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This is a music quiz that features top music guests as they are challenged on their knowledge of the past 100 years in music, from 1920 - 2020. We start with 48 guests in a knockout tournament and only one will walk away being the champion.

IMN Decades of Dance Music Quiz | 1920 - 2020

Every Tuesday, I’ll be uploading a podcast on iTunes where I’ll share with you words of encouragement, advice, dad jokes, stories, song recommendations and not much more.

Every Tuesday, I’ll be uploading a podcast on iTunes where I’ll share with you words of encouragement, advice, dad jokes, stories, song recommendations and not much more.

Taco Tuesdays with Mr. Yraola

subarna worked as school teacher
she sings all types of song 
got sangeetashree and sangeet bivakar in vocal,nazrulgeeti and Rabindra sangeet from bangiyo Sangeet parishad.she likes to write and recite.

subarna worked as school teacher she sings all types of song got sangeetashree and sangeet bivakar in vocal,nazrulgeeti and Rabindra sangeet from bangiyo Sangeet parishad.she likes to write and recite.

Subarna Sings

A podcast about songs. New songs. Old songs. Middle aged songs.

Join Stephen Morris as he trawls through his collection of albums, EPs and singles. Sometimes these shows will be themed around an idea, a person, a genre or some other concept. Other times they will simply reflect his latest obsessions. His new favourite bands. Those songs he just can’t get out of his head...

Follow Stephen on Instagram @songsinthekeyof

A podcast about songs. New songs. Old songs. Middle aged songs. Join Stephen Morris as he trawls through his collection of albums, EPs and singles. Sometimes these shows will be themed around an idea, a person, a genre or some other concept. Other times they will simply reflect his latest obsessions. His new favourite bands. Those songs he just can’t get out of his head... Follow Stephen on Instagram @songsinthekeyof

Songs in the Key of...

Creating a punk playlist one pick at a time

Creating a punk playlist one pick at a time

More Punk Than Me

Vida de diferentes artistas del género músical regional mexicano.

Regional Mexicano

Shakedown Radio with Chris Caggs is the ultimate home for high-energy dance, house, EDM, RnB, and hip-hop, hosted by Australian radio legend Chris Carragher—better known nationwide as Chris Caggs.
With a career spanning nearly 30 years in the Australian radio industry, Chris Caggs brings an unmatched passion, deep music knowledge, and a legacy of broadcasting excellence to every single episode. Son of Australian Olympian and Scottish Commonwealth Games athlete Gavin Carragher, Chris has established himself as a powerhouse DJ, music programmer, and podcaster. Throughout his extensive career, he has been a permanent on-air resident across 16 iconic radio stations and syndicated across more than 200 stations via the Community Radio Network (ComRad Satellite).
The Legacy of Chris Caggs
Chris Caggs’ broadcasting journey began in July 1998, when his childhood dream became a reality hosting a permanent radio show alongside co-host Mista-C on Sydney’s first Hip Hop &amp; RnB community radio station, Pump FM 99.3FM. The station evolved into Dance Radio 99.3FM and later relaunched as Dance FM 94.5FM in August 2000.
Later in 1998, Chris joined DJ-FM 87.6FM, a full-time 24/7 dance station serving the Sydney CBD and inner city under the Roberts Media Group (owned by Robert Iezzi). Working alongside top-tier talent like Frank Chiment, Antonio Avati, Joe Avati, Susie Stapleton, Dave Einfield, Andre Waitsmrn, Joe Corte, and Rob Brizzi, the station was backed by legendary sponsors like Central Station Records, Telstra, Carlton &amp; United, Noizenet, Pulse Music, SBA Music, and Free FM 96.9 CDs. Following DJ-FM’s conclusion in 1999, Chris connected with industry pioneers Timmy Byrne and Phil K—the visionaries behind Melbourne's Kiss 90FM (now Kiss FM Dance Music Australia)—during the transition to Rhythm FM 87.6.
From October 1999 to January 2001, Chris served as an on-air host and music programmer for Sydney’s metro-wide Groove FM 94.5FM &amp; 96.9FM, broadcasting directly from the Wild FM studios in Railway Square thanks to Darren Leigh, Mike Scott, and Fabrizio Vilardo. Spearheading the weekday Breakfast and Weekend shows, Chris crossed paths with prominent media figures including Andrew G (Channel [V], The Bachelor, The Masked Singer), Bessie Bardot, Rene Rivkin (The Rivkin Report), DJ Nino Brown, Georgina Reed, Sam Boutros, Natasha Zuvela (MTV), Yvette Duncan (MTV), and Zoe Naylor (MTV/Channel 9). During this era, A Selection Of Groove Vol 1 compiled by Darren Leigh via Universal Music Group became a massive bestseller at HMV Australia's Queen Street Mall store.
In August and September 2000, Chris brought his signature energy north to host the breakfast show and manage music programming for Groove FM 97.3 Brisbane out of the Pulse FM studios in Coorparoo, collaborating with Fez Lateef (Added Flava), Adrian Day, Dustin &amp; Anna, Patrick Donohue, Scott Ferris, DJ Kina, and Kristian Hernandez.
A Nationwide Broadcasting History Over nearly three decades, Chris Caggs has entertained audiences across Australia’s premier radio stations, including:
 Groove FM (Sydney Metro 94.5 &amp; 96.9 FM / Brisbane Metro 97.3 FM)  Pump FM 99.3 FM &amp; 2NSB FM (North Shore Sydney)  DJ-FM 87.6 FM (Sydney CBD &amp; Inner Suburbs)  2RDJ-FM 88.1 FM (Burwood, Sydney)  OZZ Mixx Dance Radio, V1Radio, &amp; Str8OUT Radio (Melbourne)  4Play FM, Urban Movement Radio, &amp; Mix It Up Radio (Queensland / Brisbane)  Tune 1 Radio (Perth)  Starter FM &amp; MixxBosses Radio (Sydney)  Liquid Radio (Sunshine Coast)
A Global Music Journey
Fueled by a relentless love for global soundscapes, Chris Caggs has toured every major Australian capital city and New Zealand, traveling to over 30 countries worldwide—from London, Rome, Dublin, Edinburgh, and Stockholm to Bali, Bangkok, Singapore, and Hong Kong. Subscribe to Shakedown Radio today for premier sound selection and world-class radio energy! Official Website: www.shakedownradio.com

