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DJ 50 Spänn

La culture traitée à grand coup de sabbath.

Troll in The Sky

A combat sports media and entertainment podcast based out of the Washington, DC/Baltimore, MD area. Reporting on regional and national combat sports events for men and women. Support this podcast: <a href="https://podcasters.spotify.com/pod/show/headmovement/support" rel="payment">https://podcasters.spotify.com/pod/show/headmovement/support</a>

A combat sports media and entertainment podcast based out of the Washington, DC/Baltimore, MD area. Reporting on regional and national combat sports events for men and women. Support this podcast: <a href="https://podcasters.spotify.com/pod/show/headmovement/support" rel="noopener noreferrer">https://podcasters.spotify.com/pod/show/headmovement/support</a>

Head Movement Sports

Sopraan Francis van Broekhuizen beantwoordt vragen over muziek, musici en het muziekleven. 

In het tweede seizoen van ‘Vraag het aan Francis’ praat Francis met Margriet Vroomans over haar favoriete operacomponisten: Puccini (https://www.npoklassiek.nl/componisten/e77336a9-6da0-4f83-8bf8-e59dc287c630/puccini-giacomo), Verdi (https://www.npoklassiek.nl/componisten/1b8b116b-3281-4dba-bea1-35d19bbacc2d/verdi-giuseppe), Wagner (https://www.npoklassiek.nl/componisten/7f4fbe51-9fcf-45ae-b2fe-efd3f7496f13/wagner-richard) en Britten (https://www.npoklassiek.nl/componisten/2306f261-3720-4df9-baf8-8cc87ebcaf39/britten-benjamin).

Wat voor muziek schreven ze, welke betekenis had (en heeft!) hun muziek en hoe zag hun leven eruit? Francis vertelt het op haar eigen aanstekelijke manier!

Vraag het aan Francis

We're just four music fans living in Australia who love a bit of a debate and thought we might move our email discussions and rants into the podcast era.

Lords of Loud

Wir sprechen mit den Menschen aus dem Music Business. 
Menschen und Macher teilen Ihre Geschichten und ihre Erfahrungen. 
Was macht einen Hit aus? Was nicht? 
Die größten Erfolge. Die schmerzlichsten Erfahrungen?
Vor, hinter und auf der Bühne.

Inside The Music Business

Welcome to the fastest growing podcast that focuses on introducing the 🌎 to the soundtrack of Washington, DC. This show is hosted by Jay, a podcast producer and audio engineer, who eagerly wants to preserve gogo music. Each episode, Jay sneaks off into his office to talk to you guys while highlighting a different groove.

jumpin out there

On this podcast we talk Music, gaming , movies , culture and More!!!

Out of the darkness

Jazz lo sé es tu podcast de jazz en español. Todo lo que quieras saber sobre la historia, los músicos, los estilos y el impacto de esta música creativa, lo encontrarás aquí, y en tu idioma. Ya seas novato y por curiosidad quieras asomarte a este género, o seas conocedor pero necesitaras un repaso ameno, este es tu podcast. En sus sucesivos episodios descubriremos juntos la génesis y evolución de esta música. Desde Nueva Orleans hasta el jazz del siglo 21. Con capítulos especiales para los exponentes más importantes y para los instrumentos claves. Todo salpicado de la mejor música del siglo 20. <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Jazz lo sé es tu podcast de jazz en español. Todo lo que quieras saber sobre la historia, los músicos, los estilos y el impacto de esta música creativa, lo encontrarás aquí, y en tu idioma. Ya seas novato y por curiosidad quieras asomarte a este género, o seas conocedor pero necesitaras un repaso ameno, este es tu podcast. En sus sucesivos episodios descubriremos juntos la génesis y evolución de esta música. Desde Nueva Orleans hasta el jazz del siglo 21. Con capítulos especiales para los exponentes más importantes y para los instrumentos claves. Todo salpicado de la mejor música del siglo 20. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

JAZZ LO SE

El Gran Tommy Martinez discussing the music of the artists he loves. Also covering rock history (according to him) and a wide range of topics like historic and popular culture, rock tours, albums, current events other than music. You'll either love or extremely hate some of his unique segments like the "This Week in KISS-Story", "What the Frijoles and whatever else he can squeeze in. It behooves you to never take anything he says as factual nor seriously. What he's saying can either be bullshit, no bullshit at all or a combination of both. Remember to always to "KEEP IT ROCKING."

