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I Would like to share songs played in my harmonica for the listening pleasure of music lovers. Would appreciate listeners to comment if they like them. Markandeyan, S. T. and my whatsapp No. 9840522221.

MARK'S MUSICAL MUSINGS

La radio come si faceva negli anni Settanta e come si fa ancora oggi. Un classico. "Storie di rock and roll" è un programma ideato a condotto da Marco "Mr.Rock" Pivari e Ferdinando "Il Prof" Molteni che va in onda tutti i giovedì alle 19,00. Si parla di musica e di tutto quello che ruota attorno al variegato mondo del rock. Prendetevi un'oretta e non ve ne pentirete... La chat, durante la diretta, è sempre aperta. Potete ascoltarci in diretta o scaricare i podcast delle varie puntate. Stay Tuned.

La radio come si faceva negli anni Settanta e come si fa ancora oggi. Un classico. "Storie di rock and roll" è un programma ideato a condotto da Marco "Mr.Rock" Pivari e Ferdinando "Il Prof" Molteni che va in onda tutti i giovedì alle 19,00.Si parla di musica e di tutto quello che ruota attorno al variegato mondo del rock. Prendetevi un'oretta e non ve ne pentirete...La chat, durante la diretta, è sempre aperta. Potete ascoltarci in diretta o scaricare i podcast delle varie puntate.Stay Tuned.

La radio come si faceva negli anni Settanta e come si fa ancora oggi. Un classico. "Storie di rock and roll" è un programma ideato a condotto da Marco "Mr.Rock" Pivari e Ferdinando "Il Prof" Molteni che va in onda tutti i giovedì alle 19,00. Si parla di musica e di tutto quello che ruota attorno al variegato mondo del rock. Prendetevi un'oretta e non ve ne pentirete... La chat, durante la diretta, è sempre aperta. Potete ascoltarci in diretta o scaricare i podcast delle varie puntate. Stay Tuned.

Storie di Rock and Roll

The New Jazz Archive (TNJA) is more than just a podcast—it’s an invitation to step into the heart of jazz, a uniquely American art form. Hosted by jazz composer and musician Jeff Haas, each episode takes you on a journey through the stories, sounds, and people that have shaped jazz, from its earliest moments to its lasting influence today. With vivid anecdotes and interviews, TNJA uncovers the untold stories behind the music, bringing to life the voices and experiences that define the genre. Whether you’re a longtime listener or just discovering jazz, TNJA offers a front-row seat to the rich cultural tapestry that jazz weaves into American life, celebrating the innovation, freedom, and expression that continue to define this extraordinary art form.

The New Jazz Archive

Exploring the highways and byways of Classic Recorded Jazz - from the Ragtime era to the day before yesterday!

Jazz Focus

Our hosts, Dave and Mark, are two music obsessives who first met in 2008 at the community radio station RTRFM 92.1 in Perth, Western Australia. Bonding over a love of post punk and other alternative music genres, they soon began making music together and are still heavily involved in the city's fertile local music scene. They also like nothing more than a yarn about music, and their favourite (or not so favourite) bands. These conversations are often amusing, sometimes serious and occasionally, potentially libellous. Thus, the idea for this podcast was born. Each episode the lads choose a theme and each select five songs to explore the topic. The show is free flowing and so the facts are sometimes hazy and the chat can go in any direction. This is not your typical music show.&nbsp;

Our hosts, Dave and Mark, are two music obsessives who first met in 2008 at the community radio station RTRFM 92.1 in Perth, Western Australia. Bonding over a love of post punk and other alternative music genres, they soon began making music together and are still heavily involved in the city's fertile local music scene. They also like nothing more than a yarn about music, and their favourite (or not so favourite) bands. These conversations are often amusing, sometimes serious and occasionally, potentially libellous. Thus, the idea for this podcast was born. Each episode the lads choose a theme and each select five songs to explore the topic. The show is free flowing and so the facts are sometimes hazy and the chat can go in any direction. This is not your typical music show. 

FIVE FROM SEVENS AND TWELVES

Programa dedicat al jazz des dels seus inicis fins a l’actualitat. Intentarem que sigui un programa divers on, a més de la música i l’agenda mensual.

Amb so de Jazz

Allegro con Prog parla della nascita del Progressive Rock, degli aspetti culturali, sociali e dei meccanismi compositivi e tecnici, che hanno contribuito alla commistione fra due generi musicali apparentemente molto distanti fra loro come la musica Classica e il Rock. Allegro con Prog è un podcast scritto e realizzato da me, Alessandro Arcuri. In ottemperanza con l’<a href="https://www.brocardi.it/legge-diritto-autore/titolo-i/capo-v/sezione-i/art70.html" target="_blank" rel="noreferrer noopener">art. 70 della Legge sulla protezione del diritto d'autore, comma 1-bis</a>, le fonti musicali sono state caricate nel progetto originale a bassa risoluzione audio; questo podcast, inoltre, non è a scopo di lucro. Le sigle di apertura e chiusura sono state scritte da me, le parti di basso e di chitarra sono opera mia, la batteria è stata suonata da Federico Gucciardo, le tastiere da Stefano “Ciacio” Schiavon, il Chapman Stick® da Emanuele Cirani e il flauto da Annamaria Dalla Valle.

Allegro con Prog parla della nascita del Progressive Rock, degli aspetti culturali, sociali e dei meccanismi compositivi e tecnici, che hanno contribuito alla commistione fra due generi musicali apparentemente molto distanti fra loro come la musica Classica e il Rock.Allegro con Prog è un podcast scritto e realizzato da me, Alessandro Arcuri.In ottemperanza con l’art. 70 della Legge sulla protezione del diritto d'autore, comma 1-bis, le fonti musicali sono state caricate nel progetto originale a bassa risoluzione audio; questo podcast, inoltre, non è a scopo di lucro.Le sigle di apertura e chiusura sono state scritte da me, le parti di basso e di chitarra sono opera mia, la batteria è stata suonata da Federico Gucciardo, le tastiere da Stefano “Ciacio” Schiavon, il Chapman Stick® da Emanuele Cirani e il flauto da Annamaria Dalla Valle.

