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Waddle & Silvy

Welcome to the CultureScope Podcast. Tune in on Tuesdays for heated debates, interesting commentary and unlimited banter. We aim to educate as well so feel free to join us in our discussions on Instagram, Facebook, Twitter and on theculturescope.com website. Stay Cultured!

The CultureScope Podcast

S(さち)とA(あつし)が最近気になってるニュース、エンタメ、身近な出来事について、好きなように掘り下げて話をしてく番組。
普段、ニュースにあまり興味がない人にも、わかりやすくお届けしていきますので、是非ご視聴ください。

ただし、この番組で話す内容はあくまで私たちの個人的見解なので、責任は持ちませんのであしからず。

S(さち)とA(あつし)が最近気になってるニュース、エンタメ、身近な出来事について、好きなように掘り下げて話をしてく番組。 普段、ニュースにあまり興味がない人にも、わかりやすくお届けしていきますので、是非ご視聴ください。 ただし、この番組で話す内容はあくまで私たちの個人的見解なので、責任は持ちませんのであしからず。

S&Aむせきにんラヂオ

Welcome OTC listeners, this is a podcast that discusses anything and everything relating to outside the traditional comic book content. Diving behind the scenes, speculating what can happen next. A different perspective. (Marvel, DC Comics, Dark Horse Comics, etc). If you watch it or read it, I then review &amp; talk about it. Catch me on YouTube, Spotify, iTunes, Google Podcasts, etc., every Tuesday morning, come get you some!

Welcome OTC listeners, this is a podcast that discusses anything and everything relating to outside the traditional comic book content. Diving behind the scenes, speculating what can happen next. A different perspective. (Marvel, DC Comics, Dark Horse Comics, etc). If you watch it or read it, I then review & talk about it. Catch me on YouTube, Spotify, iTunes, Google Podcasts, etc., every Tuesday morning, come get you some!

Outside the Comics: Vol 2

Not so practical thoughts on a show named Practical Thoughts. What could go wrong?

Practical Thoughts

Fragen, die man immer schon gerne gestellt hätte, sich aber nie getraut hat. Wir machen es! Jede Woche stellen wir in unserem Podcast 20 direkte Fragen an ausgesuchte Menschen mit ausserordentlichem Profil. Hat der Metzger ein schlechtes Gewissen, wenn er ein Kalb tötet? Täuscht der Callboy hin und wieder einen Orgasmus vor? Und was passiert zwischen Pilot und Flugbegleiterin im Crew Hotel?

Unchained Podcast: 20 Fragen an aussergewöhnliche Menschen

Meghan lookalike discuss her work as Meghan and how she feels about Meghan's life, especially her significant milestones, such as marriage, pregnancy , business ventures, home locations, friendships and much more. 
This is also a chance for me to show you who I am and my life beyond Meghan. Meghan is only a small part of my work. It's incredibly fun and lots of giggles, but there's so much more to me that I want you to see.

Meghan lookalike discuss her work as Meghan and how she feels about Meghan's life, especially her significant milestones, such as marriage, pregnancy , business ventures, home locations, friendships and much more. This is also a chance for me to show you who I am and my life beyond Meghan. Meghan is only a small part of my work. It's incredibly fun and lots of giggles, but there's so much more to me that I want you to see.

Sarah Mhlanga: Me, Myself and Meghan

Novinky, rozhovory s filmaři, pohledy do zákulisí, analýzy filmového byznysu. Nejsledovanější trailerový kanál českého YouTube do vašich uší.

Totalfilm Podcast

We are Joshua James and Jakob Nault, trying to bring others the laughter we share, while also targeting more serious topics.

MenInTies

Con Todo Mio

O espaço que dá voz às associações e instituições lusófonas sem fins lucrativos no Luxemburgo.

Universo Associativo

Ruang obrolan 3 perempuan alumni IT UG 2006 (Meiga, Putri, Renzina) yang suka Hallyu Wave.
Di sini kita akan bahas kdrama yang kita tonton beserta aktor aktris yang kita suka.
Follow kami di sns :
Meiga @mrsmeiga
Putri @sitaaputrii
Renzina @renzrotty

Ruang obrolan 3 perempuan alumni IT UG 2006 (Meiga, Putri, Renzina) yang suka Hallyu Wave. Di sini kita akan bahas kdrama yang kita tonton beserta aktor aktris yang kita suka. Follow kami di sns : Meiga @mrsmeiga Putri @sitaaputrii Renzina @renzrotty

Gabut Hallyu Wave

Follow along with these three friends as they have unscripted, unplanned conversations on any topic. They cover anything from pop culture, celebrity news and gossip, even food. All topics and more are covererd every week on the Gentz With Sense.
ig: gentzwithsense

Follow along with these three friends as they have unscripted, unplanned conversations on any topic. They cover anything from pop culture, celebrity news and gossip, even food. All topics and more are covererd every week on the Gentz With Sense. ig: gentzwithsense

Gentz With Sense

In diesem Podcast spricht die Q1 über aktuelle, spannende und persönliche Themen, indem wir verschiedene Thematiken ansprechen und uns mit diesen auseinandersetzen.

Q1 Packt aus - der Schüler Podcast

Hosts Mattao, Nito and Connor discuss the latest news, hype and pop culture

The Talk on Road

Anna Pettinelli e Sergio Friscia sono in onda su RDS dalle 10 alle 12! Ascoltali in diretta radio, sul nostro sito, oppure utilizzando la nostra app.

Il meglio di Anna Pettinelli e Sergio Friscia

Pra gente reclamar da vida com calma e boa trilha sonora

Músicas boas e bares ruins

Welcome to Real1hundredpercent where me and my Wife talking about relationships Marriage and reacting to videos and hot topics and please these are just our thoughts &amp; Opinions we want to make one thing clear this podcast is all about keeping it real So whether you agree disagree or land somewhere in between we respect your views and we ask the same in return this is a space for open dialogue honesty and real conversations

Welcome to Real1hundredpercent where me and my Wife talking about relationships Marriage and reacting to videos and hot topics and please these are just our thoughts & Opinions we want to make one thing clear this podcast is all about keeping it real So whether you agree disagree or land somewhere in between we respect your views and we ask the same in return this is a space for open dialogue honesty and real conversations

Real1hundredpercent

The Bloody Binge Watcher Movie Podcast is a show deep diving the Best and Worst of the movie industry!  We Deep dive Horror, Cult, Low Budget, and Grindhouse style movies and talk about Movie and Haunt Industry news!  Every other Friday at 6 we record live!

The Bloody Binge Watcher Movie Podcast is a show deep diving the Best and Worst of the movie industry! We Deep dive Horror, Cult, Low Budget, and Grindhouse style movies and talk about Movie and Haunt Industry news! Every other Friday at 6 we record live!

The Bloody Binge Watcher Movie Podcast is a show deep diving the Best and Worst of the movie industry!&nbsp; We Deep dive Horror, Cult, Low Budget, and Grindhouse style movies and talk about Movie and Haunt Industry news!&nbsp; Every other Friday at 6 we record live!

Bloody Binge Movie Show

Herzlich Willkommen bei „Zwischen den Jahren - der Podcast für alles und nichts! „
Hier sind wir, 2 Freunde Basti und Torsten, die sich bei einem entspannten Gespräch über alles mögliche austauschen. Ob aktuelle Themen, spannende Fakten, Sport, Politik oder das, was uns gerade bewegt - wir reden über alles was uns interessiert, ohne uns auf etwas festzulegen. Manchmal tiefgründig, manchmal völlig unernst, aber immer locker und unterhaltsam. Also schnappt euch einen Kaffee, lehnt euch zurück und lasst uns gemeinsam durch die Themenwelt dümpeln - ganz ohne Druck, aber mit einer Menge Spaß!

