life of Violet: Three Early Stories (Princeton UP, 2025) is first and foremost a delight to read. This volume features a preface, afterword, notes, and photographs that provide rich historical, literary, and biographical context.

Urmila Seshagiri is Distinguished Professor of Humanities and Professor of English at the University of Tennessee, Knoxville. She is the author of Race and the Modernist Imagination, the editor of the Oxford World’s Classics edition of Virginia Woolf’s Jacob’s Room, and a contributor to the Los Angeles Review of Books.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

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How, for just over a century, Britain ensured it would not face another Napoleon Bonaparte--manipulating European powers while building a global maritime empire

At the conclusion of the Napoleonic Wars, a fragile peace emerged in Europe. The continent's borders were redrawn, and the French Empire, once a significant threat to British security, was for now cut down to size. But after decades of ceaseless conflict, Britain's economy was beset by a crippling debt. How could this small, insular seapower state secure order across the Channel?

Andrew Lambert argues for a dynamic new understanding of the nineteenth century, showing how British policymakers shaped a stable European system that it could balance from offshore. Through judicious deployment of naval power against continental forces, and the defence strategy of statesmen such as the Duke of Wellington, Britain ensured that no single European state could rise to pose a threat, rebuilt its economy, and established naval and trade dominance across the globe.

No More Napoleons: How Britain Managed Europe from Waterloo to World War One (Yale UP, 2025) is the remarkable story of how Britain kept a whole continent in check--until the final collapse of this delicately balanced order at the outset of World War One.

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The war that we now call the American Revolution was not only fought in the colonies with muskets and bayonets. On both sides of the Atlantic, artists armed with paint, canvas, and wax played an integral role in forging revolutionary ideals. In The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution (Harvard UP, 2025), Dr. Zara Anishanslin charts the intertwined lives of three such figures who dared to defy the British monarchy: Robert Edge Pine, Prince Demah, and Patience Wright. From London to Boston, from Jamaica to Paris, from Bath to Philadelphia, these largely forgotten patriots boldly risked their reputations and their lives to declare independence.

Mostly excluded from formal political or military power, these artists and their circles fired salvos against the king on the walls of the Royal Academy as well as on the battlefields of North America. They used their talents to inspire rebellion, define American patriotism, and fashion a new political culture, often alongside more familiar revolutionary figures such as Benjamin Franklin and Phillis Wheatley. Pine, an award-winning British artist rumored to be of African descent, infused massive history paintings with politics and eventually emigrated to the young United States. Demah, the first identifiable enslaved portrait painter in America, was Pine’s pupil in London before self-emancipating and enlisting to fight for the Patriot cause. And Wright, a Long Island–born wax sculptor who became a sensation in London, loudly advocated for revolution while acting as an informal patriot spy.

Illuminating a transatlantic and cosmopolitan world of revolutionary fervor, The Painter’s Fire reveals an extraordinary cohort whose experiences testify to both the promise and the limits of liberty in the founding era.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Modern Nigeria: Understanding Modern Nations (Bloomsbury, 2024) is a collaborative effort that explores Nigeria's historical context and emphasises the importance of Nigeria's diverse historical roots to understanding its current identity with the aim of highlighting the necessity for modern Nigerians to recognise their uniqueness and engage in societal contributions. The book dwells on the aspects of the Nigerian historical culture that enhance social cohesion in the nation, which could be imbibed in the present-day Nigeria. These include histories of various empires and kingdoms to provide background for appreciating Nigeria’s modern identity. Presenting the backgrounds of the Nigerian History, the authors project how people co-existed in spite of ethnic differences. They reinforced this point by stating that knowledge of history is vital for modern Nigerians to understand their uniqueness and potential for future development (pp. xiv-xv).

Among other things, the book dwells on the socioeconomic and political characteristics of Nigeria including the election dynamics and leadership impacts on citizens' lives. Among other things, the book highlights aspects of the Nigeran popular culture, including music and sports, relationship and marriage. The book also stresses the role of morality in Nigeria's socio-economic landscape, the contributions of Nigerian, including the political actors, young and adult in Nigeria of different callings, including musicians, to culture and society.

