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Here are two stores starring the always unconventional Terrestrial Diplomat, Retief.  As a diplomat, Retief does not always follow procedure.  Well the truth is that he almost never follows procedure but somehow his wit and strength manage to salvage most situations from the bumbling of the other diplomats.  His sardonic approach to inter galactic negotiations in these two stories is a delight to hear.

Here are two stores starring the always unconventional Terrestrial Diplomat, Retief. As a diplomat, Retief does not always follow procedure. Well the truth is that he almost never follows procedure but somehow his wit and strength manage to salvage most situations from the bumbling of the other diplomats. His sardonic approach to inter galactic negotiations in these two stories is a delight to hear.

Gambler's World & The Yillian Way by Keith Laumer (1925 - 1993)

The recollections of a British infantryman who served in the British army during the Napoleonic Wars. (Summary by Graham Keeling)

Recollections of Rifleman Harris, The by Benjamin Randell Harris (1781 - 1858) and  Henry Curling (1803 - 1864)

Serena and Ravena, two friends with vastly different reading habits, lay it all on the line when chatting about the current books gracing their nightstands and nooks.

That's What She Read

The Universal Declaration of Human Rights was ratified in 1948 by the United Nations General Assembly. It defines the fundamental rights of individuals, and exhorts all governments to protect these rights. The UN has translated the document into over three hundred languages and dialects. This audiobook includes readings in 21 languages, by LibriVox volunteers. (summary by David Barnes) Section 14 was recorded by Jennifer Larson Section 22 was recorded by Jacek Wojski

The Universal Declaration of Human Rights was ratified in 1948 by the United Nations General Assembly. It defines the fundamental rights of individuals, and exhorts all governments to protect these rights. The UN has translated the document into over three hundred languages and dialects. This audiobook includes readings in 21 languages, by LibriVox volunteers. (summary by David Barnes)Section 14 was recorded by Jennifer LarsonSection 22 was recorded by Jacek Wojski

The Universal Declaration of Human Rights was ratified in 1948 by the United Nations General Assembly. It defines the fundamental rights of individuals, and exhorts all governments to protect these rights. The UN has translated the document into over three hundred languages and dialects. This audiobook includes readings in 21 languages, by LibriVox volunteers. (summary by David Barnes) Section 14 was recorded by Jennifer Larson Section 22 was recorded by Jacek Wojski

Universal Declaration of Human Rights, Volume 01 by United Nations

Constitución vigente en España actualmente, fruto de la Transición a la democracia tras la muerte de Francisco Franco. (Introducción por AGV)

Constitución Española de 1978 by Las Cortes y el Pueblo Español

The Open Learning Campus provides convenient and reliable access to the latest developments in topics, which address complex, real-world issues in priority areas such as governance, health, cities, climate change and public private partnerships.

World Bank's Open Learning Campus (audio)

周青豆

Why Me? documents a collaboration between microbiologist Dr Marta Ciechońska and drummer / composer Simon Roth. It explores how the microscopic connects to the macrocosmic in both of their lives and work.

Why Me?

From James Andrew Miller, creator of the innovative hit podcast&nbsp;Origins, comes&nbsp;Origins Originals—full-length podcast interviews with celebrated subjects featured in “Origins” Chapters – from Larry David, Cheryl Hines, and J. B. Smoove, to Bill Simmons, Michelle Beadle and Keith Olbermann -- and many more.&nbsp;Origins&nbsp;explores the beginnings of significant phenomena in television shows, films, music , even human relationships;&nbsp;Origins Originals&nbsp;will showcase the discussions from those shows in their entirety. For his New York Times bestsellers on Saturday Night Live, ESPN, and Hollywood talent agency CAA, Miller conducted more than 2,000 interviews and earned a reputation as one of the leading questioners in journalism today. “Origins Originals” will be the place to hear intrepid thinkers candidly discuss creativity, ingenuity, and how they have blazed some of the most important cultural trails of our time.&nbsp;

From James Andrew Miller, creator of the innovative hit podcast Origins, comes Origins Originals—full-length podcast interviews with celebrated subjects featured in “Origins” Chapters – from Larry David, Cheryl Hines, and J. B. Smoove, to Bill Simmons, Michelle Beadle and Keith Olbermann -- and many more. Origins explores the beginnings of significant phenomena in television shows, films, music , even human relationships; Origins Originals will showcase the discussions from those shows in their entirety. For his New York Times bestsellers on Saturday Night Live, ESPN, and Hollywood talent agency CAA, Miller conducted more than 2,000 interviews and earned a reputation as one of the leading questioners in journalism today. “Origins Originals” will be the place to hear intrepid thinkers candidly discuss creativity, ingenuity, and how they have blazed some of the most important cultural trails of our time. 

Origins Originals with James Andrew Miller

“You Hear Big Girls” is a podcast about the Attack on Titan manga. New episodes appear monthly shortly after new chapter releases. We invite your questions and comments!