Herzlich Willkommen bei „Zwischen den Jahren - der Podcast für alles und nichts! „ Hier sind wir, 2 Freunde Basti und Torsten, die sich bei einem entspannten Gespräch über alles mögliche austauschen. Ob aktuelle Themen, spannende Fakten, Sport, Politik oder das, was uns gerade bewegt - wir reden über alles was uns interessiert, ohne uns auf etwas festzulegen. Manchmal tiefgründig, manchmal völlig unernst, aber immer locker und unterhaltsam. Also schnappt euch einen Kaffee, lehnt euch zurück und lasst uns gemeinsam durch die Themenwelt dümpeln - ganz ohne Druck, aber mit einer Menge Spaß!

Zwischen den Jahren - Der Podcast für alles und nichts!

Welcome to Digital Downtime, the ultimate gaming destination! Join us each week for the latest in gaming news, reviews, and exclusive interviews with developers and streamers. Whether you're a casual gamer or a hardcore enthusiast, we've got your gaming fix covered. Subscribe now and level up your gaming experience with us! Game on!

Welcome to Digital Downtime, the ultimate gaming destination! Join us each week for the latest in gaming news, reviews, and exclusive interviews with developers and streamers. Whether you're a casual gamer or a hardcore enthusiast, we've got your gaming fix covered. Subscribe now and level up your gaming experience with us! Game on!

Digital Downtime

Herzlich Willkommen zu dem Podcast von zwei Beraterinnen, die elfengleich von Fettnäpfchen zu Fettnäpfchen hüpfen.
In „Markeding“ beschäftigen sich Stephanie Verch und Viviane Wilde-Skibicki mit den Untiefen und den seichten Pfützen ihres Lebens als Beraterinnen für Irgendwas mit Internet. Sie laden die Zuhörenden dazu ein, die News der Woche ihrer ganz eigenen Babbel-Bubble mit ihnen Revue passieren zu lassen, ziehen liebevoll vom Leder ziehen und scheren zärtlich über den Kamm.

Herzlich Willkommen zu dem Podcast von zwei Beraterinnen, die elfengleich von Fettnäpfchen zu Fettnäpfchen hüpfen. In „Markeding“ beschäftigen sich Stephanie Verch und Viviane Wilde-Skibicki mit den Untiefen und den seichten Pfützen ihres Lebens als Beraterinnen für Irgendwas mit Internet. Sie laden die Zuhörenden dazu ein, die News der Woche ihrer ganz eigenen Babbel-Bubble mit ihnen Revue passieren zu lassen, ziehen liebevoll vom Leder ziehen und scheren zärtlich über den Kamm.

Markeding - Marken, Menschen & andere Merkwürdigkeiten

“Goethe-Podium” ist ein vielseitiger Podcast, der sich mit Themen rund um das Goethe-Gymnasium Ludwigsburg befasst. Von inspirierenden Geschichten über Schüler und Lehrer bis hin zu aktuellen Ereignissen und kreativen Projekten – hier erfährst du alles, was im Schulleben passiert.

Goethe-Podium

Chris and Anne rank any and every category known to man. You may agree, you may disagree, but you'll definitely be entertained.

You're Such A Ranker

This podcast is informative, Honest and Raw.... Hosted By CavyKingPen, SlumDogMillionaire &amp; Justafied,  The Top Three Speaks  on an array of topics  that ranges from  Entertainment, Sports &amp; World events.  Combined with comedic commentary &amp; straight real talk , The trio goal is to educate &amp; entertain Listeners!!!!!

This podcast is informative, Honest and Raw.... Hosted By CavyKingPen, SlumDogMillionaire & Justafied, The Top Three Speaks on an array of topics that ranges from Entertainment, Sports & World events. Combined with comedic commentary & straight real talk , The trio goal is to educate & entertain Listeners!!!!!

Just For The hell Of It Podcast

We all know that not everything is good nor all bad. Trying to navigate those treacherous waters can be difficult task, especially if you feel all alone.Join host T1 of The TODkazZ PODkazZ an affiliate of Humbopye LLC as he recaps the current events from around the globe and from your neighborhood to the boardroom. Listeners from all ages and groups can join in offer commentary and opinion as well ... DO NOT MISS AN EPISODE!&nbsp;

We all know that not everything is good nor all bad. Trying to navigate those treacherous waters can be difficult task, especially if you feel all alone.Join host T1 of The TODkazZ PODkazZ an affiliate of Humbopye LLC as he recaps the current events from around the globe and from your neighborhood to the boardroom. Listeners from all ages and groups can join in offer commentary and opinion as well ... DO NOT MISS AN EPISODE! 

The TODkazZ PODkazZ from Humbopye LLC

Weekly Podcast hosted by Melo15. Discussions centered around hot topics happening in the weekly news, also frequent sit downs with emerging talent in the Seattle music scene.

The Say What's Real Podcast

About RIFT Nation NetworkThe home of The Travelers . Videocasts shows Speaking on: Religion, Paranormal, Spiritual, Emotional, Wisdom, Knowledge, Metamorphic, Science and everyday life! Giving a new edge ... with new personalities coming, bringing you something new, and dare we say, adventurous. Bringing the past to the future of radio and Vidcasting! We are excited to bring you along with us. To help you learn, expand your knowledge , mentor , and create something that will be more on the lines of truth , knowledge , wisdom , and both mental and physical health .

About RIFT Nation Network The home of The Travelers . Videocasts shows Speaking on: Religion, Paranormal, Spiritual, Emotional, Wisdom, Knowledge, Metamorphic, Science and everyday life! Giving a new edge ... with new personalities coming, bringing you something new, and dare we say, adventurous. Bringing the past to the future of radio and Vidcasting! We are excited to bring you along with us. To help you learn, expand your knowledge , mentor , and create something that will be more on the lines of truth , knowledge , wisdom , and both mental and physical health .

Rift Nation Network

Three friends (Kyle, Nai, Conor) cutting it up talking life, sports, and pop culture. We are the kings of getting by. We thrive on simply being mediocre. If you’re looking for that motivation that’ll spring you into being a millionaire….this ain’t the one for you pal!

HogNation

Un programa dedicado a la audiencia que le gusta todo lo que sucede en el ámbito de la cultura popular y la lucha libre. Moderado por Emanuelle Santiago, Tatiana Jiménez, Joel Torres, Nahir Robles y La Pelirroja Yaide. Una producción de WALO Radio, GeekZpot y Contralona PR, Inc.

