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HGC Radio is a pop culture news and opinion podcast hosted by comic book writer Anthony Ruttgaizer (aka professional wrestler Anthony Kingdom James).

Handsome Genius Club Radio Show

Le rendez-vous d'information de 18h les samedi et dimanche

Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur <a href="http://www.radiofrance.fr/?at_campaign=desc_podcast&at_medium=lien_RSS">Radio France</a>.

Le rendez-vous d'information de 18h les samedi et dimanche Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France.

Le rendez-vous d'information de 18h les samedi et dimanche

Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur <a href="http://www.radiofrance.fr/?at_campaign=desc_podcast&amp;at_medium=lien_RSS" rel="noopener noreferrer">Radio France</a>.

Journal de 18h (week-end)

Teman bicara adalah wadah kalian untuk bercerita dan mendengarkan cerita di saat kalian kesulitan untuk menemukan Teman Untuk Bicara.

Teman Bicara

Journal du Citoyen est un Magazine produit par Citizen Journalist Network en partenariat avec Kinduinfo.net/audio

Journal du Citoyen

Olá, seja Bem vindo ! Neste podcast você ouvirá notícias comentadas pelos principais jornais do Brasil sobre politica, Saúde, livros; futebol e desenvolvimento pessoal.
Iremos disponibilizar de tudo e mais um pouco.

📻 🔊

Olá, seja Bem vindo ! Neste podcast você ouvirá notícias comentadas pelos principais jornais do Brasil sobre politica, Saúde, livros; futebol e desenvolvimento pessoal. Iremos disponibilizar de tudo e mais um pouco. 📻 🔊

Resumo Do Dia

Your daily briefing of what's happening in Southeastern Colorado, the state, and the world at large. As well as upcoming events and chats with key movers and shakers to keep you engaged, informed, and plugged in whether from the area or just passing through.

T'dad Talk

The latest news for Boonton, New Jersey, including hourly national updates and in-depth local reporting.

Front Page Boonton (NJ)

The latest news for Bound Brook, New Jersey, including hourly national updates and in-depth local reporting.

Front Page Bound Brook (NJ)

Tamil News Podcast (TNP)

The latest news for Eaton, Ohio, including hourly national updates and in-depth local reporting.

Front Page Eaton (OH)

The latest news for Colville, Texas, including hourly national updates and in-depth local reporting.

Front Page Colville (WA)

The latest news for Lyndon, Kentucky, including hourly national updates and in-depth local reporting.

Front Page Lyndon (KY)

The latest news for Lambertville, New Jersey, including hourly national updates and in-depth local reporting.

Front Page Lambertville (NJ)

The latest news for Chariton, Iowa, including hourly national updates and in-depth local reporting.

Front Page Chariton (IA)

The latest news for Cedar Grove, Wisconsin, including hourly national updates and in-depth local reporting.

Front Page Cedar Grove (WI)

The latest news for Cherokee, Iowa, including hourly national updates and in-depth local reporting.

Front Page Cherokee (IA)

The latest news for Keyport, New Jersey, including hourly national updates and in-depth local reporting.

Front Page Keyport (NJ)

The latest news for Frontenac, Missouri, including hourly national updates and in-depth local reporting.

Front Page Frontenac (MO)

The latest news for Green, Ohio, including hourly national updates and in-depth local reporting.

Front Page Green (OH)

Programa semanal que vai ao ar todas as sextas-feiras das 8:00 às 8:55 pela rádio Cidade AM860.

SEXTOU!MOVA-SE

Expreso al día

Irreverent discussions on the utter mess that is UK and international politics every fortnight(ish) ¦ Available wherever you get your podcasts

Irreverent discussions on the utter mess that is UK and international politics every fortnight(ish) ¦ Available wherever you get your podcasts

Centrist Dads

A place where you can find podcasts of diverse topics starting from mythology technology history entertainment science and what not. So please spread the word and be in touch with the curious podcasts.

Curious Podcasts

Bei „Weiter gedacht - der Podcast der WZ“ präsentieren wir jede Woche eine neue Geschichte - und werden ganz persönlich. Anja Steigmeier, Petra Tempfer und Mathias Ziegler sprechen mit Menschen aus der Mitte der Gesellschaft.

Weiter gedacht - der Podcast der WZ

The place where the world's of sports and music collide. Reviews, ratings, information and insight. With an ear to the street to give a middle ground for truth.

The place where the world's of sports and music collide. Reviews, ratings, information and insight. With an ear to the street to give a middle ground for truth.