You Hear Big Girls

ハチとゆうの2人でお送りするたわいも無いラジオ番組毎週木曜日配信

22歳の戯れ言ラジオ

Two guys. Two lists of the top 100 albums of all time. One podcast.

Album Oriented

Live From The Shed

The Model Manifesto podcast - ending the exploitation of fashion models by providing the information they need to have an empowered career ✊

The Model Manifesto

This is a podcast dedicated to music, business, entrepreneurship, motivation and life experiences. I hope that this will help you learn!

Austin Reed Show

Garage Brand is a podcast about great brands and the people behind them. The co-hosts, Glen Collins and Jaime Cawyer are both partners at the branding firm, Switch. Having been in the business of branding for over 15 years, they have learned that branding, IF ANYTHING, is an interesting trade. There simply are not many other vocations that peer into business on such a deeply emotional level. Garage Brand podcast guests are a roster of individuals that have contributed incredible brands, organizations, and businesses to the marketplace. They are inspiring entrepreneurs, designers, marketers, experience makers, storytellers, and content creators. The Garage Brand hosts aspire to learn about the story behind the story. The authentic origin of how these wonderful individuals and the brands they created got their projects off the ground. Thank you for listening. ⚡️Very special thanks to Tom Bridwell and TOMCAST SOUND for the pod studio home and amazing sound engineering.

Garage Brand Podcast

Whether you’re starting out or are years into the game, we want to help you live your best freelance life. By opening up the conversation with leading industry experts, championing each other and giving helpful tips along the way, we can all take control of our time, our money and the work we do. <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Whether you’re starting out or are years into the game, we want to help you live your best freelance life. By opening up the conversation with leading industry experts, championing each other and giving helpful tips along the way, we can all take control of our time, our money and the work we do. Hosted on Acast. See acast.com/privacy for more information.

Whether you’re starting out or are years into the game, we want to help you live your best freelance life. By opening up the conversation with leading industry experts, championing each other and giving helpful tips along the way, we can all take control of our time, our money and the work we do. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

That Freelance Life

Have you ever wanted to read a book and wanted some extra motivation to start.... Well you are in the right place. I will discuss some of the touching stories from eminent authors- R.K Narayan, Khuswant Singh, Paulo Coelho and more, why they write what they write and some of the off-the-script stories from my own childhood. Stay tuned !

Books & Nostalgia

Wij zijn Simone Zeefuik en Richard Kofi en heten je welkom bij Project Wiaspora. We gaan in gesprek met kunstenaars, muzikanten, schrijvers en andere creatievelingen uit die zich vrij vechten van de verwachtingen van de mainstream. De opnames vinden plaats op bijzondere locaties, waar we het lokale maatschappelijke karakter bespreken van kunst, cultuur en activisme bespreken.

Project Wiaspora

tentang hari kemarin dan harapan di hari esok

nawalara

Listen, Lamb

Conversas e histórias que farão a diferença na sua vida. Hoje e sempre.

Dirat Cast

En podcast som diskuterar image och stil hos artister, entreprenörer och företagsledare. En vacklande resa mellan glamour och vemod, från småstad till betongdjungeln, från lekfullhet till miljardindustri. Följ med Robert och Tony in i klädernas betydelse för framgång och identitet.
#dinstil @dinstil_podcast

Tony driver Menswear, en klassisk herrekipering på Jungfrugatan 12 i Stockholm och The Profile som arbetar med företagsprofilering. Robert arbetar som sälj och marknad på Bigman och är artist, sångare och låtskrivare, samt leder coverbandet Hoffman Circus. Podcasten spelas in i Studio Hoffman.

En podcast som diskuterar image och stil hos artister, entreprenörer och företagsledare. En vacklande resa mellan glamour och vemod, från småstad till betongdjungeln, från lekfullhet till miljardindustri. Följ med Robert och Tony in i klädernas betydelse för framgång och identitet. #dinstil @dinstil_podcast Tony driver Menswear, en klassisk herrekipering på Jungfrugatan 12 i Stockholm och The Profile som arbetar med företagsprofilering. Robert arbetar som sälj och marknad på Bigman och är artist, sångare och låtskrivare, samt leder coverbandet Hoffman Circus. Podcasten spelas in i Studio Hoffman.

Din stil

Conversations centered around Asian fantasy genres, featuring content creators and experts of all varieties. Hosted by Jeremy Bai, known by the online name Deathblade, a writer and translator who specializes in Chinese fantasy genres such as xianxia, xuanhuan, and wuxia. Logo art by Xiaofanchuanart.

Asian Fantasy Fiction Podcast

To, co ważne wyróżnia się tłustym drukiem. Tak piszemy o książkach i sprawach okołoliterackich. Jesteśmy kolektywem osób związanych ze światem książki: dziennikarkami, krytykami literackimi, księgarzami, bibliotekarkami. Połączyliśmy siły, by nasze doświadczenia z codziennej pracy przekuć na nowy sposób rozmawiania o literaturze. Nadajemy z naszej stacji – matki, krakowskiej Spółdzielni Ogniwo. Mamy ambicję promować nie tylko nowości, ale też książki warte przypomnienia oraz te, których walory umykają dużym redakcjom.

