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Your reader doesn't have to like the protagonist but she does have to empathize with him because if empathy is absent, your story is in trouble. In this episode Melanie and I study conflict triangles and narrative drive, but we also have an interesting side conversation about empathy and likeability. If you're writing an unlikeable character, or if you're writing a quiet, character-driven story, this episode is for you. -V
"The protagonist does not have to be likable, but you've got to be careful that you don't place the reader's empathy on another character." - Valerie Francis
Acquire the power to write a bestselling story at storynerd.ca/courses
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
By Melanie Hill, Valerie Francis5
5656 ratings
Your reader doesn't have to like the protagonist but she does have to empathize with him because if empathy is absent, your story is in trouble. In this episode Melanie and I study conflict triangles and narrative drive, but we also have an interesting side conversation about empathy and likeability. If you're writing an unlikeable character, or if you're writing a quiet, character-driven story, this episode is for you. -V
"The protagonist does not have to be likable, but you've got to be careful that you don't place the reader's empathy on another character." - Valerie Francis
Acquire the power to write a bestselling story at storynerd.ca/courses
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.

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