New Books Network

In this NBN episode, host Hollay Ghadery speaks with David Ly about his novel, Not All Dragons (Wolsak & Wynn, 2026).
What is it that you are, Rhys?

In a land of magic and myth, Rhys awakens on the shore of Lanilia with mysterious wounds on his back and no memory of his life before. Disoriented, he stumbles on the Mernese estuary protected by the mermaid Delia, who is quickly intrigued by this male who doesn't smell like any Lanilian she's ever met and who is unable to answer questions about himself. Determined to figure out his past, Rhys convinces Delia to help, and begins a dangerous journey to discover who he is, or was, and who he might become as they hunt for the truth beneath story and prophecy. David Ly brings readers a fascinating and fresh take on dragons and destiny in this captivating debut novel.

David Ly is the author of Mythical Man (Anstruther Books, 2020) and Dream of Me as Water (Anstruther Books, 2022), both short-listed for ReLit Poetry Awards, and the fantasy novel Not All Dragons (Poplar Press, 2026). He co-edited, with Daniel Zomparelli, Queer Little Nightmares: An Anthology of Monstrous Fiction and Poetry (Arsenal Pulp Press, 2022). David’s poems have appeared in publications such as Arc Poetry Magazine, Best Canadian Poetry, PRISM International, and The Ex-Puritan, where he won the inaugural Austin Clarke Prize in Literary Excellence for Poetry, as well as in the Pan MacMillan anthologies He, She, They, Us: Queer Poems (2024) and You’re Never Too Much: Poems for Every Emotion (2025). He is the Poetry Editor at This Magazine. More here.

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Kevin P. Reilly is President Emeritus and Regent Professor with the University of Wisconsin System, having served as President from 2004-13. Kevin grew up in Manhattan and the Bronx, and went on to earn his B.A. at the University of Notre Dame, and his M.A. and Ph.D. from the University of Minnesota, all in English. He has published on higher education policy and accreditation, autobiography and biography, and in Irish Studies.

In this interview he discusses his most recent book, Gregory Ghosts: Haunting Irishness (Peter Lang, 2026), a creative non-fiction intervention into Irish literary studies.

This book is a kind of Irish ghost story. In it the ghosts of Lady Augusta Gregory (1852-1932) and eight of her family members and colleagues look back over their lives—and sometimes forward beyond them—to try to make sense of them, their times, and one another. Theirs were all turbulent lives played out on the western edge of Europe at a time of great change.
Lady Gregory helped shape that change at a pivotal moment in Ireland’s development into a modern nation state. The author’s fresh approach questions and complicates the image of her as a prim Victorian workhorse. Setting her in the midst of the personal chatter of her departed family, lovers, friends, and collaborators brings home how the historical Irish moment found her just when it needed her.

Gregory Ghosts: Haunting Irishness is published with Peter Lang, as part of their Re-imagining Ireland series

Aidan Beatty is a lecturer in the history department at Carnegie Mellon University and the President of the American Conference for Irish Studies

Transcript here

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On a crisp September afternoon in 1917, as the country waged war and the national pastime faced questions about its purpose, baseball paused to reconsider what it stood for. At Fenway Park, the game's greatest stars-many of them rivals, some near the end of their careers, others just emerging-took the field together in an exhibition played not for standings or championships, but for a colleague who had died, and for a cause larger than the game itself.

Babe Ruth, Ty Cobb, "Shoeless" Joe Jackson, Tris Speaker, Walter Johnson, Connie Mack, and more. One newspaper called it "the greatest baseball show on earth."

What unfolded that day was more than a benefit or a curiosity. It was a moment of recognition among players, fans, and the sport's leaders that baseball could be something more than competition. It could be a shared stage. A public trust. A civic ritual capable of carrying the weight of a nation. Listen to our interview about One Day in September: Baseball, Brotherhood, and the Birth of the All-Star Game (Compass Rose, 2026)

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at [email protected] and follow him on Twitter @paulieknep.

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In 2006 poet Amanda Johnston went in search of community and, when she didn’t find what she was looking for, Amanda built her own. Today, Torch Literary Arts is a resource and a destination for Black women writers and readers across the diaspora. Fueled by wisdom and writings from poets, novelists, and screenwriters, the organization’s exceptional programming and award-winning magazine amplify Black women’s voices, and has featured work from poets like Patricia Smith, Yona Harvey, and Toi Derricotte, screenwriters and playwrights like Jonterri Gadson, Charla Lauriston, and Lisa B. Thompson, and novelists like Tayari Jones, Crystal Wilkinson, and Sapphire.