Tłusty Druk

Programa que explora la poesía, la narración y la literatura desde una perspectiva catártica, profunda, psicológica y a veces psiquiátrica, entrelazando la palabra con piezas musicales que acompañan cada texto como si de la lectura de una sentencia se tratase.

Galeria Nocturna

Typical Creative is a podcast where we explore how creativity shows up in all kinds of job, lifestyles, and situation. We often think of creative people as fine arts people, but this podcast will explore creativity in many unexplored ways!

Typical Creative is a podcast where we explore how creativity shows up in all kinds of job, lifestyles, and situation. We often think of creative people as fine arts people, but this podcast will explore creativity in many unexplored ways!

Typical Creative

Die Aktualität seiner Sprache, Prosa und Kunstkritik
Do, 02.02.2017 – Sa, 04.02.2017
ZKM Vortragssaal

Das ZKM | Karlsruhe, das Museum für Literatur am Oberrhein und die Carl-Einstein-Gesellschaft / Société Carl Einstein e. V. veranstalten im Februar 2017 zum ersten Mal eine Carl-Einstein-Konferenz in der Jugendstadt des Autors. Die Tagung fragt nach den Potenzialen von Einsteins Schreiben, seinen zeitgenössischen Einflüssen und den Nachwirkungen seines Werkes für die Literatur- und Kunstgeschichte.
Der Dichter, Kunstkritiker, Ausstellungsmacher und politische Aktivist Carl Einstein (1885-1940) ist 1888 bis 1904 in Karlsruhe aufgewachsen, lebte zwischen 1905 und 1928 in Berlin und danach in Paris, bevor er sich ab 1936 in Katalonien dem Spanischen Bürgerkrieg anschloss.
Die Rezeption des Werkes von Carl Einstein gilt als Auszeichnung für Insider, denn obwohl er Zeitgenosse, Kritiker und Promoter der modernsten Kunst gewesen ist und u. a. mit Franz Pfemfert (Die Aktion), dem Galeristen Daniel-Henry Kahnweiler oder dem Künstler Georges Braque eng befreundet war, wurden seine publizierten Schriften und nachgelassenen Aufzeichnungen erst spät wiederentdeckt. In seiner Heimatstadt Karlsruhe gibt es kaum eine Einstein-Erinnerungskultur. Der Schriftsteller steht exemplarisch für die Vertreibung der intellektuellen, jüdischen Elite in Deutschland in der ersten Hälfte des 20. Jahrhunderts.
Einstein wird als »Prophet der Avantgarde«, als Revolutionär in Literatur und Politik angesehen, aber eben auch als »Halbvergessener« bezeichnet, denn sein prekäres Leben und der Suizid auf der Flucht vor den Nazis erschwerten die Spurensuche nach seinem Werk. Mittlerweile sind die Arbeiten und die Person Einstein Dank der Carl-Einstein-Forschung in den Klassiker-Kanon der Kunstgeschichtsschreibung aufgerückt. Trotzdem bietet sein Werk beständig Anlass für Neuentdeckungen. So zählen Einsteins Lyrik, Kunstkritik und prosaische Schriften zu bedeutenden Zeugnissen einer Epoche der Moderne, in der er zu einem einflussreichen Vermittler im Kulturtransfer zwischen Paris und Berlin wurde und als Autor eine bis heute relevante Sprache der modernen Kunst prägte.
1912 veröffentlichte Einstein »Bebuquin oder die Dilettanten des Wunders«. Der als »Anti-Roman« konzipierte Text nimmt Dada und Surrealismus vorweg. 1915 erschien mit der »Negerplastik« eine Blickfelderweiterung gegenüber der Ästhetik der sogenannten primitiven Kunst. 1926 brachte Einstein das überaus erfolgreiche Übersichtswerk »Die Kunst des XX. Jahrhunderts« heraus. Typischerweise oblag die Kunstgeschichtsschreibung der Gegenwart damals den nicht-akademischen Fachvertretern. Als Kunstkritiker mit spitzer Feder begleitete Einstein den Expressionismus, Kubismus, Konstruktivismus und Surrealismus und war eine der prägenden Figuren der deutschen Kunstszene der 1920er Jahre. Einsteins Werk umfasst literarisches und wissenschaftliches Schreiben, Briefe sowie Interview-Aufzeichnungen, die einen Ausdruck sowohl seiner Zeit als auch seiner individuellen Ausdrucksweise vermitteln.

