In today's episode, we are joined by Ricky Dukes, Artistic Director of the Lazarus Theatre Company, to discuss the work of the Lazarus Theatre Company, why classical plays, including Shakespeare, are still relevant for audiences today, and the upcoming (and timely) Lazarus Theatre Company production of Julius Caesar.

About Ricky Dukes

Ricky is a working-class, award-winning Director, Practitioner and Teacher based in the West Midlands and London. In 2007 he founded Lazarus Theatre Company and is the company's current Artistic Director for which he won Best Artistic Director in the 2012 Fringe Report Awards.

His work is ensemble led with actor detail at its heart creating large scale visual, visceral, and vibrant theatrical experiences. Founded in 2007 Ricky has gone on to direct over 40 productions for Lazarus Theatre Company. He is currently working on a new production of Shakespeare's Rowley's Julius Caesar which will open at Southwark Playhouse in Sept 2024.

Notable productions include: The Changeling, Middleton & Rowley, Southwark Playhouse, 2023. Hamlet, Shakespeare, Southwark Playhouse, 2023. Doctor Faustus, Marlowe, Southwark Playhouse, 2022. Salomé, Oscar Wilde, Southwark Playhouse, 2021. Macbeth, Shakespeare, Greenwich Theatre, 2020. Edward II, Christopher Marlowe, Tristan Bates Theatre / Greenwich Theatre, 2017 /2018. Caucasian Chalk Circle, Brecht, Jack Studio Theatre / Greenwich Theatre, 2016 /2017. Tis Pity She's A Whore, John Ford, Tristan Bates Theatre, 2016. Dido, Queen of Carthage, Christopher Marlowe, Greenwich Theatre, 2013.

About Lazarus Theatre Company

Lazarus Theatre Company is an award-winning ensemble, reimagining and revitalising classic plays in visual, visceral and vibrant productions. Follow them on Instagram and Twitter at @LazarusTheatre

About Lazarus Theatre Company's 2024 production of Julius Caesar

Lazarus Theatre Company will return to Southwark Playhouse Borough with a glimpse into the behind the scenes of government politics in a multimedia reinterpretation of Shakespeare's Julius Caesar. Set within a government spin room, this uncanny insight into the inner workings of politics and media engages with what we are fed and how we consume news. In what is set to be a hotly contested electoral year in the UK, US and across Europe, Julius Caesar's investigation into what we can trust in the media and through our screens presents a crucial look at the current landscape of media, AI and public opinion.

A striking reimagining, which exposes the plots and betrayal at the forefront of the classic story, this political thriller will use an innovative blend of technology and staging to present both sides of the political coin. Expect dramatic and striking theatrics as Lazarus's ensemble present a raucous and bloody production that sees The Thick of It meets West Wing.

Julius Caesar will run Friday September 6th – Saturday October 5th, 2024 at Southwark Playhouse Borough, The Large, 77-84 Newington Causeway, London SE1 6BD.

Captioned Performance Saturday 21st September 2024 Relaxed Performance Saturday 28th September 2024, 3pm, 7.30pm Streamed Performance Thursday 17th October 2024

Tickets are available online at https://southwarkplayhouse.co.uk/productions/julius-caesar/

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Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

Additional sound effects from https://www.zapsplat.com/

Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod

It's hard to believe it is finally here, but we are wrapping up our Romeo and Juliet series this week by watching and discussing two productions.

First, we will discuss Baz Luhrmann's 1996 film William Shakespeare's Romeo + Juliet, starring Leonardo DiCaprio and Claire Danes in the title roles. Then, we will move into the National Theatre at Home production of Romeo and Juliet directed by Simon Godwin and starring Jessie Buckley and Josh O'Connor.

Not enough Romeo and Juliet? Paid Patreon members can access our bonus episodes on Gnomeo & Juliet and the 2022 film Rosaline and suggest other adaptations we should watch for future Patreon bonus episodes!

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

Additional sound effects from https://www.zapsplat.com

Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod

Works referenced:

Godwin, Simon, director. Romeo and Juliet. National Theatre at Home, National Theatre, 2021, https://www.ntathome.com/romeo-juliet. Accessed 2024.

Luhrmann, Baz, director. William Shakespeare's Romeo + Juliet. 20th Century Fox Home Entertainment, 1996.