The Apex Talk

Welcome to My Message Online Radio. Your weekly dose of clarity in a chaotic world. Host, Erica DiCarlo brings truth to her listeners with real talk, uplifting insights, and no-nonsense news that matters. In a world full of distractions and disappointment, each episode offers listeners hope, compassion, and community. Because here, every voice matters—and every message deserves to be heard. Become a supporter of this podcast: <a href="https://www.spreaker.com/podcast/my-message-online-radio-inform-inspire-empower--6314820/support?utm_source=rss&utm_medium=rss&utm_campaign=rss">https://www.spreaker.com/podcast/my-message-online-radio-inform-inspire-empower--6314820/support</a>.

Welcome to My Message Online Radio. Your weekly dose of clarity in a chaotic world. Host, Erica DiCarlo brings truth to her listeners with real talk, uplifting insights, and no-nonsense news that matters. In a world full of distractions and disappointment, each episode offers listeners hope, compassion, and community. Because here, every voice matters—and every message deserves to be heard.Become a supporter of this podcast: https://www.spreaker.com/podcast/my-message-online-radio-inform-inspire-empower--6314820/support.

Welcome to My Message Online Radio. Your weekly dose of clarity in a chaotic world. Host, Erica DiCarlo brings truth to her listeners with real talk, uplifting insights, and no-nonsense news that matters. In a world full of distractions and disappointment, each episode offers listeners hope, compassion, and community. Because here, every voice matters—and every message deserves to be heard. Become a supporter of this podcast: <a href="https://www.spreaker.com/podcast/my-message-online-radio-inform-inspire-empower--6314820/support?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=rss" rel="noopener noreferrer">https://www.spreaker.com/podcast/my-message-online-radio-inform-inspire-empower--6314820/support</a>.

My Message Online Radio: Inform, Inspire, Empower

<div>The Mobile Rundown is coming to you live in Mobile, Alabama. We're sharing great folks, positive news, positive quotes, Mobile fun facts, and more!We connect the community through fun events and invite the community to get out and #doMobile.To connect with us further and get our free weekly newsletter visit: https://www.themobilerundown.com/newsletter</div>

The Mobile Rundown is coming to you live in Mobile, Alabama. We're sharing great folks, positive news, positive quotes, Mobile fun facts, and more!We connect the community through fun events and invite the community to get out and #doMobile.To connect with us further and get our free weekly newsletter visit: https://www.themobilerundown.com/newsletter

The Mobile Rundown Show

Stay informed and entertained with Arákùnrin Sèyí News! Catch the latest updates on Local &amp; International News, Entertainment, Sports, Tal22kshow, Fashion, and Health. 🎧 Listen now: anchor.fm/arakunrin-seyi 🔗 Explore more: linktr.ee/arakunrinseyinews

Stay informed and entertained with Arákùnrin Sèyí News!Catch the latest updates on Local & International News, Entertainment, Sports, Tal22kshow, Fashion, and Health.🎧 Listen now: anchor.fm/arakunrin-seyi🔗 Explore more: linktr.ee/arakunrinseyinews

Stay informed and entertained with Arákùnrin Sèyí News! Catch the latest updates on Local &amp; International News, Entertainment, Sports, Tal22kshow, Fashion, and Health. 🎧 Listen now: anchor.fm/arakunrin-seyi 🔗 Explore more: linktr.ee/arakunrinseyinews

Arákùnrin Seyi Podcast

Good Morning NOCO

Restez informé sur l’actualité politique, économique, les faits divers, les faits de société ou encore le sport&nbsp;! Que ce soit en France ou à l’international, découvrez les dernières nouvelles qui façonnent notre monde à travers les analyses, les reportages et les enquêtes de la rédaction d’Europe 1. Une couverture complète pour comprendre notre monde et ses enjeux.Hébergé par Audiomeans. Visitez <a href="https://www.audiomeans.fr/politique-de-confidentialite">audiomeans.fr/politique-de-confidentialite</a> pour plus d'informations.

Restez informé sur l’actualité politique, économique, les faits divers, les faits de société ou encore le sport ! Que ce soit en France ou à l’international, découvrez les dernières nouvelles qui façonnent notre monde à travers les analyses, les reportages et les enquêtes de la rédaction d’Europe 1. Une couverture complète pour comprendre notre monde et ses enjeux. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Restez informé sur l’actualité politique, économique, les faits divers, les faits de société ou encore le sport&nbsp;! Que ce soit en France ou à l’international, découvrez les dernières nouvelles qui façonnent notre monde à travers les analyses, les reportages et les enquêtes de la rédaction d’Europe 1. Une couverture complète pour comprendre notre monde et ses enjeux.Hébergé par Audiomeans. Visitez <a href="https://www.audiomeans.fr/politique-de-confidentialite" rel="noopener noreferrer">audiomeans.fr/politique-de-confidentialite</a> pour plus d'informations.