Shakedown Radio with Chris Caggs is the ultimate home for high-energy dance, house, EDM, RnB, and hip-hop, hosted by Australian radio legend Chris Carragher—better known nationwide as Chris Caggs. With a career spanning nearly 30 years in the Australian radio industry, Chris Caggs brings an unmatched passion, deep music knowledge, and a legacy of broadcasting excellence to every single episode. Son of Australian Olympian and Scottish Commonwealth Games athlete Gavin Carragher, Chris has established himself as a powerhouse DJ, music programmer, and podcaster. Throughout his extensive career, he has been a permanent on-air resident across 16 iconic radio stations and syndicated across more than 200 stations via the Community Radio Network (ComRad Satellite). The Legacy of Chris Caggs Chris Caggs’ broadcasting journey began in July 1998, when his childhood dream became a reality hosting a permanent radio show alongside co-host Mista-C on Sydney’s first Hip Hop & RnB community radio station, Pump FM 99.3FM. The station evolved into Dance Radio 99.3FM and later relaunched as Dance FM 94.5FM in August 2000. Later in 1998, Chris joined DJ-FM 87.6FM, a full-time 24/7 dance station serving the Sydney CBD and inner city under the Roberts Media Group (owned by Robert Iezzi). Working alongside top-tier talent like Frank Chiment, Antonio Avati, Joe Avati, Susie Stapleton, Dave Einfield, Andre Waitsmrn, Joe Corte, and Rob Brizzi, the station was backed by legendary sponsors like Central Station Records, Telstra, Carlton & United, Noizenet, Pulse Music, SBA Music, and Free FM 96.9 CDs. Following DJ-FM’s conclusion in 1999, Chris connected with industry pioneers Timmy Byrne and Phil K—the visionaries behind Melbourne's Kiss 90FM (now Kiss FM Dance Music Australia)—during the transition to Rhythm FM 87.6. From October 1999 to January 2001, Chris served as an on-air host and music programmer for Sydney’s metro-wide Groove FM 94.5FM & 96.9FM, broadcasting directly from the Wild FM studios in Railway Square thanks to Darren Leigh, Mike Scott, and Fabrizio Vilardo. Spearheading the weekday Breakfast and Weekend shows, Chris crossed paths with prominent media figures including Andrew G (Channel [V], The Bachelor, The Masked Singer), Bessie Bardot, Rene Rivkin (The Rivkin Report), DJ Nino Brown, Georgina Reed, Sam Boutros, Natasha Zuvela (MTV), Yvette Duncan (MTV), and Zoe Naylor (MTV/Channel 9). During this era, A Selection Of Groove Vol 1 compiled by Darren Leigh via Universal Music Group became a massive bestseller at HMV Australia's Queen Street Mall store. In August and September 2000, Chris brought his signature energy north to host the breakfast show and manage music programming for Groove FM 97.3 Brisbane out of the Pulse FM studios in Coorparoo, collaborating with Fez Lateef (Added Flava), Adrian Day, Dustin & Anna, Patrick Donohue, Scott Ferris, DJ Kina, and Kristian Hernandez. A Nationwide Broadcasting HistoryOver nearly three decades, Chris Caggs has entertained audiences across Australia’s premier radio stations, including: Groove FM (Sydney Metro 94.5 & 96.9 FM / Brisbane Metro 97.3 FM) Pump FM 99.3 FM & 2NSB FM (North Shore Sydney) DJ-FM 87.6 FM (Sydney CBD & Inner Suburbs) 2RDJ-FM 88.1 FM (Burwood, Sydney) OZZ Mixx Dance Radio, V1Radio, & Str8OUT Radio (Melbourne) 4Play FM, Urban Movement Radio, & Mix It Up Radio (Queensland / Brisbane) Tune 1 Radio (Perth) Starter FM & MixxBosses Radio (Sydney) Liquid Radio (Sunshine Coast) A Global Music Journey Fueled by a relentless love for global soundscapes, Chris Caggs has toured every major Australian capital city and New Zealand, traveling to over 30 countries worldwide—from London, Rome, Dublin, Edinburgh, and Stockholm to Bali, Bangkok, Singapore, and Hong Kong.Subscribe to Shakedown Radio today for premier sound selection and world-class radio energy!Official Website: www.shakedownradio.com

