Your listener picks month payoff hits the #2 most requested flick When Evil Lurks (2023), in which an Argentine apocalypse finds brothers botching a demon dump and spreading "rotten" rot that ravages rules, livestock, and loved ones with unflinching brutality and zero mercy. Listen as we try to understand the rules of demonic possession, animal child eating, and popcorn brain munching on this week's exciting episode!

Hosted on Acast. See acast.com/privacy for more information.

Mario Bava's A Bay of Blood (1971), often credited as a crucial pathway to the American slasher movie, begins as a wealthy countess is murdered and it isn't long before bodies begin to pile up at an abandoned bayside resort. Listen as we try to unravel a complicated plot, have octopi nightmares, worship the gore effect by Carlo Rambaldi, and lose our minds at one of the most out-of-left-field endings in cinema history on this week's exciting episode!

Hosted on Acast. See acast.com/privacy for more information.

Freddy Krueger gets the John Waters treatment just in time for his cinematic comeuppance in Freddy's Dead: The Final Nightmare (1991). Tank Girl director Rachel Talalay brings an offbeat, surrealist take to the origin story of the screen's most famous dream demon. Listen as we find ourselves playing with power ups, Q-tip nightmares, and go out in a big 3-D finale on this week's exciting episode!

Hosted on Acast. See acast.com/privacy for more information.

Listen as we get all misty eyed as we look back over the Best & Worst of 2025 on our epic year end recommendations, combing over the highest highs and the lowest lows of a year of cinematic (and in the case of Sean, televised) entertainment.

Hosted on Acast. See acast.com/privacy for more information.

Sean unleashes Gremlins 2: The New Batch (1990) inside a New York skyscraper and fills the corporate corridors with braniacs and bat winged beasts in Joe Dante's deliriously deranged sequel. Listen as we multiply the madness over mutant designs, meta musical numbers, and sequel superiority debates on this week's exciting episode!

Hosted on Acast. See acast.com/privacy for more information.

Colin clowns around in crimson with Terrifier 3 (2024), the highest grossing unrated film ever made, featuring Art the Clown making a Christmas comeback to hack through the holiday with record-breaking brutality in director Damien Leone's gore-soaked opus. Listen as we discuss lore upgrades, state-of-the-art practical splatter, and whether we really are too old for this on this week's exciting show!

Hosted on Acast. See acast.com/privacy for more information.

Michaela finds herself trapped with a psycho inside a subterranean parking garage on Christmas Eve with P2 (2007), from the French Extreme folks who made High Tension. An NYC career girl plays cat and mouse with a sinister security guard in a multi-level maze of malice. Listen as we rev through relentless chases, gory garage gadgets, and Wes Bentley's basement-level creep factor on this week's exciting episode!

Hosted on Acast. See acast.com/privacy for more information.

Holly initiates a Christmastime countdown curse by unwrapping The Advent Calendar (2021), in which an antique box of 24 doors promises holiday miracles for a wheelchair bound dancer. Open at your own peril as we talk folklore frights, festive fallout, wish wrecking wraiths and more on this week's exciting episode!

Hosted on Acast. See acast.com/privacy for more information.

At long last, Sean follows the clues that lead to Dario Argento's maiden effort, The Bird with the Crystal Plumage (1970), the film that single-handedly kicked off a cottage industry of stylish giallo thrillers in Italy. An American writer witnesses a brutal attack, and then tries to solve the case while the killer zeroes in on him. Listen as we talk cat dinner delicacies, what happens when artwork attacks, and captive audiences to murder on this week's exciting episode!

Hosted on Acast. See acast.com/privacy for more information.

Colin finds himself standing alone in defense of Outland (1981), a sci-fi riff on High Noon that stars Sean Connery as a marshal at a mining outpost on one of Jupiter's moons, fighting drugs and corruption on sets that feel borrowed from Alien. Listen as we talk space madness, exploding heads, slow children, and autoerotic asphyxiation on this week's exciting show!

Hosted on Acast. See acast.com/privacy for more information.