Opening Lines

John Yorke looks at Nancy Mitford’s depiction of the lives and loves of the English upper classes as a group of friends and acquaintances gather in the Cotswolds for Christmas. It’s a sharply observed, mostly gentle, satire of the aristocratic type that Mitford herself knew so well. This was her second novel, written in 1932. She became, and remains, famous for her subsequent bestsellers The Pursuit of Love in 1945 and Love in a Cold Climate in 1949 but Christmas Pudding shows very clearly the direction in which she was heading as the witty chronicler of a vanishing world.

John Yorke has worked in television and radio for 30 years and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless.  As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names.  He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributor:

Archive from BBC Television, The World of Nancy Mitford 1970

Reader: Esme Scarborough

A Pier Production for BBC Radio 4

John Yorke looks at Peter Benchley’s environmentally themed novel The Girl of the Sea of Cortez.

Peter Benchley is best known for his debut novel Jaws which become a huge global bestseller when it was published in 1974 and was further seared into the public consciousness by Steven Spielberg’s film adaptation the following year. His next two novels – The Deep and The Island – were also thrillers set at sea.

However, Benchley’s attitude to the oceans and the creatures that live in them underwent a transformation in this period due to the diving trips he’d started going on. He became acutely aware of the fragility of marine environments and how human activity was endangering them. When The Girl of the Sea of Cortez was published in 1982, it was a significant departure from his previous work, clearly informed by his growing environmental awareness.

John Yorke has worked in television and radio for 30 years and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributor:

Readings from The Girl of the Sea of Cortez by Peter Benchley (Ballantine Books, 2013)

Reader: Torquil MacLeod

A Pier production for BBC Radio 4

The Lay of the Land, by the American novelist Richard Ford, is the third of what became a series of five books about Frank Bascombe.

Now in his mid-50s, Frank has left sports writing behind and works in real estate in coastal New Jersey. But life is not settled - Frank is in remission from cancer and, previously divorced, his new marriage is facing problems of its own and relations with his grown-up children are under strain. Also, the dispute over the result of the US presidential election, between George W. Bush and Al Gore, lingers in the background.

John Yorke asks if Richard Ford achieves what he sets out to in this book - not only to continue Frank’s story, but to do something bigger than he’s done before, to reflect on America in the early 2000s – a country and culture that was about to change forever.

John Yorke has worked in television and radio for 30 years and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless.  As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names.  He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributor:

Credits:

Reader: Eric Stroud

A Pier production for BBC Radio 4

As we approach its hundredth anniversary, John Yorke explores the long-vanished world of German writer Alfred Döblin’s Expressionist masterpiece, Berlin Alexanderplatz.

Set in 1928 at the height of the Weimar Republic, the novel centres around Franz Biberkopf - ‘transport worker, housebreaker, pimp, manslaughterer’ - who is determined to go straight following his release from prison. Weather reports, tales from scripture, popular songs, death tolls, recipes and advertising slogans continuously interrupt Biberkopf’s dizzying journey through a collage-like depiction of Berlin.

Doblin’s novel was a huge bestseller when it was first published and is said to have defined city literature.

John Yorke has worked in television and radio for 30 years and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless.  As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names.  He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributor: Michael Hofmann, translator of Berlin Alexanderplatz.

A Pier production for BBC Radio 4

“I have made up my mind that I must have money,” says the character Bella Wilfer in Charles Dickens’ last completed novel, Our Mutual Friend – and she is one of many characters in the book for whom “money, money, money, and what money can make of life” is an overriding concern.

Dickens was deeply concerned with the increasing levels of inequality he saw around him in 1860s London, a city at the heart of the largest and richest empire in the world. In Our Mutual Friend he presents characters trapped by their pursuit of money, and who reveal just what they are prepared to give up of their better selves in order to achieve financial gain.

John Yorke is joined by Dickens’ own great-great-great grand-daughter Lucinda Hawksley, novelist and critic Philip Hensher, and Dr Emily Bell from the University of Leeds.

John has worked in television and radio for 30 years and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributors:

Reader: Paul Dodgson

A Pier production for BBC Radio 4

Our Mutual Friend was the last novel that Charles Dickens completed, and was written at a point of significant turmoil in the author’s personal life. It's a hugely ambitious and sophisticated novel, drawing the wild complexities of 1860s London life into its purview and marrying realism with mythic symbolism to great effect. Identities shift, deception battles unceasingly with the truth, while the great River Thames continues to flow.

John Yorke attempts to bring shape and light to this disparate, dark and enormously powerful piece of work, with the help of Dickens’ own great-great-great grand-daughter Lucinda Hawksley, novelist and critic Philip Hensher and Professor Phil Davis from the University of Liverpool.

John has worked in television and radio for 30 years and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributors:

Reader: Paul Dodgson

A Pier production for BBC Radio 4

Little Dorrit, written by Charles Dickens in the 1850s, is among the author’s most ambitious novels containing a massive sweep of themes, characters and locations.

It may be set 30 years before its creation, but the book feels in many ways ahead of its time, exploring themes of freedom and entrapment – both physical and psychological – in ways that would appeal enormously to later figures including Kafka and Tchaikovsky, who regarded it as such a work of genius that he forgave Dickens for being an Englishman.

