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El día 26 de marzo de 1848 en una escaramuza entre monárquicos y republicanos, cae gravemente herido don Jorge de Córdoba, conocido, por su mal genio, como el Capitán Veneno. El herido es recogido por dos damas, doña Teresa Carrillo de Azpeitia, viuda de un general carlista, y su hija Angustias. El Capitán está tan grave que debe permanecer inmovilizado en la casa de las damas. Allí se ve envuelto por la dulzura de doña Teresa y de Angustias, en medio de su estrechez económica y a la espera de que la reina Isabel II reconozca el título de su difunto esposo. Pero las cosas se complican todavía más...

Capitán Veneno, El by Pedro Antonio de Alarcón y Ariza (1833 - 1891)

Athelstan King is a British Secret Agent stationed in India at the beginning of WWI. He is attached to the Khyber Rifles regiment as a cover, but his real job is to prevent a holy war. "To stop a holy war single-handed would be rather like stopping the wind--possibly easy enough, if one knew the way." King is ordered to work with a mysterious and powerful Eastern woman, Yasmini. Can King afford to trust her? Can he afford not to? Introduction by Brett W. Downey

King of the Khyber Rifles by Talbot Mundy (1879 - 1940)

Die Verschwörung des Fiesco zu Genua ist das zweite vollendete Drama Friedrich von Schillers. Er begann das Stück, das sich an die historische Verschwörung des Giovanni Luigi de Fieschi gegen Andrea Doria in Genua des Frühjahrs 1547 anlehnt, nach der Premiere seines Stücks Die Räuber 1782. (Zusammenfassung von Wikipedia) Sektion 00 - Vorrede - Anzeige der Buehnenbearbeitung - Erinnerung an das Publikum: Text (1) Sektionen 01 - 10 - Ein republikanisches Trauerspiel: Text (2)

Die Verschwörung des Fiesco zu Genua ist das zweite vollendete Drama Friedrich von Schillers. Er begann das Stück, das sich an die historische Verschwörung des Giovanni Luigi de Fieschi gegen Andrea Doria in Genua des Frühjahrs 1547 anlehnt, nach der Premiere seines Stücks Die Räuber 1782. (Zusammenfassung von Wikipedia) Sektion 00 - Vorrede - Anzeige der Buehnenbearbeitung - Erinnerung an das Publikum: Text (1) Sektionen 01 - 10 - Ein republikanisches Trauerspiel: Text (2)

Die Verschwörung des Fiesco zu Genua ist das zweite vollendete Drama Friedrich von Schillers. Er begann das Stück, das sich an die historische Verschwörung des Giovanni Luigi de Fieschi gegen Andrea Doria in Genua des Frühjahrs 1547 anlehnt, nach der Premiere seines Stücks Die Räuber 1782. (Zusammenfassung von Wikipedia) Sektion 00 - Vorrede - Anzeige der Buehnenbearbeitung - Erinnerung an das Publikum: Text (1) Sektionen 01 - 10 - Ein republikanisches Trauerspiel: Text (2)

Verschwörung des Fiesco zu Genua, Die by Friedrich Schiller (1759 - 1805)

