New Books Network

Where and to whom do ancient things belong? What happens when they are stolen—not by a colonial power, but by a national museum claiming them as state patrimony? What kinds of healing and restitution can follow? 

In The Absent Stone: Mexican Patrimony and the Aftershocks of State Theft (Duke UP, 2026), Dr. Sandra Rozental tells the story of the Piedra de los Tecomates, the largest stone monument in the Americas, popularly identified as the pre-Hispanic rain deity Tlaloc. In 1964, the Mexican state called in the military to forcefully relocate this 167-ton carving from the town of Coatlinchan to Mexico City’s National Anthropology Museum. Using in-depth historical and ethnographic research, Rozental traces how the stone’s absence continues to affect and unsettle Coatlinchan and its residents decades later, revealing the tensions between patrimony, nationalism, territory, memory, and materiality in Mexico.  

Questioning the premise that historical artifacts belong in museums under state-sanctioned care, The Absent Stone pushes contemporary critical scholarship on monuments and museum collections beyond the language of law, heritage, and cultural property, demonstrating how ancient things remain bound to the people and places they come from even after they are removed and displayed elsewhere. 

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Psychoanalysing Mind-Body Narratives Through Beckett and Artaud: The Trauma of the Body (Routledge, 2026) provides an epistemology of the body as it relates to subjectivity through an analysis of selected works of Antonin Artaud and Samuel Beckett. Presented in three parts, the book explores a fundamental premise: that there is a traumatic and alienating dimension to embodiment that resists expression within representational systems and is core to the being of any subject. In Part One, The Epistemology of the Body, Meehan O'Callaghan approaches a theory of the body as traumatic by framing it as a question, a gap in knowledge through the lens of psychoanalysis and theatre studies. Part Two, The Body of Drama, is devoted to a study of the body in the works of Beckett and Artaud from the perspective of psychoanalysis. Part Three, The Body Between Being and Non-Being, provides a deeper exploration of how the interrogation of the body opens onto a question of being and uses the insights gained from the dialectical encounter of psychoanalysis with the specific works of Beckett and Artaud to apply them to contemporary and scholarly issues of the body. Psychoanalysing Mind-Body Narratives through Beckett and Artaud will be essential reading for psychoanalysts in practice and in training, and for academics and scholars of Lacanian studies, psychoanalytic studies, the body, disability studies, and literary and theatre studies.

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The Warring States Period is one of the most important times in China’s history. It marked the end of one dynasty–the Zhou–and the beginning of a new imperial era, under the Qin. It’s an era that historian Andrew Seth Meyer describes as one of the most important revolutions in world history: The fall of the old aristocratic order, the birth of Confucianism, Daoism, and Legalism, and the creation of the imperial system that would shape China for over two thousand years.

Andrew has put together one of the first English comprehensive histories of the Warring States period in his new book To Rule All Under Heaven: A History of Classical China from Confucius to the First Emperor (Oxford UP, 2026)

Andrew Seth Meyer is Professor of History at Brooklyn College and the author of The Dao of the Military: Liu An's Art of War and co-author of The Huainanzi: A Guide to the Theory and Practice of Government in Early Han China.
 

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of To Rule All Under Heaven. Follow on Twitter at @BookReviewsAsia.
 

 Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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The fascinating story of a British army chaplain's buggery trial in 1774 reveals surprising truths about early America.

On the eve of the American Revolution, the British army considered the case of a chaplain, Robert Newburgh, who had been accused of having sex with a man. Newburgh's enemies cited his flamboyant appearance, defiance of military authority, and seduction of soldiers as proof of his low character. Consumed by fears that the British Empire would soon be torn asunder, his opponents claimed that these supposed crimes against nature translated to crimes against the king.