EL SPOT

Rose Hanbury, the Marchioness of Cholmondeley, is a British aristocrat, former model, and patron of the arts, known for her elegance, charm, and dedication to charitable causes. Born on March 15, 1984, in London, England, Rose Hanbury has lived a life of privilege and purpose, making her mark in the world of fashion and philanthropy. Early Life and Family Background Rose Hanbury was born into a family with deep roots in the British aristocracy. Her father, Timothy Hanbury, is a wealthy businessman and descendant of the Hanbury family, known for their contributions to the British textile industry in the 19th century. Her mother, Emma Hanbury (née Longman), is a renowned fashion designer who has worked with several high-profile clients, including members of the royal family. Rose grew up alongside her two siblings, Marina and David, in a nurturing and supportive environment that encouraged creativity and individuality. From a young age, Rose showed a keen interest in fashion and the arts, often accompanying her mother to fashion shows and exhibitions. Education and Early Career Rose Hanbury received her early education at the prestigious Stowe School in Buckinghamshire, where she excelled in her studies and developed a passion for the arts. After completing her secondary education, Rose went on to study art history at the University of Edinburgh, where she honed her knowledge and appreciation for the visual arts. During her time at university, Rose began to explore the world of modeling, signing with Storm Management, the same agency that discovered Kate Moss. Her natural beauty and poise quickly caught the attention of fashion industry insiders, and she soon found herself walking the runways for some of the world's most renowned designers, including Alexander McQueen and Vivienne Westwood. Despite her success in the fashion world, Rose remained committed to her education and graduated from the University of Edinburgh with honors in 2006. Following her graduation, she continued to model part-time while also pursuing her passion for the arts, working as a gallery assistant at the prestigious White Cube gallery in London. Marriage and Family Life In 2009, Rose Hanbury's life took a new turn when she married David Rocksavage, the 7th Marquess of Cholmondeley, in a lavish ceremony at Chelsea Town Hall in London. The couple had met several years earlier through mutual friends and had fallen in love over their shared interests in art, culture, and philanthropy. As the Marchioness of Cholmondeley, Rose took on new responsibilities and challenges, both in her personal life and in her role as a public figure. She and her husband settled into life at Houghton Hall, the ancestral home of the Marquess of Cholmondeley, located in Norfolk, England. In the years following their marriage, Rose and David welcomed three children: twin sons Alexander and Oliver, born in 2010, and a daughter, Iris, born in 2012. As a mother, Rose has been devoted to providing her children with a loving and stable home environment, while also instilling in them a sense of responsibility and compassion for others. Charitable Work and Patronage Throughout her life, Rose Hanbury has been passionate about giving back to her community and supporting charitable causes close to her heart. As the Marchioness of Cholmondeley, she has used her platform and influence to raise awareness and funds for a variety of organizations and initiatives. One of the causes most dear to Rose's heart is the East Anglia's Children's Hospices (EACH), a charity that provides care and support for children and young people with life-threatening conditions, as well as their families. Rose has been a patron of EACH since 2014 and has been actively involved in various fundraising events and initiatives to support the organization's work. In addition to her work with EACH, Rose has also been a supporter of the Houghton Hall Restoration Project, which aims to preserve and restore the historic estate for future generations. She has worked closely with the project team to raise funds and awareness for the restoration efforts, and has been instrumental in securing several major grants and donations. Rose's commitment to charitable causes extends beyond her official patronages, as she is known for her generosity and willingness to lend her support to a wide range of organizations and initiatives. From hosting charity dinners and auctions at Houghton Hall to volunteering her time and resources to local community projects, Rose has made a significant impact on the lives of many through her philanthropic efforts. Friendship with the Royal Family As a member of the British aristocracy, Rose Hanbury has long been a part of the same social circles as the royal family. She and her husband, the Marquess of Cholmondeley, are neighbors and friends of Prince William and Catherine, the Duke and Duchess of Cambridge, who also reside in Norfolk. Rose and Catherine, in particular, are said to have developed a close friendship over the years, bonding over their shared interests in fashion, art, and charitable causes. The two have been spotted together at various social events and engagements, including the annual Royal Ascot horse race and the Houghton Hall Restoration Project fundraiser. In 2019, rumors began to circulate in the British tabloids about an alleged falling out between Rose and Catherine, with some reports suggesting that the Duchess had requested that Rose be "phased out" of their social circle. However, these rumors were quickly dismissed by both the royal family and the Cholmondeleys, with sources close to both parties stating that the reports were false and that the two women remained close friends. Despite the media speculation and gossip, Rose Hanbury has maintained a dignified and graceful demeanor, focusing on her family, her charitable work, and her role as the Marchioness of Cholmondeley. Legacy and Influence As a prominent figure in British high society, Rose Hanbury has made a significant impact on the worlds of fashion, art, and philanthropy. Her grace, elegance, and commitment to making a positive difference in the lives of others have earned her the respect and admiration of many. Through her charitable work and patronage, Rose has helped to raise millions of pounds for worthy causes, including children's hospice care and the preservation of historic estates. Her efforts have not only provided much-needed support and resources to these organizations but have also helped to raise awareness and inspire others to get involved and make a difference. In the fashion world, Rose's style and beauty have made her a role model and icon for many young women. Her ability to effortlessly blend classic elegance with modern sophistication has earned her a place on countless best-dressed lists and has influenced fashion trends both in the UK and abroad. Perhaps most importantly, Rose Hanbury's life and work have served as an example of the power of compassion, generosity, and grace. Through her actions and her words, she has shown that it is possible to lead a life of privilege and purpose, using one's resources and influence to make a positive impact on the world. As she continues to navigate the challenges and opportunities of her role as the Marchioness of Cholmondeley, Rose Hanbury remains committed to her family, her friends, and her charitable work. Her legacy and influence will undoubtedly continue to grow in the years to come, inspiring future generations to follow in her footsteps and make a difference in the world. Conclusion Rose Hanbury, the Marchioness of Cholmondeley, is a remarkable woman whose life and work have had a profound impact on the worlds of fashion, art, and philanthropy. From her early days as a model and art student to her current role as a patron and philanthropist, Rose has consistently demonstrated a commitment to excellence, compassion, and service to others. Through her charitable work and patronage, Rose has helped to raise awareness and funds for a wide range of worthy causes, including children's hospice care and the preservation of historic estates. Her efforts have not only provided much-needed support and resources to these organizations but have also inspired others to get involved and make a difference. As a fashion icon and role model, Rose has influenced countless young women with her style, grace, and beauty. Her ability to effortlessly blend classic elegance with modern sophistication has earned her a place in the annals of British fashion history and has helped to shape trends and tastes both in the UK and abroad. Perhaps most importantly, Rose Hanbury's life serves as a testament to the power of compassion, generosity, and grace. Through her actions and her words, she has shown that it is possible to lead a life of privilege and purpose, using one's resources and influence to make a positive impact on the world. As she continues to navigate the challenges and opportunities of her role as the Marchioness of Cholmondeley, Rose remains a beacon of hope and inspiration for all those who aspire to make a difference in the world. Her legacy and influence will undoubtedly continue to grow in the years to come, leaving an indelible mark on the lives of all those she touches.