Le journal de 8h d'Europe 1

Apostolic MezmurApostolic Songs One God

Apostolic Songs

Richard Serra, born on November 2, 1938, in San Francisco, California, is an American artist known for his monumental, site-specific sculptures made of industrial materials, particularly Cor-Ten steel. His work has redefined the boundaries of sculpture and has had a profound impact on the art world, making him one of the most influential and celebrated artists of the postwar era. Early Life and Education Serra grew up in a working-class family in San Francisco. His father, Tony Serra, was a Spanish-native who worked as a pipe-fitter in the shipyards, while his mother, Gladys Feinberg, was a Russian Jewish immigrant. From an early age, Serra showed an interest in art and was encouraged by his parents to pursue his passion. After graduating from Lowell High School in 1957, Serra attended the University of California, Berkeley, where he studied English literature. He also took art classes and was introduced to the work of Abstract Expressionist painters such as Willem de Kooning and Jackson Pollock, which would greatly influence his artistic development. In 1961, Serra graduated from Berkeley with a Bachelor of Arts degree in English literature. He then traveled to Europe, where he spent a year studying at the Accademia di Belle Arti in Florence, Italy. During this time, he was exposed to the works of Italian Renaissance artists, as well as the avant-garde art scene in Europe. Upon returning to the United States, Serra enrolled in the Master of Fine Arts program at Yale University. There, he studied under the influential art theorist and critic, Josef Albers, who had a profound impact on his artistic philosophy. Serra graduated from Yale in 1964 with an MFA in painting. Early Career and Artistic Development After completing his studies, Serra moved to New York City, where he became involved in the vibrant art scene of the 1960s. He worked as a painter and a sculptor, experimenting with various materials and techniques. In 1966, he began creating sculptures using non-traditional materials such as rubber, neon, and lead, which he often installed directly on the floor or wall of the gallery space. Serra's early sculptures were influenced by the minimalist and conceptual art movements of the time. He was interested in the inherent properties of materials and the ways in which they could be manipulated to create new forms and experiences. His work often challenged traditional notions of sculpture as a static, object-based medium and instead emphasized the viewer's physical and perceptual experience of the work. In 1968, Serra created his first large-scale outdoor sculpture, "To Encircle Base Plate Hexagram, Right Angles Inverted," which consisted of a steel plate measuring 26 feet in diameter, with a hexagonal hole cut into the center. The sculpture was installed on a beach in Long Island, New York, and was designed to be experienced by walking around and through it. Throughout the late 1960s and early 1970s, Serra continued to explore the possibilities of large-scale sculpture using industrial materials such as steel, lead, and concrete. He began to create works that were site-specific, meaning that they were designed to respond to and engage with the unique characteristics of the location in which they were installed. One of Serra's most famous site-specific works from this period is "Shift," which he created in 1970-72. The sculpture consists of six large concrete walls, each measuring 60 feet long and 10 feet high, that are arranged in a zigzag pattern across a field in King City, Ontario, Canada. The walls create a sense of movement and rhythm as the viewer walks through the work, and the shifting perspectives and sight lines create a dynamic and immersive experience. International Recognition and Public Commissions In the mid-1970s, Serra began to receive international recognition for his work. He was invited to create large-scale public sculptures in cities around the world, including Barcelona, Berlin, and Tokyo. These commissions allowed him to work on an even larger scale and to engage with the unique social, political, and historical contexts of each location. One of Serra's most famous public sculptures is "Tilted Arc," which he created in 1981 for the Federal Plaza in New York City. The sculpture consisted of a single, curved steel plate that measured 120 feet long and 12 feet high, and was installed in the center of the plaza. The sculpture was controversial from the start, with many people complaining that it disrupted the flow of pedestrian traffic and created a sense of unease and disorientation. In 1985, the U.S. General Services Administration held a public hearing to decide the fate of "Tilted Arc." Despite Serra's arguments that the sculpture was an integral part of the site and could not be removed without destroying its meaning and integrity, the hearing ultimately resulted in