Poets have always written about love, but the divorce poem is a much more recent subgenre. In this episode, Sarah and Sandeep ask if the formal processes of legal separation can be successful material for poetry, starting with a look at Milton’s prose arguments in favour of divorce and the ways in which ‘confessional’ poets such as Lowell and Sexton took on divorce as a subject alongside other taboo subjects and subverted the traditional poetry of romantic failure.

They then turn to three more recent examples. In Hans Magnus Enzensberger's ‘The Divorce’, a picture of a marriage is constructed through defamiliarised domestic objects and the political metaphors of postwar Germany. Anne Carson’s ‘fictional essay’ The Beauty of a Husband draws on different genres and the writings of Keats to make sense of a chaotic, lonely experience with an untruthful husband. And in ‘The Mpemba Effect’, Isabelle Baafi chooses the palindromic form of the ‘specular’ as a metaphor for the non-linear collapse of a marriage.

Read Hans Magnus Enzensberger's ‘The Divorce’ in the LRB: https://lrb.me/divorcepoem

Further listening:

Seamus Perry and Mark Ford on Lowell and Carson: https://lrb.me/ldptwpod

Get 25% off a 12-month subscription to Close Readings with the code ’POETRY25’ at checkout here: https://lrb.me/crpoetry

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