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Next wave: Everything marketers need to know about the streaming-TV-online video shake-out – audience forecasts, advertising shifts, where next: Ampere Analysis
Marketers and media companies had just about got to grips with audience fragmentation brought about by social media and online video. Now the next big wave is coming fast from global streamers piling into TV’s heartland with ad plays because their subscriber growth has maxed out. They’re targeting the young with localised reality shows, comedy and romantic dramas, and the old with documentaries and crime while taking aim at live TV’s biggest bastion by bidding for sports rights. That hasn’t always worked out for the likes of Amazon, which has pulled back from Premier League rights acquisition in the UK. But it has Disney and Fox Sports worried enough to try to get a combined sports platform off the ground in the US and over regulatory hurdles. Ampere Analysis veteran analyst Guy Bisson thinks similar collaboration from broadcasters locally may be required – and could be good for audiences. Across the piste, Bisson breaks down where audiences are going, how much time they are spending on each channel, and where the money’s headed – with Australia ahead of the global tipping point on streaming versus TV consumption, but not yet in terms of TV-video ad dollar reallocation.
For broadcasters, the push by Amazon, Netflix and others into ads kills the old TV versus online video debate and removes the moat around ad-funded quality long form video. “It's no longer about ‘should I do TV, or should I do online?’ It's, ‘I can do everything I can do on TV on streaming’, says Bisson. He thinks broadcasters can compete on reach, targeting and content but need to accelerate streaming-first pivots to regain and retain audiences that definitely want free streamed TV versus the new pay TV – and strategically steal what they can.
See omnystudio.com/listener for privacy information.
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By LiSTNRMarketers and media companies had just about got to grips with audience fragmentation brought about by social media and online video. Now the next big wave is coming fast from global streamers piling into TV’s heartland with ad plays because their subscriber growth has maxed out. They’re targeting the young with localised reality shows, comedy and romantic dramas, and the old with documentaries and crime while taking aim at live TV’s biggest bastion by bidding for sports rights. That hasn’t always worked out for the likes of Amazon, which has pulled back from Premier League rights acquisition in the UK. But it has Disney and Fox Sports worried enough to try to get a combined sports platform off the ground in the US and over regulatory hurdles. Ampere Analysis veteran analyst Guy Bisson thinks similar collaboration from broadcasters locally may be required – and could be good for audiences. Across the piste, Bisson breaks down where audiences are going, how much time they are spending on each channel, and where the money’s headed – with Australia ahead of the global tipping point on streaming versus TV consumption, but not yet in terms of TV-video ad dollar reallocation.
For broadcasters, the push by Amazon, Netflix and others into ads kills the old TV versus online video debate and removes the moat around ad-funded quality long form video. “It's no longer about ‘should I do TV, or should I do online?’ It's, ‘I can do everything I can do on TV on streaming’, says Bisson. He thinks broadcasters can compete on reach, targeting and content but need to accelerate streaming-first pivots to regain and retain audiences that definitely want free streamed TV versus the new pay TV – and strategically steal what they can.
See omnystudio.com/listener for privacy information.
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