Seriously...

David Baker reveals the thinking and the values that have made Jeff Bezos the richest man on the planet, and Amazon the most wildly successful company, even in a year when the global economy faces catastrophe.

Speaking to senior colleagues within his businesses, longstanding business partners and analysts, David Baker learns the secrets to Amazon's success, and the impact of Jeff Bezos' ideas on all of the commercial, cultural and now environmental sectors - on Earth and beyond - that have been influenced by his investments and activity.

Producer: Jonathan Brunert

How have recent British governments handled the UK's relationship with China and what does this tell us about the way to live with China today? Nick Robinson talks to former leading politicians, diplomats and officials to cast light on the risks and the rewards. Drawing on his personal experience reporting on prime ministerial visits to China, he recalls telling encounters and the challenges they reveal.

Contributors:

Presenter: Nick Robinson

In 2014 an anonymous letter was sent to journalists detailing a 5 step plan to Islamise schools in Birmingham. The so-called Trojan Horse Affair sparked hundreds of articles and several investigations. But the letter was not all it seemed. The Corrections asks, what was going on behind the headlines?

Presenter Jo Fidgen speaks to key players, reporters and media watchers about how the coverage measured up to the reality. How did a local education story become a national security issue? And what dilemmas do journalists face when in receipt of an anonymous tip-off?

In a 3-part series, Jo explores how two incompatible narratives developed; how the controversial word ‘extremism’ entered the fray; and what the affair revealed about Britishness. Narrative consultant John Yorke is on hand to explain how storytelling techniques possibly influenced the direction the Trojan Horse story took, and why – in the end – we hear only the version that supports our tribe.

Presenter: Jo Fidgen

Through a set of new poems, Caleb Femi, former Young People's Laureate for London, looks back on his first experiences with sex and explores the pressures on teenage boys around losing their virginity. He speaks to his friend, the writer Yomi Sode, about their experiences growing up; to Nathaniel Cole, a workshop facilitator, writer and public speaker on mental health, masculinity, and relationships; and to a group of 17 year old boys from a London school.

"I’ve always tried to avoid writing about love and sex and all the clichéd things you’d expect a poet to write about. But then lockdown happened and as many of us know, lockdown has a very reflective effect on you. I found myself going back to the beginning… to my teenage years, to all the things that shaped my ideas about sex, gender, love, intimacy, how I relate to women, and what I thought it was to be a man. And how difficult it was to talk about it openly - to express my concerns, my curiosities, my insecurities. I began writing a new set of poems about my first experiences with sex, and started talking to other men and boys about their experiences. I guess my hope is that, by talking more openly about these things that are sometimes hard or awkward to talk about, things will be a little bit different for young people, for teenagers coming up and trying to figure out who they are and how they fit into the world."

There’s no ceremony that my hands know of

Caleb is a poet and director featured in the Dazed 100 list of the next generation shaping youth culture. Using film, photography and music Caleb pushes the boundaries of poetry both on the page, in performance and on digital mediums. He has written and directed short films commissioned by the BBC and Channel 4 and poems by the Tate Modern, The Royal Society for Literature, St Paul's Cathedral, the BBC, the Guardian and many more. Between 2016-2018, Caleb was the Young People's Laureate for London working with young people on a city, national and global level. Caleb performs and speaks internationally on major stages, and at institutions and festivals. He works on global advertising campaigns.

Produced by Mair Bosworth for BBC Audio in Bristol.

Journalist and fan Aja Romano examines their decision to close the books on the boy wizard and hears different viewpoints toward Harry Potter and contemporary readership.

Aja Romano has been a Harry Potter fan for many years, but after personally disagreeing with statements by their author JK Rowling regarding gender identity, they are considering closing the books for good.

Across the world, millions continue to embrace the Wizarding World in all its forms and JK Rowling has received a lot of support for speaking out on an important issue in a personal way.

With this in mind Aja assesses the different factors at play in their choice, speaking to cultural experts, academics and fans and considering influences such as social media, trends in fan communities, "cancelling" , literary theory and more. With contributions from critic Sam Leith, writer Gavin Haynes , journalist Sarah Shaffi, Dr Ika Willis and fans Jackson Bird and Patricio Tarantino.

'Harry Potter and the Philosopher's Stone' film trailer clip courtesy of Warner Bros. Pictures, Director: Chris Columbus.