Shakedown Radio with Chris Caggs is the ultimate home for high-energy dance, house, EDM, RnB, and hip-hop, hosted by Australian radio legend Chris Carragher—better known nationwide as Chris Caggs.
With a career spanning nearly 30 years in the Australian radio industry, Chris Caggs brings an unmatched passion, deep music knowledge, and a legacy of broadcasting excellence to every single episode. Son of Australian Olympian and Scottish Commonwealth Games athlete Gavin Carragher, Chris has established himself as a powerhouse DJ, music programmer, and podcaster. Throughout his extensive career, he has been a permanent on-air resident across 16 iconic radio stations and syndicated across more than 200 stations via the Community Radio Network (ComRad Satellite).
The Legacy of Chris Caggs
Chris Caggs’ broadcasting journey began in July 1998, when his childhood dream became a reality hosting a permanent radio show alongside co-host Mista-C on Sydney’s first Hip Hop &amp; RnB community radio station, Pump FM 99.3FM. The station evolved into Dance Radio 99.3FM and later relaunched as Dance FM 94.5FM in August 2000.
Later in 1998, Chris joined DJ-FM 87.6FM, a full-time 24/7 dance station serving the Sydney CBD and inner city under the Roberts Media Group (owned by Robert Iezzi). Working alongside top-tier talent like Frank Chiment, Antonio Avati, Joe Avati, Susie Stapleton, Dave Einfield, Andre Waitsmrn, Joe Corte, and Rob Brizzi, the station was backed by legendary sponsors like Central Station Records, Telstra, Carlton &amp; United, Noizenet, Pulse Music, SBA Music, and Free FM 96.9 CDs. Following DJ-FM’s conclusion in 1999, Chris connected with industry pioneers Timmy Byrne and Phil K—the visionaries behind Melbourne's Kiss 90FM (now Kiss FM Dance Music Australia)—during the transition to Rhythm FM 87.6.
From October 1999 to January 2001, Chris served as an on-air host and music programmer for Sydney’s metro-wide Groove FM 94.5FM &amp; 96.9FM, broadcasting directly from the Wild FM studios in Railway Square thanks to Darren Leigh, Mike Scott, and Fabrizio Vilardo. Spearheading the weekday Breakfast and Weekend shows, Chris crossed paths with prominent media figures including Andrew G (Channel [V], The Bachelor, The Masked Singer), Bessie Bardot, Rene Rivkin (The Rivkin Report), DJ Nino Brown, Georgina Reed, Sam Boutros, Natasha Zuvela (MTV), Yvette Duncan (MTV), and Zoe Naylor (MTV/Channel 9). During this era, A Selection Of Groove Vol 1 compiled by Darren Leigh via Universal Music Group became a massive bestseller at HMV Australia's Queen Street Mall store.
In August and September 2000, Chris brought his signature energy north to host the breakfast show and manage music programming for Groove FM 97.3 Brisbane out of the Pulse FM studios in Coorparoo, collaborating with Fez Lateef (Added Flava), Adrian Day, Dustin &amp; Anna, Patrick Donohue, Scott Ferris, DJ Kina, and Kristian Hernandez.
A Nationwide Broadcasting History Over nearly three decades, Chris Caggs has entertained audiences across Australia’s premier radio stations, including:
&nbsp;Groove FM (Sydney Metro 94.5 &amp; 96.9 FM / Brisbane Metro 97.3 FM) &nbsp;Pump FM 99.3 FM &amp; 2NSB FM (North Shore Sydney) &nbsp;DJ-FM 87.6 FM (Sydney CBD &amp; Inner Suburbs) &nbsp;2RDJ-FM 88.1 FM (Burwood, Sydney) &nbsp;OZZ Mixx Dance Radio, V1Radio, &amp; Str8OUT Radio (Melbourne) &nbsp;4Play FM, Urban Movement Radio, &amp; Mix It Up Radio (Queensland / Brisbane) &nbsp;Tune 1 Radio (Perth) &nbsp;Starter FM &amp; MixxBosses Radio (Sydney) &nbsp;Liquid Radio (Sunshine Coast)
A Global Music Journey
Fueled by a relentless love for global soundscapes, Chris Caggs has toured every major Australian capital city and New Zealand, traveling to over 30 countries worldwide—from London, Rome, Dublin, Edinburgh, and Stockholm to Bali, Bangkok, Singapore, and Hong Kong. Subscribe to Shakedown Radio today for premier sound selection and world-class radio energy! Official Website: www.shakedownradio.com