Allegro con Prog parla della nascita del Progressive Rock, degli aspetti culturali, sociali e dei meccanismi compositivi e tecnici, che hanno contribuito alla commistione fra due generi musicali apparentemente molto distanti fra loro come la musica Classica e il Rock. Allegro con Prog è un podcast scritto e realizzato da me, Alessandro Arcuri. In ottemperanza con l’<a href="https://www.brocardi.it/legge-diritto-autore/titolo-i/capo-v/sezione-i/art70.html" rel="noopener noreferrer">art. 70 della Legge sulla protezione del diritto d'autore, comma 1-bis</a>, le fonti musicali sono state caricate nel progetto originale a bassa risoluzione audio; questo podcast, inoltre, non è a scopo di lucro. Le sigle di apertura e chiusura sono state scritte da me, le parti di basso e di chitarra sono opera mia, la batteria è stata suonata da Federico Gucciardo, le tastiere da Stefano “Ciacio” Schiavon, il Chapman Stick® da Emanuele Cirani e il flauto da Annamaria Dalla Valle.

Allegro con Prog

My name is Chris, and this is a fun and informative discussion of Billboard's Top 3000 songs of all-time, based on rankings from the first Billboard U.S. Hot 100 chart in 1958 until the end of the year 2022. Each episode will have me talking about a set of 20 songs in countdown fashion, Casey Kasem style. &nbsp;

My name is Chris, and this is a fun and informative discussion of Billboard's Top 3000 songs of all-time, based on rankings from the first Billboard U.S. Hot 100 chart in 1958 until the end of the year 2022. Each episode will have me talking about a set of 20 songs in countdown fashion, Casey Kasem style.  

Chris's Billboard Top 3000 Countdown Podcast

PBS Hawaiʻi's Alanui Mele podcast explores the rich tapestry of Hawaiʻi’s Hip-Hop culture. Through candid interviews, each episode delves into Hawaiʻi's unique connection to the genre. Hosted by: Kavet the catalyst

PBS Hawaiʻi's Alanui Mele podcast explores the rich tapestry of Hawaiʻi’s Hip-Hop culture. Through candid interviews, each episode delves into Hawaiʻi's unique connection to the genre. Hosted by: Kavet the catalyst

ALANUI MELE - Hawaiʻi Hip-Hop History

PANDAVO NOE PANCHAL MA PRVESH

What The Music?!

Bonjour et bienvenue sur Undercover, le podcast mensuel des reprises ! Ici on fait la part belle aux covers comme disent les anglais, ou aux reprises comme on dit chez nous.Tous les mois on va essayer de vous concocter un petit voyage musical alternatif. Des gros standards de rock classique aux morceaux de jeux video, on vous fera découvrir ou redécouvrir 4 morceaux au travers de reprises plus ou moins connues.Bonus:<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/@PimpMyTrackFr">Caroline P. alias PimpMyTrack - Youtube Officiel</a><a target="_blank" rel="noopener noreferrer nofollow" href="https://youtu.be/BaQW_8pNvm8?t=754">Pedro Winter x Clique</a>

Bonjour et bienvenue sur Undercover, le podcast mensuel des reprises ! Ici on fait la part belle aux covers comme disent les anglais, ou aux reprises comme on dit chez nous. Tous les mois on va essayer de vous concocter un petit voyage musical alternatif. Des gros standards de rock classique aux morceaux de jeux video, on vous fera découvrir ou redécouvrir 4 morceaux au travers de reprises plus ou moins connues. Bonus: Caroline P. alias PimpMyTrack - Youtube Officiel Pedro Winter x Clique

Bonjour et bienvenue sur Undercover, le podcast mensuel des reprises ! Ici on fait la part belle aux covers comme disent les anglais, ou aux reprises comme on dit chez nous.Tous les mois on va essayer de vous concocter un petit voyage musical alternatif. Des gros standards de rock classique aux morceaux de jeux video, on vous fera découvrir ou redécouvrir 4 morceaux au travers de reprises plus ou moins connues.Bonus:<a href="https://www.youtube.com/@PimpMyTrackFr" rel="noopener noreferrer">Caroline P. alias PimpMyTrack - Youtube Officiel</a><a href="https://youtu.be/BaQW_8pNvm8?t=754" rel="noopener noreferrer">Pedro Winter x Clique</a>

Undercover

Il presente programma fece parte nel 2004 delle manifestazioni universitarie di ICAMus a Firenze (un seminario e due concerti) dal titolo Solitudini creative, a cura di Aloma Bardi, dedicate a una stagione speciale, il Romanticismo americano, nelle sue potenti implicazioni musicali studiate attraverso il movimento filosofico e letterario del Trascendentalismo e la poesia di Emily Dickinson.

Il tema delle “Solitudini creative” riassume in sé valori centrali alla cultura e al pensiero nordamericani, dal rapporto con la natura alla libertà delle forme espressive, dalla protesta sociale alla visione ultraterrena. Numerose e diversificate sono le sembianze che assume. Per la poesia di Emily Dickinson i compositori di liriche d’arte hanno costantemente mostrato predilezione, come pure per i testi di Walt Whitman. Questi due mondi poetici generano un repertorio musicale in crescita incessante; ICAMus nel corso degli anni ha dedicato varie iniziative ai due poeti e alle composizioni musicali sui loro versi.

Emily Dickinson (1830-1886), con le sue enigmatiche poesie dal linguaggio vertiginosamente simbolico, permane nel tempo come un culmine di attrazione per i compositori, indipendente dalle tendenze musicali e culturali, capace di riaffermare ogni volta la sua inquietante modernità. Sin dagli anni Sessanta dell’Ottocento, la poetessa aveva condotto alle estreme conseguenze la sperimentazione di uno stile innovativo che sa evocare spazi immensi e abissali entro i confini di un ambiente vitale intimo, persino minimo. Nei suoi versi, la presenza musicale assume un ruolo centrale: da un lato la poetessa amava e praticava con competenza la musica, dall’altro lato la sua poesia contiene migliaia di riferimenti e immagini musicali, oltre ad una intrinseca complessa musicalità nel metro e nel fraseggio.

