We meet Kaitlin in her youth as she learns to navigate her first sexual experiences along with the confusion of her desires. Kaitlin learns how to decline unwanted sexual advances and the difficulty of advocating for her needs. But what is she to do when her words are ignored and her agency is taken from her? "Advance" a non-psychedelic trip into my girlhood was originally produced in May 2017 and features sound design and composition by Shani Aviram. 2025 UPDATE: Drove by North Dundas the other day on a joyride. The smoking tree is not small anymore. 

Revisiting NO. After 8 years and several disappointing hook-ups wherein KP found herself wondering if the world forgot the lessons that shook 2017, she decides it's high time to listen again to the series that brings you inside of a 'no' that sounds like a 'yes', and all the 'yes's that really wanted to be 'no's. 

CREDITS

NO. written and produced by Kaitlin Prest, scoring and composition by Shani Aviram, editing by Sharon Mashihi, editorial feedback and production support from Mitra Kaboli, Phoebe Wang, Ariel Hanh. Editorial advisory board: JCJ, Brendan Baker, Stephanie Foo, Cassie Wagler.

In 2004, a racial controversy erupted at a small, mostly white performing arts high school in rural Massachusetts. There were protests. TV news crews. A tense all-school assembly. And then, an announcement: the school would stage an iconic American musical that no one saw coming. We're Doing The Wiz from Radiotopia is the story of that production. 

Radiotopia Presents premiers short multi-episode series in one podcast feed, unified by bold, inclusive storytelling pushing the boundaries of audio. Learn more at radiotopiapresents.fm and discover more shows from across the Radiotopia network at radiotopia.fm

My aunt Rari divorced her husband so completely and so long ago that I don’t even know the man’s name. She tells me that story and about the life she built without him. It makes me contemplate the value of a life spent alone — but also of lifelong companionship.

Most divorces in my family bring some sense of relief. It may take three years to get there, or it may take thirty years, but once it’s over, it feels pretty clear that this is for the best. But it’s not so clear for my Uncle Eric’s relationship.

Most divorces in my family bring some sense of relief. It may take three years to get there, or it may take thirty years, but once it’s over, it feels pretty clear that this is for the best. But it’s not so clear for my Uncle Eric’s relationship.

The idea of a lifetime commitment can feel impossible, when it can still fall apart in year 20, or year 30, or 35. My own parents’ marriage never made it that far, but some of my aunts and uncles did, only to find that after all those years, they too were better off apart.

My grandmother never sent presents for birthdays or holidays, and didn't expect us to either. She seemed to resist anything that felt like authority, convention and tradition; which is why it's so strange that she was once married to my grandfather — a Harvard-educated lawyer.

My parents divorced when I was eight years old — young enough that I don’t have a lot of clear memories of it, but old enough that I was definitely watching, listening, and learning. So I asked them both to tell me what happened, and got two pretty different stories.

When I decided to get married, every living member of my family who had ever been married had also gotten divorced. Apparently, I thought my marriage would end differently.

Listen to Personally: Forever is a Long Time starting June 16, 2025.