///

The Topicality of his Language, Prose, and Art Criticism
Thu, 02.02.2017 – Sat, 04.02.2017
ZKM Lecture Hall

The ZKM | Karlsruhe, the Museum für Literatur am Oberrhein and the Carl Einstein Society will host a conference on Carl Einstein in February 2017, to be held for the first time in the town of his youth. The conference asks about the potential of Einstein’s writing, his contemporary influences and the aftermath of his work in literature and art history.
The writer, art critic, exhibition organizer, and political activist Carl Einstein (1885-1940) spent his early years, from 1888 to 1904, in Karlsruhe. Between 1905 and 1928 he lived in Berlin and later in Paris, before joining the Spanish Civil War in Catalonia in 1936.
The reception of Carl Einstein’s work is considered something of an insiders’ feat. Although he was a contemporary critic and promoter of modernist art and a close friend of Franz Pfemfert (Die Aktion), the gallerist Daniel-Henry Kahnweiler, and the artist Georges Braque among others, his publications and manuscripts have been rediscovered only relatively recently. In his hometown Karlsruhe, a commemorative culture concerning Carl Einstein is still missing. The writer represents in exemplary fashion the expulsion of the intellectual Jewish elite in Germany in the first half of the 20th century. Einstein is regarded as a »prophet of the avant-garde«, as revolutionary in literature and politics, but has also been called »half-forgotten«. His precarious life, and his suicide during his flight from the Nazi regime, remain complicating factors in the search for traces of his literary remains.
Thanks to the extensive research work undertaken over the past thirty years, Carl Einstein’s name and works have been canonized in art historiography. His work continues to offer new insights, however. His poetry, art criticism and prose bear witness to the classical modern period. In the inter-war years he became an influential mediator for the cultural transfer between Paris and Berlin and as an author he shaped a specific language for modern art.
In 1912 Einstein published »Bebuquin oder die Dilettanten des Wunders«. This text was conceptualized as an »anti-novel«; as such it anticipated Dada and Surrealism. His essay »Negerplastik«, which opened a new perspective on so-called Primitive Art, appeared in 1915, succeeded in 1926 by a very successful survey of modern art, entitled »Die Kunst des XX. Jahrhunderts«. At that time it was customary that mainly non-academics wrote about contemporary art. As an art critic wielding a sharp pen, Carl Einstein accompanied relevant movements of contemporary art, such as Expressionism, Cubism, Constructivism, and Surrealism, and was an influential figure within the German art scene of the 1920s. Einstein’s work comprises literary essays and texts of art criticism, studies of art history and art historiography, letters and interview recordings that reveal both the tension of his epoch and his individual expression.