Rose Hanbury, the Marchioness of Cholmondeley, is a British aristocrat, former model, and patron of the arts, known for her elegance, charm, and dedication to charitable causes. Born on March 15, 1984, in London, England, Rose Hanbury has lived a life of privilege and purpose, making her mark in the world of fashion and philanthropy. Early Life and Family Background Rose Hanbury was born into a family with deep roots in the British aristocracy. Her father, Timothy Hanbury, is a wealthy businessman and descendant of the Hanbury family, known for their contributions to the British textile industry in the 19th century. Her mother, Emma Hanbury (née Longman), is a renowned fashion designer who has worked with several high-profile clients, including members of the royal family. Rose grew up alongside her two siblings, Marina and David, in a nurturing and supportive environment that encouraged creativity and individuality. From a young age, Rose showed a keen interest in fashion and the arts, often accompanying her mother to fashion shows and exhibitions. Education and Early Career Rose Hanbury received her early education at the prestigious Stowe School in Buckinghamshire, where she excelled in her studies and developed a passion for the arts. After completing her secondary education, Rose went on to study art history at the University of Edinburgh, where she honed her knowledge and appreciation for the visual arts. During her time at university, Rose began to explore the world of modeling, signing with Storm Management, the same agency that discovered Kate Moss. Her natural beauty and poise quickly caught the attention of fashion industry insiders, and she soon found herself walking the runways for some of the world's most renowned designers, including Alexander McQueen and Vivienne Westwood. Despite her success in the fashion world, Rose remained committed to her education and graduated from the University of Edinburgh with honors in 2006. Following her graduation, she continued to model part-time while also pursuing her passion for the arts, working as a gallery assistant at the prestigious White Cube gallery in London. Marriage and Family Life In 2009, Rose Hanbury's life took a new turn when she married David Rocksavage, the 7th Marquess of Cholmondeley, in a lavish ceremony at Chelsea Town Hall in London. The couple had met several years earlier through mutual friends and had fallen in love over their shared interests in art, culture, and philanthropy. As the Marchioness of Cholmondeley, Rose took on new responsibilities and challenges, both in her personal life and in her role as a public figure. She and her husband settled into life at Houghton Hall, the ancestral home of the Marquess of Cholmondeley, located in Norfolk, England. In the years following their marriage, Rose and David welcomed three children: twin sons Alexander and Oliver, born in 2010, and a daughter, Iris, born in 2012. As a mother, Rose has been devoted to providing her children with a loving and stable home environment, while also instilling in them a sense of responsibility and compassion for others. Charitable Work and Patronage Throughout her life, Rose Hanbury has been passionate about giving back to her community and supporting charitable causes close to her heart. As the Marchioness of Cholmondeley, she has used her platform and influence to raise awareness and funds for a variety of organizations and initiatives. One of the causes most dear to Rose's heart is the East Anglia's Children's Hospices (EACH), a charity that provides care and support for children and young people with life-threatening conditions, as well as their families. Rose has been a patron of EACH since 2014 and has been actively involved in various fundraising events and initiatives to support the organization's work. In addition to her work with EACH, Rose has also been a supporter of the Houghton Hall Restoration Project, which aims to preserve and restore the historic estate for future generations. She has worked closely with the project team to raise funds and awareness for the restoration efforts, and has been instrumental in securing several major grants and donations. Rose's commitment to charitable causes extends beyond her official patronages, as she is known for her generosity and willingness to lend her support to a wide range of organizations and initiatives. From hosting charity dinners and auctions at Houghton Hall to volunteering her time and resources to local community projects, Rose has made a significant impact on the lives of many through her philanthropic efforts. Friendship with the Royal Family As a member of the British aristocracy, Rose Hanbury has long been a part of the same social circles as the royal family. She and her husband, the Marquess of Cholmondeley, are neighbors and friends of Prince William and Catherine, the Duke and Duchess of Cambridge, who also reside in Norfolk. Rose and Catherine, in particular, are said to have developed a close friendship over the years, bonding over their shared interests in fashion, art, and charitable causes. The two have been spotted together at various social events and engagements, including the annual Royal Ascot horse race and the Houghton Hall Restoration Project fundraiser. In 2019, rumors began to circulate in the British tabloids about an alleged falling out between Rose and Catherine, with some reports suggesting that the Duchess had requested that Rose be "phased out" of their social circle. However, these rumors were quickly dismissed by both the royal family and the Cholmondeleys, with sources close to both parties stating that the reports were false and that the two women remained close friends. Despite the media speculation and gossip, Rose Hanbury has maintained a dignified and graceful demeanor, focusing on her family, her charitable work, and her role as the Marchioness of Cholmondeley. Legacy and Influence As a prominent figure in British high society, Rose Hanbury has made a significant impact on the worlds of fashion, art, and philanthropy. Her grace, elegance, and commitment to making a positive difference in the lives of others have earned her the respect and admiration of many. Through her charitable work and patronage, Rose has helped to raise millions of pounds for worthy causes, including children's hospice care and the preservation of historic estates. Her efforts have not only provided much-needed support and resources to these organizations but have also helped to raise awareness and inspire others to get involved and make a difference. In the fashion world, Rose's style and beauty have made her a role model and icon for many young women. Her ability to effortlessly blend classic elegance with modern sophistication has earned her a place on countless best-dressed lists and has influenced fashion trends both in the UK and abroad. Perhaps most importantly, Rose Hanbury's life and work have served as an example of the power of compassion, generosity, and grace. Through her actions and her words, she has shown that it is possible to lead a life of privilege and purpose, using one's resources and influence to make a positive impact on the world. As she continues to navigate the challenges and opportunities of her role as the Marchioness of Cholmondeley, Rose Hanbury remains committed to her family, her friends, and her charitable work. Her legacy and influence will undoubtedly continue to grow in the years to come, inspiring future generations to follow in her footsteps and make a difference in the world. Conclusion Rose Hanbury, the Marchioness of Cholmondeley, is a remarkable woman whose life and work have had a profound impact on the worlds of fashion, art, and philanthropy. From her early days as a model and art student to her current role as a patron and philanthropist, Rose has consistently demonstrated a commitment to excellence, compassion, and service to others. Through her charitable work and patronage, Rose has helped to raise awareness and funds for a wide range of worthy causes, including children's hospice care and the preservation of historic estates. Her efforts have not only provided much-needed support and resources to these organizations but have also inspired others to get involved and make a difference. As a fashion icon and role model, Rose has influenced countless young women with her style, grace, and beauty. Her ability to effortlessly blend classic elegance with modern sophistication has earned her a place in the annals of British fashion history and has helped to shape trends and tastes both in the UK and abroad. Perhaps most importantly, Rose Hanbury's life serves as a testament to the power of compassion, generosity, and grace. Through her actions and her words, she has shown that it is possible to lead a life of privilege and purpose, using one's resources and influence to make a positive impact on the world. As she continues to navigate the challenges and opportunities of her role as the Marchioness of Cholmondeley, Rose remains a beacon of hope and inspiration for all those who aspire to make a difference in the world. Her legacy and influence will undoubtedly continue to grow in the years to come, leaving an indelible mark on the lives of all those she touches.