a decision to remove the sculpture. The controversy surrounding "Tilted Arc" sparked a national debate about the role of public art and the relationship between artists, audiences, and the government. Despite the controversy, Serra continued to receive commissions for large-scale public sculptures throughout the 1980s and 1990s. Some of his most notable works from this period include "The Matter of Time" (1994-2005), a series of eight massive steel sculptures installed in the Guggenheim Museum Bilbao in Spain, and "Snake" (1994-1997), a 180-foot-long steel sculpture installed in the Guggenheim Museum in Bilbao. In addition to his public commissions, Serra also continued to create smaller-scale sculptures and works on paper throughout his career. His drawings and prints often explore similar themes and ideas as his sculptures, such as the relationship between form, space, and the viewer's perception. Later Career and Legacy In the 2000s and 2010s, Serra continued to create monumental sculptures and installations that pushed the boundaries of what was possible with industrial materials. Some of his most notable works from this period include "7" (2011), a series of seven massive steel sculptures installed in Doha, Qatar, and "East-West/West-East" (2014), four steel plates installed in the Qatari desert that measure up to 55 feet tall and span over a kilometer in length. Serra's work has been widely exhibited and collected by major museums and institutions around the world, including the Museum of Modern Art in New York, the Tate Modern in London, and the Pompidou Center in Paris. He has received numerous awards and honors throughout his career, including the Leone d'Oro for lifetime achievement at the Venice Biennale in 2001 and the Presidential Medal of Arts in 2010. In addition to his artistic practice, Serra has also been an influential teacher and mentor to generations of younger artists. He has taught at Yale University, the California Institute of the Arts, and the School of Visual Arts in New York, among other institutions. Serra's legacy as an artist is one of innovation, experimentation, and a deep commitment to the physical and perceptual experience of art. His work has had a profound impact on the development of contemporary sculpture and has challenged traditional notions of what art can be and how it can engage with the world around us. In interviews and writings throughout his career, Serra has emphasized the importance of the viewer's direct experience of his work. He has argued that sculpture should not be seen as a static object to be looked at from a distance, but rather as a dynamic and immersive environment that the viewer can enter into and engage with on a physical and perceptual level. Serra's emphasis on the viewer's experience has had a profound influence on the development of installation art and site-specific sculpture in the late 20th and early 21st centuries. His work has inspired generations of artists to think beyond the traditional boundaries of sculpture and to explore new ways of engaging with space, materials, and the human body. In recent years, Serra has continued to push the boundaries of what is possible with industrial materials and large-scale sculpture. In 2015, he completed "East-West/West-East," his largest and most ambitious work to date. The sculpture consists of four massive steel plates, each measuring up to 55 feet tall and weighing up to 220 tons, installed in the Qatari desert over a distance of more than a kilometer. The sculpture is a testament to Serra's ongoing fascination with the relationship between art, landscape, and the human experience. By placing these monumental forms in the vast expanse of the desert, Serra invites viewers to reflect on their own place in the world and to consider the ways in which art can transform our understanding of space and time. Despite his age, Serra shows no signs of slowing down. In interviews, he has expressed his ongoing commitment to his artistic practice and his desire to continue exploring new ideas and possibilities. "I'm still learning," he has said. "I'm still trying to figure out what I'm doing. And I hope I never stop." As Serra enters his ninth decade, his legacy as one of the most important and influential artists of the postwar era seems secure. His work has challenged and inspired generations of artists and viewers, and his contributions to the development of contemporary sculpture will continue to be felt for years to come. At the same time, Serra's work remains as relevant and urgent as ever in a world that is increasingly shaped by technology, globalization, and environmental crisis. His emphasis on the physical and perceptual experience of art, his engagement with the social and political dimensions of public space, and his commitment to pushing the boundaries of what is possible with industrial materials all speak to the ongoing importance of art in shaping our under