The TMQ Podcast (Formerly the Tommy and Adam Hard to Name Podcast)

اینجا از موزیک می‌گیم و پیشنهاد می‌دیم

10PM پادکست ١٠شب

Important women in music history need to be recognized. Michelle Martin has been teaching music for over 25 years, and has noticed a lack of repertoire from women composers. Women composers seem to be historically missing from the repertoire, and this series is a way to illustrate the lives of these important and influential women.

NOTEable

Do you feel just fine catching a nice song? Maybe you breathe out finding a perfection before your eyes, or just like to recognise something that turned over all the game? 
I'm happy, because I'm the same. 

Culture Digger is the easy-going podcast describing cultural phenomenas, personalities and events, architecture and design, and too many other interesting stuff. Episodes come out every Wednesday and last 15 minutes or less with some rare exceptions. 

My name is Sandy Riffs, have a great day and the clearest view, I'll try to complement it!

Culture Digger

Three Drinks In features a conversation with me, BillyBobb Jumpback, Jr. and my Neighbor Jerry. Together, we will explore some arcane avenue of musical minutiae, but not before we sample a couple of adult beverages and unwind our collective brain trust.&nbsp;

Three Drinks In...Where Wisdom & Truth Intersect

Exploring the evolution of music, social culture and technology in the United Kingdom. The Eighty Eight Podcast will share the many stories of people involved in the evolution and production of Music, Fashion, Art, Technology and Life. The first deep dive into the social evolution of music and culture is focused on the Second Summer of Love circa 1988.

The Eighty Eight Podcast Hosted by Wayne Anthony

شبكة أربعة وثمانون تؤكد على التنوع الثقافي والمجتمعي من خلال إنتاجها العديد من البودكاستات المتخصصة وينضم اليوم إلى أسرة شبكة أربعة وثمانون "بودكاست المركاز" أعداد وتقديم المبدع صوتًـا وثقافة وعُمق ثقافي المهندس / أنس الدريني نتمنى ان ينال إستحسان مسامعكم .

المركاز

Podcast donde discutimos la musica que nos mueve.

Voltaje Alterno

In this show you can listen to the life stories of some writers and celebrities who have created fascinating stories. Do not forget to listen to this podcast hosted by Koumudi founder &amp; Editor Kiran Prabha.New episodes releasing on every Saturday.Produced and Edited by TeluguOne.For Sponsorships and Promotions reach out to us at teluguonepodcasts@gmail.com Radio : www.teluguoneradio.comTelugu one : https://www.youtube.com/@teluguoneBhakthi one : https://www.youtube.com/@BhaktiOne/featuredKids One : https://www.youtube.com/@kidsone

In this show you can listen to the life stories of some writers and celebrities who have created fascinating stories. Do not forget to listen to this podcast hosted by Koumudi founder &amp; Editor Kiran Prabha.New episodes releasing on every Saturday.Produced and Edited by TeluguOne.For Sponsorships and Promotions reach out to us at teluguonepodcasts@gmail.com&nbsp;Radio&nbsp;: www.teluguoneradio.comTelugu one :&nbsp;https://www.youtube.com/@teluguoneBhakthi one :&nbsp;https://www.youtube.com/@BhaktiOne/featuredKids One :&nbsp;https://www.youtube.com/@kidsone

Koumudi Talks with Kiran Prabha

We immerse ourselves in some of the biggest albums celebrating significant birthdays. Hosted by Paul Dillon and Dan O'Neill. An independent podcasts recorded in Ireland. Queries: studio@thebigalbumshow.com <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

We immerse ourselves in some of the biggest albums celebrating significant birthdays. Hosted by Paul Dillon and Dan O'Neill. An independent podcasts recorded in Ireland. Queries: studio@thebigalbumshow.com Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

The Big Album Show

National award winning show devoted to the sounds of Bhangra, Punjabi Folk, and Retro Bollywood.

5 River Beat

On this show, Isabella Sobieski does a deep dive into the world of hip hop - the old school and new school.
What's the latest? Why are the old classics still so popular? How has vinyl replaced CDs? Why do artists release their new albums on cassettes? What are the peaks and perks of marketing and how can new artists find their voice?
All this and much more along with good music.
Isabella shares her love for hip hop every Monday at 21:00 on Absalon Radio.

Hip Hop Lite

Jared, Chris, and Augie go balls to nuts on one of the best rock innovators / party bands of all time, Van Halen. Starting at the backyard shows to singers who come and goes.

