Opening Lines

The Man Who Fell to Earth by American writer Walter Tevis was published in 1963. Unlike most sci-fi of its time, it’s not about space, far-off galaxies or a distant future, but set only a decade or so from the time of writing.

When an inhabitant of the planet Anthea comes to Earth in search of the resources to save his world, he uses his knowledge of advanced technology to amass the fortune he needs to save his people from extinction. As Thomas Jerome Newton’s secret project takes shape at a site in rural Kentucky, this extra-terrestrial visitor becomes an all-too-human and troubled figure.

John looks at how deeply the story is lodged in Walter Tevis’ own experience and that of post-war America. He also asks what it is about Tevis’ writing that has made this book, along with his others including The Hustler, The Color of Money and The Queen’s Gambit, so appealing to the film and television industry.

John Yorke has worked in television and radio for 30 years, and he shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatized in BBC Radio 4’s Sunday/Saturday Drama series. From EastEnders to The Archers, Life on Mars to Shameless, he has been obsessed with telling big popular stories. He has spent years analysing not just how stories work but why they resonate with audiences around the globe and has brought together his experience in his bestselling book Into the Woods. As former Head of Channel Four Drama, Controller of BBC Drama Production and MD of Company Pictures, John has tested his theories during an extensive production career working on some of the world’s most lucrative, widely viewed and critically acclaimed TV drama. As founder of the hugely successful BBC Writers Academy, John has trained a generation of screenwriters.

Contributor:

Walter Tevis audio from an interview with Don Swaim, Ohio University, 1984

Readings by Riley Neldam from The Man Who Fell to Earth (Gollancz 1963)

Producers: Tolly Robinson and Sara Davies

A Pier production for BBC Radio 4

John Yorke looks at Charlotte Keatley’s play My Mother Said I Never Should, written aged just 25 and first premiered at the Contact Theatre in Manchester in 1987. The story explores the lives and relationships of four generations of mothers and daughters born over the course of the 20th Century. Their very different lives reflect the sweeping societal changes of that period, and how each new generation is able to push further than their parents when it comes to pregnancy, careers and romantic love.

At the time of its early staging, the work was pioneering for its use of an all-female cast and a non-chronological narrative structure. The play is now one of the National Theatre’s Significant Plays of the 20th Century and is translated in 33 languages. So what makes it so enduring?

John Yorke has worked in television and radio for 30 years, and he shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised on BBC Radio 4. From EastEnders to The Archers, Life on Mars to Shameless, he has been obsessed with telling big popular stories. He has spent years analysing not just how stories work but why they resonate with audiences around the globe and has brought together his experience in his bestselling book Into the Woods. As former Head of Channel Four Drama, Controller of BBC Drama Production and MD of Company Pictures, John has tested his theories during an extensive production career working on some of the world’s most lucrative, widely viewed and critically acclaimed TV drama. As founder of the hugely successful BBC Writers Academy John has trained a generation of screenwriters - his students have had 17 green-lights in the last two years alone.

Contributors:

My Mother Said I Never Should, BBC Studios Audio

Produced by Lucy Hough

A Pier production for BBC Radio 4

John Yorke explores Rosamunde Pilcher’s sweeping family saga, The Shell Seekers.

Published in 1987, this captivating story of life and love is a phenomenon in its own quiet way. It has been named among the best-loved books of all time, selling more than 10 million copies. The novel spans four decades in the life of Penelope Keeling, free-spirited and elegant, a mother of three children that she loves dearly - but does not always like.

Penelope navigates relationships, love and loss against a Sunday supplement backdrop of the cosy Cotswolds, an idyllic Cornish childhood, and the terrors of the Blitz. At its heart is the question of family - the one to which you are bound by blood, and the one you construct along the way.

It’s a lesson in living life well and being true to yourself, no matter the cards you are dealt. But despite its romance and idealism, The Shell Seekers is not a novel to be sneered at - as John discovers.

John Yorke has worked in television and radio for nearly 30 years, and he shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised on BBC Radio 4. From EastEnders to The Archers, Life on Mars to Shameless, he has been obsessed with telling big popular stories. He has spent years analysing not just how stories work but why they resonate with audiences around the globe and has brought together his experience in his bestselling book Into the Woods. As former Head of Channel Four Drama, Controller of BBC Drama Production and MD of Company Pictures, John has tested his theories during an extensive production career working on some of the world’s most lucrative, widely viewed and critically acclaimed TV drama. As founder of the hugely successful BBC Writers Academy John has trained a generation of screenwriters - his students have had 17 green-lights in the last two years alone.

