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Kevin Elyot's 'My Night With Reg' was originally staged in 1994 and was the first British gay play to win a wide West End audience as well as several theatre awards. it's now being revived at London's Donmar Warehouse. How well does it stand up 2 decades later?
''Wakolda' is a film which tells the story of an Argentinean family who unwittingly shared their house with the Nazi war criminal Joseph Mengele Auschwitz's "Angel of Death" without realising who he was.
As part of Radio 4's' commemorations of the centenary of the outbreak of World War 1, their biggest ever drama commission Home Front' has just hit the airwaves. It's a mammoth undertaking 500 episodes, 150 hours of dialogue
The actor Kevin Eldon has written a mock-biography of his 'cousin', Paul Hamilton, a rather deluded uninspiring poet who doesn't let his own inadequacies stop his ambition and self-belief.
The Art and Science of Exploration is an exhibition in The Queen's House in Greenwich of some of the work created by artists who accompanied Captain James Cook on his voyages around the globe in 18th Century. Their job was to produce scientific records and imaginative responses to the new unfamiliar territories that they encountered.
Razia Iqbal is joined by Jake Arnott, Emma Woolf and Kathryn Hughes. The producer is Oliver Jones.
Gillian Anderson returns to London's West End theatre, playing Blanche Dubois in Tennessee Williams' 1948 play A Streetcar Named Desire.
Tom Sutcliffe is joined by Natalie Haynes, Susannah Clapp and Patrick Gale. the producer is Oliver Jones.
Helen McCrory is playing Medea in a new production at London's National Theatre - it's a new take on the Greek tragedy; how can one make a play written 1700 years ago resonate today?
Tom Sutcliffe's guests this week are James Walton, Susan Jeffreys and Kit Davies. The producer is Oliver Jones.
A new exhibition of work by Russian painter Kasimir Malevich at London's Tate Modern follows his career from early representational work through his cubo-futurist phase, to his creation of the concept of supremacism and back to figurative art. It is grand in its scale and vision and ambition, but will it be packing in the visitors this summer?
There's another revival of Oscar Wilde's The Importance Of Being Earnest, with an all-star cast including Nigel Havers and Martin Jarvis. What devices can make this 120 year old much-venerated comedy funny to a modern audience?
Filipino film Norte; The End of History is more than 4 hours long and loosely based on Dostoevsky's Crime and Punishment and it has been hailed as a masterpiece by many critics as it has been shown on the major festival circuit.
There's new US TV sitcom called Silicon Valley, revolving around the lives of a bunch of internet start-up nerds. It's the work of Mike Judge (Beavis and Butthead, Office Space, King of the Hill) and it's already been nominated for 5 Emmys
David Flusfeder's John The Pupil is a novel that purports to be a long lost diary of a 13th century monk and his companions as they journey from England to deliver a package from their Friar to The Pope in Viterbo
Tom Sutcliffe is joined by Paul Morley, Kate Williams and Amber Jane Butchart. The producer is Oliver Jones.
Richard Linklater's latest film, Boyhood, was filmed over 39 days over a period of 12 years, so the actors and characters on the screen age in real time. When production began, the lead actor was 6 and it follows him dealing with life's ups and downs as he progresses towards adulthood.
Great Britain at London's Lyttleton Theatre is written by Richard Bean and directed by Nicholas Hytner (the team that was behind the wildly successful 'One Man Two Guvnors'). Starring Billie Piper as an unscrupulous tabloid newspaper editor who is right in the middle of a web of corruption involving phone hacking, politicians the press and the police
It's half a century since the Beatles made their big screen debut with A Hard Day's Night. It was considered a lightweight thing by many when it was released cost £180,000 and made many millions just in its opening weekend and has been hailed as one of the best rock and roll films of all time
Jimmy McGovern's reputation as a TV dramatist is second to none; Accused, Cracker, The Lakes, and many more. His work is renowned for dealing with social issues and his latest addresses what he sees as the injustice of the law of joint enterprise.
The iceberg. Marion Coutts has written a book about the diagnosis from cancer and death of her husband Tom Lubbock. Is it more a work of art than a diary?
July sees the 8th Liverpool Biennial, 'an exhibition about our habits habitats and the objects images relationships and activities that constitute our immediate surroundings'. What does that actually entail? How does it manifest itself around the city?
Tom Sutcliffe is joined by Helen Lewis, Giles Fraser and Paul Farley. The producer is Oliver Jones.
Cold in July is a film starring Michael C Hall set in 1980s America, telling the story of a man who kills an intruder in his home and then begins to think the local police might not be telling the truth about the victim.
