New Books Network

Examining sectarian divergence in the early modern Middle East, Ayşe

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In Crown City (A Japantown Mystery)" (Soho Crime, 2026), Ryunosuke “Ryui Wada is orphaned at 18, with no family or path left in Japan. He’s lucky when merchants from the states pay for him to get to Pasadena to work in their store selling authentic Japanese merchandise. It’s 1903, and although he’s lonely and confused by American customs, he’s committed to his new life. He thinks he’s starting to fit in, making friends with his roommate, Jack, and falling for a pretty seamstress in his boarding house, but the man whose bed he acquired has gone missing, he’s attacked on the street, and a painting is stolen from Pasadena’s most well-known Japanese artist, Toshio Aoki. The artist then hires Jack and Ryui to find his painting, which just might get them both killed. 

Naomi Hirahara is an Edgar Award-winning author of multiple traditional mystery series and noir short stories. Her Mas Arai mysteries, which have been published in Japanese, Korean and French, feature a Los Angeles gardener and Hiroshima survivor who solves crimes. Her first historical mystery, Clark and Division, which won a Mary Higgins Clark Award, follows a Japanese American family’s move to Chicago in 1944 after being released from a California wartime detention center. A former journalist with The Rafu Shimpo newspaper, Naomi has also written numerous non-fiction history books and curated exhibitions. She has also written a middle-grade novel, 1001 Cranes. Her follow-up to Clark and Division, Evergreen, was released in August 2023 and was on the USA Today bestseller list for two weeks. And she’s passionate about collecting vintage postcards!

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In Prioritize Play: Express Your Creativity, Boost Your Confidence, and Foster Deeper Connection (Balance, 2026), host of the Chaotic Creatives podcast and play enthusiast Rachael Renae reveals that play is more important to our wellbeing than productivity or career titles and should be prioritized as readily as getting groceries, paying your rent, or getting your work done. When we connect to ourselves through play, we become more curious and intentional in how we express ourselves and connect with other people. Within these pages are:

Through introspection and fun challenges, you’ll see that play is the solution toward overcoming our creative blocks, caring less about what people think of us, and showing ourselves that we do deserve to prioritize our creative ideas. Even when they don’t make money. Even if we’re not “good” at them. Even if they’re not a “traditional” creative outlet. Because we all deserve our version of our Big, Juicy Life!

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In Chilling Effects: Repression, Conformity, and Power in the Digital Age (Cambridge UP, 2025), Jonathon W. Penney explores the increasing weaponization of surveillance, censorship, and new technology to repress and control us. With corporations, governments, and extremist actors using big data, cyber-mobs, AI, and other threats to limit our rights and freedoms, concerns about chilling effects – or how these activities deter us from exercising our rights – have become urgent. Penney draws on law, privacy, and social science to present a new conformity theory that highlights the dangers of chilling effects and their potential to erode democracy and enable a more illiberal future. He critiques conventional theories and provides a framework for predicting, explaining, and evaluating chilling effects in a range of contexts. Urgent and timely, Chilling Effects sheds light on the repressive and conforming effects of technology, state, and corporate power, and offers a roadmap of how to respond to their weaponization today and in the future.

You can find more information about Jon at his website: https://jonpenney.com/

Jake Chanenson is a computer science Ph.D. student and law student at the University of Chicago. Broadly, Jake is interested in topics relating to HCI, privacy, and tech policy. Jake’s work has been published in top venues such as ACM’s CHI Conference on Human Factors in Computing Systems.

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In 2025, the U.S. Department of Housing and Urban Development (HUD) marked its 60th anniversary. Created amid the optimism and urgency of the civil rights era, HUD embodied a bipartisan commitment to building stronger, more integrated, and equitable cities. How did that vision unfold alongside the music, culture, and politics that shaped urban life?

Street Level, a special audio documentary episode of Soundscapes NYC, explores the intertwined histories of urban policy, housing, and popular culture in the years following HUD’s establishment. Through archival recordings, immersive sound design, and music drawn from the neighborhoods most affected by federal housing decisions, the documentary traces how government policies shaped city life—and how residents responded through creativity, resilience, and community.