ShakeDown Radio Podcast

Programa produzido pela Rádio Batuta com a missão de pescar pérolas pouco conhecidas do acervo musical do Instituto Moreira Salles (IMS), voltado principalmente para discos em 78 rotações. A seleção dos fonogramas é do jornalista Joaquim Ferreira dos Santos. O acervo está disponível no site discografiabrasileira.com.br.

Rádio UFRJ - Ouve Essa

HitStory, muzica anilor 80s - 90s si 2000, prezentata de Daniel Mihu.
Hits from the 80s, 90s and early 2000
©&amp;℗ MYRADIO AGENCY - WWW.MYRADIO.RO

HitStory, muzica anilor 80s - 90s si 2000, prezentata de Daniel Mihu. Hits from the 80s, 90s and early 2000 ©&℗ MYRADIO AGENCY - WWW.MYRADIO.RO

HitStory, Povestea hiturilor de altadata

Podcast faixa a faixa, do disco de estréia do artista Victor Seixas, Gesto Bruto.

FAIXA A FAIXA - GESTO BRUTO

Radio Show that goes live every monday 10PM (GMT-3) on www.peepfm.com

BLUE MONDAY

Michael und Michael interviewen Menschen aus der Punk/Hardcore Subkultur und artverwandtem Umfeld.

Kreuzverhör Podcast

FM ラジオJ-WAVE（81.3FM）にて、映画「ボブ・マーリー：ONE LOVE」とコラボレーションし放送した『J-WAVE GOLDEN WEEK SPECIAL SONGS OF FREEDOM-TRIBUTE TO BOB MARLEY-』その番組内でオンエアした８本のスペシャル・ショートストーリーをお届けします。 ボブ・マーリーの３６年の生涯、そのハイライトにフォーカスした特別な物語を俳優の宮沢氷魚さん、南沢奈央さんによる朗読でお楽しみください。

FM ラジオJ-WAVE（81.3FM）にて、映画「ボブ・マーリー：ONE LOVE」とコラボレーションし放送した 『J-WAVE GOLDEN WEEK SPECIAL SONGS OF FREEDOM-TRIBUTE TO BOB MARLEY-』 その番組内でオンエアした８本のスペシャル・ショートストーリーをお届けします。 ボブ・マーリーの３６年の生涯、そのハイライトにフォーカスした特別な物語を 俳優の宮沢氷魚さん、南沢奈央さんによる朗読でお楽しみください。

SONGS OF FREEDOM TRIBUTE TO BOB MARLEY

ClassicRockHistory.com's podcast show includes interviews with legendary rock stars and in-depth discussions about classic rock music and other genres.

ClassicRockHistory.com's podcast show includes interviews with legendary rock stars and in-depth discussions about classic rock music and other genres.

ClassicRockHistory.com's Podcast

Timeline, une belge histoire du rap, le podcast. 

Cette série de podcasts en 12 épisodes vient compléter le travail réalisé sur la série vidéo Timeline, une belge histoire du rap disponible sur Auvio en 8 épisodes de 26 min. 