Recapitulación de todo lo dicho sobre la invención y disposición. La elocución es la más hermosa parte de la retórica y la más difícil. Debe cuidarse más de los pensamientos que de las palabras. La elocución se considera en las palabras, ya separadas, ya juntas. Debe cuidarse de que las palabras sean castizas, claras, adornadas y acomodadas al asunto. Las palabras unidas entre sí deben ser correctas, bien colocadas y acompañadas de figuras. Algunos preceptos para hablar con pureza y elegancia. La claridad nace de la propiedad de las palabras. De dónde nace la obscuridad y modo de evitarla. El adorno debe ser varonil, no afeminado, debe variarse según la materia. El ornato. Elección de las palabras sinónimas. Vicios contrarios al adorno. Para el ornato contribuye principalmente la energía o hipotiposis, las semejanzas, la braquilogía o concisión, la énfasis y la sencillez o afeleía. La fuerza del orador consiste en amplificar y ponderar o en disminuir. El primer modo de amplificar es por el nombre de la cosa. Los principales géneros de amplificación son cuatro: por aumento, por comparación, por raciocinación, por amontonamiento. Otras maneras de disminuir o rebajar. Cuántas maneras hay de sentencias. La sentencia en común o gnome se divide en entimema y epifonema. Qué es noema o cláusula. Reprobación de quienes siempre hablan por sentencias y de quienes las evitan. Especies de tropos: unos sirven para la significación (metáfora, sinécdoque, metonimia, antonomasia, onomatopeya y catacresis) otros para adorno (epíteto, alegoría, enigma, ironía, perífrasis, hipérbaton e hipérbole). (Resumen por Tux)

Instituciones Oratorias VIII by Marcus Fabius Quintilianus (35 - 100)

Habits that Handicap is one of three novels about alcoholism and drug addiction written by Charles B. Towns.  Towns was an expert on alcoholism and drug addiction who helped draft drug control legislation in the United States during the early 20th century.  He also founded the Towns Hospital in New York City, which aimed at drying out the well-to-do patient. (Summary by Guero and Wikipedia.)

Habits that Handicap is one of three novels about alcoholism and drug addiction written by Charles B. Towns. Towns was an expert on alcoholism and drug addiction who helped draft drug control legislation in the United States during the early 20th century. He also founded the Towns Hospital in New York City, which aimed at drying out the well-to-do patient. (Summary by Guero and Wikipedia.)

Habits that Handicap by Charles B. Towns (1862 - 1947)

LibriVox volunteers bring you 16 recordings of Old Man Travelling; Animal Tranquillity and Decay, a Sketch by William Wordsworth. This was the Fortnightly Poetry project for October 2, 2011. In 1842 the government awarded Wordsworth a civil list pension amounting to £300 a year. With the death in 1843 of Robert Southey, Wordsworth became the Poet Laureate. He initially refused the honour, saying he was too old, but accepted when Prime Minister Robert Peel assured him "you shall have nothing required of you" (he became the only laureate to write no official poetry). When his daughter, Dora, died in 1847, his production of poetry came to a standstill. (Summary from Wikipedia)

LibriVox volunteers bring you 16 recordings of Old Man Travelling; Animal Tranquillity and Decay, a Sketch by William Wordsworth. This was the Fortnightly Poetry project for October 2, 2011.In 1842 the government awarded Wordsworth a civil list pension amounting to £300 a year. With the death in 1843 of Robert Southey, Wordsworth became the Poet Laureate. He initially refused the honour, saying he was too old, but accepted when Prime Minister Robert Peel assured him "you shall have nothing required of you" (he became the only laureate to write no official poetry). When his daughter, Dora, died in 1847, his production of poetry came to a standstill. (Summary from Wikipedia)

LibriVox volunteers bring you 16 recordings of Old Man Travelling; Animal Tranquillity and Decay, a Sketch by William Wordsworth. This was the Fortnightly Poetry project for October 2, 2011. In 1842 the government awarded Wordsworth a civil list pension amounting to £300 a year. With the death in 1843 of Robert Southey, Wordsworth became the Poet Laureate. He initially refused the honour, saying he was too old, but accepted when Prime Minister Robert Peel assured him "you shall have nothing required of you" (he became the only laureate to write no official poetry). When his daughter, Dora, died in 1847, his production of poetry came to a standstill. (Summary from Wikipedia)

Old Man Travelling; Animal Tranquillity and Decay by William Wordsworth (1770 - 1850)

The Rainbow is a 1915 novel by British author D.H. Lawrence. It follows three generations of the Brangwen family, particularly focusing on the sexual dynamics of, and relations between, the characters. (Summary from Wikipedia)

The Rainbow is a 1915 novel by British author D.H. Lawrence. It follows three generations of the Brangwen family, particularly focusing on the sexual dynamics of, and relations between, the characters. (Summary from Wikipedia)

Rainbow, The by D. H. Lawrence (1885 - 1930)

LibriVox volunteers bring you 15 different recordings of Ode to Autumn by John Keats. This was the weekly poetry project for the week of November 11th, 2007.