In Vicious and Immoral: Homosexuality, the American Revolution, and the Trials of Robert Newburgh (JHU Press, 2024) historian John McCurdy tells this compelling story of male intimacy and provides an unparalleled glimpse inside eighteenth-century perceptions of queerness. By demanding to have his case heard, Newburgh invoked Enlightenment ideals of equality, arguing passionately that his style of dress and manner should not affect his place in the army or society. His accusers equated queer behavior with rebellion, and his defenders would go on to join the American cause. Newburgh's trial offers some clues to understanding a peculiarity of the late eighteenth and early nineteenth century: while gay acts were prohibited by law in much of the British empire, the newly formed United States was comparatively uninterested in legislating against same-sex intimacy.

McCurdy imagines what life was like for a gay man in early America and captures the voices of those who loved and hated Newburgh, revealing how sexuality and revolution informed one another. Vicious and Immoral is the first book to place homosexuality in conversation with the American Revolution, and it dares us to rethink the place of LGBTQ people in the founding of the nation.

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These Upanisads (c. 800-300 BCE) are almost always read from the point of view of the later Vedantins, but they do not share in the neatly tailored characteristics of the mature Vedantic philosophies, representing, instead, divergent, variegated and even conflicting narratives. In The Upanisads as They Are (Bloomsbury, 2026) the author focuses on the earliest of these Upanisads: Brhadaranyaka, Chandogya, Aitareya, Taittiriya, Kausitaki. These Upanisads are read “as they are,” emphasizing aspects of these texts that are often completely overlooked, among them: their Vedic approach to contradiction, their frequent acceptance of means other than gnostic knowledge of or veneration of atman/brahman as a means for liberation, their positing of entities/realities other than atman or brahman as totalistic, and their frequent depiction of the human body or embodied human as a microcosm of or in identity with the universe. In course, the interpretations of the Upani?adic view, the Vedantic view, for each of these Upani?ads, of Sa?karacarya (c. 800 CE) and Ramanujacarya (c. 1100 CE), as primary examples in the range of Upani?adic interpreters, will be examined and often refuted.

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Americans have nowhere to go. Nationwide, countless public spaces lack one crucial thing: bathrooms, never mind ones that are safe and functional. Yet in the past, political leaders celebrated the opening of public bathrooms with boisterous press conferences and showy ribbon-cutting ceremonies. 

For Customers Only: Public Bathrooms and the Making of American Inequality (University of Chicago Press, 2026) is the first book to tell the larger history of public bathrooms in the United States, a fascinating story characterized by persistent discrimination, squeamishness about unknown bodies, and disinvestment in public amenities. Acclaimed writer and historian Dr. Bryant Simon argues that restrooms aren’t only an architectural feature, but an emblem of control and inequality. In the late nineteenth century, cities vied for the newest and biggest comfort stations to meet the demands of their bustling economies and accommodate a broad and growing public. They built restrooms with gold-domed entrances and ornamented stall doors to inspire cleanliness and order. 

But officials soon grew anxious about who might take advantage of this privacy: gay men, the unhoused, and eventually drug users. And as the civil rights movement challenged segregation, officials in the north and south closed public toilets rather than integrate them. By the end of the twentieth century, only people with means could use private bathrooms while out and about—provided they made a purchase at a business. Today, as the fights over trans rights reveal, bathroom access remains a flash point across the country. Meanwhile, some municipalities are again calling for widely available public toilets, but as a tool for economic revitalization, not a public necessity. 

The political and cultural history of a squirm-inducing subject, For Customers Only reveals the real and symbolic power of the most ordinary of things. Bathrooms, Dr. Simon shows, have always reflected our fragmented national values. Whether these spaces will ever become more accessible and inclusive is ultimately up to us.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 

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Women, Gender, and Socialist Ideology in Soviet Russia (Routledge, 2026) examines the place of women in Soviet Russia from the 1917 Revolution through the post-World War II period, discussing how the Soviet construction of gender perpetuated inequality even as it dramatically expanded women’s roles in society.