Contributors:

Credits:

Readings: Jennifer Aries

A Pier production for BBC Radio 4

The Sportswriter, by the American novelist Richard Ford, is the first of what became a series of five novels following the life of Frank Bascombe – a failed writer of fiction who turns to writing about sport to make a living.

Joseph Conrad’s Heart of Darkness remains one of the most enigmatic works of 19th Century literature, charting as it does the story of Marlow, the captain of a steamboat heading up an unnamed river in the employ of an unnamed organisation described simply ‘the Company’. He becomes fixated on tracking down the figure of Kurtz, a company agent in charge of a trading post - but this is no action adventure so typical of the time. John asks what the phrase Heart of Darkness - and Kurtz’s famous epigram ‘The horror. The horror’ might actually represent, and also attempts to reconcile the racism many critics have accused the book of containing with its staunch attack on imperial barbarity; Conrad himself had previously worked on a boat going up the Congo river where he witnessed for himself the atrocities carried out by the Belgian colonisers on the local people.

John Yorke has worked in television and radio for thirty years, and he shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatized in BBC Radio 4’s Sunday Drama series. From EastEnders to the Archers, Life on Mars to Shameless, he has been obsessed with telling big popular stories. He has spent years analysing not just how stories work but why they resonate with audiences around the globe and has brought together his experience in his bestselling book ‘Into the Woods’. As former Head of Channel Four Drama, Controller of BBC Drama Production and MD of Company Pictures, John has tested his theories during an extensive production career working on some of the world’s most lucrative, widely viewed and critically acclaimed TV drama. As founder of the hugely successful BBC Writers Academy John has trained a generation of screenwriters (his students have had 17 green-lights in the last two years alone).

Contributors:

Credits:

Reader: Paul Dodgson

A Pier Production for BBC Radio 4

John Yorke digs under the surface of two more of Daphne du Maurier’s short stories, both of which once again reveal how deftly she marries psychological understanding with compelling narratives.

The Blue Lenses, published in 1959, and The Little Photographer (1952) are both preoccupied with ‘seeing’ and how a lens can reveal a truth that might have otherwise been hidden. Du Maurier’s characteristic themes of truth, deception, jealousy and obsession thread themselves through these stories and John teases out the experiences in du Maurier’s own life that underpinned her writing.

John Yorke has worked in television and radio for 30 years, and he shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised on BBC Radio 4. From EastEnders to The Archers, Life on Mars to Shameless, he has been obsessed with telling big popular stories. He has spent years analysing not just how stories work but why they resonate with audiences around the globe and has brought together his experience in his bestselling book ‘Into the Woods’. As former Head of Channel Four Drama, Controller of BBC Drama Production and MD of Company Pictures, John has tested his theories during an extensive production career working on some of the world’s most lucrative, widely viewed and critically acclaimed TV drama. As founder of the hugely successful BBC Writers Academy John has trained a generation of screenwriters - his students have had 17 green-lights in the last two years alone.

Contributors:

Credits:

Archive BBC 7 reading of The Blue Lenses by Emma Fielding, originally recorded in 2007.

Researcher: Nina Semple

A Pier production for BBC Radio 4

In 1971, Daphne du Maurier published Don’t Look Now and it was to become a landmark in the development of the psychological thriller. Du Maurier was an extraordinarily prolific writer producing a string of bestselling novels such as Rebecca and Jamaica Inn, but it’s in her short stories that we find her darkest and most disturbing work.

In Don’t Look Now, a couple visit Venice trying to come to terms with the grief of losing their daughter. A blind psychic tells them she can see their daughter and she is trying to warn them of danger. Their fragility and the psychic’s premonitions become entangled with real life events on the Venetian backstreets.

Du Maurier’s writing was ground-breaking not only in her brilliant handling of suspense and plot, but because her real interest lay in the internal journey of the characters and what was going on under the surface. John Yorke looks at why Don’t Look Now is such a brilliant example of this. Don’t Look Now also gained a huge international following because it was adapted for cinema by the film director Nicholas Roeg.

This is the first of two Opening Lines that explore the short stories of Daphne du Maurier.

John Yorke has worked in television and radio for thirty years, and he shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatized in BBC Radio 4’s Sunday Drama series.

From EastEnders to The Archers, Life on Mars to Shameless, he has been obsessed with telling big popular stories. He has spent years analysing not just how stories work but why they resonate with audiences around the globe and has brought together his experience in his bestselling book ‘Into the Woods’.

As former Head of Channel Four Drama, Controller of BBC Drama Production and MD of Company Pictures, John has tested his theories during an extensive production career working on some of the world’s most lucrative, widely viewed and critically acclaimed TV drama. As founder of the hugely successful BBC Writers Academy John has trained a generation of screenwriters - his students have had 17 green-lights in the last two years alone.