LibriVox volunteers bring you 15 different recordings of Ode to Autumn by John Keats. This was the weekly poetry project for the week of November 11th, 2007.

Ode to Autumn by John Keats (1795 - 1821)

Tip Lewis is a mischievous, unpromising scamp. One Sunday, a visiting Sunday school teacher tells his mission class how her minister had grown up in similarly bad circumstances, but had decided to follow God and had never regretted it. Tip decides to try to BE somebody, like that minister did. He is given a Bible - his lamp - to use as a guide, and from there, his life begins to change. (Introduction by TriciaG)

Tip Lewis and His Lamp by Pansy (1841 - 1930)

[문장의 소리]라디오 단편극장

Preface by W.S.B. Mathews: I have here endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity proportionate to its importance, and the greater interest appertaining to it from its proximity to the times of the reader. The range of the work can be most easily estimated from the Table of Contents (pages 5-10). It will be seen that I have attempted to cover the same extent of history, in treating of which the standard musical histories of Naumann, Ambros, Fétis and others have employed from three times to ten times as much space. In the nature of the case there will be differences of opinion among competent judges concerning my success in this difficult undertaking. Upon this point I can only plead absolute sincerity of purpose, and a certain familiarity with the ground to be covered, due to having treated it in my lectures in the Chicago Musical College for five years, to the extent of about thirty-five lectures yearly. I have made free use of all the standard histories—those of Fétis, Ambros, Naumann, Brendel, Gevaert, Hawkins, Burney, the writings of Dr. Hugo Riemann, Dr. Ritter, Prof. Fillmore, and the dictionaries of Grove and Mendel, as well as many monographs in all the leading modern languages.

Preface by W.S.B. Mathews: I have here endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity proportionate to its importance, and the greater interest appertaining to it from its proximity to the times of the reader.The range of the work can be most easily estimated from the Table of Contents (pages 5-10). It will be seen that I have attempted to cover the same extent of history, in treating of which the standard musical histories of Naumann, Ambros, Fétis and others have employed from three times to ten times as much space. In the nature of the case there will be differences of opinion among competent judges concerning my success in this difficult undertaking. Upon this point I can only plead absolute sincerity of purpose, and a certain familiarity with the ground to be covered, due to having treated it in my lectures in the Chicago Musical College for five years, to the extent of about thirty-five lectures yearly. I have made free use of all the standard histories—those of Fétis, Ambros, Naumann, Brendel, Gevaert, Hawkins, Burney, the writings of Dr. Hugo Riemann, Dr. Ritter, Prof. Fillmore, and the dictionaries of Grove and Mendel, as well as many monographs in all the leading modern languages.

Preface by W.S.B. Mathews: I have here endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity proportionate to its importance, and the greater interest appertaining to it from its proximity to the times of the reader. The range of the work can be most easily estimated from the Table of Contents (pages 5-10). It will be seen that I have attempted to cover the same extent of history, in treating of which the standard musical histories of Naumann, Ambros, Fétis and others have employed from three times to ten times as much space. In the nature of the case there will be differences of opinion among competent judges concerning my success in this difficult undertaking. Upon this point I can only plead absolute sincerity of purpose, and a certain familiarity with the ground to be covered, due to having treated it in my lectures in the Chicago Musical College for five years, to the extent of about thirty-five lectures yearly. I have made free use of all the standard histories—those of Fétis, Ambros, Naumann, Brendel, Gevaert, Hawkins, Burney, the writings of Dr. Hugo Riemann, Dr. Ritter, Prof. Fillmore, and the dictionaries of Grove and Mendel, as well as many monographs in all the leading modern languages.

