Seriously...

At Coney Island amusement park between 1903 and 1943 there was an extraordinary exhibit: tiny, premature babies. 'Dr. Martin Couney's infant incubator' facility was staffed by nurses in starched white uniforms and if you paid a quarter, you could see the babies in their incubators.

Journalist Claire Prentice has been following the story and tracked down some of those babies, now in their 70s, 80s and 90s, who were put on show. She discovers how Dr. Couney brought the incubator to prominence in the USA through World's Fairs and amusement parks, and explores how a man who was shunned by the medical establishment changed attitudes to premature babies and saved countless lives.

Producer Mark Rickards.

Does documentary ever really tell the truth?

BAFTA award winning filmmaker Molly Dineen examines the concept of truth and the creation of narrative in documentary film making. Robert Flaherty's 'Nanook of the North' is considered the first documentary ever made, and much of it was specially set up for the cameras. We think that modern 'Scripted Reality' is a new phenomenon, but does it have its roots in the earliest days of documentary? We look at the making of a documentary, from idea, to casting, filming and editing to find out how documentary makers craft their story.

Molly Dineen looks at nearly 100 years of documentary making from the archives, as well as looking back on her own career. Her first film 'Home from the Hill' followed retired Solider Hilary Hook returning to England after a career in Kenya, and she has also filmed the London Zoo in crisis, in her BAFTA award winning series 'The Ark', modern celebrity in her portrait of ex-Spice Girl Geri Halliwell, and a Prime Minister in waiting in the 1997 Party Political Broadcast for the Labour Party. Molly's observational style sees her immersing herself in the worlds she shoots, but we also take a look at modern 'Fly on the Wall' programming, speaking to TV producer Jonathan Stadlen about his series 'GP's: Behind Closed Doors'. There's more factual programming around now than ever; but is this a good thing? Are the schedules clogged with cheap programming that sacrifices the truth for style, using fast cutting, music and voice over rather than allowing people to speak for themselves?

We also hear from Kim Loginotto, whose films examine the lives of women worldwide, Radio Producer Simon Elmes and TV Critic AA Gill.

Presenter: Molly Dineen

Zoologist and broadcaster Lucy Cooke explores the science behind our seeming obsession with all things adorable. There has been an explosion in interest in cuteness, particularly online, with an ever growing number of websites dedicated to pandas, kittens, puppies and of course babies. If you are feeling a bit down in the dumps, what better way to brighten your day then looking at some cute baby animal frolicking about. But what is it that makes these creatures so darn attractive to us and can you be addicted to cute? Lucy investigates the latest scientific research looking at just what makes babies cute, and what looking at them does to our brain, with some surprising results. She visits London Zoo to visit her number one cute creature of choice, the sloth, to find out why sloths hit the top of the cute charts, but the Chinese giant salamander definitely doesn't, and why in terms of conservation, that matters.

The distinguished architectural writer Gillian Darley retraces the story of "Subtopia", one of the most significant architectural debacles of the post-war era, and considers its long shadow.

Her story starts with Ian Nairn, the maverick young architectural journalist, who invented the word "Subtopia" in the mid-1950s, when the Architectural Review ran a campaign against unsightly clutter and the blurring of distinctions between town and country.

Nairn drew upon a recent road journey he had made, stating that the outcome of "Subtopia" would be that "the end of Southampton will look like the beginning of Carlisle; the parts in between will look like the end of Carlisle or the beginning of Southampton."

He continued uncompromisingly: "The whole land surface is becoming covered by the creeping mildew that already circumscribes all of our towns. Subtopia is the annihilation of the site, the steamrollering of all individuality of place to one uniform and mediocre pattern."

Gillian Darley brings together lively original archive featuring Nairn himself, Gilbert Harding, Sir Hugh Casson, Sir John Betjeman and others, to re-trace the story.

She talks on location in Southampton with the architectural photographer Gareth Gardner about his new project to re-trace and photograph once more the locations which Nairn visited. In studio, she explores the original and contemporary picture with the architect Janice Murphett, and the architectural writer, Gavin Stamp.

And she wonders whether, if the short-lived and unhappy Ian Nairn were alive today, what would he feel about the British landscape?

Producer: Beaty Rubens.

Google dominates internet searching across most parts of the globe. The algorithm which produces its search results is highly secret and always changing, but is crucial in influencing the information we all obtain, the viewpoints we read, the people we find out about, and the products we buy.

It dominates the market because it's so effective. Rivals find it difficult to compete. But however good the algorithm, however carefully crafted to give us what Google thinks we actually want, is it really healthy for one search engine, and one company, to have so much impact?

