New Books Network

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New Books Network episodes

June 07 Christina Lord, "Reimagining the Human in Contemporary French Science Fiction" (Liverpool UP, 2023)
The study of French science fiction – even in France – remains an underexploited field. Only recently have French literary scholars been able to gain recognition for the validity of studying SF, but their works are often literary histories. Reimagining the Human in Contemporary French Science Fiction (Liverpool UP, 2023) is the first book-length study to take into account both French and Anglo-American intellectual trends, theories, and SF scholarship and apply them to a corpus of French works. It shows how contemporary French SF imagines two broad philosophical inquiries into the powerful, yet terrifying geological age of the Anthropocene: posthumanism and transhumanism. While the posthumanist perspective calls attention to the interdependence and co-evolution of humans and nonhumans within a complex ecosystem of life, the transhumanist view of coping with the Anthropocene offers more pragmatic, tool-based solutions, rather than a reworking of the human imagination. Given the history of philosophical thought’s entanglement with literature in France, French SF can tell us a lot about this existential crisis of Anthropos as both destroyer and savior of worlds and bodies alike. With a focus on encounters between humans, nonhumans, and posthumans in selected works, this book investigates both the immaterial (the psychological state of the mind) and material (the body) stakes of posthumanist or transhumanist thinking in French SF.
Guest Christina Lord is Associate Professor of French at the University of North Carolina Wilmington. As a scholar of French and francophone studies and science fiction (sf) studies, she often writes about nonhuman beings in literary and visual storytelling. In addition to Reimagining the Human She has published essays in Nineteenth-Century French Studies, Oeuvres et Critiques, Studies in the Fantastic, and European Comic Art, among others. She also serves as contributing editor for the section on “Speculative Studies in French” for the bibliographic journal, The Year’s Work in Modern Language Studies. Her current research focuses on transnational and transmedial processes of circulation, recycling, and adaptation of sf imagery and narratives. Her current work focuses on the "alien aesthetic" of Denis Villeneuve’s sf films and the iconography of mid-twentieth century French comics, Valérian et Laureline.
Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under
review on posthumanist ecological engagement in the surrealist movement.
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45 min
June 07 Robert B. Marks, "Deep Time in the Mono Lake Basin: Nature and History Over the Last 10,000 Years" (U California Press, 2026)
"Deep Time," a way of understanding the distant past popularized in the late 20th century by the writer John McPhee, changes our perspective on history. When looked at in the context of tectonic movements long-term climate shifts, human affairs can seem small, even insignificant. However, in Deep Time in the Mono Lake Basin: Nature and History Over the Last 10,000 Years (U California Press, 2026), Whittier College professor emeritus Bob Marks explains that people still matter, even within the long sweep of deep time. Rather than shrink human affairs down to nothing, deep time helps us contextualize the places where humans live, die, build societies, and destroy one another. Geology, hydrology, and climate change (anthropogenic and otherwise) are all part of the human story, and vice versa, in Marks' telling. The Mono Lake Basin, as a fragile and unforgiving environment that has been peopled for many centuries, is a perfect place to tell this story of environmental change, environmental degredation and, ultimately, hopeful ecoloigical restoration.
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56 min
June 06 Jane Kanarek, "Beyond Brutality: Reclaiming Female Presence in Bavli Sotah" (Brandeis UP, 2025)
Beyond Brutality: Reclaiming Female Presence in Bavli Sotah (Brandeis University Press, 2025) draws
on feminist analysis and gender studies to examine tractate Sotah of
the Babylonian Talmud as a literary unit. By interrogating how, why, and
where women are invisible within Bavli Sotah, Jane Kanarek brings to
light a ubiquitous female presence throughout the text. Despite the
brutality of the sotah ritual—in which the woman accused of adultery is
put through a divine ordeal intended to reveal her innocence or her
guilt—this book demonstrates that Bavli Sotah is not primarily concerned
with describing the sotah ritual or establishing male control over
women. Instead, Bavli Sotah becomes a pedagogical text in which the
sotah is secondary to moral and sinning men. As the sotah herself fades
into the background, the sotah ritual nevertheless overflows its
boundaries and weaves its way through a range of other topics within the
tractate. In the process, Bavli Sotah teaches its audience who
transmits and how one transmits rabbinic culture.