I compositori, soprattutto ma non soltanto statunitensi, attraverso le generazioni hanno echeggiato ed espanso la musica presente nel verso dickinsoniano. Già nel 1894, soltanto otto anni dopo la morte della poetessa e quattro anni dopo la pubblicazione di una prima raccolta di sue poesie, la compositrice Willetta “Etta” Parker eseguì in concerto il proprio song Have You Got a Brook in Your Little Heart? sui versi di Emily Dickinson. Da allora e sino ai giorni nostri, compositori e compositrici hanno trovato nella poesia dickinsoniana inesauribile illuminazione per scrivere migliaia di adattamenti musicali, dall’ambito altamente artistico al pregevole artigianato, sino alla musica “domestica” e amatoriale.

La scelta di questo programma include alcune delle presenze più significative tra i compositori americani contemporanei di liriche d’arte, introducendo il pubblico italiano ad un ambito musicale pressoché sconosciuto e ai nomi di Arthur Farwell, Ernst Bacon, Leo Smit e Lori Laitman – che sin dagli anni Venti del Novecento hanno sperimentato con sorprendente varietà stilistica la composizione di songs dickinsoniani in cicli e raccolte, tornando ripetutamente al verso della poetessa attraverso i decenni – per trovare un culmine stilistico nel ciclo di Aaron Copland, Twelve Poems of Emily Dickinson (1949-1950): individuando un universo di emozioni condivise, il compositore forgia un linguaggio musicale straordinariamente toccante, espressione di profonda compenetrazione tra musica e testo poetico.

Il soprano Antonia Brown e il pianista Gregorio Nardi furono gli interpreti del concerto di ICAMus (Firenze, Accademia Bartolomeo Cristofori, 15 giugno 2004) il cui programma comprendeva numerose prime esecuzioni in Europa. Le trasmissioni includono registrazioni dal vivo da quel concerto affiancate a due incisioni storiche: il soprano Helen Boatwright con il pianista John Kirkpatrick nella selezione dei songs di Bacon in una registrazione del 1964, e il soprano Adele Addison nel ciclo di Copland, accompagnata dal compositore al pianoforte, ancora in una registrazione degli anni Sessanta.

Il Centro di Documentazione sulla Musica Am

Il presente programma fece parte nel 2004 delle manifestazioni universitarie di ICAMus a Firenze (un seminario e due concerti) dal titolo Solitudini creative, a cura di Aloma Bardi, dedicate a una stagione speciale, il Romanticismo americano, nelle sue potenti implicazioni musicali studiate attraverso il movimento filosofico e letterario del Trascendentalismo e la poesia di Emily Dickinson. Il tema delle “Solitudini creative” riassume in sé valori centrali alla cultura e al pensiero nordamericani, dal rapporto con la natura alla libertà delle forme espressive, dalla protesta sociale alla visione ultraterrena. Numerose e diversificate sono le sembianze che assume. Per la poesia di Emily Dickinson i compositori di liriche d’arte hanno costantemente mostrato predilezione, come pure per i testi di Walt Whitman. Questi due mondi poetici generano un repertorio musicale in crescita incessante; ICAMus nel corso degli anni ha dedicato varie iniziative ai due poeti e alle composizioni musicali sui loro versi. Emily Dickinson (1830-1886), con le sue enigmatiche poesie dal linguaggio vertiginosamente simbolico, permane nel tempo come un culmine di attrazione per i compositori, indipendente dalle tendenze musicali e culturali, capace di riaffermare ogni volta la sua inquietante modernità. Sin dagli anni Sessanta dell’Ottocento, la poetessa aveva condotto alle estreme conseguenze la sperimentazione di uno stile innovativo che sa evocare spazi immensi e abissali entro i confini di un ambiente vitale intimo, persino minimo. Nei suoi versi, la presenza musicale assume un ruolo centrale: da un lato la poetessa amava e praticava con competenza la musica, dall’altro lato la sua poesia contiene migliaia di riferimenti e immagini musicali, oltre ad una intrinseca complessa musicalità nel metro e nel fraseggio. I compositori, soprattutto ma non soltanto statunitensi, attraverso le generazioni hanno echeggiato ed espanso la musica presente nel verso dickinsoniano. Già nel 1894, soltanto otto anni dopo la morte della poetessa e quattro anni dopo la pubblicazione di una prima raccolta di sue poesie, la compositrice Willetta “Etta” Parker eseguì in concerto il proprio song Have You Got a Brook in Your Little Heart? sui versi di Emily Dickinson. Da allora e sino ai giorni nostri, compositori e compositrici hanno trovato nella poesia dickinsoniana inesauribile illuminazione per scrivere migliaia di adattamenti musicali, dall’ambito altamente artistico al pregevole artigianato, sino alla musica “domestica” e amatoriale. La scelta di questo programma include alcune delle presenze più significative tra i compositori americani contemporanei di liriche d’arte, introducendo il pubblico italiano ad un ambito musicale pressoché sconosciuto e ai nomi di Arthur Farwell, Ernst Bacon, Leo Smit e Lori Laitman – che sin dagli anni Venti del Novecento hanno sperimentato con sorprendente varietà stilistica la composizione di songs dickinsoniani in cicli e raccolte, tornando ripetutamente al verso della poetessa attraverso i decenni – per trovare un culmine stilistico nel ciclo di Aaron Copland, Twelve Poems of Emily Dickinson (1949-1950): individuando un universo di emozioni condivise, il compositore forgia un linguaggio musicale straordinariamente toccante, espressione di profonda compenetrazione tra musica e testo poetico. Il soprano Antonia Brown e il pianista Gregorio Nardi furono gli interpreti del concerto di ICAMus (Firenze, Accademia Bartolomeo Cristofori, 15 giugno 2004) il cui programma comprendeva numerose prime esecuzioni in Europa. Le trasmissioni includono registrazioni dal vivo da quel concerto affiancate a due incisioni storiche: il soprano Helen Boatwright con il pianista John Kirkpatrick nella selezione dei songs di Bacon in una registrazione del 1964, e il soprano Adele Addison nel ciclo di Copland, accompagnata dal compositore al pianoforte, ancora in una registrazione degli anni Sessanta. Il Centro di Documentazione sulla Musica Am

Il presente programma fece parte nel 2004 delle manifestazioni universitarie di ICAMus a Firenze (un seminario e due concerti) dal titolo Solitudini creative, a cura di Aloma Bardi, dedicate a una stagione speciale, il Romanticismo americano, nelle sue potenti implicazioni musicali studiate attraverso il movimento filosofico e letterario del Trascendentalismo e la poesia di Emily Dickinson.