Featuring insights from historian and author Bench Ansfield, author of the Pulitzer Prize-nominated Born In Flames, senior career HUD staff members Kent Watkins and John Finch, and public history scholar Kristin Sylvian, Street Level connects policy decisions to lived experience, revealing how federal housing initiatives shaped the urban landscape—and how music and culture helped sustain joy, identity, and perseverance when city life grew more difficult. Part history, part cultural exploration, and part sonic journey, Street Level offers a powerful new perspective on the forces that have shaped America’s cities.

HOST/PRODUCER: Ryan Purcell

WRITER/PRODUCER: Shelagh Little

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Why have so many democracies become more polarized, unstable, and vulnerable to authoritarianism? And why did so many political observers fail to see it coming? In this episode of the People, Power, Politics podcast, Nic Cheeseman talks to Sheri Berman, Professor of Political Science at Barnard College, about her recent article, “Democracy’s Troubles Should Be No Surprise”, and its powerful argument that democracy’s current troubles follow a familiar historical pattern. Drawing on classic theories of democratic stability, Berman explains how rising inequality, declining social mobility, polarization, and the erosion of cross-cutting cleavages have undermined even long-established democracies – and what policymakers can do in response. This podcast is part of our regular collaboration with the Journal of Democracy.

Read the transcript here

Guest:

Sheri Berman is Professor of Political Science at Barnard College, Columbia University. She is one of the leading scholars of democracy, liberalism, and political development, and the author of numerous influential books and articles on the historical foundations of democratic stability and crisis. Professor Berman’s recent article, Democracy’s Troubles Should Be No Surprise, published in the Journal of Democracy, explores why rising inequality, polarization, and declining social mobility have left even long-established democracies increasingly vulnerable to instability and authoritarianism. A widely read commentator and public intellectual, Berman’s work bridges academic research and contemporary political debate.

Presenter:

Dr Nic Cheeseman is the Professor of Democracy and International Development at the University of Birmingham and Founding Director of CEDAR.

The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham!

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In Real Men on Top: How Patriarchy Shapes Our Reality (Oxford University Press, 2026), Robin Dembroff shows us that we don't just live in a patriarchal world. We live in a world that patriarchy taught us to see. Patriarchy is not simply a system where men dominate women, Dembroff argues. It is a deeper reality-shaping force that legitimizes economic exploitation, political injustice, and social cruelty by dividing all of us into the rigid categories of Man, Woman, Animal, and Child.

These categories are presented as natural truths, but Dembroff reveals them as man-made myths--ones that construct a reality in which being characterized as Woman, Animal, or Child marks moral degradation. By no coincidence, feminization, dehumanization, and infantilization are the very degradations used to make a man 'less of a man'.

But this book is more than critique; it's also a guide to transformation especially for those grappling with what it means to be a man under patriarchy. Patriarchy's myths celebrate the identity Man, but these myths are no friend to most men. Promising strength and superiority, they instead fuel isolation, emotional repression, and relentless pressure to prove oneself while propping up systems that enrich the powerful few. Rather than deliver freedom and prosperity, these myths entrap and impoverish. Real Men on Top invites readers to see through them and, in so doing, to find new possibilities for living, relating, and becoming human.

Sharp, daring, and deeply felt, Real Men on Top is a book for anyone who senses that something is deeply wrong with the way we live and wants to understand how we got here, and where we might begin the work of remaking reality.

Robin Dembroff is an Associate Professor of Philosophy at Yale University

Caleb Zakarin is CEO and Publisher of the New Books Network.

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It’s The Pop Culture Professors, and today we react to Olivia Rodrigo's new album, You Seem Pretty Sad for a Girl So in Love. We analyze the lyrics and the aesthetics of the album, including the notable influence of The Cure and 80s British New Wave in particular. We offer an appreciation of Rodrigo's commitment to song craft and to live performance. And we note with pleasure that, perhaps unusually for a contemporary pop release, this album works as a coherent set of songs placed in an intentional order and with a defined narrative.