Rose Hanbury, the Marchioness of Cholmondeley, is a British aristocrat, former model, and patron of the arts, known for her elegance, charm, and dedication to charitable causes. Born on March 15, 1984, in London, England, Rose Hanbury has lived a life of privilege and purpose, making her mark in the world of fashion and philanthropy. Early Life and Family Background Rose Hanbury was born into a family with deep roots in the British aristocracy. Her father, Timothy Hanbury, is a wealthy businessman and descendant of the Hanbury family, known for their contributions to the British textile industry in the 19th century. Her mother, Emma Hanbury (née Longman), is a renowned fashion designer who has worked with several high-profile clients, including members of the royal family. Rose grew up alongside her two siblings, Marina and David, in a nurturing and supportive environment that encouraged creativity and individuality. From a young age, Rose showed a keen interest in fashion and the arts, often accompanying her mother to fashion shows and exhibitions. Education and Early Career Rose Hanbury received her early education at the prestigious Stowe School in Buckinghamshire, where she excelled in her studies and developed a passion for the arts. After completing her secondary education, Rose went on to study art history at the University of Edinburgh, where she honed her knowledge and appreciation for the visual arts. During her time at university, Rose began to explore the world of modeling, signing with Storm Management, the same agency that discovered Kate Moss. Her natural beauty and poise quickly caught the attention of fashion industry insiders, and she soon found herself walking the runways for some of the world's most renowned designers, including Alexander McQueen and Vivienne Westwood. Despite her success in the fashion world, Rose remained committed to her education and graduated from the University of Edinburgh with honors in 2006. Following her graduation, she continued to model part-time while also pursuing her passion for the arts, working as a gallery assistant at the prestigious White Cube gallery in London. Marriage and Family Life In 2009, Rose Hanbury's life took a new turn when she married David Rocksavage, the 7th Marquess of Cholmondeley, in a lavish ceremony at Chelsea Town Hall in London. The couple had met several years earlier through mutual friends and had fallen in love over their shared interests in art, culture, and philanthropy. As the Marchioness of Cholmondeley, Rose took on new responsibilities and challenges, both in her personal life and in her role as a public figure. She and her husband settled into life at Houghton Hall, the ancestral home of the Marquess of Cholmondeley, located in Norfolk, England. In the years following their marriage, Rose and David welcomed three children: twin sons Alexander and Oliver, born in 2010, and a daughter, Iris, born in 2012. As a mother, Rose has been devoted to providing her children with a loving and stable home environment, while also instilling in them a sense of responsibility and compassion for others. Charitable Work and Patronage Throughout her life, Rose Hanbury has been passionate about giving back to her community and supporting charitable causes close to her heart. As the Marchioness of Cholmondeley, she has used her platform and influence to raise awareness and funds for a variety of organizations and initiatives. One of the causes most dear to Rose's heart is the East Anglia's Children's Hospices (EACH), a charity that provides care and support for children and young people with life-threatening conditions, as well as their families. Rose has been a patron of EACH since 2014 and has been actively involved in various fundraising events and initiatives to support the organization's work. In addition to her work with EACH, Rose has also been a supporter of the Houghton Hall Restoration Project, which aims to preserve and restore the historic estate for future generations. She has worked closely with the project team to raise funds and awareness for the restoration efforts, and has been instrumental in securing several major grants and donations. Rose's commitment to charitable causes extends beyond her official patronages, as she is known for her generosity and willingness to lend her support to a wide range of organizations and initiatives. From hosting charity dinners and auctions at Houghton Hall to volunteering her time and resources to local community projects, Rose has made a significant impact on the lives of many through her philanthropic efforts. Friendship with the Royal Family As a member of the British aristocracy, Rose Hanbury has long been a part of the same social circles as the royal family. She and her husband, the Marquess of Cholmondeley, are neighbors and friends of Prince William and Catherine, the Duke and Duchess of Cambridge, who also reside in Norfolk. Rose and Catherine, in particular, are said to have developed a close friendship over the years, bonding over their shared interests in fashion, art, and charitable causes. The two have been spotted together at various social events and engagements, including the annual Royal Ascot horse race and the Houghton Hall Restoration Project fundraiser. In 2019, rumors began to circulate in the British tabloids about an alleged falling out between Rose and Catherine, with some reports suggesting that the Duchess had requested that Rose be "phased out" of their social circle. However, these rumors were quickly dismissed by both the royal family and the Cholmondeleys, with sources close to both parties stating that the reports were false and that the two women remained close friends. Despite the media speculation and gossip, Rose Hanbury has maintained a dignified and graceful demeanor, focusing on her family, her charitable work, and her role as the Marchioness of Cholmondeley. Legacy and Influence As a prominent figure in British high society, Rose Hanbury has made a significant impact on the worlds of fashion, art, and philanthropy. Her grace, elegance, and commitment to making a positive difference in the lives of others have earned her the respect and admiration of many. Through her charitable work and patronage, Rose has helped to raise millions of pounds for worthy causes, including children's hospice care and the preservation of historic estates. Her efforts have not only provided much-needed support and resources to these organizations but have also helped to raise awareness and inspire others to get involved and make a difference. In the fashion world, Rose's style and beauty have made her a role model and icon for many young women. Her ability to effortlessly blend classic elegance with modern sophistication has earned her a place on countless best-dressed lists and has influenced fashion trends both in the UK and abroad. Perhaps most importantly, Rose Hanbury's life and work have served as an example of the power of compassion, generosity, and grace. Through her actions and her words, she has shown that it is possible to lead a life of privilege and purpose, using one's resources and influence to make a positive impact on the world. As she continues to navigate the challenges and opportunities of her role as the Marchioness of Cholmondeley, Rose Hanbury remains committed to her family, her friends, and her charitable work. Her legacy and influence will undoubtedly continue to grow in the years to come, inspiring future generations to follow in her footsteps and make a difference in the world. Conclusion Rose Hanbury, the Marchioness of Cholmondeley, is a remarkable woman whose life and work have had a profound impact on the worlds of fashion, art, and philanthropy. From her early days as a model and art student to her current role as a patron and philanthropist, Rose has consistently demonstrated a commitment to excellence, compassion, and service to others. Through her charitable work and patronage, Rose has helped to raise awareness and funds for a wide range of worthy causes, including children's hospice care and the preservation of historic estates. Her efforts have not only provided much-needed support and resources to these organizations but have also inspired others to get involved and make a difference. As a fashion icon and role model, Rose has influenced countless young women with her style, grace, and beauty. Her ability to effortlessly blend classic elegance with modern sophistication has earned her a place in the annals of British fashion history and has helped to shape trends and tastes both in the UK and abroad. Perhaps most importantly, Rose Hanbury's life serves as a testament to the power of compassion, generosity, and grace. Through her actions and her words, she has shown that it is possible to lead a life of privilege and purpose, using one's resources and influence to make a positive impact on the world. As she continues to navigate the challenges and opportunities of her role as the Marchioness of Cholmondeley, Rose remains a beacon of hope and inspiration for all those who aspire to make a difference in the world. Her legacy and influence will undoubtedly continue to grow in the years to come, leaving an indelible mark on the lives of all those she touches.