And at a time when Amanda is preparing for Torch’s 20th Anniversary celebration, “A Gathering of Flames,” she is also celebrating the publication of a new book in her capacity as the 61st Texas Poet Laureate, Praisesong for the People: Poems from the Heart and Soul of Texas (Host Publications, 2025), showcasing original praise poems commissioned from poets across the state, and seeking to uplift diverse and intersecting populations across age, gender, and BIPOC, LGBTQIA+, differently-abled, and immigrant communities.

You can find Amanda at her website, on Instagram, and on Threads. And check out Torch Literary Arts, Torch Magazine, and follow the organization on Instagram, Facebook, and Threads.

Want to hear more from Amanda about the journey to Torch’s 20th Anniversary? Check out our continued conversation on Substack.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

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Over the 19th century, the women of Istanbul gradually transformed their appearance, adopting European dress and new modes of self-fashioning, including photographs. Fashion in Late Ottoman Istanbul: Photography and Identity in a Global City (Bloomsbury, 2026) by Dr. Nancy Micklewright reconstructs a complex fashion history, and the dramatic changes that took place in women's lives in this period, and given the diverse population of Istanbul in terms of ethnicity, class, race and religion, attends to the differing clothing habits of the women of the city. The book focuses particularly on elite women as fashion tastemakers and on the dress of enslaved and working women.
Appealing to scholars across a range of fields, including fashion history, Ottoman studies, women's and gender history, visual culture and photography history, Fashion in Late Ottoman Istanbul provides a fascinating insight into women's histories, writing and dress practices in a rapidly changing Istanbul.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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In her most recent publication, Domestic Nationalism: Muslim Women, Health, and Modernity in Indonesia (Stanford UP, 2025), Chiara Formichi argues that Muslim women in Java and Sumatra, from the late 1910s to the 1950s, were central to Indonesia's progress as guardians and promoters of health and piety through gendered activities of care work. While sidelined in the Dutch colonial project of hygienic modernity, women's labor of social reproduction became increasingly visible during the Japanese Occupation and early years of independence. Women from all walks of life were called upon to fulfill domestic and motherly roles for the production and socialization of laborers, soldiers, and citizens. The medicalization of cleanliness, intersecting with multiple patriarchal orders, marginalized women's traditional influence and knowledge. However, leveraging the critical importance of infant care, cleanliness, and nutrition, women pushed against the boundaries imposed on them by the colonial and postcolonial state. Largely absent from government archives, their words and acts are evident in vernacular magazines and visual sources drawn from official outreach, news and lifestyle media, and advertisements. Women writers rearticulated scientific mothering, nationalist maternalism, and Islamic ideals of motherhood to create a public voice through gendered care work. The framework of Domestic Nationalism proposes that as the modern Indonesian nation-state took shape capitalizing on the public function of mothering, so did homemaking become a crossroads of national and international approaches to development, blurring nonaligned self-reliance and global capitalist interests.

In this episode Dr. Chiara Formichi (Cornell University) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss Domestic Nationalism. We converse about feminist theory and tensions between Indonesian women and colonial establishments. We talk about food, food choices, food preparation and nutrition to reveal an intersection of hygiene, nutrition, and imperialism. And last, we discuss how imperial and colonial invocation of novel hygiene practices was a global phenomenon in the mid-twentieth century.

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In her most recent publication, Domestic Nationalism: Muslim Women, Health, and Modernity in Indonesia (Stanford UP, 2025), Chiara Formichi argues that Muslim women in Java and Sumatra, from the late 1910s to the 1950s, were central to Indonesia's progress as guardians and promoters of health and piety through gendered activities of care work. While sidelined in the Dutch colonial project of hygienic modernity, women's labor of social reproduction became increasingly visible during the Japanese Occupation and early years of independence. Women from all walks of life were called upon to fulfill domestic and motherly roles for the production and socialization of laborers, soldiers, and citizens. The medicalization of cleanliness, intersecting with multiple patriarchal orders, marginalized women's traditional influence and knowledge. However, leveraging the critical importance of infant care, cleanliness, and nutrition, women pushed against the boundaries imposed on them by the colonial and postcolonial state. Largely absent from government archives, their words and acts are evident in vernacular magazines and visual sources drawn from official outreach, news and lifestyle media, and advertisements. Women writers rearticulated scientific mothering, nationalist maternalism, and Islamic ideals of motherhood to create a public voice through gendered care work. The framework of Domestic Nationalism proposes that as the modern Indonesian nation-state took shape capitalizing on the public function of mothering, so did homemaking become a crossroads of national and international approaches to development, blurring nonaligned self-reliance and global capitalist interests.