Popular History of the Art of Music, A by W. S. B. Mathews (1837 - 1912)

This is a collection of poems read by LibriVox volunteers for December 2012.

Short Poetry Collection 115 by Various

LibriVox volunteers bring you 15 recordings of The Dried-up Fountain by Robert Leighton. This was the Fortnightly Poetry project for December 18, 2011. This poem is taken from A Victorian Anthology, 1837–1895, Edmund Clarence Stedman, ed. (1833–1908). (Summary by David Lawrence)

LibriVox volunteers bring you 15 recordings of The Dried-up Fountain by Robert Leighton. This was the Fortnightly Poetry project for December 18, 2011.This poem is taken from A Victorian Anthology, 1837–1895, Edmund Clarence Stedman, ed. (1833–1908). (Summary by David Lawrence)

LibriVox volunteers bring you 15 recordings of The Dried-up Fountain by Robert Leighton. This was the Fortnightly Poetry project for December 18, 2011. This poem is taken from A Victorian Anthology, 1837–1895, Edmund Clarence Stedman, ed. (1833–1908). (Summary by David Lawrence)

Dried-up Fountain, The by Robert Leighton (1822 - 1869)

"In the course of time a very considerable public feeling was aroused in the United States and Canada over this state of affairs. The lack of reciprocity in it seemed unfair. It was felt (or at least I felt) that the time had come when some one ought to go over and take some impressions off England. The choice of such a person (my choice) fell upon myself. By an arrangement with the Geographical Society of America, acting in conjunction with the Royal Geographical Society of England (to both of whom I communicated my proposal), I went at my own expense." And from thence follow the impressions of Canadian political economist and humourist, Stephen Leacock, after a lecturing visit to England. (Summary by the author & TriciaG)

"In the course of time a very considerable public feeling was aroused in the United States and Canada over this state of affairs. The lack of reciprocity in it seemed unfair. It was felt (or at least I felt) that the time had come when some one ought to go over and take some impressions off England. The choice of such a person (my choice) fell upon myself. By an arrangement with the Geographical Society of America, acting in conjunction with the Royal Geographical Society of England (to both of whom I communicated my proposal), I went at my own expense."And from thence follow the impressions of Canadian political economist and humourist, Stephen Leacock, after a lecturing visit to England. (Summary by the author & TriciaG)

"In the course of time a very considerable public feeling was aroused in the United States and Canada over this state of affairs. The lack of reciprocity in it seemed unfair. It was felt (or at least I felt) that the time had come when some one ought to go over and take some impressions off England. The choice of such a person (my choice) fell upon myself. By an arrangement with the Geographical Society of America, acting in conjunction with the Royal Geographical Society of England (to both of whom I communicated my proposal), I went at my own expense." And from thence follow the impressions of Canadian political economist and humourist, Stephen Leacock, after a lecturing visit to England. (Summary by the author &amp; TriciaG)

My Discovery of England by Stephen Leacock (1869 - 1944)

Bantertainment from the Transatlantic Trio of Brit singers/Producers/Procrastinators discussing the arts/culture. Justifying unneeded tech gear purchases. Tom's Topics. Culture Report.

Crap Chat Show

Mr. Hirsch Reads Tale of Two Cities by Charles Dickens

A show about readers and writers for reader and writers on WNYU, 89.1 FM and wnyu.org. The Write Stuff is a weekly show featuring fiction, creative nonfiction, screen, and poetry writers (established and unknown) who discuss their craft and then give a reading of their work. Hosted by Rachel A.G. Gilman, it airs on New York University's student-run radio station. Questions/inquiries can be sent to rachelg@wnyu.org