Rose Hanbury - Aidio Biography

The Razzie Awards, officially known as the Golden Raspberry Awards, have been a staple of the Hollywood awards season since their inception in 1981. Created by publicist John J. B. Wilson, the Razzies serve as a satirical counterpoint to the glitz and glamour of the Academy Awards, highlighting the worst films and performances of the year. Over the past four decades, the Razzies have become an integral part of the cinematic landscape, sparking both laughter and controversy along the way. 1. The Birth of the Razzies (1981) The idea for the Razzie Awards was born out of a casual conversation between John J. B. Wilson and his friends during a 1980 Oscar night party. As they watched the 53rd Academy Awards, Wilson and his companions began discussing the lack of recognition for the year's worst films and performances. Inspired by this discussion, Wilson decided to create an awards show that would celebrate the very worst that Hollywood had to offer. The first Razzie Awards ceremony was held on March 31, 1981, at Wilson's living room alcove in Los Angeles. The event was attended by a small group of friends and entertainment industry insiders, who watched as Wilson handed out ballots for the various categories. The winners were announced, and the "prizes" - which consisted of rotten fruit and vegetables - were distributed to those in attendance. The inaugural Razzie Awards recognized films released in 1980, with Can't Stop the Music, a disco-themed musical starring the Village People, taking home the Worst Picture trophy. Other notable "winners" included Neil Diamond for his performance in The Jazz Singer and Brooke Shields for her work in The Blue Lagoon. 2. Growing Pains and Early Controversies (1982-1989) As the Razzie Awards gained popularity throughout the 1980s, the ceremony began to attract more attention from the media and the entertainment industry. However, this increased visibility also brought with it a fair share of controversies and challenges. One of the earliest controversies surrounding the Razzies occurred in 1982 when the awards show faced accusations of racism. The nominees for Worst Actress that year included Liza Minnelli for her performance in Arthur and Pia Zadora for her work in Butterfly, both of whom were nominated alongside three African American actresses: Faye Dunaway for Mommie Dearest, Diana Ross for Endless Love, and Barbra Streisand for All Night Long. Some critics argued that the Razzies were unfairly targeting actresses of color, a charge that Wilson and his fellow organizers vehemently denied. Another challenge faced by the Razzies during this period was the lack of a permanent venue for the awards ceremony. In the early years, the event was held at various locations around Los Angeles, including Wilson's home, a local theater, and even a fast food restaurant. It wasn't until 1988 that the Razzies found a more stable home at the Hollywood Roosevelt Hotel, where the ceremony would be held for the next several years. Despite these challenges, the Razzie Awards continued to grow in popularity throughout the 1980s. Some of the most notable "winners" during this period included Pia Zadora (who won Worst Actress and Worst New Star for her performance in Butterfly), Sylvester Stallone (who won Worst Actor for his work in Rambo: First Blood Part II and Rocky IV), and Leonard Part 6, which took home the Worst Picture trophy in 1987. 3. The 1990s: Mainstream Recognition and Celebrity Appearances As the Razzie Awards entered the 1990s, they began to attract more mainstream attention and even some celebrity participation. In 1991, the awards show gained national exposure when CNN aired a segment on the ceremony, which was being held at the Hollywood Roosevelt Hotel. This increased visibility led to a surge in interest from the media and the public, and the Razzies soon became a fixture of the Hollywood awards season. One of the most notable moments in Razzie history occurred in 1996 when Paul Verhoeven became the first director to accept his award in person. Verhoeven, who had been nominated for Worst Director for his work on the critically panned Showgirls, attended the ceremony and delivered a humorous acceptance speech in which he thanked the Razzie voters for "honoring" him with the award. Verhoeven's appearance at the Razzies set a precedent for other celebrities to follow, and in the years that followed, several other notable figures would attend the ceremony to accept their awards in person. In 1998, Halle Berry accepted her Worst Actress Razzie for her performance in B*A*P*S, while in 1999, Wild Wild West director Barry Sonnenfeld accepted the Worst Picture award on behalf of the film. The 1990s also saw the Razzies expand their categories to include more specific awards, such as Worst Screen Couple and Worst Remake or Sequel. Some of the most notable "winners" during this decade included Hudson Hawk (Worst Picture, 1991), Showgirls (Worst Picture, 1995), and Battlefield Earth (Worst Picture, 2000). 4. The 2000s: Razzie Regulars and Controversial Choices As the Razzie Awards entered the new millennium, they continued to generate buzz and controversy within the entertainment industry. The 2000s saw the emergence of several "Razzie regulars" - actors and filmmakers who seemed to consistently earn nominations (and sometimes wins) at the annual ceremony. One of the most notable Razzie regulars of the 2000s was filmmaker Uwe Boll, who directed a string of critically panned video game adaptations throughout the decade. Boll's films, which included House of the Dead, Alone in the Dark, and BloodRayne, were frequent targets of Razzie ridicule, and the director himself received multiple nominations for Worst Director. Another Razzie regular during this period was actress Paris Hilton, who received three consecutive Worst Actress nominations for her performances in House of Wax (2005), Bottoms Up (2006), and The Hottie and the Nottie (2008). Hilton's "winning" streak culminated in 2009 when she took home the Worst Actress Razzie for her work in Repo! The Genetic Opera. The 2000s also saw the Razzies make some controversial choices in their nominations and winners. In 2002, the awards show faced backlash for nominating Mariah Carey for Worst Actress for her performance in Glitter, with some critics arguing that the singer's acting debut was not deserving of Razzie recognition. Similarly, in 2005, the decision to nominate Stanley Kubrick's Eyes Wide Shut for Worst Director (five years after Kubrick's death) was met with criticism from fans and industry insiders who felt that the nomination was in poor taste. Despite these controversies, the Razzie Awards continued to generate attention and discussion throughout the 2000s. Some of the most notable "winners" during this decade included Gigli (Worst Picture, 2003), Catwoman (Worst Picture, 2004), and Battlefield Earth (Worst Picture of the Decade, 2010). 5. The 2010s: Expanding Categories and Online Presence In the 2010s, the Razzie Awards continued to evolve and adapt to changing trends in the entertainment industry. One notable change during this decade was the expansion of the awards categories to include more specific areas of filmmaking, such as Worst Prequel, Remake, Rip-off or Sequel and Worst Screen Combo. The 2010s also saw the Razzies increase their online presence, with the launch of an official website and social media accounts. This digital expansion allowed the awards show to reach a wider audience and engage with fans in new ways, such as hosting online polls and live-tweeting during the ceremony. Some of the most notable Razzie "winners" of the 2010s included Jack and Jill (Worst Picture, 2011), Movie 43 (Worst Picture, 2013), and The Emoji Movie (Worst Picture, 2017). The decade also saw some high-profile celebrities "honored" with Razzie Awards, including Adam Sandler (who won Worst Actor for his work in Jack and Jill), Tyler Perry (who won Worst Actress for his performance in A Madea Christmas), and Donald Trump (who won Worst Actor for his appearances in Death of a Nation and Fahrenheit 11/9). In 2018, the Razzies faced criticism for nominating several critically acclaimed films and performances in their "worst" categories. The decision to nominate Jennifer Lawrence for Worst Actress for her work in mother! and Darren Aronofsky for Worst Director for the same film was met with backlash from fans and industry insiders who felt that the nominations were undeserved. Similarly, the nomination of The Post for Worst Prequel, Remake, Rip-off or Sequel was seen by many as a misguided attempt to generate controversy. 6. The 2020s and Beyond: Adapting to a Changing Industry As the Razzie Awards enter the 2020s, they face new challenges and opportunities in an entertainment industry that is rapidly evolving. The rise of streaming services and the ongoing impact of the COVID-19 pandemic have changed the way that films are produced, distributed, and consumed, and the Razzies will need to adapt to these changes in order to remain relevant and engaging. One potential area of growth for the Razzies in the coming years is the expansion of their categories to include more diverse and inclusive nominees. In recent years, the awards show has faced criticism for its lack of diversity and its tendency to nominate films and performances that cater to a narrow, predominantly white and male audience. By broadening their categories and making a concerted effort to recognize a wider range of voices and perspectives, the Razzies could help to promote greater diversity and inclusivity within the entertainment industry. Another challenge facing the Razzies in the 2020s is the need to stay relevant and engaging in an increasingly crowded and competitive awards season. With the rise of new awards shows and the increasing im