L’importance est de donner ici la parole à 13 acteurs clé du rap belge pour en savoir davantage sur leurs débuts, leurs premières influences, l’évolution de leurs carrières et la particularité de leurs villes. En tant que narrateur, Akro part donc à Anvers rencontrer Ya Kid K ( Technotronic ) Coely et Miss Angel, trois rappeuses importantes du game, évoque Charleroi avec Jean Jass & Caballero, Waterloo avec James Deano, le marché français avec Fred de Sky qui donne en tant qu’animateur vedette sa vision du rap belge et enfin, à Bruxelles avec Isha, Peet, G.A.N, Scylla, Roméo Elvis et Zwangere Guy. Cette série est bourrée d’anecdotes incroyables et de clés de compréhension pour en apprendre plus sur 40 ans de Culture hip-hop en Belgique. Bonne écoute à tous.Hébergé par Audiomeans. Visitez <a href="https://www.audiomeans.fr/politique-de-confidentialite">audiomeans.fr/politique-de-confidentialite</a> pour plus d'informations.

Timeline, une belge histoire du rap, le podcast. Cette série de podcasts en 12 épisodes vient compléter le travail réalisé sur la série vidéo Timeline, une belge histoire du rap disponible sur Auvio en 8 épisodes de 26 min. L’importance est de donner ici la parole à 13 acteurs clé du rap belge pour en savoir davantage sur leurs débuts, leurs premières influences, l’évolution de leurs carrières et la particularité de leurs villes. En tant que narrateur, Akro part donc à Anvers rencontrer Ya Kid K ( Technotronic ) Coely et Miss Angel, trois rappeuses importantes du game, évoque Charleroi avec Jean Jass & Caballero, Waterloo avec James Deano, le marché français avec Fred de Sky qui donne en tant qu’animateur vedette sa vision du rap belge et enfin, à Bruxelles avec Isha, Peet, G.A.N, Scylla, Roméo Elvis et Zwangere Guy. Cette série est bourrée d’anecdotes incroyables et de clés de compréhension pour en apprendre plus sur 40 ans de Culture hip-hop en Belgique. Bonne écoute à tous. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Timeline, une belge histoire du rap, le podcast.&nbsp;

Cette série de podcasts en 12 épisodes vient compléter le travail réalisé sur la série vidéo Timeline, une belge histoire du rap disponible sur Auvio en 8 épisodes de 26 min.&nbsp;

L’importance est de donner ici la parole à 13 acteurs clé du rap belge pour en savoir davantage sur leurs débuts, leurs premières influences, l’évolution de leurs carrières et la particularité de leurs villes. En tant que narrateur, Akro part donc à Anvers rencontrer Ya Kid K ( Technotronic ) Coely et Miss Angel, trois rappeuses importantes du game, évoque Charleroi avec Jean Jass &amp; Caballero, Waterloo avec James Deano, le marché français avec Fred de Sky qui donne en tant qu’animateur vedette sa vision du rap belge et enfin, à Bruxelles avec Isha, Peet, G.A.N, Scylla, Roméo Elvis et Zwangere Guy. Cette série est bourrée d’anecdotes incroyables et de clés de compréhension pour en apprendre plus sur 40 ans de Culture hip-hop en Belgique. Bonne écoute à tous.Hébergé par Audiomeans. Visitez <a href="https://www.audiomeans.fr/politique-de-confidentialite" rel="noopener noreferrer">audiomeans.fr/politique-de-confidentialite</a> pour plus d'informations.

Timeline, le podcast. Une belge histoire du rap

Deuz X Machina es un ritual sagrado para melómanos tercos: escuchar discos completos de rock en todas sus mutaciones. Incluye secciones como la Cápsula Retroactiva, donde Koral Azul se lanza con el lado B que no sabías que necesitabas, y el Diabolus X Machina, que lanza sin filtro las rolas que la banda manda, así, a lo punk.”

Deuz x machina / Retroactivo

motion picture soundtrack (oknotok)

RAM KATHA BHARTIYOH

dAdA RAdiO

Father-son duo John and Nick explore and discuss music from all sorts of different genres, times, and places. You never know what they will pull out in this musical box of chocolates.