In today's episode, we are joined in discussion with Kelly Hunter, MBE, to discuss her work producting Shakespeare for autistic audiences. We will discuss Kelly's professional journey that led her from working with the Royal Shakespeare Company, the National Theatre, and on the West End to founding The Flute Theatre and developing the Hunter Heartbeat Method in collaboration with autistic individuals.

Kelly Hunter, MBE began working in theatre aged 17 playing The Mistress in Evita in the West End in 1980. Since then she has been creatively engaged in theatres, performing and adapting and directing Shakespeare. Kelly has also taught and directed students across the world. Kelly is the author of Cracking Shakespeare, which serves to demystify the process of speaking Shakespeare's language, offering hands-on techniques for drama students, young actors and directors who are intimidated by rehearsing, performing and directing Shakespeare's plays, and Shakespeare's Heartbeat: Drama Games for Children with Autism. Kelly developed the Hunter Heartbeat Method, a series of sensory drama games, which allow autistic individuals to share how it feels to be alive and celebrate their identity. Autistic individuals have created this award-winning methodology across the world, working with Kelly over the last twenty years.

Kelly is the artistic director of The Flute Theatre, which produces award winning productions of Shakespeare and runs long term community projects for people marginalised by autism. The Flute Theatre is renowned for our innovative productions of Shakespeare including specialised shows for autistic individuals, refugees and those displaced by war. These productions use the award-winning Hunter Heartbeat Method. The Flute Theatre performs internationally, adapting the language of their performances to the needs and ears of their audience. They also perform in the UK and internationally with refugees and those displaced by war.

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod

In today's episode, we are exploring the historical context for the family feud and violence between the Capulets and Montagues in William Shakespeare's Romeo and Juliet. We'll briefly revisit the history of medieval bloodfeuds that we examined in our episodes on Macbeth, then we will dive into the pratices of vendettas and dueling in the Italian renaissance and how this form of violence was imported into England, Scotland, and Wales in the late 1500s and early 1600s.

We will examine the rise in popularity of dueling among young men of the English nobility and gentry, how the public theatres romanticized and dramatized dueling, and how Shakespeare wove this trend and reactions to it into the plot of Romeo and Juliet.

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod

Works referenced:

Bowen, Lloyd. "The Duel in Elizabethan and Jacobean England and Wales." Anatomy of a Duel in Jacobean England: Gentry Honour, Violence and the Law, NED-New edition, Boydell & Brewer, 2021, pp. 68–83. JSTOR, https://doi.org/10.2307/j.ctv18x4j9z.11. Accessed 14 Apr. 2024.

Dean, Trevor. "Marriage and Mutilation: Vendetta in Late Medieval Italy." Past & Present, no. 157, 1997, pp. 3–36. JSTOR, http://www.jstor.org/stable/651079. Accessed 14 Apr. 2024.

Quint, David. "Duelling and Civility in Sixteenth Century Italy." I Tatti Studies in the Italian Renaissance, vol. 7, 1997, pp. 231–78. JSTOR, https://doi.org/10.2307/4603706. Accessed 14 Apr. 2024.

In today's episode, we are exploring the life and works of one of Shakespeare's contemporaries: Ben Jonson. Often called "Shakespeare's rival," Ben Jonson was an early modern actor turned playwright who came from humble beginnings to achieve success on the London stages. We'll dive into the parallels between Shakespeare and Jonson's lives, and we'll discuss how Jonson may be the person who we should thank for Shakespeare's First Folio.

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod

Works referenced:

Donaldson, Ian. "Jonson, Benjamin [Ben] (1572–1637), poet and playwright." Oxford Dictionary of National Biography. October 03, 2013. Oxford University Press. Date of access 9 Apr. 2024,

Editors of Poetry Foundation. "Ben Jonson." Poetry Foundation, Poetry Foundation, 2024, www.poetryfoundation.org/poets/ben-jonson.

Jonson, Ben. "To the Memory of My Beloved the Author, Mr...." Poetry Foundation, Poetry Foundation, 2024, www.poetryfoundation.org/poems/44466/to-the-memory-of-my-beloved-the-author-mr-william-shakespeare.

Leech, Clifford. "Ben Jonson." Encyclopædia Britannica, Encyclopædia Britannica, inc., 7 Apr. 2024, www.britannica.com/biography/Ben-Jonson-English-writer.