Die Aktualität seiner Sprache, Prosa und Kunstkritik Do, 02.02.2017 – Sa, 04.02.2017 ZKM Vortragssaal Das ZKM | Karlsruhe, das Museum für Literatur am Oberrhein und die Carl-Einstein-Gesellschaft / Société Carl Einstein e. V. veranstalten im Februar 2017 zum ersten Mal eine Carl-Einstein-Konferenz in der Jugendstadt des Autors. Die Tagung fragt nach den Potenzialen von Einsteins Schreiben, seinen zeitgenössischen Einflüssen und den Nachwirkungen seines Werkes für die Literatur- und Kunstgeschichte. Der Dichter, Kunstkritiker, Ausstellungsmacher und politische Aktivist Carl Einstein (1885-1940) ist 1888 bis 1904 in Karlsruhe aufgewachsen, lebte zwischen 1905 und 1928 in Berlin und danach in Paris, bevor er sich ab 1936 in Katalonien dem Spanischen Bürgerkrieg anschloss. Die Rezeption des Werkes von Carl Einstein gilt als Auszeichnung für Insider, denn obwohl er Zeitgenosse, Kritiker und Promoter der modernsten Kunst gewesen ist und u. a. mit Franz Pfemfert (Die Aktion), dem Galeristen Daniel-Henry Kahnweiler oder dem Künstler Georges Braque eng befreundet war, wurden seine publizierten Schriften und nachgelassenen Aufzeichnungen erst spät wiederentdeckt. In seiner Heimatstadt Karlsruhe gibt es kaum eine Einstein-Erinnerungskultur. Der Schriftsteller steht exemplarisch für die Vertreibung der intellektuellen, jüdischen Elite in Deutschland in der ersten Hälfte des 20. Jahrhunderts. Einstein wird als »Prophet der Avantgarde«, als Revolutionär in Literatur und Politik angesehen, aber eben auch als »Halbvergessener« bezeichnet, denn sein prekäres Leben und der Suizid auf der Flucht vor den Nazis erschwerten die Spurensuche nach seinem Werk. Mittlerweile sind die Arbeiten und die Person Einstein Dank der Carl-Einstein-Forschung in den Klassiker-Kanon der Kunstgeschichtsschreibung aufgerückt. Trotzdem bietet sein Werk beständig Anlass für Neuentdeckungen. So zählen Einsteins Lyrik, Kunstkritik und prosaische Schriften zu bedeutenden Zeugnissen einer Epoche der Moderne, in der er zu einem einflussreichen Vermittler im Kulturtransfer zwischen Paris und Berlin wurde und als Autor eine bis heute relevante Sprache der modernen Kunst prägte. 1912 veröffentlichte Einstein »Bebuquin oder die Dilettanten des Wunders«. Der als »Anti-Roman« konzipierte Text nimmt Dada und Surrealismus vorweg. 1915 erschien mit der »Negerplastik« eine Blickfelderweiterung gegenüber der Ästhetik der sogenannten primitiven Kunst. 1926 brachte Einstein das überaus erfolgreiche Übersichtswerk »Die Kunst des XX. Jahrhunderts« heraus. Typischerweise oblag die Kunstgeschichtsschreibung der Gegenwart damals den nicht-akademischen Fachvertretern. Als Kunstkritiker mit spitzer Feder begleitete Einstein den Expressionismus, Kubismus, Konstruktivismus und Surrealismus und war eine der prägenden Figuren der deutschen Kunstszene der 1920er Jahre. Einsteins Werk umfasst literarisches und wissenschaftliches Schreiben, Briefe sowie Interview-Aufzeichnungen, die einen Ausdruck sowohl seiner Zeit als auch seiner individuellen Ausdrucksweise vermitteln. /// The Topicality of his Language, Prose, and Art Criticism Thu, 02.02.2017 – Sat, 04.02.2017 ZKM Lecture Hall The ZKM | Karlsruhe, the Museum für Literatur am Oberrhein and the Carl Einstein Society will host a conference on Carl Einstein in February 2017, to be held for the first time in the town of his youth. The conference asks about the potential of Einstein’s writing, his contemporary influences and the aftermath of his work in literature and art history. The writer, art critic, exhibition organizer, and political activist Carl Einstein (1885-1940) spent his early years, from 1888 to 1904, in Karlsruhe. Between 1905 and 1928 he lived in Berlin and later in Paris, before joining the Spanish Civil War in Catalonia in 1936. The reception of Carl Einstein’s work is considered something of an insiders’ feat. Although he was a contemporary critic and promoter of modernist art and a close friend of Franz Pfemfert (Die Aktion), the gallerist Daniel-Henry Kahnweiler, and the artist Georges Braque among others, his publications and manuscripts have been rediscovered only relatively recently. In his hometown Karlsruhe, a commemorative culture concerning Carl Einstein is still missing. The writer represents in exemplary fashion the expulsion of the intellectual Jewish elite in Germany in the first half of the 20th century. Einstein is regarded as a »prophet of the avant-garde«, as revolutionary in literature and politics, but has also been called »half-forgotten«. His precarious life, and his suicide during his flight from the Nazi regime, remain complicating factors in the search for traces of his literary remains. Thanks to the extensive research work undertaken over the past thirty years, Carl Einstein’s name and works have been canonized in art historiography. His work continues to offer new insights, however. His poetry, art criticism and prose bear witness to the classical modern period. In the inter-war years he became an influential mediator for the cultural transfer between Paris and Berlin and as an author he shaped a specific language for modern art. In 1912 Einstein published »Bebuquin oder die Dilettanten des Wunders«. This text was conceptualized as an »anti-novel«; as such it anticipated Dada and Surrealism. His essay »Negerplastik«, which opened a new perspective on so-called Primitive Art, appeared in 1915, succeeded in 1926 by a very successful survey of modern art, entitled »Die Kunst des XX. Jahrhunderts«. At that time it was customary that mainly non-academics wrote about contemporary art. As an art critic wielding a sharp pen, Carl Einstein accompanied relevant movements of contemporary art, such as Expressionism, Cubism, Constructivism, and Surrealism, and was an influential figure within the German art scene of the 1920s. Einstein’s work comprises literary essays and texts of art criticism, studies of art history and art historiography, letters and interview recordings that reveal both the tension of his epoch and his individual expression.

Die Aktualität seiner Sprache, Prosa und Kunstkritik
Do, 02.02.2017 – Sa, 04.02.2017
ZKM Vortragssaal