In this episode Dr. Chiara Formichi (Cornell University) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss Domestic Nationalism. We converse about feminist theory and tensions between Indonesian women and colonial establishments. We talk about food, food choices, food preparation and nutrition to reveal an intersection of hygiene, nutrition, and imperialism. And last, we discuss how imperial and colonial invocation of novel hygiene practices was a global phenomenon in the mid-twentieth century.

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The United States has traditionally been a great promoter of international justice – forging the Nuremberg and Tokyo tribunals after World War II and leading the way in creating tribunals to address genocides in Yugoslavia and Rwanda after the Cold War. Yet the US views the International Criminal Court – the culmination of the tribunal-building process – as a dire threat.

The US voted against its establishment, passed legislation threatening to invade The Hague, and tried to destroy the ICC with economic sanctions. Delving into the uneasy relationship between the world's superpower and one of its most prominent international institutions,

Above the Law: The United States and the International Criminal Court (Cambridge UP, 2026) explains how the desire to shield American soldiers from unwanted ICC scrutiny is the ultimate source of tension. Offering a sophisticated analysis of the ICC's track record that shows how American fears are overblown, Daniel Krcmaric argues that a more cooperative US policy toward the ICC would benefit both sides.

Our guest is Daniel Krcmaric, an Associate Professor of Political Science and Law at Northwestern University.

Our host is Eleonora Mattiacci, an Associate Professor of Political Science at Amherst College. She is the author of "Volatile States in International Politics" (Oxford University Press, 2023).

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What does a 16th century ruler reveal about the nature of power, past and present?

Istanbul, 1538. The greatest of the Ottoman Sultans is at the pinnacle of world power, while his family and future are at the mercy of their own dynastic law: whichever of his five sons succeeds him must eventually kill all the others. So why not get a head start?
For the next fifteen years, as Suleyman the Magnificent and his terrifying pirate captain Barbarossa face down imperial enemies across two hemispheres, the self-fulfilling curse of the Ottomans gathers its own unstoppable momentum.
From the burning pyres of Paris to the rain-lashed mountains of Transylvania, from Buda to Basra, from Crimea to the coast of India, Christopher de Bellaigue's The Golden Throne is an intensely gripping yet entirely historical reconstruction of the life and world of the most feared and powerful man of the sixteenth century, revealing the price of succession and the terrible cost of success.

Christopher de Bellaigue is an author, journalist and founder of The Lake District Book Festival. The Golden Throne is the second book in a trilogy.

Lucas Tse is Examination Fellow at All Souls College, Oxford.

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This episode features a conversation with Carnatic vocalist, T.M. Krishna, who is also the author of two books on this musical tradition. We began with his first book’s account of the modernization of Carnatic music through a set of social, technical, and spatial processes that transformed it from a more socially diverse practice into a predominantly Brahmin performative genre. We moved on to discuss a figure who is at the heart of his second book: the maker of the Carnatic percussion instrument, the mrdangam. This took us into an extended discussion of the changing relationship between mrdangam makers, who are predominantly Dalit, and mrdangam players, who are predominantly Brahmin, and what the complex mix of inequality, stigma, artistry, and pride suggests about the specificity of this inter-caste relationship. The episode ended with Krishna fleshing out his distinction between classical music and art music and the reasons why he rejects the former in favor of the latter.

Read the transcript

Guest

T.M. Krishna is a vocalist in the Carnatic tradition and the author of two books and numerous articles.

References

T.M. Krishna, A Southern Music: The Karnatik Story (Harper Collins, 2016).

T.M. Krishna, Sebastian and Sons: A Brief History of Mrdangam Makers (Westland, 2023).

Devadasi: refers to a historical practice of “marrying” girls to a temple deity. In the pre-colonial period, Devadasis held a respected place in society as literate, land owning women who were highly trained in music and dance. During colonialism, their sexual relations with male patrons came to be seen as a threat to householder society and they became targets of moral reform. The Devadasi system was abolished in 1947.

Sadir: a dance form historically performed by the Devadasi community that was the precursor to modern Bharatanatyam.

Bharatanatyam: a modern dance form now widely performed by upper castes.

Khayal: vocal genre of North Indian music.

ICS: Indian Civil Service, the higher tier of colonial administration in British India that became the basis of the post-independence Indian Administrative Service.

The Music Academy: the main performance space for Carnatic music in Madras (now Chennai), India.

Kutcheri: term for the venue where Carnatic music is performed.

Thanjavur: city in the Indian state of Tamil Nadu known for its art and architecture.

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