Wynn-Wynn Situation

JAH JAH JAH

Takeshi radio

KHANDAV DHAAH

בשנת 2005, חודשים ספורים לפני שהלך לעולמו, הגיע אהוד מנור אל אולפני קול ישראל בירושלים להשתתף בתכנית מיוחדת של עפרה הלפמן ברשת ג' &ndash; "שלא ייגמר לעולם" &ndash; שיחות עם דמויות מפתח בזמר העברי. במשך 6 שעות סיפר בקולו את הסיפורים מאחורי שיריו.&nbsp;במלאת 20 שנה למותו של אהוד מנור, ערכנו מחדש את המשדר ההיסטורי הזה להסכת בן שישה פרקים, שמציע הצצה אינטימית אל חייו, מחשבותיו ויצירתו של אחד הפזמונאים החשובים בתולדות הזמר העברי

בשנת 2005, חודשים ספורים לפני שהלך לעולמו, הגיע אהוד מנור אל אולפני קול ישראל בירושלים להשתתף בתכנית מיוחדת של עפרה הלפמן ברשת ג' – "שלא ייגמר לעולם" – שיחות עם דמויות מפתח בזמר העברי. במשך 6 שעות סיפר בקולו את הסיפורים מאחורי שיריו. במלאת 20 שנה למותו של אהוד מנור, ערכנו מחדש את המשדר ההיסטורי הזה להסכת בן שישה פרקים, שמציע הצצה אינטימית אל חייו, מחשבותיו ויצירתו של אחד הפזמונאים החשובים בתולדות הזמר העברי

בשנת 2005, חודשים ספורים לפני שהלך לעולמו, הגיע אהוד מנור אל אולפני קול ישראל בירושלים להשתתף בתכנית מיוחדת של עפרה הלפמן ברשת ג' – "שלא ייגמר לעולם" – שיחות עם דמויות מפתח בזמר העברי. במשך 6 שעות סיפר בקולו את הסיפורים מאחורי שיריו.&nbsp;במלאת 20 שנה למותו של אהוד מנור, ערכנו מחדש את המשדר ההיסטורי הזה להסכת בן שישה פרקים, שמציע הצצה אינטימית אל חייו, מחשבותיו ויצירתו של אחד הפזמונאים החשובים בתולדות הזמר העברי

אהוד מנור במילותיו Ehud Manor in his words

Acerca de cómo distintos relatos y pensamientos que vienen de la filosofía, la literatura, la historia, el arte, la ciencia y la teología, nos permiten afinar nuestra orientación en el mundo.

Acerca de cómo distintos relatos y pensamientos que vienen de la filosofía, la literatura, la historia, el arte, la ciencia y la teología, nos permiten afinar nuestra orientación en el mundo.

Relatos y pensamientos

BHARAT NI VIRANGNAOH

Welcome to the On the Pedestal Podcast with hosts Josh and Fareid! Join us as we dive deep into the iconic rivalry between Drake, Kendrick Lamar, and J. Cole. We’ll break down the drama, analyze who came out on top, and debate who truly deserves the crown as the best of the big three in hip-hop. Tune in for a lively discussion about one of the most talked-about feuds in rap history!

On the Pedestal

My new Christmas album is finally live. Hit that play button and join me for a fun ride

Forever Christmas

songs

Questa è una breve storia delle risate in musica. Con questo intendiamo proprio il fenomeno delle risate (ah, ah, ah, ah!), non degli scherzi musicali o dell’umorismo. Il ridere è da sempre un qualcosa di ambiguamente umano, legato alla tecnica e all'intelligenza come alla follia e alla stupidità, al potere come alla disperata mancanza di potere, al trasporto erotico come al distacco razionale. In un tour de force di sei puntate, userò la storia della musica (dal 1560 al 1960 circa) come un archivio sonoro di rappresentazioni di risate, per interpretare poi volta per volta questo archivio in senso storico, filosofico, e politico.
Attraverso la musica, e da ben prima dell’invenzione del fonografo, possiamo infatti ascoltare la risata in tutta la sua infinita complessità narrativa, sonora, psicologica, e politica, dalla risata madrigalesca alla risata isterica operistica, dalla risata della maschera teatrale alla crudeltà dissacrante di folle impazzite e automatizzate. Si esplicitano e dipanano, attraverso questa cascata di voci sghignazzanti, rapporti di potere incentrati su genere, razza, specie e classe, in bilico tra il dire e non dire, tra il grido e il nodo in gola, tra il favellare umano e le espressioni di tutto ciò che - in un modo o nell’altro - escludiamo dalla categoria del propriamente umano.

Immagine: un particolare da The Laughing Audience di William Hogarth (1733), conservato al Metropolitan Art Museum di New York.