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Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing aworld where knowledge is assessesible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta

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The world needs to adapt to climate change – but how? What are the key problems and hard choices that lie ahead for the global community? Sink or Swim: How the world needs to adapt to a changing climate (Bloomsbury, 2025) by Dr. Susannah Fisher reveals all.
Heatwaves, wildfires, hurricanes and flooding caused by climate change are already impacting people and nature. Adaptation until now has been incremental with governments and institutions tinkering around the edges of current systems. This will not be enough.
Sink Or Swim: How the World Needs to Adapt to a Changing Climate (Bloomsbury, 2025) explores the hard choices that lie ahead concerning how people earn a living, the way governments manage relationships between countries, and how communities accommodate the movement of people. Should people be encouraged to move away from the coast? How can global food supplies be managed when parts of the world are hit by simultaneous droughts? How can conflict be handled when there isn't enough water?
Drawing on cutting edge research, interviews with experts, and practical examples from across the world, Dr. Fisher tells the story of the tough choices on adaptation that lie ahead, and looks at ways we can still have a liveable planet later in this century and beyond. Will we choose to sink or swim?

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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How debt and speculation financed the suburban American dream and led to today’s inequalities

In the popular imagination, the suburbs are synonymous with the “American Dream” of upward mobility and economic security. After World War II, white families rushed into newly built suburbs, where they accumulated wealth through homeownership and enjoyed access to superior public schools. In this revelatory new account of postwar suburbanization, historian Michael R. Glass exposes the myth of uniform suburban prosperity. Focusing on the archetypal suburbs of Long Island, Cracked Foundations: Debt and Inequality in Suburban America (U Pennsylvania Press, 2025) uncovers a hidden landscape of debt and speculation.

Glass shows how suburbanites were not guaranteed decent housing and high-quality education but instead had to obtain these necessities in the marketplace using home mortgages and municipal bonds. These debt instruments created financial strains for families, distributed resources unevenly across suburbs, and codified racial segregation. Most important, debt transformed housing and education into commodities, turning homes and schools into engines of capital accumulation. The resulting pressures made life increasingly precarious, even for those privileged suburbanites who resided in all-white communities. For people of color denied the same privileges, suburbs became places where predatory loans extracted wealth and credit rating agencies punished children in the poorest school districts. Long Islanders challenged these inequalities over several decades, demanding affordable housing, school desegregation, tax equity, and school-funding equalization. Yet the unequal circumstances created by the mortgages and bonds remain very much in place, even today.

Cracked Foundations not only transforms our understanding of housing, education, and inequality but also highlights how contemporary issues like the affordable housing crisis and school segregation have their origins in the postwar golden age of capitalism.

Guest: Michael Glass (he/him) is a political and urban historian of the twentieth-century United States, with research and teaching interests in racism, capitalism, and inequality. Michael is an Assistant Professor of History at Boston College.

Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.

Scholars@Duke: here

Linktree: here

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Today, host Prof. Pierce Salguero sits down with Susannah Deane, a scholar of Tibetan medicine, Buddhism, and psychiatry. Together, we delve into her work on Tibetan concepts of "wind disorders" and Tantric practice gone wrong. Along the way, we talk about losing control of spirits, becoming a deity, and how Tibetans choose between religious and medical specialists when spiritual practice goes off the rails.

If you want to hear scholars and practitioners engaging in deep conversations about the dark side of Asian religions and medicines, then subscribe to Black Beryl wherever you get your podcasts. Also check out our members-only benefits on Substack.com to see what our guests have shared with you. Enjoy the show!

Resources mentioned in this episode:

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Pierce Salguero is a transdisciplinary scholar of health humanities who is fascinated by historical and contemporary intersections between Buddhism, medicine, and crosscultural exchange. He has a Ph.D. in History of Medicine from the Johns Hopkins School of Medicine (2010), and teaches Asian history, medicine, and religion at Penn State University’s Abington College, located near Philadelphia. www.piercesalguero.com.