Dr. Rabbi Jane Kanarek is Professor of Rabbinics at the Rabbinical School of Hebrew College, Newton, MA.
Dr. Rabbi Rachel Adelman, Professor of Bible at the Rabbinical School of Hebrew College, Newton, MA.
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1 hr 4 min
June 06 Ashok Malhotra, "Imperial Science, the Organic Movement and the Path to Shangri La, 1900-1969" (UCL Press, 2026)
Imperial Science, the Organic Movement and the Path to Shangri La, 1900-1969 (UCL Press, 2026) is a global history project that examines the diffusion of scientific
and environmental discourses from India to Britain and the US.
Ashok Malhotra examines how imperial agendas and colonial stereotyping shaped
dietary and agricultural research carried out in the 1920s in British
India, from soil protection initiatives to studies of diet and healthy
living. It also discusses how a selective interpretation of this
research, which focused on the supposed vigor of one community, the
Hunzas, influenced the organic and lifestyles movements that later
emerged in Britain and the US from the 1940s to the 1960s.
Ashok Malhotra is a senior lecturer in British imperial history at Queen's University Belfast.
Crawford Gribben is a professor of history at Queen’s University Belfast.
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36 min
June 06 Allyson Nadia Field, "Acts of Love: Black Performance and the Kiss That Changed Film History" (U California Press, 2026)
In 1898, vaudeville actors Saint Suttle and Gertie Brown joyously embraced in a short silent film titled Something Good—Negro Kiss.
The first known film to portray African American affection, it was lost
for over a century until its rediscovery inspired contemporary
audiences with a powerful and enduring depiction of Black love. More
than a missing piece in an untold history of Black cinematic
performance, Something Good—and the magnetism of Suttle and
Brown—attests to the power of Black performance on stage and screen from
the nineteenth century to today.
In Acts of Love: Black Performance and the Kiss That Changed Film History (University of California Press, 2026), Allyson Nadia Field tells the story of Something Good
and recovers the forgotten yet fascinating lives of its performers and
their world. Drawing a vivid picture from sparse historical records, Acts of Love
examines popular culture's negotiation of blackness to reconsider the
intersections of minstrelsy, vaudeville, and cinema in ragtime America.
This book not only presents the story of Something Good, its
performers, and the drama of its rediscovery; it shows how the
rediscovery of this short early film changes our understanding of
American film history.
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49 min
June 06 Robert W. Snyder, "When the City Stopped: Stories from New York's Essential Workers" (Cornell UP, 2026)
The COVID-19 pandemic delivered its first and most devastating strike in the United States in New York City in the Spring of 2020. Closely connected to the world by air travel, with a virus able to circle the globe in a single flight, and with a population always living life largely in public spaces, sickness swept through the city, with the daily death toll reaching, at its worst point in April 2020, almost 800 persons per day.
In When the City Stopped: Stories from New York’s Essential Workers (Cornell UP, 2026) author Robert W. Snyder offers readers the voices of 45 New Yorkers, recorded in real time during the pandemic, people whose names we would likely not know or recognize. Snyder centers the “oral histories” of these 45 -- transit workers, ambulance drivers, grocery store clerks, firefighters, police officers, “deliveristas” of take-out food, nurses, and doctors. These 45 also speak for thousands of others, the people we came to know as “essential workers.” They could not work from home. They showed up to do their jobs every day during the most dangerous weeks of early Spring 2020, and beyond. Their dedication cost some of them their lives, but their courage, perseverance, and endurance ensured that the city and its people would be saved, in the author’s words, “from the bottom up.”
This interview was conducted by James Melchiorre, a journalist, documentary producer, and teacher of English as a Second Language. Melchiorre lives in New York City.
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42 min
June 06 Eileen Otis, "Walmart: Made in China" (Stanford UP, 2026)
Walmart: Made in China
(Stanford University Press, 2026) by Dr. Eileen Otis tells the story of
Walmart's expansion in China, making the case that it is the story of a
major shift in the structure of global capitalism. Walmart, argues Dr.
Otis, is a leading actor in the rise of merchant capitalism, wherein the
role of the merchant has changed from operating at the whim of industrialists, to leveraging
control over large consumer markets. As Walmart's retail business grew
at unprecedented rates across the globe, so too did this business model.