Questa è una breve storia delle risate in musica. Con questo intendiamo proprio il fenomeno delle risate (ah, ah, ah, ah!), non degli scherzi musicali o dell’umorismo. Il ridere è da sempre un qualcosa di ambiguamente umano, legato alla tecnica e all'intelligenza come alla follia e alla stupidità, al potere come alla disperata mancanza di potere, al trasporto erotico come al distacco razionale. In un tour de force di sei puntate, userò la storia della musica (dal 1560 al 1960 circa) come un archivio sonoro di rappresentazioni di risate, per interpretare poi volta per volta questo archivio in senso storico, filosofico, e politico. Attraverso la musica, e da ben prima dell’invenzione del fonografo, possiamo infatti ascoltare la risata in tutta la sua infinita complessità narrativa, sonora, psicologica, e politica, dalla risata madrigalesca alla risata isterica operistica, dalla risata della maschera teatrale alla crudeltà dissacrante di folle impazzite e automatizzate. Si esplicitano e dipanano, attraverso questa cascata di voci sghignazzanti, rapporti di potere incentrati su genere, razza, specie e classe, in bilico tra il dire e non dire, tra il grido e il nodo in gola, tra il favellare umano e le espressioni di tutto ciò che - in un modo o nell’altro - escludiamo dalla categoria del propriamente umano. Immagine: un particolare da The Laughing Audience di William Hogarth (1733), conservato al Metropolitan Art Museum di New York.

È scherzo od è follia

Chaque mois, le podcast 50% vous permet de vous replonger musicalement dans les grandes sagas du jeux vidéo. Anecdotes, analyses et explications sont au programme de ce rendez-vous pour les néophytes et les passionnés.Et surtout... ces musiques, qui ont forgées 50% de nos expériences.<hr> Hébergé par Acast. Visitez <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> pour plus d'informations.

Chaque mois, le podcast 50% vous permet de vous replonger musicalement dans les grandes sagas du jeux vidéo. Anecdotes, analyses et explications sont au programme de ce rendez-vous pour les néophytes et les passionnés. Et surtout... ces musiques, qui ont forgées 50% de nos expériences. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Chaque mois, le podcast 50% vous permet de vous replonger musicalement dans les grandes sagas du jeux vidéo. Anecdotes, analyses et explications sont au programme de ce rendez-vous pour les néophytes et les passionnés.Et surtout... ces musiques, qui ont forgées 50% de nos expériences. Hébergé par Acast. Visitez <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> pour plus d'informations.

My new podcast is finally live. Hit that play button and join me for a fun ride

IBITIMADé

yay fart

Tagdi Lageli Loking System Dekh Kumawat Ko

Tagdi Lageli Loking System Dekh Kumawat Ko

Bundi Dev Music

102.1 The Edge is home of Alternative Rock in Toronto, and is home of the biggest names in music dropping by and saying hi. Check out all these incredible one-on-one interviews from your favourite artists right here on this unique podcast. Long Form. Unedited. Unfiltered.&nbsp;The Edge Interview.

102.1 The Edge is home of Alternative Rock in Toronto, and is home of the biggest names in music dropping by and saying hi. Check out all these incredible one-on-one interviews from your favourite artists right here on this unique podcast. Long Form. Unedited. Unfiltered. The Edge Interview.