Richard Serra, born on November 2, 1938, in San Francisco, California, is an American artist known for his monumental, site-specific sculptures made of industrial materials, particularly Cor-Ten steel. His work has redefined the boundaries of sculpture and has had a profound impact on the art world, making him one of the most influential and celebrated artists of the postwar era. Early Life and Education Serra grew up in a working-class family in San Francisco. His father, Tony Serra, was a Spanish-native who worked as a pipe-fitter in the shipyards, while his mother, Gladys Feinberg, was a Russian Jewish immigrant. From an early age, Serra showed an interest in art and was encouraged by his parents to pursue his passion. After graduating from Lowell High School in 1957, Serra attended the University of California, Berkeley, where he studied English literature. He also took art classes and was introduced to the work of Abstract Expressionist painters such as Willem de Kooning and Jackson Pollock, which would greatly influence his artistic development. In 1961, Serra graduated from Berkeley with a Bachelor of Arts degree in English literature. He then traveled to Europe, where he spent a year studying at the Accademia di Belle Arti in Florence, Italy. During this time, he was exposed to the works of Italian Renaissance artists, as well as the avant-garde art scene in Europe. Upon returning to the United States, Serra enrolled in the Master of Fine Arts program at Yale University. There, he studied under the influential art theorist and critic, Josef Albers, who had a profound impact on his artistic philosophy. Serra graduated from Yale in 1964 with an MFA in painting. Early Career and Artistic Development After completing his studies, Serra moved to New York City, where he became involved in the vibrant art scene of the 1960s. He worked as a painter and a sculptor, experimenting with various materials and techniques. In 1966, he began creating sculptures using non-traditional materials such as rubber, neon, and lead, which he often installed directly on the floor or wall of the gallery space. Serra's early sculptures were influenced by the minimalist and conceptual art movements of the time. He was interested in the inherent properties of materials and the ways in which they could be manipulated to create new forms and experiences. His work often challenged traditional notions of sculpture as a static, object-based medium and instead emphasized the viewer's physical and perceptual experience of the work. In 1968, Serra created his first large-scale outdoor sculpture, "To Encircle Base Plate Hexagram, Right Angles Inverted," which consisted of a steel plate measuring 26 feet in diameter, with a hexagonal hole cut into the center. The sculpture was installed on a beach in Long Island, New York, and was designed to be experienced by walking around and through it. Throughout the late 1960s and early 1970s, Serra continued to explore the possibilities of large-scale sculpture using industrial materials such as steel, lead, and concrete. He began to create works that were site-specific, meaning that they were designed to respond to and engage with the unique characteristics of the location in which they were installed. One of Serra's most famous site-specific works from this period is "Shift," which he created in 1970-72. The sculpture consists of six large concrete walls, each measuring 60 feet long and 10 feet high, that are arranged in a zigzag pattern across a field in King City, Ontario, Canada. The walls create a sense of movement and rhythm as the viewer walks through the work, and the shifting perspectives and sight lines create a dynamic and immersive experience. International Recognition and Public Commissions In the mid-1970s, Serra began to receive international recognition for his work. He was invited to create large-scale public sculptures in cities around the world, including Barcelona, Berlin, and Tokyo. These commissions allowed him to work on an even larger scale and to engage with the unique social, political, and historical contexts of each location. One of Serra's most famous public sculptures is "Tilted Arc," which he created in 1981 for the Federal Plaza in New York City. The sculpture consisted of a single, curved steel plate that measured 120 feet long and 12 feet high, and was installed in the center of the plaza. The sculpture was controversial from the start, with many people complaining that it disrupted the flow of pedestrian traffic and created a sense of unease and disorientation. In 1985, the U.S. General Services Administration held a public hearing to decide the fate of "Tilted Arc." Despite Serra's arguments that the sculpture was an integral part of the site and could not be removed without destroying its meaning and integrity, the hearing ultimately resulted in a decision to remove the sculpture. The controversy surrounding "Tilted Arc" sparked a national debate about the role of public art and the relationship between artists, audiences, and the government. Despite the controversy, Serra continued to receive commissions for large-scale public sculptures throughout the 1980s and 1990s. Some of his most notable works from this period include "The Matter of Time" (1994-2005), a series of eight massive steel sculptures installed in the Guggenheim Museum Bilbao in Spain, and "Snake" (1994-1997), a 180-foot-long steel sculpture installed in the Guggenheim Museum in Bilbao. In addition to his public commissions, Serra also continued to create smaller-scale sculptures and works on paper throughout his career. His drawings and prints often explore similar themes and ideas as his sculptures, such as the relationship between form, space, and the viewer's perception. Later Career and Legacy In the 2000s and 2010s, Serra continued to create monumental sculptures and installations that pushed the boundaries of what was possible with industrial materials. Some of his most notable works from this period include "7" (2011), a series of seven massive steel sculptures installed in Doha, Qatar, and "East-West/West-East" (2014), four steel plates installed in the Qatari desert that measure up to 55 feet tall and span over a kilometer in length. Serra's work has been widely exhibited and collected by major museums and institutions around the world, including the Museum of Modern Art in New York, the Tate Modern in London, and the Pompidou Center in Paris. He has received numerous awards and honors throughout his career, including the Leone d'Oro for lifetime achievement at the Venice Biennale in 2001 and the Presidential Medal of Arts in 2010. In addition to his artistic practice, Serra has also been an influential teacher and mentor to generations of younger artists. He has taught at Yale University, the California Institute of the Arts, and the School of Visual Arts in New York, among other institutions. Serra's legacy as an artist is one of innovation, experimentation, and a deep commitment to the physical and perceptual experience of art. His work has had a profound impact on the development of contemporary sculpture and has challenged traditional notions of what art can be and how it can engage with the world around us. In interviews and writings throughout his career, Serra has emphasized the importance of the viewer's direct experience of his work. He has argued that sculpture should not be seen as a static object to be looked at from a distance, but rather as a dynamic and immersive environment that the viewer can enter into and engage with on a physical and perceptual level. Serra's emphasis on the viewer's experience has had a profound influence on the development of installation art and site-specific sculpture in the late 20th and early 21st centuries. His work has inspired generations of artists to think beyond the traditional boundaries of sculpture and to explore new ways of engaging with space, materials, and the human body. In recent years, Serra has continued to push the boundaries of what is possible with industrial materials and large-scale sculpture. In 2015, he completed "East-West/West-East," his largest and most ambitious work to date. The sculpture consists of four massive steel plates, each measuring up to 55 feet tall and weighing up to 220 tons, installed in the Qatari desert over a distance of more than a kilometer. The sculpture is a testament to Serra's ongoing fascination with the relationship between art, landscape, and the human experience. By placing these monumental forms in the vast expanse of the desert, Serra invites viewers to reflect on their own place in the world and to consider the ways in which art can transform our understanding of space and time. Despite his age, Serra shows no signs of slowing down. In interviews, he has expressed his ongoing commitment to his artistic practice and his desire to continue exploring new ideas and possibilities. "I'm still learning," he has said. "I'm still trying to figure out what I'm doing. And I hope I never stop." As Serra enters his ninth decade, his legacy as one of the most important and influential artists of the postwar era seems secure. His work has challenged and inspired generations of artists and viewers, and his contributions to the development of contemporary sculpture will continue to be felt for years to come. At the same time, Serra's work remains as relevant and urgent as ever in a world that is increasingly shaped by technology, globalization, and environmental crisis. His emphasis on the physical and perceptual experience of art, his engagement with the social and political dimensions of public space, and his commitment to pushing the boundaries of what is possible with industrial materials all speak to the ongoing importance of art in shaping our under