Il tema delle “Solitudini creative” riassume in sé valori centrali alla cultura e al pensiero nordamericani, dal rapporto con la natura alla libertà delle forme espressive, dalla protesta sociale alla visione ultraterrena. Numerose e diversificate sono le sembianze che assume. Per la poesia di Emily Dickinson i compositori di liriche d’arte hanno costantemente mostrato predilezione, come pure per i testi di Walt Whitman. Questi due mondi poetici generano un repertorio musicale in crescita incessante; ICAMus nel corso degli anni ha dedicato varie iniziative ai due poeti e alle composizioni musicali sui loro versi.

Emily Dickinson (1830-1886), con le sue enigmatiche poesie dal linguaggio vertiginosamente simbolico, permane nel tempo come un culmine di attrazione per i compositori, indipendente dalle tendenze musicali e culturali, capace di riaffermare ogni volta la sua inquietante modernità. Sin dagli anni Sessanta dell’Ottocento, la poetessa aveva condotto alle estreme conseguenze la sperimentazione di uno stile innovativo che sa evocare spazi immensi e abissali entro i confini di un ambiente vitale intimo, persino minimo. Nei suoi versi, la presenza musicale assume un ruolo centrale: da un lato la poetessa amava e praticava con competenza la musica, dall’altro lato la sua poesia contiene migliaia di riferimenti e immagini musicali, oltre ad una intrinseca complessa musicalità nel metro e nel fraseggio.

I compositori, soprattutto ma non soltanto statunitensi, attraverso le generazioni hanno echeggiato ed espanso la musica presente nel verso dickinsoniano. Già nel 1894, soltanto otto anni dopo la morte della poetessa e quattro anni dopo la pubblicazione di una prima raccolta di sue poesie, la compositrice Willetta “Etta” Parker eseguì in concerto il proprio song Have You Got a Brook in Your Little Heart? sui versi di Emily Dickinson. Da allora e sino ai giorni nostri, compositori e compositrici hanno trovato nella poesia dickinsoniana inesauribile illuminazione per scrivere migliaia di adattamenti musicali, dall’ambito altamente artistico al pregevole artigianato, sino alla musica “domestica” e amatoriale.

La scelta di questo programma include alcune delle presenze più significative tra i compositori americani contemporanei di liriche d’arte, introducendo il pubblico italiano ad un ambito musicale pressoché sconosciuto e ai nomi di Arthur Farwell, Ernst Bacon, Leo Smit e Lori Laitman – che sin dagli anni Venti del Novecento hanno sperimentato con sorprendente varietà stilistica la composizione di songs dickinsoniani in cicli e raccolte, tornando ripetutamente al verso della poetessa attraverso i decenni – per trovare un culmine stilistico nel ciclo di Aaron Copland, Twelve Poems of Emily Dickinson&nbsp;(1949-1950): individuando un universo di emozioni condivise, il compositore forgia un linguaggio musicale straordinariamente toccante, espressione di profonda compenetrazione tra musica e testo poetico.

Il soprano Antonia Brown e il pianista Gregorio Nardi furono gli interpreti del concerto di ICAMus (Firenze, Accademia Bartolomeo Cristofori, 15 giugno 2004) il cui programma comprendeva numerose prime esecuzioni in Europa. Le trasmissioni includono registrazioni dal vivo da quel concerto affiancate a due incisioni storiche: il soprano Helen Boatwright con il pianista John Kirkpatrick nella selezione dei songs di Bacon in una registrazione del 1964, e il soprano Adele Addison nel ciclo di Copland, accompagnata dal compositore al pianoforte, ancora in una registrazione degli anni Sessanta.

Il Centro di Documentazione sulla Musica Am

La poesia di Emily Dickinson e la musica americana del Novecento

DiscoBrain Talks is a podcast where music meets mindfulness.&nbsp; Hosted by Jade Clare, this show dives deep into the intersection of mental health and the music industry. Each episode features honest conversations with artists, producers, and other industry insiders, unpacking the highs and lows of creative life and the mental health challenges that often accompany it. &nbsp; From breaking stigmas to sharing personal stories and strategies for well-being, DiscoBrain Talks is your backstage pass to the untold struggles and triumphs of life in music. Whether you’re an artist, a fan, or someone seeking inspiration, tune in for heartfelt dialogue and actionable insights that hit all the right notes. 🎶✨ &nbsp; New episodes bi- weekly—join us as we amplify voices, share experiences, and promote mental health in the rhythm of life.&nbsp;

DiscoBrain Talks is a podcast where music meets mindfulness.  Hosted by Jade Clare, this show dives deep into the intersection of mental health and the music industry. Each episode features honest conversations with artists, producers, and other industry insiders, unpacking the highs and lows of creative life and the mental health challenges that often accompany it.   From breaking stigmas to sharing personal stories and strategies for well-being, DiscoBrain Talks is your backstage pass to the untold struggles and triumphs of life in music. Whether you’re an artist, a fan, or someone seeking inspiration, tune in for heartfelt dialogue and actionable insights that hit all the right notes. 🎶✨   New episodes bi- weekly—join us as we amplify voices, share experiences, and promote mental health in the rhythm of life. 