The Razzie Awards, officially known as the Golden Raspberry Awards, have been a staple of the Hollywood awards season since their inception in 1981. Created by publicist John J. B. Wilson, the Razzies serve as a satirical counterpoint to the glitz and glamour of the Academy Awards, highlighting the worst films and performances of the year. Over the past four decades, the Razzies have become an integral part of the cinematic landscape, sparking both laughter and controversy along the way. 1. The Birth of the Razzies (1981) The idea for the Razzie Awards was born out of a casual conversation between John J. B. Wilson and his friends during a 1980 Oscar night party. As they watched the 53rd Academy Awards, Wilson and his companions began discussing the lack of recognition for the year's worst films and performances. Inspired by this discussion, Wilson decided to create an awards show that would celebrate the very worst that Hollywood had to offer. The first Razzie Awards ceremony was held on March 31, 1981, at Wilson's living room alcove in Los Angeles. The event was attended by a small group of friends and entertainment industry insiders, who watched as Wilson handed out ballots for the various categories. The winners were announced, and the "prizes" - which consisted of rotten fruit and vegetables - were distributed to those in attendance. The inaugural Razzie Awards recognized films released in 1980, with Can't Stop the Music, a disco-themed musical starring the Village People, taking home the Worst Picture trophy. Other notable "winners" included Neil Diamond for his performance in The Jazz Singer and Brooke Shields for her work in The Blue Lagoon. 2. Growing Pains and Early Controversies (1982-1989) As the Razzie Awards gained popularity throughout the 1980s, the ceremony began to attract more attention from the media and the entertainment industry. However, this increased visibility also brought with it a fair share of controversies and challenges. One of the earliest controversies surrounding the Razzies occurred in 1982 when the awards show faced accusations of racism. The nominees for Worst Actress that year included Liza Minnelli for her performance in Arthur and Pia Zadora for her work in Butterfly, both of whom were nominated alongside three African American actresses: Faye Dunaway for Mommie Dearest, Diana Ross for Endless Love, and Barbra Streisand for All Night Long. Some critics argued that the Razzies were unfairly targeting actresses of color, a charge that Wilson and his fellow organizers vehemently denied. Another challenge faced by the Razzies during this period was the lack of a permanent venue for the awards ceremony. In the early years, the event was held at various locations around Los Angeles, including Wilson's home, a local theater, and even a fast food restaurant. It wasn't until 1988 that the Razzies found a more stable home at the Hollywood Roosevelt Hotel, where the ceremony would be held for the next several years. Despite these challenges, the Razzie Awards continued to grow in popularity throughout the 1980s. Some of the most notable "winners" during this period included Pia Zadora (who won Worst Actress and Worst New Star for her performance in Butterfly), Sylvester Stallone (who won Worst Actor for his work in Rambo: First Blood Part II and Rocky IV), and Leonard Part 6, which took home the Worst Picture trophy in 1987. 3. The 1990s: Mainstream Recognition and Celebrity Appearances As the Razzie Awards entered the 1990s, they began to attract more mainstream attention and even some celebrity participation. In 1991, the awards show gained national exposure when CNN aired a segment on the ceremony, which was being held at the Hollywood Roosevelt Hotel. This increased visibility led to a surge in interest from the media and the public, and the Razzies soon became a fixture of the Hollywood awards season. One of the most notable moments in Razzie history occurred in 1996 when Paul Verhoeven became the first director to accept his award in person. Verhoeven, who had been nominated for Worst Director for his work on the critically panned Showgirls, attended the ceremony and delivered a humorous acceptance speech in which he thanked the Razzie voters for "honoring" him with the award. Verhoeven's appearance at the Razzies set a precedent for other celebrities to follow, and in the years that followed, several other notable figures would attend the ceremony to accept their awards in person. In 1998, Halle Berry accepted her Worst Actress Razzie for her performance in B*A*P*S, while in 1999, Wild Wild West director Barry Sonnenfeld accepted the Worst Picture award on behalf of the film. The 1990s also saw the Razzies expand their categories to include more specific awards, such as Worst Screen Couple and Worst Remake or Sequel. Some of the most notable "winners" during this decade included Hudson Hawk (Worst Picture, 1991), Showgirls (Worst Picture, 1995), and Battlefield Earth (Worst Picture, 2000). 4. The 2000s: Razzie Regulars and Controversial Choices As the Razzie Awards entered the new millennium, they continued to generate buzz and controversy within the entertainment industry. The 2000s saw the emergence of several "Razzie regulars" - actors and filmmakers who seemed to consistently earn nominations (and sometimes wins) at the annual ceremony. One of the most notable Razzie regulars of the 2000s was filmmaker Uwe Boll, who directed a string of critically panned video game adaptations throughout the decade. Boll's films, which included House of the Dead, Alone in the Dark, and BloodRayne, were frequent targets of Razzie ridicule, and the director himself received multiple nominations for Worst Director. Another Razzie regular during this period was actress Paris Hilton, who received three consecutive Worst Actress nominations for her performances in House of Wax (2005), Bottoms Up (2006), and The Hottie and the Nottie (2008). Hilton's "winning" streak culminated in 2009 when she took home the Worst Actress Razzie for her work in Repo! The Genetic Opera. The 2000s also saw the Razzies make some controversial choices in their nominations and winners. In 2002, the awards show faced backlash for nominating Mariah Carey for Worst Actress for her performance in Glitter, with some critics arguing that the singer's acting debut was not deserving of Razzie recognition. Similarly, in 2005, the decision to nominate Stanley Kubrick's Eyes Wide Shut for Worst Director (five years after Kubrick's death) was met with criticism from fans and industry insiders who felt that the nomination was in poor taste. Despite these controversies, the Razzie Awards continued to generate attention and discussion throughout the 2000s. Some of the most notable "winners" during this decade included Gigli (Worst Picture, 2003), Catwoman (Worst Picture, 2004), and Battlefield Earth (Worst Picture of the Decade, 2010). 5. The 2010s: Expanding Categories and Online Presence In the 2010s, the Razzie Awards continued to evolve and adapt to changing trends in the entertainment industry. One notable change during this decade was the expansion of the awards categories to include more specific areas of filmmaking, such as Worst Prequel, Remake, Rip-off or Sequel and Worst Screen Combo. The 2010s also saw the Razzies increase their online presence, with the launch of an official website and social media accounts. This digital expansion allowed the awards show to reach a wider audience and engage with fans in new ways, such as hosting online polls and live-tweeting during the ceremony. Some of the most notable Razzie "winners" of the 2010s included Jack and Jill (Worst Picture, 2011), Movie 43 (Worst Picture, 2013), and The Emoji Movie (Worst Picture, 2017). The decade also saw some high-profile celebrities "honored" with Razzie Awards, including Adam Sandler (who won Worst Actor for his work in Jack and Jill), Tyler Perry (who won Worst Actress for his performance in A Madea Christmas), and Donald Trump (who won Worst Actor for his appearances in Death of a Nation and Fahrenheit 11/9). In 2018, the Razzies faced criticism for nominating several critically acclaimed films and performances in their "worst" categories. The decision to nominate Jennifer Lawrence for Worst Actress for her work in mother! and Darren Aronofsky for Worst Director for the same film was met with backlash from fans and industry insiders who felt that the nominations were undeserved. Similarly, the nomination of The Post for Worst Prequel, Remake, Rip-off or Sequel was seen by many as a misguided attempt to generate controversy. 6. The 2020s and Beyond: Adapting to a Changing Industry As the Razzie Awards enter the 2020s, they face new challenges and opportunities in an entertainment industry that is rapidly evolving. The rise of streaming services and the ongoing impact of the COVID-19 pandemic have changed the way that films are produced, distributed, and consumed, and the Razzies will need to adapt to these changes in order to remain relevant and engaging. One potential area of growth for the Razzies in the coming years is the expansion of their categories to include more diverse and inclusive nominees. In recent years, the awards show has faced criticism for its lack of diversity and its tendency to nominate films and performances that cater to a narrow, predominantly white and male audience. By broadening their categories and making a concerted effort to recognize a wider range of voices and perspectives, the Razzies could help to promote greater diversity and inclusivity within the entertainment industry. Another challenge facing the Razzies in the 2020s is the need to stay relevant and engaging in an increasingly crowded and competitive awards season. With the rise of new awards shows and the increasing im