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Using artworks by Berthe Morisot, Édouard Manet, Claude Monet, Pierre-Auguste Renoir, and others, The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris (Bloomsbury, 2025) by Dr. Justine De Young explores how women and artists in Impressionist Paris (1855-1885) crafted their public images to exploit and resist stereotypes.
French societal expectations and beauty ideals shaped how women were seen and how they chose to present themselves in public – whether on the street, in a photograph, or in a portrait on the walls of the annual Paris Salon. On Paris's broad new boulevards and in its public parks and theaters, women dressed to impress anonymous strangers as well as their friends. They even circulated aspirational photographs of themselves. Looking at a rich array of visual sources – from portraits to modern-life paintings, and from photographs to fashion plates – Dr. De Young reveals how women were seen, how they aspired to be seen, and how they navigated public life in Second Empire and Belle Époque Paris.
This book considers how fashionable feminine “types” made famous in books, caricatures, and paintings created a visual lexicon and stylistic guide for women. Men and women alike relied on these types – cocotte (mistress), jeune veuve (young widow), amazone (independent equestrienne), demoiselle de magasin (shopgirl), and Parisienne (chic Parisian woman) – to judge the class, character, morality, and worth of strangers. With a rich set of illustrations from the Impressionist canon and beyond, The Art of Parisian Chic shows how modern women used fashion and these stereotypes to construct and reinvent their identities.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Selfies are more than fleeting images—across India, they shape how people imagine themselves, connect with others, and inhabit spaces.

In this episode of the Nordic Asia Podcast, Prof. Xenia Zeiler from the University of Helsinki talks to Prof. Avishek Ray about his co-authored book Digital Expressions of the Self(ie): The Social Life of Selfies in India. This book explores how the digital selfie, unlike traditional photography, turns the lens inward while reconfiguring social identities, gender norms, power relations, and everyday interactions. Drawing on rich, situated examples, it shows how selfies operate as acts of self-making and place-making in contemporary India. At once playful and political, intimate and public, selfies offer a fascinating entry point into the fast-changing cultures of digital media and visual expression.

Avishek Ray is Associate Professor of Cultural Studies at the National Institute of Technology Silchar, India. His research spans mobility, marginality, and digital culture, with a focus on South Asia. He is the author of The Vagabond in the South Asian Imagination (Routledge, 2022) and co-author of Digital Expressions of the Self(ie): The Social Life of Selfies in India (Routledge, 2024). A Fulbright-Nehru Fellow (2021), he has held visiting fellowships at institutions across Europe, North America, and Asia.

Xenia Zeiler is Professor of South Asian Studies at the University of Helsinki. Her research and teaching are situated at the intersection of digital media, culture, and society, specifically as related to India and global Indian communities. Her focus within this wider field of digital culture is video games and gaming research, in India and beyond. She also researches and teaches digital religion, popular culture, cultural heritage, and mediatization processes.

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At the height of the civil rights movement, Charles C. Diggs Jr. (1922-1998) was the consummate power broker. In a political career spanning 1951 to 1980, Diggs, Michigan's first Black member of Congress, was the only federal official to attend the trial of Emmett Till's killers, worked behind the scenes with Martin Luther King Jr., and founded the Congressional Black Caucus. He was also the chief architect of legislation that restored home rule to Washington, DC, and almost single-handedly ignited the American anti-apartheid movement in the 1960s. Drawing on extensive archival research, including Diggs's rarely seen personal papers, FBI documents, and original interviews with family members and political associates, political scientist Marion Orr reveals that Diggs practiced a politics of strategic moderation. Orr argues that this quiet approach was more effective than the militant race politics practiced by Adam Clayton Powell and more appealing than the conservative Chicago-style approach of William Dawson--two of Diggs's better-known Black contemporaries.
Vividly written and deeply researched, House of Diggs is the first biography of Congressman Charles C. Diggs Jr., one of the most consequential Black federal legislators in US history. Congressman Diggs was a legislative lion whose unfortunate downfall punctuated his distinguished career and pushed him and his historic accomplishments out of sight. Now, for the first time, House of Diggs restores him to his much-deserved place in the history of American politics.

Marion Orr is the Frederick Lippitt Professor of Public Policy and professor of political science and urban studies at Brown University.

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