The Write Stuff

La Société Chartraine d'Elevage de Pixels est une agence de création de contenu vidéo et audio basée à Paris et Chartres.
Nous présentons ici nos réalisations, projets commerciaux et personnels.
Nous croyons au pouvoir narratif de l'audio et sa capacité unique à stimuler notre imagination.
Nous mettons en histoire l’ADN de votre marque à travers une narration soignée.
Notre savoir-faire et notre créativité sont au service de votre marque pour construire et développer votre audience.

http://elevagedepixels.com

La Société Chartraine d'Elevage de Pixels est une agence de création de contenu vidéo et audio basée à Paris et Chartres. Nous présentons ici nos réalisations, projets commerciaux et personnels. Nous croyons au pouvoir narratif de l'audio et sa capacité unique à stimuler notre imagination. Nous mettons en histoire l’ADN de votre marque à travers une narration soignée. Notre savoir-faire et notre créativité sont au service de votre marque pour construire et développer votre audience. http://elevagedepixels.com

Société Chartraine d'Elevage de Pixels

The Driven to Draw  Podcast will teach you how to solve problems visually, think outside the box, build your confidence, generate ideas, and innovate.

You'll hear from top creative artists, designers, engineers, and photographers who share their techniques to create products, broaden their creative abilities, and share the benefits of thinking visually.

No matter your background or area of expertise, Driven to Draw will be your constant motivator to help you become your  best…and Unleash the Creative Within!

The Driven to Draw Podcast will teach you how to solve problems visually, think outside the box, build your confidence, generate ideas, and innovate. You'll hear from top creative artists, designers, engineers, and photographers who share their techniques to create products, broaden their creative abilities, and share the benefits of thinking visually. No matter your background or area of expertise, Driven to Draw will be your constant motivator to help you become your best…and Unleash the Creative Within!

The Driven To Draw Podcast: Self Improvement|Painting|Drawing|Visual Problem Solving|Unleashing the Creativity Within!

Nick Grace and Trent Bruce sit down to discuss the issues, things you may not be aware of, wrestling, basketball, hip-hop, things their cool friends are doing and so much more.

Another S****Y Podcast

completar descripción sobre podcast

Elevando tu Capacidad

Las Notas de la Vivi

Este es un podcast donde voy a compartir lecturas para que te acompañen en tu día a día

Entre libros y puentes

Exit, Pursued By A Bard is a podcast by the Canterbury Shakespeare Festival, a regional open-air theatre festival based in Kent. Our series will explore lots of exciting ideas in the production and performance of Shakespeare's plays, how modern practitioners works with 400 year old drama, and of course the Bard's words in the texts themselves. 

We will speak with CSF members past and present (from both on-stage and behind the scenes), and we will also be joined by other creatives in the UK who are interested in Shakespeare.

Exit, Pursued By A Bard is a podcast by the Canterbury Shakespeare Festival, a regional open-air theatre festival based in Kent. Our series will explore lots of exciting ideas in the production and performance of Shakespeare's plays, how modern practitioners works with 400 year old drama, and of course the Bard's words in the texts themselves. We will speak with CSF members past and present (from both on-stage and behind the scenes), and we will also be joined by other creatives in the UK who are interested in Shakespeare.

Exit, Pursued By A Bard

Temas de literatura de 2 de Bachillerato en menos de 12 minutos.

Literatura 2 Bachillerato

The Tunji Talks Podcast delves into the world of Acting, Entertainment news, and creativity. I bring a unique perspective as an Actor!

