“Tiny resistances were a kind of healing in a weeping place” is just one of the many powerful and lyric aphorisms that ennoble The Prophets, the New York Times best-selling debut novel from Robert Jones, Jr. – a story about the forbidden union between two enslaved young men on a Deep South plantation, the refuge they find in each other and a betrayal that threatens their existence.

Robert Jones, Jr. is a writer and thinker, and the creator and curator of the social-justice social media community Son of Baldwin. He has written for numerous publications, including the New York Times, Essence and the Paris Review. Today, in a far reaching conversation, we explore how The Prophets came to life and why he felt it so important to ensure queer Black love was neither denigrated nor ignored within it, his desire to correct the historical record, learning rebellion from his mother and making sure that queer Black people know they are loved, valued and have a purposeful place in the world.

About Busy Being Black

Busy Being Black is the podcast exploring how we live in the fullness of our queer Black lives. Thank you to our partners: UK Black Pride, BlackOut UK, The Tenth, Schools Out and to you the listeners. Remember this, your support doesn’t cost any money: retweets, ratings, reviews and shares all help so please keep the support coming. 

Thank you to our funding partner, myGwork – the LGBT+ business community.

Thank you to Lazarus Lynch – a queer Black musician and culinary extraordinaire based in New York City – for the triumphant and ancestral Busy Being Black theme music. The Busy Being Black theme music was mixed and mastered by Joshua Pleeter.

Busy Being Black’s artwork was photographed by queer Black photographer and filmmaker Dwayne Black.

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