In this episode, we read and discuss "Singer," a narrative poem that celebrates the poetic speaker's mother in all of her complexity.

Dorianne Laux is the author of numerous books of poetry, including Life on Earth, which was a finalist for the National Book Award, and Only As the Day is Long: New and Selected Poems which was a finalist for the Pulitzer Prize. She is also the author of a new craft book titled Finger Exercises for Poets.

“Singer” appears in LIFE ON EARTH by Dorianne Laux. Copyright © 2024 by Dorianne Laux. Used by permission of W. W. Norton & Company, Inc.

In this episode, Katy Didden and Abram Van Engen discuss the extraordinary leaps, narrative disjunctions, and temporal frames that fill Diaz's extraordinary ekphrastic poem, a reflection on Bruegel's painting, "Landscape with the Fall of Icarus" written in conversation with W.H. Auden's poem "Musée des Beaux Arts."

"Two Emergencies," appears in My Favorite Tyrants (University of Wisconsin Press 2014), winner of the 2014 Brittingham Prize in Poetry.

For more poetry of Joanne Diaz, see also The Lessons (Silverfish Review Press 2011), winner of the Gerald Cable Book Award.

For W.H. Auden's "Musee des Beaux Artes" see The Poetry Foundation

This episode explores the incantation and mystic union of Momaday's famous delight poem, ending with a recorded recitation in his own rich voice. We explain anaphora and explore its power, and we trace the links and connections from one thought to the next throughout the poem.

Special thanks to Universty of California Television (UCTV) for permission to share the audio of Momaday's reading. For the interview with Momaday from which this reading has been pulled, see "A Conversation with N. Scott Momaday -- Writer's Symposium by the Sea 2023" on Youtube. "The Delight Song of Tsoai-talee" appears in In the Presence of the Sun by N. Scott Momaday. Copyright © 2009 University of New Mexico Press, 2009.

For the text of the poem, see The Poetry Foundation here.

For more on Momaday, see his biography at the Poetry Foundation.

This episode was recorded on March 2, 2025 at the Phillis Wheatley Heritage Center in St. Louis., Missouri. In this conversation, Pádraig Ó Tuama reads several poems from Kitchen Hymns (Copper Canyon Press, 2024), his newest collection. We discuss subversive speech, belief and doubt, lyrical poetry, the psychology of poetic forms, and the power of ancient myths.

Pádraig Ó Tuama is a poet with interests in conflict, language and religion. He presents Poetry Unbound from On Being Studios, and has published two anthologies (2022, 2025, both with WW Norton) from that podcast. A freelance artist, one of Ó Tuama’s projects is poet in residence with the Cooperation and Conflict Resolution Center at Columbia University. He splits his time between Belfast and New York City.

To learn more about Ó Tuama, you can visit his website.

Oksana Maksymchuk joins us for a reading and discussion of "Tempo," a poem that explores the how war causes us to "whirl with / planets and stars that coil / around our fragile core."

Oksana Maksymchuk is a bilingual Ukrainian-American poet, scholar, and literary translator. Her debut English-language poetry collection Still City is the 2024 Pitt Poetry Series selection, published by University of Pittsburgh Press (US) and Carcanet Press (UK). And while Still City is Oksana’s first poem in English, she is an accomplished poet in the Ukrainian as well. She is also the co-editor of Words for War: New Poems from Ukraine, an anthology of contemporary poetry.

In this episode, Monica Ong joins us to discuss "Her Gaze," a visual poem that celebrates the achievements of astronomer Caroline Herschel. "Her Gaze" appears in Planetaria, Ong's new collection that merges archival materials with striking lyric poems.

Monica Ong is the author of two books: Silent Anatomies, which was the winner of the Kore Press First Book Award in 2015; and Planetaria, which will be released in May 2025. Last year, Ong was named a United States Artists Fellow. Ong’s visual poetry has been published in many literary magazines and exhibited in galleries and museums all over the world.

To learn more about Ong's work, please visit her website.

To purchase a copy of Planetaria, visit the Proxima Vera website.

Gwendolyn Bennett was a poet, journalist, editor, and activist whose contributions helped to fuel the Harlem Renaissance. In this episode, we read "I Build America," a poem that exposes and critiques the exploitation and suffering of ordinary workers.

To learn more about Gwendolyn Bennett, see Heroine of the Harlem Renaissance and Beyond: Gwendolyn Bennett's Selected Writings, edited by Belinda Wheeler and Louis J. Parascandola (Pennsylvania State University Press, 2018). Thanks to Pennsylvania State University Press for granting us permission to read this poem.

You can also click here to read a brief biography of Bennett.

In this episode, we read and discuss a poem that takes its inspiration from a painting by Andrew Wyeth. The poem provides a meditation on what we perceive and interpret when we look at a painting, and at one another.

In this episode, we offer close readings of poems from Ted Kooser's_ Winter Morning Walks: 100 Postcards to Jim Harrison_. Kooser's poems allow us to think about the poem as a social act, as a form of healing, and as a kind of meditation.

To learn more about Ted Kooser, visit his website.

If you like these poems that we discussed in this episode, please read Ted Kooser's Winter Morning Walks: 100 Postcards to Jim Harrison (Carnegie Mellon University Press, 2001). Thanks to Carnegie Mellon Press for granting us permission to read these poems aloud.

In this episode, we read and discuss Emily Dickinson's poem about the death of Elizabeth Barrett Browning. We discuss Dickinson's innovative syntax, her use of deep pauses, and her meditations on death and grief that create surprising effects in this short lyric.

I went to thank Her

I went to thank Her—

Who went to thank Her—