Mabillard, Amanda. "Preface to The First Folio (1623)." William Shakespeare's First Folio: The Preface to the First Folio, 21 Jan. 2022, www.shakespeare-online.com/biography/firstfolio.html.

"Research Guides: Shakespeare Studies: Ben Jonson." Ben Jonson - Shakespeare Studies - Research Guides at New York University, New York University, 2024, guides.nyu.edu/shakespeare-studies/ben-johnson.

"Shakespeare First Folio: Folger Shakespeare Library." Edited by Folger Shakespeare Library, Shakespeare First Folio | Folger Shakespeare Library, Folger Shakespeare Library, 2024, www.folger.edu/explore/shakespeare-in-print/first-folio/.

Shoemaker, Robert. "Punishment Sentences at the Old Bailey." The Proceedings of the Old Bailey, Digital Humanities Institute at the University of Sheffield, autumn 2023, www.oldbaileyonline.org/about/punishment.

Westminister Abbey. "Ben Jonson." Westminster Abbey, Westminster Abbey, 2024, www.westminster-abbey.org/abbey-commemorations/commemorations/ben-jonson.

In today's episode, we will be discussing what is was like to be a teenager in Shakespeare's time, and how we can see early modern teenagerdom represented in Shakespeare's Romeo & Juliet. We will build on our previous explorations of the early modern understanding of age and youth from our episodes on girlhood and manhood, then dive into the lived experiences of early modern teens and young adults. Finally, we will discuss the early modern public health crisis of suicide among children and adolescents.

Content Warning: Suicide

If you or someone you know is struggling or in crisis, you are not alone and help is available.

If you are in the United States, call or text 988 or chat 988lifeline.org

You can find additional resources for your location at https://www.iasp.info/suicidalthoughts/

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod

Works referenced:

Murphy, Terence R. "'Woful Childe of Parents Rage': Suicide of Children and Adolescents in Early Modern England, 1507-1710." The Sixteenth Century Journal, vol. 17, no. 3, 1986, pp. 259–70. JSTOR, https://doi.org/10.2307/2540320. Accessed 19 Feb. 2024.

Prusko, Rachel. "Youth and Privacy in Romeo and Juliet." Early Theatre, vol. 19, no. 1, 2016, pp. 113–36. JSTOR, https://www.jstor.org/stable/90018273. Accessed 22 Mar. 2024.

Sparey, Victoria. "Performing Puberty: Fertile Complexions in Shakespeare's Plays." Shakespeare Bulletin, vol. 33, no. 3, 2015, pp. 441–67. JSTOR, https://www.jstor.org/stable/26355127. Accessed 19 Feb. 2024.

In today's episode, we are joined by Dr. Danielle Rosvally and Sydney Schwindt to discuss how fight choreographers approach staging moments of violence in theatre, specifically in Shakespeare's plays. We will discuss how they collaborate with directors and actors to safely depict violence on stage, the state of the fight direction community, and how anyone can learn more about safe, consent-based practices for staging violence onstage.

Our guests:

Danielle Rosvally, Ph.D., is an assistant professor of theatre at the University at Buffalo where she serves as resident violence coordinator. She is a fight director, actor, dramaturge, and director. Danielle has been crafting and performing staged violence for over twenty years, and has written about fight direction for venues such as Theatre Topics, Fight Master Magazine, and various edited collections. As a researcher, Danielle specializes in Shakespeare; her book on on Shakespeare as an economic value comes out with the State University of New York press in July.

Sydney Schwindt wears many hats in the theatre world; she is an actor, director, fight director, and educator. She is a resident artist with the San Francisco Shakespeare Festival and works frequently with SPARC Theatre. She is an advanced actor combatant with the Society of American Fight Directors and is on the advisory board for the Same Boat Theatre Collective. She has taught movement and stage combat at Indiana University and the American Conservatory Theatre's Graduate program.

Sydney directed "As You Like It" with San Francisco Shakespeare Festival's Shakespeare on Tour. It is running from now until mid May 2024 all across California. Check the websites for a public performance near you! www.sfshakes.org

She will be directing "Twelfth Night" with the Starling Shakespeare Company this summer. The show runs in rep with "Henry IV, Part 1" from June until September, 2024.