Das ZKM | Karlsruhe,&nbsp;das Museum für Literatur am Oberrhein und die Carl-Einstein-Gesellschaft&nbsp;/&nbsp;Société Carl Einstein e.&nbsp;V. veranstalten im Februar 2017 zum ersten Mal eine Carl-Einstein-Konferenz in der Jugendstadt des Autors. Die Tagung fragt nach den Potenzialen von Einsteins Schreiben, seinen zeitgenössischen Einflüssen und den Nachwirkungen seines Werkes für die Literatur- und Kunstgeschichte.
Der Dichter, Kunstkritiker, Ausstellungsmacher und politische Aktivist Carl Einstein (1885-1940) ist 1888 bis 1904 in Karlsruhe aufgewachsen, lebte zwischen 1905 und 1928 in Berlin und danach in Paris, bevor er sich ab 1936 in Katalonien dem Spanischen Bürgerkrieg anschloss.
Die Rezeption des Werkes von Carl Einstein gilt als Auszeichnung für Insider, denn obwohl er Zeitgenosse, Kritiker und Promoter der modernsten Kunst gewesen ist und u. a. mit Franz Pfemfert (Die Aktion), dem Galeristen Daniel-Henry Kahnweiler oder dem Künstler Georges Braque eng befreundet war, wurden seine publizierten Schriften und nachgelassenen Aufzeichnungen erst spät wiederentdeckt. In seiner Heimatstadt Karlsruhe gibt es kaum eine Einstein-Erinnerungskultur. Der Schriftsteller steht exemplarisch für die Vertreibung der intellektuellen, jüdischen Elite in Deutschland in der ersten Hälfte des 20. Jahrhunderts.
Einstein wird als »Prophet der Avantgarde«, als Revolutionär in Literatur und Politik angesehen, aber eben auch als »Halbvergessener«&nbsp;bezeichnet, denn sein prekäres Leben und der Suizid auf der Flucht vor den Nazis erschwerten die Spurensuche nach seinem Werk. Mittlerweile sind die Arbeiten und die Person Einstein Dank der Carl-Einstein-Forschung in den Klassiker-Kanon der Kunstgeschichtsschreibung aufgerückt. Trotzdem bietet sein Werk beständig Anlass für Neuentdeckungen. So zählen Einsteins Lyrik, Kunstkritik und prosaische Schriften zu bedeutenden Zeugnissen einer Epoche der Moderne, in der er zu einem einflussreichen Vermittler im Kulturtransfer zwischen Paris und Berlin wurde und als Autor eine bis heute relevante Sprache der modernen Kunst prägte.
1912 veröffentlichte Einstein »Bebuquin oder die Dilettanten des Wunders«. Der als »Anti-Roman«&nbsp;konzipierte Text nimmt Dada und Surrealismus vorweg. 1915 erschien mit der »Negerplastik« eine Blickfelderweiterung gegenüber der Ästhetik der sogenannten primitiven Kunst. 1926 brachte Einstein das überaus erfolgreiche Übersichtswerk&nbsp;»Die Kunst des XX. Jahrhunderts« heraus. Typischerweise oblag die Kunstgeschichtsschreibung der Gegenwart damals den nicht-akademischen Fachvertretern. Als Kunstkritiker mit spitzer Feder begleitete Einstein den Expressionismus, Kubismus, Konstruktivismus und Surrealismus und war eine der prägenden Figuren der deutschen Kunstszene der 1920er Jahre. Einsteins Werk umfasst literarisches und wissenschaftliches Schreiben, Briefe sowie Interview-Aufzeichnungen, die einen Ausdruck sowohl seiner Zeit als auch seiner individuellen Ausdrucksweise vermitteln.

///

The Topicality of his Language, Prose, and Art Criticism
Thu, 02.02.2017 – Sat, 04.02.2017
ZKM Lecture Hall

The ZKM | Karlsruhe, the Museum für Literatur am Oberrhein&nbsp;and the Carl Einstein Society will host a conference on Carl Einstein in February 2017, to be held for the first time in the town of his youth. The conference asks about the potential of Einstein’s writing, his contemporary influences and the aftermath of his work in literature and art history.
The writer, art critic, exhibition organizer, and political activist Carl Einstein (1885-1940) spent his early years, from 1888 to 1904, in Karlsruhe. Between 1905 and 1928 he lived in Berlin and later in Paris, before joining the Spanish Civil War in Catalonia in 1936.
The reception of Carl Einstein’s work is considered something of an insiders’ feat. Although he was a contemporary critic and promoter of modernist art and a close friend of Franz Pfemfert (Die Aktion), the gallerist Daniel-Henry Kahnweiler, and the artist Georges Braque among others, his publications and manuscripts have been rediscovered only relatively recently. In his hometown Karlsruhe, a commemorative culture concerning Carl Einstein is still missing. The writer represents in exemplary fashion the expulsion of the intellectual Jewish elite in Germany in the first half of the 20th century. Einstein is regarded as a »prophet of the avant-garde«, as revolutionary in literature and politics, but has also been called »half-forgotten«. His precarious life, and his suicide during his flight from the Nazi regime, remain complicating factors in the search for traces of his literary remains.
Thanks to the extensive research work undertaken over the past thirty years, Carl Einstein’s name and works have been canonized in art historiography. His work continues to offer new insights, however. His poetry, art criticism and prose bear witness to the classical modern period. In the inter-war years he became an influential mediator for the cultural transfer between Paris and Berlin and as an author he shaped a specific language for modern art.
In 1912 Einstein published »Bebuquin oder die Dilettanten des Wunders«. This text was conceptualized as an »anti-novel«; as such it anticipated Dada and Surrealism. His essay »Negerplastik«, which opened a new perspective on so-called Primitive Art, appeared in 1915, succeeded in 1926 by a very successful survey of modern art, entitled »Die Kunst des XX. Jahrhunderts«. At that time it was customary that mainly non-academics wrote about contemporary art. As an art critic wielding a sharp pen, Carl Einstein accompanied relevant movements of contemporary art, such as Expressionism, Cubism, Constructivism, and Surrealism, and was an influential figure within the German art scene of the 1920s. Einstein’s work comprises literary essays and texts of art criticism, studies of art history and art historiography, letters and interview recordings that reveal both the tension of his epoch and his individual expression.