Discobrain talks

A documentary about music scenes and venues in the Waterloo region.

Makings of a Scene

3 metal heads based in Boston, New Orleans and Prague discuss and review the latest releases and news in the world of heavy metal as well as taking deep dives into the back catalogs and history of musicians and bands that have shaped the world of heavy metal via their flag-ship segment, "Under the Knife."<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

3 metal heads based in Boston, New Orleans and Prague discuss and review the latest releases and news in the world of heavy metal as well as taking deep dives into the back catalogs and history of musicians and bands that have shaped the world of heavy metal via their flag-ship segment, "Under the Knife." Hosted on Acast. See acast.com/privacy for more information.

3 metal heads based in Boston, New Orleans and Prague discuss and review the latest releases and news in the world of heavy metal as well as taking deep dives into the back catalogs and history of musicians and bands that have shaped the world of heavy metal via their flag-ship segment, "Under the Knife." Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

The Funda-METAL-ists | Metal Podcast

Hosted by: DJ ChesterGarage Lessons is the perfect place for a music enthusiast like you, a little bit of this and a little bit of that but always under the best Garage vibes! Every episode is mixed carefully with love ready to enjoy on headphones, driving in your car or even louder in your own sound system. Audio quality is for me one of the most important aspects when I hit the “REC” button so, sit down and relax while you listen to it.If you want to know more about me as DJ, please, connect to my social networks and share if you like it:<ul><li><a href="https://www.instagram.com/_djchester_/" rel="nofollow">https://www.instagram.com/_djchester_/</a></li><li><a href="https://www.facebook.com/DJChesterTheGarageLover" rel="nofollow">https://www.facebook.com/DJChesterTheGarageLover</a></li></ul>

Hosted by: DJ Chester Garage Lessons is the perfect place for a music enthusiast like you, a little bit of this and a little bit of that but always under the best Garage vibes! Every episode is mixed carefully with love ready to enjoy on headphones, driving in your car or even louder in your own sound system. Audio quality is for me one of the most important aspects when I hit the “REC” button so, sit down and relax while you listen to it. If you want to know more about me as DJ, please, connect to my social networks and share if you like it:https://www.instagram.com/_djchester_/https://www.facebook.com/DJChesterTheGarageLover

Hosted by: DJ ChesterGarage Lessons is the perfect place for a music enthusiast like you, a little bit of this and a little bit of that but always under the best Garage vibes!&nbsp;Every episode is mixed carefully with love ready to enjoy on headphones, driving in your car or even louder in your own sound system. Audio quality is for me one of the most important aspects when I hit the “REC” button so, sit down and relax while you listen to it.If you want to know more about me as DJ, please, connect to my social networks and share if you like it:<ul><li><a href="https://www.instagram.com/_djchester_/" rel="noopener noreferrer">https://www.instagram.com/_djchester_/</a></li><li><a href="https://www.facebook.com/DJChesterTheGarageLover" rel="noopener noreferrer">https://www.facebook.com/DJChesterTheGarageLover</a></li></ul>

Garage Lessons

De Danse Macabre Podcast met Pjotr van Haren.In deze podcast neem ik je mee in één van de meest beroemde symfonische werken uit de geschiedenis van de klassieke muziek. Of je nou een complete leek of een expert bent, na het luisteren van deze podcast weet je alle ins en outs over de Danse Macabre van Camille Saint-Saëns.

De Danse Macabre Podcast met Pjotr van Haren. In deze podcast neem ik je mee in één van de meest beroemde symfonische werken uit de geschiedenis van de klassieke muziek. Of je nou een complete leek of een expert bent, na het luisteren van deze podcast weet je alle ins en outs over de Danse Macabre van Camille Saint-Saëns.

De Danse Macabre Podcast

Découvrez notre collection exclusive de <a href="https://zenapan.com/collections/handpans" rel="noopener noreferrer" target="_blank" style="color: rgb(59, 59, 59);">Handpans</a> et <a href="https://zenapan.com/collections/tongue-drums" rel="noopener noreferrer" target="_blank" style="color: rgb(59, 59, 59);">tongue drums </a>sur ZenaPan. Plongez dans un univers où mélodie et bien-être s'entremêlent pour vous offrir une expérience unique. Notre collection est conçue pour tous, des musiciens aguerris aux débutants, désireux d'explorer les richesses sonores du tongue drum.

Découvrez notre collection exclusive de Handpans et tongue drums sur ZenaPan. Plongez dans un univers où mélodie et bien-être s'entremêlent pour vous offrir une expérience unique. Notre collection est conçue pour tous, des musiciens aguerris aux débutants, désireux d'explorer les richesses sonores du tongue drum.

Découvrez notre collection exclusive de <a href="https://zenapan.com/collections/handpans" rel="noopener noreferrer">Handpans</a> et <a href="https://zenapan.com/collections/tongue-drums" rel="noopener noreferrer">tongue drums </a>sur ZenaPan.&nbsp;Plongez dans un univers où mélodie et bien-être s'entremêlent pour vous offrir une expérience unique. Notre collection est conçue pour tous, des musiciens aguerris aux débutants, désireux d'explorer les richesses sonores du tongue drum.

ZenaPan

Basically Game Theory but about Kendrick Lamar

Lamar Theory

In unserem musikwissenschaftlich informierten Podcast aus dem Havelland widmen wir uns allgemeinen Fragen des Musiklebens, Klassikern sowie Stücken und Komponist:Innen, die leicht übersehen werden. Für Einsteiger:Innen und Fortgeschrittene, die sich für Musik begeistern und es etwas genauer wissen wollen.

Notenkonferenz

Acompañame a recorrer un poco de la historia del Rock en español, mas precisamente el del Rock Nacional Argentino, en cada episodio un artista y/o banda diferente.