Rory Cellan-Jones explores Google's uniquely powerful role at the centre of today's information society.

Producer: Martin Rosenbaum.

Writer and activist Peter McGraith married his long-term partner David in March 2014, the first gay wedding registered in the UK.

Two years on he meets gay and lesbian couples and speaks with them about their relationships - why did they decide to get married? Or stay in a civil partnership? And why, for some, will marriage never be an option?

Peter explores what kind of effect marriage is having on gay and lesbian couples... and how it might be affecting us as a society, for better or worse.

And what does the marriage, for so long a cherished goal of equality campaigners, look like from the inside? Does it look and feel like heterosexual unions or is it, as some academics believe, re-building the institution from the ground up?

Radio 4 hears personal accounts of queer marriage in post equality Britain, meeting couples, co-parents, friends and lovers along the way.

Producer: Caitlin Smith

What does it take to succeed if you are born into poverty and neglect? Two people who have done just that explore whether it was down to personality, circumstances or plain luck. Why do so few people manage it?

Byron Vincent, a writer and poet, and Dr Anna Woodhouse, a university lecturer and outreach worker, talk to experts to try and discover if their own triumph over lives that were blighted by abuse, drug addiction, homelessness and hunger could have been predicted. They talk to experts about the sort of traits an individual needs to overcome adversity, things like resilience, grit and will power, and discover the latest thinking on what really helps. They explore the way science is looking at the role of genes in determining character. And they look at the importance of outside forces; education, family support, mentors and the role of the Government. At the end, they discuss what they have found with former Welfare Minister and current Chair of the Work and Pensions Select Committee Frank Field, to see what government can do to help lift individuals out of poverty and get them to turn their lives around.

Producer: Jenny Sneesby.

Grammy Award-Winning songwriter Amy Wadge fell in love with the harmonica after winning one in a fancy dress competition (she was dressed in a bin liner!). Now she investigates the history and potential of the diatonic instrument, a European the toy which in the hands of expert players became the iconic sound of the Mississippi Delta and the Chicago Blues. Not bad for what was originally a child's toy produced then, as now, in Germany!

As music historian Christoph Wagner explains, the very first example of the instrument goes back to Vienna. But millions would soon find their way to the USA, taken there by German emigres fleeing poverty. The poor person's introduction to music, the harmonica would soon find its way to around the globe, from Britain to Australia and even China. But it was in America that it scored its biggest success. And it was there that harmonica technique underwent a transformation, as Chicago -based Joe Filisko explains. Instead of exhaling air, blues players would draw air in, and bend notes to achieve the characteristic sounds of the blues.

Amy tries her hand at bending, under the expert tutelage of Steve Lockwood - one of very few people to have studied the harmonica to degree level, and she speaks to one of Britain's best-known players, Paul Jones.

It may be the sound of the amplified harmonica popularised the instrument in the 1950s and 1960s, but has it moved on from Chicago Blues and Beatles covers? Canadian beat-boxer Benjamin Darvill - "Son of Dave" - has explored new possibilities with the instrument, and with an original sound that's been heard in edgy TV dramas and commercials. Just going to prove that for all its limitations - 10 holes and 3 octaves - there's life yet the harmonica.

Kate Mossman tells the story of the long-overlooked female pop and rock writers of the 1960s.

As a music journalist herself, when Kate entered the profession she found herself surrounded by men - men who had very definite ideas about how it should be done... writing for monthly magazines that were aimed at men and covering artist who were mainly men. The whole industry of writing about 'serious' popular music seemed to have been established in the late 1960s and the mid-1970s with the writer-characters of Rolling Stone and our own New Musical Express.

But there was a time before all this - a time when the newly invented teenagers were finding their feet... and a new kind of journalism was emerging to chronicle the rapidly changing time. A journalism spearheaded by women.

There was Nancy Lewis, who wrote for Fabulous and the NME; June Harris, who wrote for Disc, then went to New York and contributed to Rave (as well as marring legendary rock agent and promoter Frank Barsalona); Maureen O'Grady who began her career as a music journalist at Boyfriend and progressed onto Rave, where she also joined Dawn James. And the doyennes of them all was the Evening Standard's Maureen Cleave, to whom John Lennon claimed that the Beatles were bigger than Jesus.

Kate Mossman meets them and celebrates the tone of their writing that was so fascinatingly different from rock journalism as we came to know it, and yet captured all the confusion, excitement and social changes of the time.

Producer: Paul Kobrak