Contributors:

Credits:

Readings: Julian Wilkinson

A Pier production for BBC Radio 4

In the series that takes a look at books, plays and stories and how they work, John Yorke looks at Jean Toomer’s Cane about African American life in 1920s America.

Jean Toomer, born and raised in Washington DC, wrote Cane after a three month trip south to Georgia in 1921. Cane has a unique structure. Divided into three sections, the book is a series of vignettes, poems and short stories and concerns the lives of African Americans in the deep South and those that made the journey up to the northern states. John hears how the book was written at a critical period in American history – during the ‘Great Migration’. He also hears how the work was critically acclaimed when it was published and claimed as a part of the Harlem Renaissance, but how Toomer, of mixed racial heritage himself, eschewed all labels and wanted just to be known as an ‘American’ writer.

John Yorke has worked in television and radio for nearly 30 years, and he shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series.

From EastEnders to The Archers, Life on Mars to Shameless, he has been obsessed with telling big popular stories. He has spent years analysing not just how stories work but why they resonate with audiences around the globe and has brought together his experience in his bestselling book Into the Woods. As former Head of Channel Four Drama, Controller of BBC Drama Production and MD of Company Pictures, John has tested his theories during an extensive production career working on some of the world’s most lucrative, widely viewed and critically acclaimed TV drama. As founder of the hugely successful BBC Writers Academy John has trained a generation of screenwriters - his students have had 17 green-lights in the last two years alone.

Contributor:

Credits:

Producer: Alison Vernon-Smith

A Pier production for BBC Radio 4

The series that takes a look at books, plays and stories and how they work. John Yorke examines Hermann Hesse’s Siddhartha.

Hermann Hesse was an established writer by the time he wrote Siddhartha and didn’t live to see its lionisation by the 60s counterculture. But even in his own time Hesse’s writing appealed to young people, particularly young men, in a way that he found irritating. John looks at why this book so appealed to younger generations, especially to the one that emerged in the 60s and at how Hesse’s own background actually had parallels to their experiences.

John Yorke has worked in television and radio for nearly 30 years, and he shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series.

From EastEnders to The Archers, Life on Mars to Shameless, he has been obsessed with telling big popular stories. He has spent years analysing not just how stories work but why they resonate with audiences around the globe and has brought together his experience in his bestselling book Into the Woods. As former Head of Channel Four Drama, Controller of BBC Drama Production and MD of Company Pictures, John has tested his theories during an extensive production career working on some of the world’s most lucrative, widely viewed and critically acclaimed TV drama. As founder of the hugely successful BBC Writers Academy John has trained a generation of screenwriters - his students have had 17 green-lights in the last two years alone.

Contributors:

Readings by Matthew Gravelle

Credits:

A Pier production for BBC Radio 4

John Yorke explores Robert Burns’s only long form narrative poem, Tam O’Shanter. He discovers Tam’s wild ride through a stormy Scottish night where witches and warlocks are at play.

Robert Burns was born in 1759, one of the children of a tenant farming father and a mother who was a great singer and storyteller. He found fame with the publication of Poems Chiefly in the Scottish Dialect and it was the Scots language that gave his poetry such energy and vigour.

Tam O’Shanter tells the story of a wild ride through a stormy Scottish night where witches and warlocks are at play. Having finishing drinking in the pub, Tam must venture out into the night on his horse Meg and pass the haunted church where the ghouls are out dancing in the graveyard. The poem has a quote at the beginning that comes from a medieval Scots translation of Virgil's epic poem, the Aeneid, where the hero goes into the underworld, into the dark world of spooks and terrifying imaginings. And that's where Tam O'Shanter takes its listeners, along with humour and a tongue-in-cheek attitude to Tam’s foibles.

John Yorke has worked in television and radio for nearly 30 years, and he shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised on BBC Radio 4. From EastEnders to The Archers, Life on Mars to Shameless, he has been obsessed with telling big popular stories. He has spent years analysing not just how stories work but why they resonate with audiences around the globe and has brought together his experience in his bestselling book Into the Woods. As former Head of Channel Four Drama, Controller of BBC Drama Production and MD of Company Pictures, John has tested his theories during an extensive production career working on some of the world’s most lucrative, widely viewed and critically acclaimed TV drama. As founder of the hugely successful BBC Writers Academy John has trained a generation of screenwriters - his students have had 17 green-lights in the last two years alone

Contributors

Readings: Brian Cox, Robert Crawford

Researcher: Nina Semple

A Pier production for BBC Radio 4