Learn more about Fight Direction:

Society of American Fight Directors

The British Academy of Stage and Screen Combat

British Academy of Dramatic Combat

Fight Directors Canada

Danielle's HowlRound Article

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod

In today's episode, we will be diving into the culture of courtship and marriage in early modern England. We will take a look at how the cultural norms and concerns surrounding marriage were shifting and changing in Shakespeare's time and how we can see this represented in Romeo and Juliet. We will also discuss how, at least in some parts of England and for certain classes, young people were able to resist some of the societal structures around courtship and marriage.

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod

Works referenced:

Hubbard, Eleanor. "A Room of Their Own: Young Women, Courtship, and the Night in Early Modern England." The Youth of Early Modern Women, edited by Elizabeth S. Cohen and Margaret Reeves, Amsterdam University Press, 2018, pp. 297–314. JSTOR, https://doi.org/10.2307/j.ctv8pzd5z.17. Accessed 25 Feb. 2024. Peters, Christine. "Gender, Sacrament and Ritual: The Making and Meaning of Marriage in Late Medieval and Early Modern England." Past & Present, no. 169, 2000, pp. 63–96. JSTOR, http://www.jstor.org/stable/651264. Accessed 25 Feb. 2024. Waddington, Raymond B. "Marriage in Early Modern Europe." The Sixteenth Century Journal, vol. 34, no. 2, 2003, pp. 315–18. JSTOR, https://doi.org/10.2307/20061411. Accessed 25 Feb. 2024.

In today's episode, we will be continuing our series on Shakespeare's Language Framework and our Shakespeare's Sources by taking a closer look at Petrarch.

First, we will dive into the biography of Francesco Petrarca, more commonly known as Petrarch in English, the 14th century poet who had a huge influence on European humanism, the Renaissance, and poetry.

Then, we will explore Petrarch's influence and how it spread across Europe before covering how we can see his influence in the works of William Shakespeare.

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod

Works referenced:

Paster, Gail Kern. "A Modern Perspective: Romeo and Juliet." Folger Shakespeare Library, 2024, www.folger.edu/explore/shakespeares-works/romeo-and-juliet/romeo-and-juliet-a-modern-perspective/.

"Petrarchism." The Princeton Encyclopedia of Poetry and Poetics. Princeton: Princeton University Press, 2012. Credo Reference. Web. 21 January 2015.

Shakespeare, William, and Keir Elam. Twelfth Night. Arden Shakespeare, 2008.

Vuillemin, Rémi. "'love with excess of heat': The sonnet and Petrarchan excess in the late elizabethan and early jacobean periods." XVII-XVIII, no. 71, 31 Dec. 2014, pp. 99–120, https://doi.org/10.4000/1718.395.

Whitfield, John Humphreys. "Petrarch." Encyclopædia Britannica, Encyclopædia Britannica, inc., 25 Jan. 2024, www.britannica.com/biography/Petrarch.

In today's episode, we're diving deep into the world of early modern masculinity, patriarchy, and honor as we dissect Shakespeare's iconic play, Romeo and Juliet.

Our discussion begins with the examination of the expectations placed upon men during the early modern period and how those pressures are reflected in Shakespeare's play – the embodiment of honor, the nuances of patriarchy, and the various faces of masculinity depicted in Shakespeare's characters.

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod

Works referenced:

Appelbaum, Robert. "'Standing to the Wall': The Pressures of Masculinity in Romeo and Juliet." Shakespeare Quarterly, vol. 48, no. 3, 1997, pp. 251–72. JSTOR, https://doi.org/10.2307/2871016. Accessed 27 Jan. 2024. Capp, Bernard. "'JESUS WEPT' BUT DID THE ENGLISHMAN? MASCULINITY AND EMOTION IN EARLY MODERN ENGLAND." Past & Present, no. 224, 2014, pp. 75–108. JSTOR, http://www.jstor.org/stable/24545175. Accessed 27 Jan. 2024. Fisher, Will. "The Renaissance Beard: Masculinity in Early Modern England." Renaissance Quarterly, vol. 54, no. 1, 2001, pp. 155–87. JSTOR, https://doi.org/10.2307/1262223. Accessed 27 Jan. 2024. FLETCHER, ANTHONY. "Manhood, the Male Body, Courtship and the Household in Early Modern England." History, vol. 84, no. 275, 1999, pp. 419–36. JSTOR, http://www.jstor.org/stable/24424587. Accessed 27 Jan. 2024.