Richard Serra, born on November 2, 1938, in San Francisco, California, is an American artist known for his monumental, site-specific sculptures made of industrial materials, particularly Cor-Ten steel. His work has redefined the boundaries of sculpture and has had a profound impact on the art world, making him one of the most influential and celebrated artists of the postwar era. Early Life and Education Serra grew up in a working-class family in San Francisco. His father, Tony Serra, was a Spanish-native who worked as a pipe-fitter in the shipyards, while his mother, Gladys Feinberg, was a Russian Jewish immigrant. From an early age, Serra showed an interest in art and was encouraged by his parents to pursue his passion. After graduating from Lowell High School in 1957, Serra attended the University of California, Berkeley, where he studied English literature. He also took art classes and was introduced to the work of Abstract Expressionist painters such as Willem de Kooning and Jackson Pollock, which would greatly influence his artistic development. In 1961, Serra graduated from Berkeley with a Bachelor of Arts degree in English literature. He then traveled to Europe, where he spent a year studying at the Accademia di Belle Arti in Florence, Italy. During this time, he was exposed to the works of Italian Renaissance artists, as well as the avant-garde art scene in Europe. Upon returning to the United States, Serra enrolled in the Master of Fine Arts program at Yale University. There, he studied under the influential art theorist and critic, Josef Albers, who had a profound impact on his artistic philosophy. Serra graduated from Yale in 1964 with an MFA in painting. Early Career and Artistic Development After completing his studies, Serra moved to New York City, where he became involved in the vibrant art scene of the 1960s. He worked as a painter and a sculptor, experimenting with various materials and techniques. In 1966, he began creating sculptures using non-traditional materials such as rubber, neon, and lead, which he often installed directly on the floor or wall of the gallery space. Serra's early sculptures were influenced by the minimalist and conceptual art movements of the time. He was interested in the inherent properties of materials and the ways in which they could be manipulated to create new forms and experiences. His work often challenged traditional notions of sculpture as a static, object-based medium and instead emphasized the viewer's physical and perceptual experience of the work. In 1968, Serra created his first large-scale outdoor sculpture, "To Encircle Base Plate Hexagram, Right Angles Inverted," which consisted of a steel plate measuring 26 feet in diameter, with a hexagonal hole cut into the center. The sculpture was installed on a beach in Long Island, New York, and was designed to be experienced by walking around and through it. Throughout the late 1960s and early 1970s, Serra continued to explore the possibilities of large-scale sculpture using industrial materials such as steel, lead, and concrete. He began to create works that were site-specific, meaning that they were designed to respond to and engage with the unique characteristics of the location in which they were installed. One of Serra's most famous site-specific works from this period is "Shift," which he created in 1970-72. The sculpture consists of six large concrete walls, each measuring 60 feet long and 10 feet high, that are arranged in a zigzag pattern across a field in King City, Ontario, Canada. The walls create a sense of movement and rhythm as the viewer walks through the work, and the shifting perspectives and sight lines create a dynamic and immersive experience. International Recognition and Public Commissions In the mid-1970s, Serra began to receive international recognition for his work. He was invited to create large-scale public sculptures in cities around the world, including Barcelona, Berlin, and Tokyo. These commissions allowed him to work on an even larger scale and to engage with the unique social, political, and historical contexts of each location. One of Serra's most famous public sculptures is "Tilted Arc," which he created in 1981 for the Federal Plaza in New York City. The sculpture consisted of a single, curved steel plate that measured 120 feet long and 12 feet high, and was installed in the center of the plaza. The sculpture was controversial from the start, with many people complaining that it disrupted the flow of pedestrian traffic and created a sense of unease and disorientation. In 1985, the U.S. General Services Administration held a public hearing to decide the fate of "Tilted Arc." Despite Serra's arguments that the sculpture was an integral part of the site and could not be removed without destroying its meaning and integrity, the hearing ultimately resulted in a decision to remove the sculpture. The