The Edge Interview

Qayamat se Qayamat Tak.. In conversation with Anand Milind

Qayamat se Qayamat Tak.. In conversation with Anand Milind

Papa Kehte Hain

Talking Heads: Architects of Sonic Angst and Polyrhythmic Joy From the dank basements of New York's art-punk scene to the dazzling lights of MTV, Talking Heads weaved a tapestry of sound that captivated the world. Their music, a potent cocktail of art-rock, punk energy, and infectious grooves, mirrored the cultural anxieties and social upheaval of the late 70s and 80s. Through it all, they remained enigmas, their music layered with cryptic lyrics, jerky dance moves, and David Byrne's iconic, rubber-limbed stage presence. This isn't just a biography; it's a deep dive into the pulsating heart of one of the most influential bands of their generation. Rhode Island Roots and Artistic Ferment (1974-1976): Our story begins in 1974, at the Rhode Island School of Design. Three art students – David Byrne, Chris Frantz, and Tina Weymouth – shared a penchant for avant-garde experimentation and disdain for rock music's conventions. The band, initially called the Artistics, was more performance art than rock and roll, blurring the lines between music and visual spectacle. They moved to New York, embracing the grittiness and raw energy of the burgeoning CBGB scene, opening for the Ramones and Patti Smith. This was fertile ground for Talking Heads, their sound evolving into a spiky, angular art-punk hybrid, fueled by Frantz's driving drums and Weymouth's pulsing basslines. Fear of Music and Avant-Garde Ascent (1977-1979): Their 1977 debut, "Talking Heads: 77," was a raw explosion of nervous energy, capturing the claustrophobic anxieties of urban life. Byrne's jittery vocals and Brian Eno's atmospheric production painted a stark soundscape, reflecting the complexities of modern alienation. Yet, amidst the angst, there were glimpses of their future, like the hypnotic groove of "Psycho Killer" and the playful funk of "Once in a Lifetime." With Eno's continued collaboration, Talking Heads embarked on a period of unprecedented creativity. "Fear of Music" (1979) pushed the boundaries further, showcasing a newfound embrace of polyrhythms and experimental textures. Byrne's lyrics delved into the depths of existential uncertainty, questioning identity and societal norms. But the album wasn't all darkness; songs like "I Zimbra" and "Redondo Beach" shimmered with infectious rhythms and playful experimentation. Remain in Light: Brilliance and Disintegration (1980-1983): "Remain in Light" (1980) stands as a masterpiece of Talking Heads' evolution. Gone were the stark art-punk edges; in their place, a vibrant collage of funk, Afrobeat, and gospel influences, seamlessly blended with Eno's avant-garde production. The album explored themes of social injustice, cultural appropriation, and spiritual questioning, all delivered with their characteristic mix of intellectual depth and danceable grooves. However, "Remain in Light" also marked the beginning of internal tensions. Eno's departure, coupled with growing artistic disagreements, fractured the band. 1983's "Speaking in Tongues

This content was created in partnership and with the help of Artificial Intelligence AI.

Talking Heads: Architects of Sonic Angst and Polyrhythmic Joy From the dank basements of New York's art-punk scene to the dazzling lights of MTV, Talking Heads weaved a tapestry of sound that captivated the world. Their music, a potent cocktail of art-rock, punk energy, and infectious grooves, mirrored the cultural anxieties and social upheaval of the late 70s and 80s. Through it all, they remained enigmas, their music layered with cryptic lyrics, jerky dance moves, and David Byrne's iconic, rubber-limbed stage presence. This isn't just a biography; it's a deep dive into the pulsating heart of one of the most influential bands of their generation. Rhode Island Roots and Artistic Ferment (1974-1976): Our story begins in 1974, at the Rhode Island School of Design. Three art students – David Byrne, Chris Frantz, and Tina Weymouth – shared a penchant for avant-garde experimentation and disdain for rock music's conventions. The band, initially called the Artistics, was more performance art than rock and roll, blurring the lines between music and visual spectacle. They moved to New York, embracing the grittiness and raw energy of the burgeoning CBGB scene, opening for the Ramones and Patti Smith. This was fertile ground for Talking Heads, their sound evolving into a spiky, angular art-punk hybrid, fueled by Frantz's driving drums and Weymouth's pulsing basslines. Fear of Music and Avant-Garde Ascent (1977-1979): Their 1977 debut, "Talking Heads: 77," was a raw explosion of nervous energy, capturing the claustrophobic anxieties of urban life. Byrne's jittery vocals and Brian Eno's atmospheric production painted a stark soundscape, reflecting the complexities of modern alienation. Yet, amidst the angst, there were glimpses of their future, like the hypnotic groove of "Psycho Killer" and the playful funk of "Once in a Lifetime." With Eno's continued collaboration, Talking Heads embarked on a period of unprecedented creativity. "Fear of Music" (1979) pushed the boundaries further, showcasing a newfound embrace of polyrhythms and experimental textures. Byrne's lyrics delved into the depths of existential uncertainty, questioning identity and societal norms. But the album wasn't all darkness; songs like "I Zimbra" and "Redondo Beach" shimmered with infectious rhythms and playful experimentation. Remain in Light: Brilliance and Disintegration (1980-1983): "Remain in Light" (1980) stands as a masterpiece of Talking Heads' evolution. Gone were the stark art-punk edges; in their place, a vibrant collage of funk, Afrobeat, and gospel influences, seamlessly blended with Eno's avant-garde production. The album explored themes of social injustice, cultural appropriation, and spiritual questioning, all delivered with their characteristic mix of intellectual depth and danceable grooves. However, "Remain in Light" also marked the beginning of internal tensions. Eno's departure, coupled with growing artistic disagreements, fractured the band. 1983's "Speaking in Tongues This content was created in partnership and with the help of Artificial Intelligence AI.

Talking Heads - Audio Biography

Hey hey hey! I have decided to upload all of my past radio shows in a podcast format, starting with my first radio show from October of 2020! I hope you enjoy this walk down memory lane.