Tunji Talks Podcast

Diario di un suicidio è un podcast che attraverso 10 puntate rivive gli ultimi giorni di Elisa, donna, madre e moglie, vittima di uno dei più grandi mali del mondo... La depressione. Voce: Irene Isopi Testo: Roberto Incagnoli Produzione: PubMe Srl Copyright PubMe Srl <a href="mailto:info@pubme.me">info@pubme.me</a>

Diario di un suicidio è un podcast che attraverso 10 puntate rivive gli ultimi giorni di Elisa, donna, madre e moglie, vittima di uno dei più grandi mali del mondo... La depressione.Voce: Irene IsopiTesto: Roberto IncagnoliProduzione: PubMe SrlCopyright PubMe Srlinfo@pubme.me

Diario di un suicidio è un podcast che attraverso 10 puntate rivive gli ultimi giorni di Elisa, donna, madre e moglie, vittima di uno dei più grandi mali del mondo... La depressione. Voce: Irene Isopi Testo: Roberto Incagnoli Produzione: PubMe Srl Copyright PubMe Srl <a href="mailto:info@pubme.me" rel="noopener noreferrer">info@pubme.me</a>

Diario di un suicidio

Downer’s Fashion Punch Clubへようこそ。
この番組は、お酒を燃料とするちょっぴりダウナー気質な３人組が、ファッションに纏わるモヤモヤを考えたり共有したり議論したり、そんなPodcast番組です。

総じてテンションは低めかと存じますが、第2第4金曜日に配信予定。

番組のご感想、ご質問など頂けましたら幸いです。
E mail: dfpunchclub@gmail.com

【DFPC公式SNS】
Instagram＠dfpunchclub https://instagram.com/dfpunchclub?igshid=OGQ5ZDc2ODk2ZA%3D%3D&amp;utm_source=qr

Downer’s Fashion Punch Clubへようこそ。 この番組は、お酒を燃料とするちょっぴりダウナー気質な３人組が、ファッションに纏わるモヤモヤを考えたり共有したり議論したり、そんなPodcast番組です。 総じてテンションは低めかと存じますが、第2第4金曜日に配信予定。 番組のご感想、ご質問など頂けましたら幸いです。 E mail: dfpunchclub@gmail.com 【DFPC公式SNS】 Instagram＠dfpunchclub https://instagram.com/dfpunchclub?igshid=OGQ5ZDc2ODk2ZA%3D%3D&utm_source=qr

ダウナーズ ファッション パンチクラブ

Tire ishq ki intiha chahta huun
Miri saadgi dekh kya chahta huun

Urdu poetry is an integral part of South Asian culture. Urdu poems talk about love, god, life &amp; loss. In this podcast I will be sharing spiritual poetry. (Naat-O-Manqabat)

Tire ishq ki intiha chahta huun Miri saadgi dekh kya chahta huun Urdu poetry is an integral part of South Asian culture. Urdu poems talk about love, god, life & loss. In this podcast I will be sharing spiritual poetry. (Naat-O-Manqabat)

Roohaniyat Urdu Podcast

社恐的宅宅貓咪itsumi和社恐的宅宅勞贖nemi，來跟你說說我們的秘密
可能聊聊宅宅話題、也可能聊聊時事
你願意坐下來聽聽我們的祕密嗎？
選一個你習慣的管道吧 :D

喜歡的話可以請我們喝一杯布丁奶茶喔🥺
https://streamlabs.com/nemishubing

 ᴄ‌ʜᴀɴɴᴇʟ ɪᴄᴏɴ ❧ 呼呼花

--
Hosting provided by <a href="https://www.soundon.fm/" target="_blank">SoundOn</a>

社恐的宅宅貓咪itsumi和社恐的宅宅勞贖nemi，來跟你說說我們的秘密 可能聊聊宅宅話題、也可能聊聊時事 你願意坐下來聽聽我們的祕密嗎？ 選一個你習慣的管道吧 :D 喜歡的話可以請我們喝一杯布丁奶茶喔🥺 https://streamlabs.com/nemishubing ᴄ‌ʜᴀɴɴᴇʟ ɪᴄᴏɴ ❧ 呼呼花 -- Hosting provided by SoundOn

社恐的宅宅貓咪itsumi和社恐的宅宅勞贖nemi，來跟你說說我們的秘密
可能聊聊宅宅話題、也可能聊聊時事
你願意坐下來聽聽我們的祕密嗎？
選一個你習慣的管道吧 :D