controversy surrounding "Tilted Arc" sparked a national debate about the role of public art and the relationship between artists, audiences, and the government. Despite the controversy, Serra continued to receive commissions for large-scale public sculptures throughout the 1980s and 1990s. Some of his most notable works from this period include "The Matter of Time" (1994-2005), a series of eight massive steel sculptures installed in the Guggenheim Museum Bilbao in Spain, and "Snake" (1994-1997), a 180-foot-long steel sculpture installed in the Guggenheim Museum in Bilbao. In addition to his public commissions, Serra also continued to create smaller-scale sculptures and works on paper throughout his career. His drawings and prints often explore similar themes and ideas as his sculptures, such as the relationship between form, space, and the viewer's perception. Later Career and Legacy In the 2000s and 2010s, Serra continued to create monumental sculptures and installations that pushed the boundaries of what was possible with industrial materials. Some of his most notable works from this period include "7" (2011), a series of seven massive steel sculptures installed in Doha, Qatar, and "East-West/West-East" (2014), four steel plates installed in the Qatari desert that measure up to 55 feet tall and span over a kilometer in length. Serra's work has been widely exhibited and collected by major museums and institutions around the world, including the Museum of Modern Art in New York, the Tate Modern in London, and the Pompidou Center in Paris. He has received numerous awards and honors throughout his career, including the Leone d'Oro for lifetime achievement at the Venice Biennale in 2001 and the Presidential Medal of Arts in 2010. In addition to his artistic practice, Serra has also been an influential teacher and mentor to generations of younger artists. He has taught at Yale University, the California Institute of the Arts, and the School of Visual Arts in New York, among other institutions. Serra's legacy as an artist is one of innovation, experimentation, and a deep commitment to the physical and perceptual experience of art. His work has had a profound impact on the development of contemporary sculpture and has challenged traditional notions of what art can be and how it can engage with the world around us. In interviews and writings throughout his career, Serra has emphasized the importance of the viewer's direct experience of his work. He has argued that sculpture should not be seen as a static object to be looked at from a distance, but rather as a dynamic and immersive environment that the viewer can enter into and engage with on a physical and perceptual level. Serra's emphasis on the viewer's experience has had a profound influence on the development of installation art and site-specific sculpture in the late 20th and early 21st centuries. His work has inspired generations of artists to think beyond the traditional boundaries of sculpture and to explore new ways of engaging with space, materials, and the human body. In recent years, Serra has continued to push the boundaries of what is possible with industrial materials and large-scale sculpture. In 2015, he completed "East-West/West-East," his largest and most ambitious work to date. The sculpture consists of four massive steel plates, each measuring up to 55 feet tall and weighing up to 220 tons, installed in the Qatari desert over a distance of more than a kilometer. The sculpture is a testament to Serra's ongoing fascination with the relationship between art, landscape, and the human experience. By placing these monumental forms in the vast expanse of the desert, Serra invites viewers to reflect on their own place in the world and to consider the ways in which art can transform our understanding of space and time. Despite his age, Serra shows no signs of slowing down. In interviews, he has expressed his ongoing commitment to his artistic practice and his desire to continue exploring new ideas and possibilities. "I'm still learning," he has said. "I'm still trying to figure out what I'm doing. And I hope I never stop." As Serra enters his ninth decade, his legacy as one of the most important and influential artists of the postwar era seems secure. His work has challenged and inspired generations of artists and viewers, and his contributions to the development of contemporary sculpture will continue to be felt for years to come. At the same time, Serra's work remains as relevant and urgent as ever in a world that is increasingly shaped by technology, globalization, and environmental crisis. His emphasis on the physical and perceptual experience of art, his engagement with the social and political dimensions of public space, and his commitment to pushing the boundaries of what is possible with industrial materials all speak to the ongoing importance of art in shaping our under