The Fault In Our Stars, starring Shailene Woodley, is the screen adaptation of John Green's best selling young adult novel of the same name about a pair of love struck teenagers both of whom are terminally ill with cancer. Brought together at a cancer support group the pair embark on a pilgrimage to Holland to meet the author of a book on dying. Green himself was a hospital chaplain and the story is based on an actual encounter with a dying 16 year old girl.
Following on from the huge success of The Cuckoo's Calling a second novel from Robert Galbraith - aka JK Rowling. Featuring private investigator Cormoran Strike it merges an old fashioned detective story with Jacobean tragedy, whilst providing insight into literary London, a grisly murder and a page turning plot.
Comedian and actor David Schneider's new play Making Stalin Laugh - at the JW3 Community Centre in London - tells the story of the Moscow State Yiddish Theatre which in the 1920s was one of the most respected in the world. Chagall designed for them, Prokofiev, Stanislavski and Eugene O'Neill all saluted them. By 1952 the surviving members of the troupe had all been purged - executed by Stalin on the same day in August. Making Stalin Laugh tells their story, with at its centre the most celebrated Yiddish actor of his generation, Solomon Mikhoels.
Making Colour at London's National Gallery is the first ever exhibition of its kind in the UK and was developed from the National Gallery's own internationally recognised Scientific Department's work into how artists historically overcame the technical challenges in creating colour. As well as paintings it includes objects such as early textiles, mineral samples and ceramics and shows the huge impact the development of synthetic paint had on major art movements such as Impressionism.
And The Human Factor: The Figure in Contemporary Sculpture brings together major works by 25 leading international artists who have fashioned new ways of using the human form in sculpture over the past 25 years. Featuring work from Jeff Koons, Mark Wallinger and Yinka Shonibare, exhibits include two re-imaginings of Edgar Degas's famous Little Dancer Aged Fourteen and in a work by French artist Pierre Huyghe a live beehive adorns a cast in concrete of a beautiful reclining nude woman.
Mr Burns at London's Almeida Theatre is a play about an America without electrical power, the end of everything in contemporary USA - when the TV programme The Simpsons has passed into folklore. How do we reframe our understanding of fables?
Folk art has often been neglected in the story of British art but a new exhibition at Tate Britain attempts to set that right with a range of items from pictures woven from human hair to ship's figureheads and quilts made by Crimean prisoners.
British film Belle explores racial attitudes in 18th Century aristocratic circles through the story of Dido Elizabeth Belle, the illegitimate mixed race daughter of a Royal Navy officer. Brought to England to live with his uncle The Lord Chief Justice, she became inadvertently involved in the campaign to abolish slavery.
In the Light of What we Know is the debut novel by Zia Haider Rahman that deals with betrayal, revenge, love faith science and war through the relationship between two men across Kabul, New York, Oxford, London and Islamabad.
And we look at how the British newspapers are dealing with the World Cup - not the matches and the scores but their depiction of the host country and the preparations, the atmosphere, the heat, the possible unrest... anything and everything bar the results.
Tom Sutcliffe is joined by Elif Shafak, Charlotte Mendelson and Barb Jungr.
The Dirties is a Canadian indie film about a couple of friends planning to make a film about a Columbine-style school massacre, where the bullies will be made to pay for what they've done. It begins to dawn on one of them that his best friend might actually be hatching a bloody murderous revenge.
The main character in Nicholson Baker's latest novel "Travelling Sprinkler" is a poet who has fallen out of love with writing poems. Trying to become a songwriter, we see his personal life woven into his lyrics.
The work of Dutch artist Piet Mondrian is characterised by geometric compositions using blocks of primary colours. A major new exhibition at Tate Liverpool looks at how his work evolved as he moved from studios in Paris and London to New York.
Did you know that Vincent Van Gogh lived and worked in London? His job was at an art dealers in Covent Garden and he lived in Brixton. A new audio walk "At the Crossroads with Vincent" explores turning-points in life through the perspective of Van Gogh's letters to his brother Theo. It's non site-specific and anyone can be take part anywhere in the world. Is it enjoyable? Informative? Enlightening?
Hotel is the fourth play from Polly Stenham, whose debut was staged at The Royal Court when she was only 19. It focuses on a dysfunctional family on holiday at a flash hotel in a poor country and has strong echoes of Shakespeare's The Tempest. How important is it to know the source to appreciate this play?
Tom Sutcliffe is joined by Gillian Slovo, John Mullan and David Benedict. The producer is Oliver Jones.
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Presenter Tom Sutcliffe and guests offer sharp, critical discussion of the week's cultural events

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