The Razzie Awards, officially known as the Golden Raspberry Awards, have been a staple of the Hollywood awards season since their inception in 1981. Created by publicist John J. B. Wilson, the Razzies serve as a satirical counterpoint to the glitz and glamour of the Academy Awards, highlighting the worst films and performances of the year. Over the past four decades, the Razzies have become an integral part of the cinematic landscape, sparking both laughter and controversy along the way. 1. The Birth of the Razzies (1981) The idea for the Razzie Awards was born out of a casual conversation between John J. B. Wilson and his friends during a 1980 Oscar night party. As they watched the 53rd Academy Awards, Wilson and his companions began discussing the lack of recognition for the year's worst films and performances. Inspired by this discussion, Wilson decided to create an awards show that would celebrate the very worst that Hollywood had to offer. The first Razzie Awards ceremony was held on March 31, 1981, at Wilson's living room alcove in Los Angeles. The event was attended by a small group of friends and entertainment industry insiders, who watched as Wilson handed out ballots for the various categories. The winners were announced, and the "prizes" - which consisted of rotten fruit and vegetables - were distributed to those in attendance. The inaugural Razzie Awards recognized films released in 1980, with Can't Stop the Music, a disco-themed musical starring the Village People, taking home the Worst Picture trophy. Other notable "winners" included Neil Diamond for his performance in The Jazz Singer and Brooke Shields for her work in The Blue Lagoon. 2. Growing Pains and Early Controversies (1982-1989) As the Razzie Awards gained popularity throughout the 1980s, the ceremony began to attract more attention from the media and the entertainment industry. However, this increased visibility also brought with it a fair share of controversies and challenges. One of the earliest controversies surrounding the Razzies occurred in 1982 when the awards show faced accusations of racism. The nominees for Worst Actress that year included Liza Minnelli for her performance in Arthur and Pia Zadora for her work in Butterfly, both of whom were nominated alongside three African American actresses: Faye Dunaway for Mommie Dearest, Diana Ross for Endless Love, and Barbra Streisand for All Night Long. Some critics argued that the Razzies were unfairly targeting actresses of color, a charge that Wilson and his fellow organizers vehemently denied. Another challenge faced by the Razzies during this period was the lack of a permanent venue for the awards ceremony. In the early years, the event was held at various locations around Los Angeles, including Wilson's home, a local theater, and even a fast food restaurant. It wasn't until 1988 that the Razzies found a more stable home at the Hollywood Roosevelt Hotel, where the ceremony would be held for the next several years. Despite these challenges, the Razzie Awards continued to grow in popularity throughout the 1980s. Some of the most notable "winners" during this period included Pia Zadora (who won Worst Actress and Worst New Star for her performance in Butterfly), Sylvester Stallone (who won Worst Actor for his work in Rambo: First Blood Part II and Rocky IV), and Leonard Part 6, which took home the Worst Picture trophy in 1987. 3. The 1990s: Mainstream Recognition and Celebrity Appearances As the Razzie Awards entered the 1990s, they began to attract more mainstream attention and even some celebrity participation. In 1991, the awards show gained national exposure when CNN aired a segment on the ceremony, which was being held at the Hollywood Roosevelt Hotel. This increased visibility led to a surge in interest from the media and the public, and the Razzies soon became a fixture of the Hollywood awards season. One of the most notable moments in Razzie history occurred in 1996 when Paul Verhoeven became the first director to accept his award in person. Verhoeven, who had been nominated for Worst Director for his work on the critically panned Showgirls, attended the ceremony and delivered a humorous acceptance speech in which he thanked the Razzie voters for "honoring" him with the award. Verhoeven's appearance at the Razzies set a precedent for other celebrities to follow, and in the years that followed, several other notable figures would attend the ceremony to accept their awards in person. In 1998, Halle Berry accepted her Worst Actress Razzie for her performance in B*A*P*S, while in 1999, Wild Wild West director Barry Sonnenfeld accepted the Worst Picture award on behalf of the film. The 1990s also saw the Razzies expand their categories to include more specific awards, such as Worst Screen Couple and Worst Remake or Sequel. Some of the most notable "winners" during this decade included Hudson Hawk (Worst Picture, 1991), Showgirls (Worst Picture, 1995), and Battlefield Earth (Worst Picture, 2000). 4. The 2000s: Razzie Regulars and Controversial Choices As the Razzie Awards entered the new millennium, they continued to generate buzz and controversy within the entertainment industry. The 2000s saw the emergence of several "Razzie regulars" - actors and filmmakers who seemed to consistently earn nominations (and sometimes wins) at the annual ceremony. One of the most notable Razzie regulars of the 2000s was filmmaker Uwe Boll, who directed a string of critically panned video game adaptations throughout the decade. Boll's films, which included House of the Dead, Alone in the Dark, and BloodRayne, were frequent targets of Razzie ridicule, and the director himself received multiple nominations for Worst Director. Another Razzie regular during this period was actress Paris Hilton, who received three consecutive Worst Actress nominations for her performances in House of Wax (2005), Bottoms Up (2006), and The Hottie and the Nottie (2008). Hilton's "winning" streak culminated in 2009 when she took home the Worst Actress Razzie for her work in Repo! The Genetic Opera. The 2000s also saw the Razzies make some controversial choices in their nominations and winners. In 2002, the awards show faced backlash for nominating Mariah Carey for Worst Actress for her performance in Glitter, with some critics arguing that the singer's acting debut was not deserving of Razzie recognition. Similarly, in 2005, the decision to nominate Stanley Kubrick's Eyes Wide Shut for Worst Director (five years after Kubrick's death) was met with criticism from fans and industry insiders who felt that the nomination was in poor taste. Despite these controversies, the Razzie Awards continued to generate attention and discussion throughout the 2000s. Some of the most notable "winners" during this decade included Gigli (Worst Picture, 2003), Catwoman (Worst Picture, 2004), and Battlefield Earth (Worst Picture of the Decade, 2010). 5. The 2010s: Expanding Categories and Online Presence In the 2010s, the Razzie Awards continued to evolve and adapt to changing trends in the entertainment industry. One notable change during this decade was the expansion of the awards categories to include more specific areas of filmmaking, such as Worst Prequel, Remake, Rip-off or Sequel and Worst Screen Combo. The 2010s also saw the Razzies increase their online presence, with the launch of an official website and social media accounts. This digital expansion allowed the awards show to reach a wider audience and engage with fans in new ways, such as hosting online polls and live-tweeting during the ceremony. Some of the most notable Razzie "winners" of the 2010s included Jack and Jill (Worst Picture, 2011), Movie 43 (Worst Picture, 2013), and The Emoji Movie (Worst Picture, 2017). The decade also saw some high-profile celebrities "honored" with Razzie Awards, including Adam Sandler (who won Worst Actor for his work in Jack and Jill), Tyler Perry (who won Worst Actress for his performance in A Madea Christmas), and Donald Trump (who won Worst Actor for his appearances in Death of a Nation and Fahrenheit 11/9). In 2018, the Razzies faced criticism for nominating several critically acclaimed films and performances in their "worst" categories. The decision to nominate Jennifer Lawrence for Worst Actress for her work in mother! and Darren Aronofsky for Worst Director for the same film was met with backlash from fans and industry insiders who felt that the nominations were undeserved. Similarly, the nomination of The Post for Worst Prequel, Remake, Rip-off or Sequel was seen by many as a misguided attempt to generate controversy. 6. The 2020s and Beyond: Adapting to a Changing Industry As the Razzie Awards enter the 2020s, they face new challenges and opportunities in an entertainment industry that is rapidly evolving. The rise of streaming services and the ongoing impact of the COVID-19 pandemic have changed the way that films are produced, distributed, and consumed, and the Razzies will need to adapt to these changes in order to remain relevant and engaging. One potential area of growth for the Razzies in the coming years is the expansion of their categories to include more diverse and inclusive nominees. In recent years, the awards show has faced criticism for its lack of diversity and its tendency to nominate films and performances that cater to a narrow, predominantly white and male audience. By broadening their categories and making a concerted effort to recognize a wider range of voices and perspectives, the Razzies could help to promote greater diversity and inclusivity within the entertainment industry. Another challenge facing the Razzies in the 2020s is the need to stay relevant and engaging in an increasingly crowded and competitive awards season. With the rise of new awards shows and the increasing im

2024 Razzie Awards !

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Une émission de débat et de partage du cinéma, série en équipe, ont est pas toujours objectifs mais ont ce soignent. Hébergé par Acast. Visitez <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> pour plus d'informations.

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Color burguers, ES HORA DE PROBAR EL ARCOIRIS

The worldwide charting podcast, "a coming of age, but irl," follows Osadolor as he creatively comments on all things concerning today's youth. They offer entertaining insight on music, media, pop culture, and creativity while relaying her personal evolution through uniquely crafted sonic experiences. In 'STROKE_MY_EGO_RE.MIXED,' Osadolor reworks his entire 'stroke my ego' (2022) series to carefully document their coming of age with recorded reflections, conversations, and candid moments of Blackqueerness. 

https://linktr.ee/osadolor

The worldwide charting podcast, "a coming of age, but irl," follows Osadolor as he creatively comments on all things concerning today's youth. They offer entertaining insight on music, media, pop culture, and creativity while relaying her personal evolution through uniquely crafted sonic experiences. In 'STROKE_MY_EGO_RE.MIXED,' Osadolor reworks his entire 'stroke my ego' (2022) series to carefully document their coming of age with recorded reflections, conversations, and candid moments of Blackqueerness. https://linktr.ee/osadolor

a coming of age, but irl

Pop culture and current events podcast for people who like to enjoy life.

www.podcastdoc.com

Pop culture and current events podcast for people who like to enjoy life. www.podcastdoc.com

Entertainment News Podcasts / Page 229