Chapters of this book explore Bolshevik activists’ ideals of women’s liberation and their failure to realize these ideals; the significance of women’s labor to the Soviet economy, alongside continued workplace discrimination; state reproductive policies and essentialist understandings of femininity; women’s World War II military service and representations of gender in postwar commemorations; and the role of socialist ideology in the formation of the Soviet system and Stalinist culture. Throughout, Hoffmann places Soviet history in its international context, including comparisons of Soviet women’s social positions with those of their counterparts in other countries. The book makes clear the centrality of the Soviet gender order to the country’s social, cultural, and political history, as well as providing an important historical case for understanding the broader struggle for women’s equality.

Intended for students and scholars alike, this book is a valuable resource for all those interested in gender history, Soviet history, labor history, and World War II.

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In this episode, hosts Lee Vinsel and Ben Waterhouse, along with producer Joe Forte, chat with historian Lily Geismer. Their conversation covers the evolution of the Democratic party, what it means to study political science as history, and a bit about how a scholar’s work can emerge from their personal experience and identity. Lily is Professor of History at Claremont McKenna College and the author of Don’t Blame Us: Suburban Liberals and the Transformation of the Democratic Party (2015) and Left Behind: The Democrats’ Failed Attempt to Solve Inequality (2022). She teaches contemporary history and is a key participant in a group of scholars working to rethink and revitalize our approach to political history of the United States. One product of those collaborations has been her edited volume, with Brent Cebul, Mastery and Drift: Professional Class Liberals since the 1960s (2025). This conversation was recorded in July of 2026.

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What happens when a democratic state—still in the process of formation—commits to banning a substance, especially one as controversial as alcohol? Sober State: Origins of Alcohol Prohibition in India (Cambridge UP, 2025) traces the origins and evolution of alcohol prohibition in India, drawing on extensive archival research and rich vernacular sources to explain its surprising resilience over time. Since its inception, prohibition has served both as an ideal and a tool of state power—a dual role that has worked to shape its shifting trajectories. Each phase of enforcement has served to reaffirm prohibition's founding logic, thereby further embedding it in the machinery of governance—even as it has constrained its future implementation. Foregrounding intersections with caste and gender, the book illuminates how diverse social responses have made prohibition a deeply contested—sobering—yet enduring project. While prohibition may be a thing of the past in the West, history helps to keep it alive in India.

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During the interwar years, Vietnamese society witnessed a rapid change in the way women looked. Rejecting the model of a sequestered maiden with blackened teeth and long hair, they embraced a vivid palette of colors—and a colorful lifestyle to match. Before the war, Vietnam would have seemed like an unlikely place for a beauty industry to thrive. Virtuous young women were expected to hide their natural beauty, not manipulate it with makeup or flaunt it at a beauty contest. Yet ordinary women began seeking out the latest fashions—to great public consternation.

In Beauty and the Nation: Women, Culture, and the National Image in Interwar Vietnam (Columbia UP, 2025), Christina E. Firpo explores the development of beauty culture in this period, showing how women’s faces and bodies became contested sites for envisioning what it meant to be Vietnamese in the modern world. She considers dress patterns, lip-lining tutorials, hairstyles, physiques, and beauty pageants alongside new technologies of media, transportation, and leisure and the anxieties they provoked. The everyday decisions women made about their appearance, Firpo argues, were ways to stake a claim to the roles they wanted to play in the new society taking shape around them. Drawing on a vast array of sources, Beauty and the Nation: Women, Culture, and the National Image in Interwar Vietnam (Columbia University Press, 2026) offers fresh insight into the tumultuous political, economic, social, and cultural changes that swept across Vietnam during this crucial period.


Christina E. Firpo is professor of history at California Polytechnic State University, San Luis Obispo. She is the author of Black Market Business: Selling Sex in Northern Vietnam, 1920–1945 (Cornell University Press, 2020) and The Uprooted: Race, Children, and Imperialism in French Indochina, 1890–1980 (University of Hawai'i Press, 2016).

Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard University. Her research focuses on 20th-century Vietnamese literature, socialist realism, and literary translation in Vietnam across French, Vietnamese, Chinese, and English. She can be reached at [email protected].

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