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On this week’s Talkhouse Podcast we’ve got a pair of guys who don’t know each other well, but who’ve crossed paths a few times over the years—most recently at the Desert Daze festival, Nick Allbrook and Josh Conway.
Allbrook is the frontman of the Australian psychedelic rock band Pond, which is sort of inextricably linked with another Australian band, Tame Impala. Allbrook was actually a member of Tame for years while also playing with Pond—which includes some current members of Tame Impala. But Pond, which has been around about as long, has built a sound of its own, much more hard charging than that other band, and released a whopping nine albums of frenetic, fun, fuzzy rock. If you’ve never heard the band, their album titles give a hint as to what they’re all about, from Corridors of Blissterday to Man It Feels Like Space Again. Pond’s latest album has a much simpler title, it’s called 9, and among its fantastic tracks is this one, “Lights of Leeming.”
Josh Conway is a huge fan of Pond, though his own band, The Marias, approaches music with a much gentler soul. Conway started the group with his significant other, the band’s namesake Maria Zardoya. Their beginnings are kind of funny: They tried to write songs for film and TV placements, none of which—as you’ll hear in this chat—were ever picked up. But, happy with what they’d written, Conway and Zardoya ended up releasing them anyway, and the Marias was born. Their alt-pop is miles from our other guest’s on today’s episode, with elements of jazz and even reggaeton sprinkled throughout a great debut album called Cinema. Check out “Hush” from that album right here.
In this conversation, Allbrook and Conway talk about the work hours of Australians versus Catalonians, about how even a deliberate attempt to sell out can result in great creative work, and how taking a walk under the influence of molly and Outkast changed Conway’s outlook. Also, they declare, cheekily, that God is dead, and art is too. Enjoy.
Thanks for checking out the Talkhouse Podcast, and thanks to Nick Allbrook and Josh Conway for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcast platform. This episode was produced by Keenan Kush, and the Talkhouse theme is composed and performed by The Range.
By Talkhouse4.4
141141 ratings
On this week’s Talkhouse Podcast we’ve got a pair of guys who don’t know each other well, but who’ve crossed paths a few times over the years—most recently at the Desert Daze festival, Nick Allbrook and Josh Conway.
Allbrook is the frontman of the Australian psychedelic rock band Pond, which is sort of inextricably linked with another Australian band, Tame Impala. Allbrook was actually a member of Tame for years while also playing with Pond—which includes some current members of Tame Impala. But Pond, which has been around about as long, has built a sound of its own, much more hard charging than that other band, and released a whopping nine albums of frenetic, fun, fuzzy rock. If you’ve never heard the band, their album titles give a hint as to what they’re all about, from Corridors of Blissterday to Man It Feels Like Space Again. Pond’s latest album has a much simpler title, it’s called 9, and among its fantastic tracks is this one, “Lights of Leeming.”
Josh Conway is a huge fan of Pond, though his own band, The Marias, approaches music with a much gentler soul. Conway started the group with his significant other, the band’s namesake Maria Zardoya. Their beginnings are kind of funny: They tried to write songs for film and TV placements, none of which—as you’ll hear in this chat—were ever picked up. But, happy with what they’d written, Conway and Zardoya ended up releasing them anyway, and the Marias was born. Their alt-pop is miles from our other guest’s on today’s episode, with elements of jazz and even reggaeton sprinkled throughout a great debut album called Cinema. Check out “Hush” from that album right here.
In this conversation, Allbrook and Conway talk about the work hours of Australians versus Catalonians, about how even a deliberate attempt to sell out can result in great creative work, and how taking a walk under the influence of molly and Outkast changed Conway’s outlook. Also, they declare, cheekily, that God is dead, and art is too. Enjoy.
Thanks for checking out the Talkhouse Podcast, and thanks to Nick Allbrook and Josh Conway for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcast platform. This episode was produced by Keenan Kush, and the Talkhouse theme is composed and performed by The Range.

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