Little Dorrit is, too, a savage critique of mid-19th Century Britain, more seditious than Marx’s Capital according to George Bernard Shaw, with its brilliant embodiment of overarching bureaucracy in the shape of the Circumlocution Office.

In the second of two episodes concerning the novel, John Yorke is joined by writer and producer Armando Iannucci, Professor Phil Davis from the University of Liverpool, and Dr Emily Bell, who is currently writing a biography of Dickens.

John Yorke has worked in television and radio for 30 years, and he shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. From EastEnders to The Archers, Life on Mars to Shameless, he has been obsessed with telling big popular stories. He has spent years analysing not just how stories work but why they resonate with audiences around the globe, and has brought together his experience in his bestselling book Into the Woods. As former Head of Channel Four Drama, Controller of BBC Drama Production and MD of Company Pictures, John has tested his theories during an extensive production career working on some of the world’s most lucrative, widely viewed and critically acclaimed TV drama. As founder of the hugely successful BBC Writers Academy, John has trained a generation of screenwriters.

Contributors:

Reader: Chipo Chung

A Pier production for BBC Radio 4

Little Dorrit, written by Charles Dickens in the 1850s, is among the author’s most ambitious novels containing a massive sweep of themes, characters and locations.

At its heart though is the confined space of the Marshalsea Debtors Prison, where the blameless Amy Dorrit chooses to live with her incarcerated father William, who takes pride in being the longest serving prisoner in the place.

In the first of two episodes focusing on the novel, John Yorke describes how the deeply personal events from Dickens’ own childhood, relating to his own father’s time at the Marshalsea, made the book such an important and personal project for him. Helping John in his analysis of one of Dickens’ truly great books is writer and producer Armando Iannucci, Professor Phil Davis from the University of Liverpool, and Dickens’ own great-great-great-granddaughter Lucinda Hawksley.

John Yorke has worked in television and radio for 30 years, and he shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. From EastEnders to The Archers, Life on Mars to Shameless, he has been obsessed with telling big popular stories. He has spent years analysing not just how stories work but why they resonate with audiences around the globe, and has brought together his experience in his bestselling book Into the Woods. As former Head of Channel Four Drama, Controller of BBC Drama Production and MD of Company Pictures, John has tested his theories during an extensive production career working on some of the world’s most lucrative, widely viewed and critically acclaimed TV drama. As founder of the hugely successful BBC Writers Academy, John has trained a generation of screenwriters.

Contributors:

Reader: Chipo Chung

A Pier production for BBC Radio 4

Charles Dickens’ novel Hard Times is perhaps best known for its portrayal of school inspector Thomas Gradgrind, who states clearly and repeatedly at the outset that it’s facts that matter, and education should be all about filling children up with these facts as if they were vessels rather than human beings.

In this, the second of two episodes introducing Hard Times, John Yorke looks at how Dickens demonstrates the damage that Gradgrind’s utilitarian approach can have on real people, and offers in opposition to it the colourful spectacle of the circus and the sense of wonder it represents.

Children’s Laureate Frank Cottrell-Boyce points out the ways in which traces of Gradgrind’s approach are still evident in the school room, and how counter-productive that might prove in the modern moment.

John Yorke has worked in television and radio for 30 years, and he shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. From EastEnders to The Archers, Life on Mars to Shameless, he has been obsessed with telling big popular stories. He has spent years analysing not just how stories work but why they resonate with audiences around the globe, and has brought together his experience in his bestselling book Into the Woods. As former Head of Channel Four Drama, Controller of BBC Drama Production and MD of Company Pictures, John has tested his theories during an extensive production career working on some of the world’s most lucrative, widely viewed and critically acclaimed TV drama. As founder of the hugely successful BBC Writers Academy, John has trained a generation of screenwriters.

Contributors:

Researcher/Broadcast Assistant: Nina Semple

Charles Dickens’ novel Hard Times is set in a northern factory town at the height of the industrial revolution, far away from the writer’s normal stamping ground of London - but it certainly doesn’t lack the overlapping plots, the wide array of characters and the incorporation of melodrama, humour and tragedy that we associate so closely with the author.

Dickens had travelled north himself as a journalist to cover a cotton strike in Preston and seen first hand the various ways in which the factory system was oppressing the people living and working within it.

In the first of two episodes looking at the book, John Yorke considers how Dickens transformed that eye-witness experience into the fictional world of Coketown, with its soot-blackened bricks and serpents of smoke.

John Yorke has worked in television and radio for 30 years, and he shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. From EastEnders to The Archers, Life on Mars to Shameless, he has been obsessed with telling big popular stories. He has spent years analysing not just how stories work but why they resonate with audiences around the globe, and has brought together his experience in his bestselling book Into the Woods. As former Head of Channel Four Drama, Controller of BBC Drama Production and MD of Company Pictures, John has tested his theories during an extensive production career working on some of the world’s most lucrative, widely viewed and critically acclaimed TV drama. As founder of the hugely successful BBC Writers Academy, John has trained a generation of screenwriters.

Contributors:

Researcher/Broadcast Assistant: Nina Semple