Walmart: Made in China
documents the business's expansion into China not as a tale of seamless
market entry, but as a case of frictions, improvisations, and labor
struggles that reveal deeper transformations in global economic power.
Drawing on years of fieldwork in Walmart stores across China, Dr. Otis
traces an internal supply chain—from warehouse to checkout—where workers
stock, promote, explain, and process goods under varying regimes of
control. These labor
regimes, structured by gender, migration, surveillance, and corporate
rules and culture, as well as managerial oversight, reveal how
capitalist value is realized, and how it can be contested.
At
the heart of her analysis is the rise of a new system—merchant
capitalism—in which control over consumer markets, rather than
production, drives profit. Thus, Walmart: Made in China offers a compelling account of this shift in global capitalism, as it gets made and remade, on the retail floor.
This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative
analysis of the Angolan and Mozambican civil wars. You can find
Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
1 hr 24 min
June 06 Ginger Dellenbaugh, "Maria Callas's Lyric and Coloratura Arias" (Bloomsbury, 2021)
More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe.
Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification.
Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum.
Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria.
Ginger Dellenbaugh’s website.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.
Bradley on Facebook and Bluesky.
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57 min
June 06 Michael Brownstein et al., "Somebody Should Do Something: How Anyone Can Help Create Social Change" (MIT Press, 2025)
A novel and scientific approach to creating transformative social change—and the surprising ways that each of us can help make a real difference. Changing the world is difficult. One reason is that the most important problems, like climate change, racism, and poverty, are structural. They emerge from our collective practices: laws, economies, history, culture, norms, and built environments. The dilemma is that there is no way to make structural change without individual people making different—more structure-facing—decisions. In Somebody Should Do Something: How Anyone Can Help Create Social Change (MIT Press, 2025), Michael Brownstein, Alex Madva, and Daniel Kelly show us how we can connect our personal choices to structural change and why individual choices matter, though not in the way people usually think. The authors paint a new picture of how social change happens, arguing that our most powerful personal choices are those that springboard us into working together with others—warehouse worker Chris Smalls’s unionization at Amazon is one powerful example. Taking inspiration from the writer Bill McKibben, they stress how one “important thing an individual can do is be somewhat less of an individual.” Organized into three main parts, the book first diagnoses the problem of “either/or” thinking about social change, which stems from the false choice of making better personal choices or changing the system. Then it offers a different way to think about social change, anchored in a new picture of human nature emerging across the social sciences. Finally, the authors explore ways of putting this picture into practice. Neither a how-to manual nor an activist’s guide, Somebody Should Do Something pairs stories with science (plus some jokes) to help readers recognize their own power, turning resignation about climate change and racial injustice into actions that transform the world.
My guests today are Michael Brownstein, Alex Madva and Daniel Kelly. Michael is Professor and Chair of Philosophy at John Jay College and Professor of Philosophy at the Graduate Center, Cuny. Alex is Professor of Philosophy, Director of the California Center for Ethics and Policy, and Co-Director of the Digital Humanities Consortium at Cal Poly Pomona. Daniel Kelly is Professor of Philosophy and Co-Director of the Cognition, Agency, and Intelligence Center at Purdue University.
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1 hr 12 min
June 06 Ann Carlson, "Smog and Sunshine: The Surprising Story of How Los Angeles Cleaned Up Its Air" (U California Press, 2026)
Los Angeles and smog have been synonymous for decades. From the 1940s
through the 1980s, children breathed air so heavy with lead that their
blood was poisoned with it. In 1970, officials declared smog alerts on
235 days. But the last smog alert happened in 2003, and lead has
virtually disappeared from the air. This is the story of how Los Angeles
cleaned up its air.
In Smog and Sunshine: The Surprising Story of How Los Angeles Cleaned Up Its Air (University of California Press, 2026), environmental law expert and LA native Ann Carlson recounts the dramatic policy fights and the
determined scientists, lawyers, and community members who worked
alongside public officials to face off against major polluters and save
their city. In a time of unprecedented climate change and skepticism
about government and science, this book is an inspiring reminder of
what concerned residents, individual leaders, and all levels of
government can achieve by working together.
This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative
analysis of the Angolan and Mozambican civil wars. You can find
Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
34 min