喜歡的話可以請我們喝一杯布丁奶茶喔🥺
https://streamlabs.com/nemishubing

 ᴄ‌ʜᴀɴɴᴇʟ ɪᴄᴏɴ ❧ 呼呼花

--
Hosting provided by <a href="https://www.soundon.fm/" rel="noopener noreferrer">SoundOn</a>

let MI tell you a secret

Le podcast où l'on découvre les rouages de la création de parfum, par des parfumeur.e.s


Je m'appelle Sarah, je suis parfum-eure ou -euse ! J'aime créer des ponts entre mon métier et les autres métiers de la création. 
Aussi, j'interroge des confrères et consoeurs sur la manière dont iels abordent eux / elles-même la création de parfum. 
Afin que la création olfactive ne reste pas opaque et qu'elle soit in fine reconnue comme une création à part entière. 


La Forme Olfactive est un concept défendu par Edmond Roudnitska : " La forme d'un parfum découle d'une combinaison esthétique, choisie, voulue par le compositeur. La composition olfactive résulte d'un assemblage d'éléments, qui donne lieu à un phénomène global très différent d'une simple addition." Extrait du texte FORMES OLFACTIVES écrit en 1973, tiré du recueil Une vie au service du parfums, Thérèse Vian Éditions, 1991, page 176.
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Le podcast où l'on découvre les rouages de la création de parfum, par des parfumeur.e.s Je m'appelle Sarah, je suis parfum-eure ou -euse ! J'aime créer des ponts entre mon métier et les autres métiers de la création. Aussi, j'interroge des confrères et consoeurs sur la manière dont iels abordent eux / elles-même la création de parfum. Afin que la création olfactive ne reste pas opaque et qu'elle soit in fine reconnue comme une création à part entière. La Forme Olfactive est un concept défendu par Edmond Roudnitska : " La forme d'un parfum découle d'une combinaison esthétique, choisie, voulue par le compositeur. La composition olfactive résulte d'un assemblage d'éléments, qui donne lieu à un phénomène global très différent d'une simple addition." Extrait du texte FORMES OLFACTIVES écrit en 1973, tiré du recueil Une vie au service du parfums, Thérèse Vian Éditions, 1991, page 176. Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

La Forme Olfactive

Mario Lopez &amp; Wife/Co-host Courtney Lopez bring you the latest Hollywood Buzz, talk with all your favorite celebs and artists and give you an inside look at their life!

Mario Lopez & Wife/Co-host Courtney Lopez bring you the latest Hollywood Buzz, talk with all your favorite celebs and artists and give you an inside look at their life!

On with Mario Daily Podcast

In Larieboek &amp; apekool helpen Yarne en Jochen jonge ouders en hun kinderen door het bladeren het bos te zien. Elke maand strijken ze neer op een boeiende leesplek in Brussel om telkens rond een thema de parels aan de zw... luisteraars te voederen. Want niemand
 heeft tijd voor slechte boeken! 

Deze podcast is een samenwerking tussen de bibliotheken van Etterbeek en Jette.

In Larieboek & apekool helpen Yarne en Jochen jonge ouders en hun kinderen door het bladeren het bos te zien. Elke maand strijken ze neer op een boeiende leesplek in Brussel om telkens rond een thema de parels aan de zw... luisteraars te voederen. Want niemand heeft tijd voor slechte boeken! Deze podcast is een samenwerking tussen de bibliotheken van Etterbeek en Jette.