Carl Einstein Re-Visited

Dakaar is a food podcast by Geetanjali Advani. After various professional stints she settled with a Glass of Wine. This podcast will follow the food journey and the Dakaar thereafter. Recorded in the spare time she gets from stalking on Facebook. Instagram handle : dakaar123

Dakaar

Tarea UADY

The Creative Den.The place for all creative, intelligent, funny, emotionally charged, mentally strong, awakened, conscious, loving and quirky people to come along and share their insights and joys. The DEN is for all - no one is excluded and it is a safe place to be heard, seen and felt. Interviews, insights and awakening conversations - all to better enrich the quality and capacity of our existence and lives.

The Creative Den

Semantik

感谢你关注《茶水间特供》，这是一档有点态度但不多的个人漫谈类播客。 人生忽而40+，几许辛酸难言，唯有点滴小闲话。我将用个人视角，为你送上私人特供的“人生小感悟 娱乐新观察 生活边角料”， 希望大家能在话题中收获有趣，并保持对世界的好奇心和探索。 欢迎2倍速收听，节目会在每周三、五（日）定时更新，欢迎大家点赞、收藏、评论、分享、订阅专辑，也欢迎大家与我留言互动，一起聊。 |收听方式|你可以通过喜马拉雅、小宇宙播客App、苹果Podcast等平台收听节目。|认识我 |微博：@苏铂爱发电：https://afdian.net/a/kuailesubo

感谢你关注《茶水间特供》，这是一档有点态度但不多的个人漫谈类播客。人生忽而40+，几许辛酸难言，唯有点滴小闲话。我将用个人视角，为你送上私人特供的“人生小感悟 娱乐新观察 生活边角料”， 希望大家能在话题中收获有趣，并保持对世界的好奇心和探索。欢迎2倍速收听，节目会在每周三、五（日）定时更新，欢迎大家点赞、收藏、评论、分享、订阅专辑，也欢迎大家与我留言互动，一起聊。|收听方式|你可以通过喜马拉雅、小宇宙播客App、苹果Podcast等平台收听节目。|认识我 |微博：@苏铂爱发电：https://afdian.net/a/kuailesubo

感谢你关注《茶水间特供》，这是一档有点态度但不多的个人漫谈类播客。 人生忽而40+，几许辛酸难言，唯有点滴小闲话。我将用个人视角，为你送上私人特供的“人生小感悟 娱乐新观察 生活边角料”， 希望大家能在话题中收获有趣，并保持对世界的好奇心和探索。 欢迎2倍速收听，节目会在每周三、五（日）定时更新，欢迎大家点赞、收藏、评论、分享、订阅专辑，也欢迎大家与我留言互动，一起聊。 |收听方式|你可以通过喜马拉雅、小宇宙播客App、苹果Podcast等平台收听节目。|认识我 |微博：@苏铂爱发电：https://afdian.net/a/kuailesubo

茶水间特供 | 娱乐新观察 生活边角料

O Embrazado é um podcast quinzenal dedicado às músicas e culturas periféricas do Brasil. Apresentado pelos pesquisadores GG Albuquerque e Igor Marques. 
www.embrazado.com.br
O podcast conta com patrocínio do #PetrobrasCultural

O Embrazado é um podcast quinzenal dedicado às músicas e culturas periféricas do Brasil. Apresentado pelos pesquisadores GG Albuquerque e Igor Marques. www.embrazado.com.br O podcast conta com patrocínio do #PetrobrasCultural

Embrazado

Finn Johannsen is a DJ and writer. He also co-runs the label Macro Recordings, is an impresario at the clubs Paloma and Monarch and worked at Hard Wax . He lives in Berlin.

Finn Johannsen - Live Recordings, Mixes and Radio Shows

Theatre Talk is a captivating podcast that delves into the dynamic world of theater. It is designed for theater enthusiasts and professionals alike, offering in-depth discussions on a wide range of topics related to the performing arts. Theatre Talk offers an enriching auditory experience that celebrates the magic of theater and its impact on society.

Theatre Talk is a captivating podcast that delves into the dynamic world of theater. It is designed for theater enthusiasts and professionals alike, offering in-depth discussions on a wide range of topics related to the performing arts. Theatre Talk offers an enriching auditory experience that celebrates the magic of theater and its impact on society.

Theatre Talk

山梨県の地域活性化を目指す地域団体『山梨ぼくまちプロジェクト』の中学生メンバーを中心に、地元の町について緩く話します！

お便りはこちら⇨ bokumachi.radio@gmail.com

山梨県の地域活性化を目指す地域団体『山梨ぼくまちプロジェクト』の中学生メンバーを中心に、地元の町について緩く話します！ お便りはこちら⇨ bokumachi.radio@gmail.com

ぼくまち放送局🎙

Gousters, Glims and Veerie-orums

This is the audio version o Gousters, Glims and Veerie-orums, the book written bae Orkney Voices and published by the George Mackay Brown Fellowship for the centenary o George Mackay Brown in 2021

Orcadians don’t aal spaek the same. Aal the perishes and islands hiv thir own weys o spaekeen and thir own wirds. And we even write the wird/wurd different weys/wiys. Some fokk write hid ‘spikk’; some fokk, ‘spaek’; some, ‘spake’. 