Rock Nacional Argentino

Steve Albini: Uncompromising Force of Independent Rock (1958 - 2024) The world of alternative and underground rock has lost one of its most iconic and uncompromising figures with the death of Steve Albini at age 61. As confirmed by multiple reports, the renowned producer, singer, and guitarist died of a heart attack on [DATE]. Born on August 23, 1958 in Pasadena, California, Albini's influence on independent and punk rock cannot be overstated. He was a staunch advocate for artistic integrity, shunning the music industry's commercial leaners while forging an inimitable legacy through his work with trailblazing bands across the underground circuit. The Early Days and Big Black Albini's journey began in the late 1970s when he relocated to Chicago and immersed himself in the city's burgeoning punk scene. It was here that he formed the highly influential industrial rock/punk band Big Black in 1981. With a relentlessly aggressive sound and Albini's sardonic lyricism, Big Black's albums like Atomizer, Bullhead, and Songs About Fucking quickly gained a cult following. Their uncompromising spirit and Albini's ethos of recording bands with minimal interference struck a chord with artists seeking an authentic outlet. Big Black disbanded in 1987, but their impact had been solidified - paving the way for Albini's next phase as one of rock's most sought-after producers. The Producing Legend Albini's fame as a producer truly took off in the early '90s when he worked on now-iconic albums by bands like Nirvana (In Utero), Pixies (Surfer Rosa), and PJ Harvey (Rid of Me). His no-frills, high-fidelity approach captured the raw energy of these acts, eschewing mainstream production trickery. Over the subsequent decades, Albini's production work became the gold standard for alt-rock authenticity. The Breeders, Jawbreaker, The Jesus Lizard, Joanna Newsom, Cloud Nothings - the list of revered artists he recorded is a veritable who's who of the alternative realm. Albini never chased fame or fortune, working out of his Electrical Audio studios in Chicago on his own terms. Shellac and Relentless Integrity While his production work was legendary, Albini never abandoned his own musical output. In 1992, he formed the highly influential math rock/post-hardcore band Shellac with drummer Todd Trainer and bassist Bob Weston. Over the course of seven uncompromising albums until 2014, Shellac's complex, abrasive stylings defied genre conventions. They were the living embodiment of Albini's longstanding advocacy for artistic freedom and aversion to mainstream commercialism. In one famous quote, he said "I told the people at the label I'd make the record at home or in the basement or wherever it would sound crappy because that's what they wanted." It was this integrity that made him such a revered cult figure. On April 7th the devastating news broke that Steve Albini had died of a heart attack in Chicago at age 61. While few confirmed details have emerged, it marked the end of an era for one of alternative rock's most important forces. Tributes immediately poured in from countless musicians Albini had inspired or worked with over his unparalleled four-decade career. "Steve Albini was a merciless truth-teller and a generator of outrageous riffs," wrote Britt Daniel of Spoon. Albini, who disdained fame and celebrity, nonetheless made an indelible mark. Legacy of Doing It His Way More than any individual album or band, Steve Albini's legacy is that of steadfast adherence to one's creative vision without compromise. He refused to pander or follow industry trends, and yet his influence stretched to every corner of the rock underground. In the 1990s, Albini memorably turned down a lucrative recording contract from Atlantic Records, remarking "The business, as it persists today, is anti-art." This fierce independence served as inspiration for countless artists who desired to forge their own uncompromising path. As a 2018 Pitchfork profile put it: "Albini has spent his entire adult life fighting to keep music sacred." While the underground rock world mourns his passing, Albini's towering legacy lives on through the countless artists he inspired and recordings he etched into history with his singular production ethos. The music world has lost an uncompromising maverick, but one whose radical devotion to artistic expression will continue shaping independent music for generations to come. Thanks for listening- Remember to like and share wherever you get your podcasts

Steve Albini: Uncompromising Force of Independent Rock (1958 - 2024) The world of alternative and underground rock has lost one of its most iconic and uncompromising figures with the death of Steve Albini at age 61. As confirmed by multiple reports, the renowned producer, singer, and guitarist died of a heart attack on [DATE]. Born on August 23, 1958 in Pasadena, California, Albini's influence on independent and punk rock cannot be overstated. He was a staunch advocate for artistic integrity, shunning the music industry's commercial leaners while forging an inimitable legacy through his work with trailblazing bands across the underground circuit. The Early Days and Big Black Albini's journey began in the late 1970s when he relocated to Chicago and immersed himself in the city's burgeoning punk scene. It was here that he formed the highly influential industrial rock/punk band Big Black in 1981. With a relentlessly aggressive sound and Albini's sardonic lyricism, Big Black's albums like Atomizer, Bullhead, and Songs About Fucking quickly gained a cult following. Their uncompromising spirit and Albini's ethos of recording bands with minimal interference struck a chord with artists seeking an authentic outlet. Big Black disbanded in 1987, but their impact had been solidified - paving the way for Albini's next phase as one of rock's most sought-after producers. The Producing Legend Albini's fame as a producer truly took off in the early '90s when he worked on now-iconic albums by bands like Nirvana (In Utero), Pixies (Surfer Rosa), and PJ Harvey (Rid of Me). His no-frills, high-fidelity approach captured the raw energy of these acts, eschewing mainstream production trickery. Over the subsequent decades, Albini's production work became the gold standard for alt-rock authenticity. The Breeders, Jawbreaker, The Jesus Lizard, Joanna Newsom, Cloud Nothings - the list of revered artists he recorded is a veritable who's who of the alternative realm. Albini never chased fame or fortune, working out of his Electrical Audio studios in Chicago on his own terms. Shellac and Relentless Integrity While his production work was legendary, Albini never abandoned his own musical output. In 1992, he formed the highly influential math rock/post-hardcore band Shellac with drummer Todd Trainer and bassist Bob Weston. Over the course of seven uncompromising albums until 2014, Shellac's complex, abrasive stylings defied genre conventions. They were the living embodiment of Albini's longstanding advocacy for artistic freedom and aversion to mainstream commercialism. In one famous quote, he said "I told the people at the label I'd make the record at home or in the basement or wherever it would sound crappy because that's what they wanted." It was this integrity that made him such a revered cult figure. On April 7th the devastating news broke that Steve Albini had died of a heart attack in Chicago at age 61. While few confirmed details have emerged, it marked the end of an era for one of alternative rock's most important forces. Tributes immediately poured in from countless musicians Albini had inspired or worked with over his unparalleled four-decade career. "Steve Albini was a merciless truth-teller and a generator of outrageous riffs," wrote Britt Daniel of Spoon. Albini, who disdained fame and celebrity, nonetheless made an indelible mark. Legacy of Doing It His Way More than any individual album or band, Steve Albini's legacy is that of steadfast adherence to one's creative vision without compromise. He refused to pander or follow industry trends, and yet his influence stretched to every corner of the rock underground. In the 1990s, Albini memorably turned down a lucrative recording contract from Atlantic Records, remarking "The business, as it persists today, is anti-art." This fierce independence served as inspiration for countless artists who desired to forge their own uncompromising path. As a 2018 Pitchfork profile put it: "Albini has spent his entire adult life fighting to keep music sacred." While the underground rock world mourns his passing, Albini's towering legacy lives on through the countless artists he inspired and recordings he etched into history with his singular production ethos. The music world has lost an uncompromising maverick, but one whose radical devotion to artistic expression will continue shaping independent music for generations to come. Thanks for listening- Remember to like and share wherever you get your podcasts