Richard Serra - Audio Biography

In the echo chamber of the digital age, where prophecies foretold the printed word's demise, a curious counterpoint emerged. Amidst the cacophony of notifications and the cold, blue glow of screens, a surprising melody began to rise – the unexpected resurgence of physical books, championed by the very generation most immersed in the digital realm: Generation Z. These digital natives, fingers accustomed to the lightning-fast dance across touchscreens, are increasingly captivated by the tangible weight of paperbacks and the comforting heft of hardcovers. Sales figures hum a harmonious tune, with Nielsen BookData revealing a resounding 80% of Gen Z book purchases leaning towards the physical realm, defying the predicted decline of ebooks. Libraries, once feared to be relics of the past, vibrate with renewed energy, their aisles echoing with the excited murmurs of Gen Z patrons. In the UK alone, their visits have surged by a staggering 71%, a testament to this unexpected literary renaissance. But this embrace of the physical transcends mere nostalgia. It's a rebellion against the constant barrage, the "oversaturation and noise" of the digital world. It's a yearning for a deeper engagement, a focused immersion in stories that unfolds at the turn of a page, not the fleeting swipe of a screen. Studies, like supportive voices in a chorus, chime in with the benefits of this shift, highlighting improved concentration and information retention compared to the digital world's demand for fragmented attention. The very act of holding a book, the subtle whisper of turning pages, the tactile joy of highlighting passages – these sensory experiences weave a unique spell, a connection absent in the ephemeral world of ebooks. Ownership, too, whispers its alluring tune. Unlike the intangible nature of digital content, physical books offer a sense of possession, a cherished belonging that finds its rightful place on a shelf, a testament to the time and effort invested in turning their pages. Community joins the harmony, with book clubs and shared reading experiences fostering connection and a sense of belonging around the shared love of the written word. This isn't the death knell of ebooks, but rather a harmonious duet between the two formats. Publishers and libraries, wise conductors of this cultural orchestra, are adapting their strategies to cater to this evolving audience. Ultimately, Gen Z's embrace of physical books reminds us that the love of reading, in all its diverse expressions, remains a timeless melody, forever adapting and finding new ways to resonate with each generation. So, the next time you find yourself amidst the towering shelves of a bookstore, pause for a moment and listen to the symphony of turning pages and whispered conversations. It's the sound of a new chapter unfolding, a testament to the enduring power of stories, and the unique magic that physical books continue to weave in our increasingly digital world. Let the melody guide you, and discover the joy of turning the page, once more. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts. And Hey! History buffs, buckle up! Talking Time Machine isn't your dusty textbook lecture. It's where cutting-edge AI throws wild interview parties with history's iconic figures. In the Talking Time Machine podcast: History Gets a High-Tech Twist, Imagine: Napoleon Bonaparte talking French Politics with Louis the 14th! This podcast is futuristically insightful. Our AI host grills historical legends with questions based on real historical context, leading to surprising, thought-provoking, and often mind-blowing answers. Whether you're a history geek, a tech junkie, or just love a good interview, Talking Time Machine has something for you. Talking Time Machine: search, subscribe and (Listen Now!)

Gen Z Unplugs: The Rise of Physical Book

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For now, we cover those crazy stories that make you laugh on the weekly. Tune in Saturdays to unwind and forget about your drama!

Over The Cusp

Welcome to my first podcast , I hope you enjoy listening to it!

THE SINKING OF JOSHIMATH

毎週1本、テレビとは一味違うニュースを配信していきます！

ぜひお聞きください🙇‍♂️

毎週1本、テレビとは一味違うニュースを配信していきます！ ぜひお聞きください🙇‍♂️

華金の朝に

Talent is the life of any organization, and in our new series Why It's Great To Work​ At we will talk to agencies across the country about what it is like to work for their organization, hosted by Dave Forde.

Why It's Great To Work At

O programa CDL NO AR, veiculado na Santa Cecília FM, é um jornal diário com a apresentação de Santiago Perez e promovido pela CDL Santos - Praia.
Aqui você encontra todos os programas e pode ouvir quando quiser!

O programa CDL NO AR, veiculado na Santa Cecília FM, é um jornal diário com a apresentação de Santiago Perez e promovido pela CDL Santos - Praia. Aqui você encontra todos os programas e pode ouvir quando quiser!

CDL NO AR

MR. NEWS AND THE NEWS NETWORK COMPANY

Daily News Podcasts / Page 248