In this you’ll hear different versions o Orcadian fae different perts o the islands - Birsay tae Deerness, Shapinsay tae Kirkwall, Orphir tae Harray, Tankerness and Holm. You’ll hear twathree uncan vowels, descended fae Orkney Norn and wir Norse heritage, and a mense o wirds you might no ken but that aer rich and expressive and rooted in the land and shores o wir islands.  

The title hidsel hads three good Orkney wirds: 

Gouster is a sharp breeze o wind or an ootburst o language
Glim is a glimmer, a blink o light or fire
Veerie-orums aer fancy patterns or ornamentation; but the word originates in the Latin ‘variorum’, which noo usually means a book wae contributions fae different writers.

We are very prood tae present this audio version o wark fae Orkney Voices: Gousters, Glims and Veerie-orums.

Alison Miller, January 2025

Gousters, Glims and Veerie-orums This is the audio version o Gousters, Glims and Veerie-orums, the book written bae Orkney Voices and published by the George Mackay Brown Fellowship for the centenary o George Mackay Brown in 2021 Orcadians don’t aal spaek the same. Aal the perishes and islands hiv thir own weys o spaekeen and thir own wirds. And we even write the wird/wurd different weys/wiys. Some fokk write hid ‘spikk’; some fokk, ‘spaek’; some, ‘spake’. In this you’ll hear different versions o Orcadian fae different perts o the islands - Birsay tae Deerness, Shapinsay tae Kirkwall, Orphir tae Harray, Tankerness and Holm. You’ll hear twathree uncan vowels, descended fae Orkney Norn and wir Norse heritage, and a mense o wirds you might no ken but that aer rich and expressive and rooted in the land and shores o wir islands. The title hidsel hads three good Orkney wirds: Gouster is a sharp breeze o wind or an ootburst o language Glim is a glimmer, a blink o light or fire Veerie-orums aer fancy patterns or ornamentation; but the word originates in the Latin ‘variorum’, which noo usually means a book wae contributions fae different writers. We are very prood tae present this audio version o wark fae Orkney Voices: Gousters, Glims and Veerie-orums. Alison Miller, January 2025

Gousters, Glims and Veerie-orums

Join Hector and Paige, two Brooklyn College students, as they dive into the vibrant world of fashion and pop culture! Recorded live from the stylish studios of WBCR, we blend insightful commentary with a dash of humor, exploring trends, icons, and everything in between. We’re uncut and real. Tune in for your dose of style and sass—because who says college can't be chic?

The Edit: Uncensored

Can we normalise being 33 and not having a clue what’s going on? Not having that perfectly put together life, things falling apart that weren’t ever meant to and starting over for what is almost certain to be the final time? Unless, of course, it isn’t. Vincent Van Gogh was 37 when he swapped his paintbrush for a revolver and left his final mark on this world in various shades of ochre and heartache. Blood turns from red to various shades of browns as it dries, Ochre, comes in various shades of reds, oranges and browns, isn’t that weirdly beautiful? A man who painted some of his most iconic paintings, not that he knew they were iconic, with shades of ochre had those same shades as the last colours he left on this world. Whether he knew it or not, at 33 he had just 4 years left. If so much can change in one year, what could happen in four? Welcome to The 1461 Escapade, let’s find out.&nbsp; <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Can we normalise being 33 and not having a clue what’s going on? Not having that perfectly put together life, things falling apart that weren’t ever meant to and starting over for what is almost certain to be the final time? Unless, of course, it isn’t. Vincent Van Gogh was 37 when he swapped his paintbrush for a revolver and left his final mark on this world in various shades of ochre and heartache. Blood turns from red to various shades of browns as it dries, Ochre, comes in various shades of reds, oranges and browns, isn’t that weirdly beautiful? A man who painted some of his most iconic paintings, not that he knew they were iconic, with shades of ochre had those same shades as the last colours he left on this world. Whether he knew it or not, at 33 he had just 4 years left. If so much can change in one year, what could happen in four? Welcome to The 1461 Escapade, let’s find out.  Hosted on Acast. See acast.com/privacy for more information.

Can we normalise being 33 and not having a clue what’s going on? Not having that perfectly put together life, things falling apart that weren’t ever meant to and starting over for what is almost certain to be the final time? Unless, of course, it isn’t. Vincent Van Gogh was 37 when he swapped his paintbrush for a revolver and left his final mark on this world in various shades of ochre and heartache. Blood turns from red to various shades of browns as it dries, Ochre, comes in various shades of reds, oranges and browns, isn’t that weirdly beautiful? A man who painted some of his most iconic paintings, not that he knew they were iconic, with shades of ochre had those same shades as the last colours he left on this world. Whether he knew it or not, at 33 he had just 4 years left. If so much can change in one year, what could happen in four? Welcome to The 1461 Escapade, let’s find out.&nbsp; Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Arts Podcasts / Page 3284