Don't solve a minor problem by making your draft "mid."

This comes up when writers are quick to assume something "isn't working" because an early reader expressed confusion or skepticism (which is often confusion by another name). 

Here's the thing: before a bold and original idea is seen as bold and original, it's often just seen as confusing. Why? Because we haven't seen something quite like it before. Our brains can't categorize it into a familiar template. And because it's a first or early draft, it might just not be fully formed yet. 

So when a reader says they're confused by the weird thing you decided to try, what's the logical response? You might cut it. Pull back. Go back to following the template of what's been done before. 

This is the wrong turn. Because yes, we don't want readers confused—but we also don't want to remove the most bold and original elements from our book. That's what's going to sell it. 

In this episode, I'm breaking down how to navigate this quicksand: how to clear up confusion WITHOUT ditching your bold choices. Plus, how this applies to querying agents and why, in the age of AI, your human distinctive weirdness is more critical than ever.

Love the show? Share it with a fellow writer or leave a review! For more resources, visit thebookincubator.com.

Let's connect! Come say hi on Instagram: @book.incubator 

Happy writing! — Mary

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Hi, I'm Mary!

I'm the author of the novels When You Read This (Indie Next Pick and “Best Book of 2019” by Good Housekeeping), Privilege (Today.com “Best Summer Read”), and Palm Beach (New York Post “Best Book of 2021” and “like a sandy beach, equal parts beautiful and uncomfortable” according to the Associated Press). My memoir, You Might Feel A Little Pressure, was released by Third Rail Press in 2025.

My books have been published in 13 countries, and I've written for the New York Times, The Atlantic, Slate, and more. I founded an MFA-alternative, The Book Incubator, which has now helped hundreds of writers finish their books over 12 months and continues supporting them through publication (yes, forever!). 

When I’m not writing, I’m probably building a fort with my 7-year-old son Finn or bathing with an overpriced Lush bath bomb. I live in Dallas, where I spend my free time trying to domesticate a stubborn tabby and shamelessly watching reality TV.

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