Steve Albini: Uncompromising Force of Independent Rock (1958 - 2024) The world of alternative and underground rock has lost one of its most iconic and uncompromising figures with the death of Steve Albini at age 61. As confirmed by multiple reports, the renowned producer, singer, and guitarist died of a heart attack on [DATE]. Born on August 23, 1958 in Pasadena, California, Albini's influence on independent and punk rock cannot be overstated. He was a staunch advocate for artistic integrity, shunning the music industry's commercial leaners while forging an inimitable legacy through his work with trailblazing bands across the underground circuit. The Early Days and Big Black Albini's journey began in the late 1970s when he relocated to Chicago and immersed himself in the city's burgeoning punk scene. It was here that he formed the highly influential industrial rock/punk band Big Black in 1981. With a relentlessly aggressive sound and Albini's sardonic lyricism, Big Black's albums like Atomizer, Bullhead, and Songs About Fucking quickly gained a cult following. Their uncompromising spirit and Albini's ethos of recording bands with minimal interference struck a chord with artists seeking an authentic outlet. Big Black disbanded in 1987, but their impact had been solidified - paving the way for Albini's next phase as one of rock's most sought-after producers. The Producing Legend Albini's fame as a producer truly took off in the early '90s when he worked on now-iconic albums by bands like Nirvana (In Utero), Pixies (Surfer Rosa), and PJ Harvey (Rid of Me). His no-frills, high-fidelity approach captured the raw energy of these acts, eschewing mainstream production trickery. Over the subsequent decades, Albini's production work became the gold standard for alt-rock authenticity. The Breeders, Jawbreaker, The Jesus Lizard, Joanna Newsom, Cloud Nothings - the list of revered artists he recorded is a veritable who's who of the alternative realm. Albini never chased fame or fortune, working out of his Electrical Audio studios in Chicago on his own terms. Shellac and Relentless Integrity While his production work was legendary, Albini never abandoned his own musical output. In 1992, he formed the highly influential math rock/post-hardcore band Shellac with drummer Todd Trainer and bassist Bob Weston. Over the course of seven uncompromising albums until 2014, Shellac's complex, abrasive stylings defied genre conventions. They were the living embodiment of Albini's longstanding advocacy for artistic freedom and aversion to mainstream commercialism. In one famous quote, he said "I told the people at the label I'd make the record at home or in the basement or wherever it would sound crappy because that's what they wanted." It was this integrity that made him such a revered cult figure. On April 7th the devastating news broke that Steve Albini had died of a heart attack in Chicago at age 61. While few confirmed details have emerged, it marked the end of an era for one of alternative rock's most important forces. Tributes immediately poured in from countless musicians Albini had inspired or worked with over his unparalleled four-decade career. "Steve Albini was a merciless truth-teller and a generator of outrageous riffs," wrote Britt Daniel of Spoon. Albini, who disdained fame and celebrity, nonetheless made an indelible mark. Legacy of Doing It His Way More than any individual album or band, Steve Albini's legacy is that of steadfast adherence to one's creative vision without compromise. He refused to pander or follow industry trends, and yet his influence stretched to every corner of the rock underground. In the 1990s, Albini memorably turned down a lucrative recording contract from Atlantic Records, remarking "The business, as it persists today, is anti-art." This fierce independence served as inspiration for countless artists who desired to forge their own uncompromising path. As a 2018 Pitchfork profile put it: "Albini has spent his entire adult life fighting to keep music sacred." While the underground rock world mourns his passing, Albini's towering legacy lives on through the countless artists he inspired and recordings he etched into history with his singular production ethos. The music world has lost an uncompromising maverick, but one whose radical devotion to artistic expression will continue shaping independent music for generations to come. Thanks for listening- Remember to like and share wherever you get your podcasts

Steve Albini - Audio Biography

allah is the greatest

nasheeds

This extensive biography offers an in-depth look at the life and career of Grammy-winning superstar Bruno Mars. From his early days as a childhood Elvis impersonator in Honolulu to his rise to global fame, the article explores the influences, challenges and pivotal moments that shaped his journey to becoming one of the most successful and impactful entertainers of his generation. Readers will gain insight into the creative process behind Bruno's hit songs, his electrifying live performances and his undeniable impact on popular culture. This compelling profile is a must-read for any music lover or fan of great success stories.

Bruno Mars- Audio Biography - #Brunomars

Ми - учасники колективу UNOYA (ЮНОЯ). Окрім того, що ми створюємо музику, ми, ділимось своїми думками про неї. Тому ми вирішили створити подкаст де ділимось усім про музичну індустрію, шоу бізнес і загалом життя. Доєднуйся!