Larieboek & Apekool

“Nella vita di ognuno arriva prima o poi quel momento in cui siamo troppo logorroici, troppo felici, troppo paranoici o lamentosi anche per chi ci ha sempre voluto bene. Di certo non sono io quella che si sostituisce a loro, non ne ho né tempo né voglia e poi chi vi conosce, ma con questo podcast vorrei trovare una soluzione salvifica che ovvia al problema di dover tediare amici e parenti. I libri sono un mezzo incredibile se usati con criterio: possono risollevare gli animi, gettare nello sconforto, accendere l’adrenalina, rispondere a domande che neanche sapevamo di avere e farcene di nuove (mannaggia), ci danno un La, ci divertono, ci riportano indietro nel tempo e un sacco di altre cose belle (ma pure brutte). Eccallà, la soluzione: vorrei semplicemente dare un’idea, un perché sì (un perché no), una situazione in cui leggere quel determinato libro può essere una finestra per un dialogo con sé stessi invece che sfrantumare in mille minuscoli pezzi le gonadi degli altri, oppure convincervi che se le cose vanno alla grande perché dovete andare a pescare libri motivazionali – in caso contrario la responsabilità non è mia. Roba breve, senza pretese, ma soprattutto senza volermi spacciare per una critica d’alto rango; quando veniva distribuita l’abilità letteraria io ero in fila da lampredottaro: sono venuta su con qualche disagio nell’eleganza, ma com’era bòno quel panino.”

“Nella vita di ognuno arriva prima o poi quel momento in cuisiamo troppo logorroici, troppo felici, troppo paranoici o lamentosi anche per chi ci ha semprevoluto bene. Di certo non sono io quella che si sostituisce a loro, non ne ho né tempo né voglia e poichi vi conosce, ma con questo podcast vorrei trovare una soluzione salvifica che ovvia al problemadi dover tediare amici e parenti. I libri sono un mezzo incredibile se usati con criterio: possonorisollevare gli animi, gettare nello sconforto, accendere l’adrenalina, rispondere a domande cheneanche sapevamo di avere e farcene di nuove (mannaggia), ci danno un La, ci divertono, ciriportano indietro nel tempo e un sacco di altre cose belle (ma pure brutte). Eccallà, la soluzione:vorrei semplicemente dare un’idea, un perché sì (un perché no), una situazione in cui leggere queldeterminato libro può essere una finestra per un dialogo con sé stessi invece che sfrantumare inmille minuscoli pezzi le gonadi degli altri, oppure convincervi che se le cose vanno alla grandeperché dovete andare a pescare libri motivazionali – in caso contrario la responsabilità non è mia.Roba breve, senza pretese, ma soprattutto senza volermi spacciare per una critica d’alto rango;quando veniva distribuita l’abilità letteraria io ero in fila da lampredottaro: sono venuta su conqualche disagio nell’eleganza, ma com’era bòno quel panino.”

“Nella vita di ognuno arriva prima o poi quel momento in cui siamo troppo logorroici, troppo felici, troppo paranoici o lamentosi anche per chi ci ha sempre voluto bene. Di certo non sono io quella che si sostituisce a loro, non ne ho né tempo né voglia e poi chi vi conosce, ma con questo podcast vorrei trovare una soluzione salvifica che ovvia al problema di dover tediare amici e parenti. I libri sono un mezzo incredibile se usati con criterio: possono risollevare gli animi, gettare nello sconforto, accendere l’adrenalina, rispondere a domande che neanche sapevamo di avere e farcene di nuove (mannaggia), ci danno un La, ci divertono, ci riportano indietro nel tempo e un sacco di altre cose belle (ma pure brutte). Eccallà, la soluzione: vorrei semplicemente dare un’idea, un perché sì (un perché no), una situazione in cui leggere quel determinato libro può essere una finestra per un dialogo con sé stessi invece che sfrantumare in mille minuscoli pezzi le gonadi degli altri, oppure convincervi che se le cose vanno alla grande perché dovete andare a pescare libri motivazionali – in caso contrario la responsabilità non è mia. Roba breve, senza pretese, ma soprattutto senza volermi spacciare per una critica d’alto rango; quando veniva distribuita l’abilità letteraria io ero in fila da lampredottaro: sono venuta su con qualche disagio nell’eleganza, ma com’era bòno quel panino.”

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