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Can publishing change the world? In Dispatches from the Avant-Garage: The Alternative Press Rebecca Kosick (Wayne State UP, 2026), an Associate Professor in Comparative Poetry and Poetics at the University of Bristol, tells the story of The Alternative Press. Beginning in Detroit in the late 1960s, initially based in the house of Ann and Ken Mikolowski, the press created a rich and eclectic set of artworks. The story of The Alternative Press is also the story of US art and radical politics from the 1970s into the 1990s, with lessons for art and politics today. Drawing on a huge amount of archival work, interviews, and visual reproductions to analyse both the form and content of The Alternative Press’s activity, the book will be essential reading for arts and humanities scholars, as well as for anyone interested in the history of radical art and culture in the USA.

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Wayfaring: Photography in Taiwan, 1950s–1980s (Australian Centre on China in the World, 2025) explores four transformative decades of photography in Taiwan, tracing its evolution amid the island’s emergence from Japanese colonialism and integration into Nationalist China, largely under martial law (1949–87). Through a dozen richly illustrated essays and interviews, the book bridges the gap between vigorous Chinese-language scholarship on photography in Taiwan and its limited representation in English. Essays on photographers in the 1950s–60s, including Long Chin-San (Lang Jingshan) (1892-1995), Deng Nan-Guang (1907-1971), Chang Chao-Tang (1943-2024), Liu An-Ming (1928-2022), Hwang Pai-Chi (b. 1931), Hsu Yuan-Fu (1932-2018) and Tsai Hui-Feng (1928-2005), reveal photography’s pivotal role in documenting ‘local’ culture and shaping cultural identity, while challenging ideas of ‘amateur’ and ‘realist’ practices and recognising the importance of transnational connections. Meanwhile, essays on Hsu Jen-Shiu (b.1946), Lin Bo-Liang (b. 1952), Kao Chung-Li (b. 1958), Lien Hui-Ling (b. 1961) and Hou Tsung-Hui (b. 1960), along with interviews sharing the firsthand experiences of Liu Chen-Hsiang (b.1963), Lulu Shur-tzy Hou (1962-2023) and Yao Jui-Chung (b.1969), highlight the experience of photography in 1970s–80s Taiwan, as both witness and agent of social transformation, addressing issues such as environmental protection, mental health and gender politics, as well as being a crucial vehicle for the transdisciplinary nature of contemporary art, theatre, cinema and performance in Taiwan at that time.

Chen Shuxia is a historian and curator of Chinese art. Her research concerns art collectives, diasporic artistic practice, and reciprocal relations between people and objects. Her most recent books include Wayfaring: Photography in Taiwan, 1950s–1980s (2025), Chinese Toggles: Culture in Miniature (2024) and A Home for Photography Learning: the Friday Salon, 1977-1980 (2024). Her most recent curated exhibitions include “Merchants of Haymarket: the Making of Sydney’s Chinatown” (2026), “The trace is not a presence…” (2025), “Chinese Toggles: Culture in Miniature” (2024). Chen is the inaugural curator of the Chau Chak Wing Museum’s China Gallery, and a Senior lecturer in the Master’s degree programme in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design.

Olivier Krischer is a historian and curator of art from East Asia and the Asian Australian diaspora, whose research concerns modern and contemporary transcultural art, photography and intermedia practices. His curatorial projects include “Assembly” (2023), featuring eight Hong Kong-born artists, “Wayfaring: Photography in 1970s-80s Taiwan” (2021) and “Between: Picturing 1950-1960s Taiwan” (2016). His publications include John Young: The History Projects (2025), Zhang Peili: From Painting to Video (2019) and Asia through Art and Anthropology: Cultural Translation Across Borders (with F. Nakamura and M. Perkins, 2013). Krischer is currently a lecturer and program convenor for the Master’s degree programe in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design.

Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping’s NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University.

Relevant Links:

Open Access for Wayfaring: Photography in Taiwan 1950s−1980s

Wayfaring 找路: Photography in 1970s–80s Taiwan Exhibition Webpage

Wayfaring Exhibition Pamphlet

Wayfaring Exhibition Video Tour | Part 1 — Overview

“Between: Picturing 1950s-60s Taiwan / 間：臺灣五六十年代面影”

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