Ми - учасники колективу UNOYA (ЮНОЯ). Окрім того, що ми створюємо музику, ми, ділимось своїми думками про неї. Тому ми вирішили створити подкаст де ділимось усім про музичну індустрію, шоу бізнес і загалом життя. Доєднуйся!

UNOYA подкаст

Endless Music

FEELS LIKE HOME Radio presented by Kenn Colt is a weekly podcast on iTunes/Spotify! New music from well known and upcoming artists around the globe so you can enjoy one hour of the best and newest house tracks around the world. For more info about Kenn Colt please visit www.kenncolt.com

FEELS LIKE HOME Radio

Der Hit klingt verdächtig nach einem anderen! Zufall oder bewusst kopiert? Ist das erlaubt oder hat das Konsequenzen? Die Hit Busters,&nbsp;Julie Frey von kronehit und Musikexperte Paul Katzmayr, gehen musikalischem True Crime auf die Spur und decken die krassesten Plagiatsfälle der Popmusik auf! Ob Robin Schulz, Ed Sheeran, Sam Smith oder Coldplay – Plagiatsvorwürfe machen vor keinem Star Halt. Die Hit Busters&nbsp;zeigen, wie ähnlich die Hits klingen&nbsp;und analysieren die musikalischen und rechtlichen Aspekte jedes Falls.Abonniere diesen Podcast, um keine Folge mehr zu verpassen. Lass' auch gerne deine Bewertung da!&nbsp;

Der Hit klingt verdächtig nach einem anderen! Zufall oder bewusst kopiert? Ist das erlaubt oder hat das Konsequenzen? Die Hit Busters, Julie Frey von kronehit und Musikexperte Paul Katzmayr, gehen musikalischem True Crime auf die Spur und decken die krassesten Plagiatsfälle der Popmusik auf! Ob Robin Schulz, Ed Sheeran, Sam Smith oder Coldplay – Plagiatsvorwürfe machen vor keinem Star Halt. Die Hit Busters zeigen, wie ähnlich die Hits klingen und analysieren die musikalischen und rechtlichen Aspekte jedes Falls. Abonniere diesen Podcast, um keine Folge mehr zu verpassen. Lass' auch gerne deine Bewertung da! 

Hit Busters – copy or not?

Collectionneur passionné et boulimique de musique depuis 40 ans je me permets de revendiquer une vaste culture musicale que j’aime faire partager. L’éclectisme est de rigueur tant que la chanson est bonne (de Motorhead à Boby Lapointe, de Billie Eilish à Elvis) . Le rock et la soul sont mon « fonds de commerce » mais la chanson française, la world music ou le jazz ont leur place.Des sons vintage (issus de ma collection de vinyls des 70’s et 80’s), mais aussi des nouveautés. Des artistes inconnus ou maudits à (re)découvrir mais aussi des grands classiques à mettre en perspective.Des commentaires qui se veulent instructifs et distrayants tout en laissant la plus grande part à la musique.

Collectionneur passionné et boulimique de musique depuis 40 ans je me permets de revendiquer une vaste culture musicale que j’aime faire partager. L’éclectisme est de rigueur tant que la chanson est bonne (de Motorhead à Boby Lapointe, de Billie Eilish à Elvis) . Le rock et la soul sont mon « fonds de commerce » mais la chanson française, la world music ou le jazz ont leur place.Des sons vintage (issus de ma collection de vinyls des 70’s et 80’s), mais aussi des nouveautés. Des artistes inconnus ou maudits à (re)découvrir mais aussi des grands classiques à mettre en perspective.Des commentaires qui se veulent instructifs et distrayants tout en laissant la plus grande part à la musique.

De la lumière au Grenier

A collection of songs that Jordan Sousa wrote and performed.

A collection of songs that Jordan Sousa wrote and performed.

Jordan's Songs

Un espacio que recorre las venas de la música
y te transporta por la diversidad cultural.
@sonidosdelmundove

Un espacio que recorre las venas de la música y te transporta por la diversidad cultural. @sonidosdelmundove

Sonidos del Mundo

Spank Thru - 1988 Sub Pop 200

Der Podcast für Hip-Hop-Gourmets.
Entdeckt mit uns die Album-Klassiker des Hip-Hops von back in the days bis heute.
‘93 Til Infinity...

Der Podcast für Hip-Hop-Gourmets. Entdeckt mit uns die Album-Klassiker des Hip-Hops von back in the days bis heute. ‘93 Til Infinity...

Music History Podcasts / Page 102

MARK'S MUSICAL MUSINGS

Storie di Rock and Roll

The New Jazz Archive

Jazz Focus

FIVE FROM SEVENS AND TWELVES

Amb so de Jazz

Allegro con Prog

Chris's Billboard Top 3000 Countdown Podcast

ALANUI MELE - Hawaiʻi Hip-Hop History

PANDAVO NOE PANCHAL MA PRVESH

What The Music?!

Undercover

La poesia di Emily Dickinson e la musica americana del Novecento

Discobrain talks

Makings of a Scene

The Funda-METAL-ists | Metal Podcast

Garage Lessons

De Danse Macabre Podcast

ZenaPan

Lamar Theory

Notenkonferenz

Rock Nacional Argentino

Steve Albini - Audio Biography

nasheeds

Bruno Mars- Audio Biography - #Brunomars

UNOYA подкаст

Endless Music

FEELS LIKE HOME Radio

Hit Busters – copy or not?

De la lumière au Grenier

Jordan's Songs

Sonidos del Mundo

Spank Thru - 1988 Sub Pop 200

The DEFinition

श्री बागेश्वर महादेव मन्दिर

Polirritmia: Así resuena el mundo

lebih indah dari angaksa

The Around the Ladder Podcast

This Month In Jazz

НЕпростая музыка

Stuff

This is what we look like - Mitski

Kurtlar Vadisi - Bir Fırtına Tuttu Bizi (slowed + rewerb)

Buena Stereo

sped up tik tok songs

Musical Journeys

RAJA KAALSYA KARNAM

Judy at Carnegie Hall

Haendel: un poliglotta nell'Europa del '700

Fifty by Two