Produced by Sam Peach

The UK may have a divide north and south, but how about east and west? Chris Mason takes a virtual journey from Whitby in the east to the Lake District in the west to find out. Chris was born and brought up in the Yorkshire Dales, straddling the centre of the country, so he has had a foot in both camps. But is there a real difference in the east from the west? Certainly the weather, the geology, and the landscapes are contrasting in nature. Chris Mason talks to artists, poets, farmers and journalists about their different identities east and west, and listens carefully as the accents change on his imagined journey across the country.

Art has long promised to transport us, to enable us to step outside ourselves and encounter experiences we never would otherwise. Now Jordan Erica Webber explores a possibility only video games can offer, a way to commune with long-dead friends and relatives, sometimes years after their deaths.

This experience has a familiar ring to it – finding a photo, a video, or a loved one’s notes scrawled in the margins of a book – but it’s also profoundly different, because in video games you can get to interact with your loved one, to play with their ghost.

Sometimes this is accidental: a deceased parent’s data left as a high score, a ghostly shape that races you to the finish line, or Artificial Intelligence storing some part of the person and surprising us with them later. But some game designers have memorialised loved ones in their art intentionally, like Dan Hett, who made a series of microgames about the loss of his brother Martyn in the Manchester Arena bombing, or Ryan and Amy Green who coded their son Joel into a video game character that has already outlived him.

Can you bear to beat the high score and erase that recording forever? And when do the Greens stop playing with Joel? This programme examines profound questions that have been posed in all kinds of art from poetry to sculpture to performance, and asks what it means when the ghosts are interactive.

Producers: Giles Edwards and Patrick Cowling

For musician and poet Arlo Parks, 2020 was set to be massive. Festivals, a US tour. Then the world shifted. Her gigs were postponed, festivals cancelled. We watched Glastonbury's empty fields from our sofas where Arlo played, but only for the cows.

So instead, she did gigs online, put out new tracks to wide critical acclaim, wrote new music and published poetry on social media. Her thoughtful, intimate music has been the soundtrack to many people's life in lockdown. But still, live performing is on hold. Her fans, once singing her lyrics back at her at shows, feel very far away. She left a bit of her heart out there, on the road.

The Coronavirus pandemic has struck a huge blow to everyone involved in the music industry. While the world gets back to some kind of normal, Arlo explores what the psychological effect will be of a world with - for now - no live music in it. She asks other artists she admires like poet and hip-hop artist Kojey Radical, Ed O'Brien from Radiohead, Yannis Philippakis from the band Foals and indie singer songwriter Phoebe Bridgers, how they've dealt with the void. How have they managed the impact on their creative process and where do the silver linings lie? She asks them what lasting impact this time will have on their live performances once the world's venues are open for business again. And she connects with her fans, the people she can't wait to get back to see in the flesh, down in the auditorium.

Presented by Arlo Parks.

Photo by Adrian Lee.

Tricky is the place to discuss difficult questions away from the bear pit of social media.

Drag artist Vanity Von Glow, poet Iona Lee, relationship & sex educator, Esther De La Ford and actor Karen Bartke discuss the 'Karen' meme.

Karen is a slang term for an obnoxious, angry, entitled, and often racist middle-aged white woman, who uses her privilege to get her way or police other people's behaviours. It’s similar to the male term 'Gammon' in that they both refer to furious opinionated white people. ‘Karen’ began as shorthand in the US's black community but was popularised right across all sorts of service industries.

For the Karen on our panel it puts her off complaining about anything, in case she's accused of ‘being such a Karen' especially because that's her name! But is it now being used simply as a means to shut women down when they express an opinion that usually a man doesn't like? Who is the arbiter of when the meme is being correctly used or is that simply the nature of these things that once they're out they take on a life of their own?

Producers: Myles Bonnar and Peter McManus

'When was the first time a human felt haunted?'

Kirsty Logan travels back to the world’s earliest civilisations to uncover where tales of ghosts first emerged.

From the earliest evidence of belief in an afterlife, seen in decorated bones in early grave sites, to Ancient Egyptian letters to the dead, and predatory Chindi unleashed to wreak deadly vengeance in the snowy wastes of North America, Kirsty tells the tales of the spirits that haunted our most ancient forebears, and became the common ancestor for ghost stories across all of human history.