Fair Warning

Classical music podcast hosted and written by Eric Garcia, Music Director for The Boise Philharmonic. Produced by Radio Boise.&nbsp;

Noted

Tudo sobre a cantora Taylor Swift. Nos siga no instagram @podmissamericana

Podcast Miss Americana

Hosted by Professor Ping, Original School is a weekly podcast that uncovers the tracks that made the hits, and digs deep into hip hop culture through discussions with special guests.

Original School with Professor Ping

The show is really about the music of the time, mostly R&B format. The past has seemed to make a circle and I lived through a lot of it.
So with music I present, it kinda tells the story of event's then and now.

The show is really about the music of the time, mostly R&amp;B format. The past has seemed to make a circle and I lived through a lot of it.
So with music I present, it kinda tells the story of event's then and now.

Old School Throw Down

Adolescence can be difficult but music always makes things better. After almost 20 years apart two high school friends reconnect and reflect on how music brought them together. Join two self proclaimed non-music experts and mutants Jeff and Seph as they delve into the complexities of being defined by the music they grew up listening to while musing about everything in between.

Music With Mutants

The place to listen to honest conversations from new and experienced creatives on their journey to understanding how they see the world they create in. Hosted by iancomplex*

TheProcrastinationRadioShow*

<div>CountrifiedUK is a podcast brought to you weekly from your hosts Ben and Blaine. We take you through your weekly fix of everything country. From interviews with artists, to the latest news and gossip to live performances. We focus on country music from both the United States and the United Kingdom as we try to bridge the gap and give the artist the exposure they deserve. Whether your an avid country fan or just new to this genre, this podcast is perfect for all.&nbsp;</div>

CountrifiedUK is a podcast brought to you weekly from your hosts Ben and Blaine. We take you through your weekly fix of everything country. From interviews with artists, to the latest news and gossip to live performances. We focus on country music from both the United States and the United Kingdom as we try to bridge the gap and give the artist the exposure they deserve. Whether your an avid country fan or just new to this genre, this podcast is perfect for all.&nbsp;

CountrifiedUK

The Connecticut Music Oral History Podcast is a deep-dive interview series with musicians, artists, conduits, collectors, and dedicated fans focusing on 20th century Connecticut music history across all genres. This project preserves narratives, heralds unsung movers and shakers, and defines Connecticut’s influential role in cultural history.

Connecticut Music Oral History Podcast

西方音乐史讲师在这个小小的“播客”中，为您普及点滴的音乐知识；讲述那些音乐逸事，音乐家故事，西方音乐文化。每周1、3、5更新；也会不定期加更哟！期待与您更多的交流，欢迎您加主播VX：Postino；如果您对节目有什么意见，欢迎您在评论区留言。让这些可溯之时长，可证之时短的故事，您帮我证伪，我帮您证实。<img data-key="0" src="http://imagev2.xmcdn.com/storages/9940-audiofreehighqps/70/D4/GKwRIJIIsp6gAAGk8gJKFzUJ.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/9940-audiofreehighqps/70/D4/GKwRIJIIsp6gAAGk8gJKFzUJ.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/9940-audiofreehighqps/70/D4/GKwRIJIIsp6gAAGk8gJKFzUJ.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="750" data-preview="http://imagev2.xmcdn.com/storages/9940-audiofreehighqps/70/D4/GKwRIJIIsp6gAAGk8gJKFzUJ.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-preview-width="140" data-preview-height="140" />

西方音乐史讲师在这个小小的“播客”中，为您普及点滴的音乐知识；讲述那些音乐逸事，音乐家故事，西方音乐文化。每周1、3、5更新；也会不定期加更哟！期待与您更多的交流，欢迎您加主播VX：Postino；如果您对节目有什么意见，欢迎您在评论区留言。让这些可溯之时长，可证之时短的故事，您帮我证伪，我帮您证实。

不靠谱音乐史｜不分析乐谱 不解析音乐 不让你失望

Welcome to Glitter &amp; Gold: The Original Steps Podcast - the first podcast dedicated to discussing and dissecting the legacy of Steps; the UK's biggest mixed-sex group of all time! Follow Us: <a href="https://www.instagram.com/glitterstepspod" rel="noopener noreferrer" target="_blank">Instagram</a>, <a href="https://www.TikTok.com/@glitterstepspod/" rel="noopener noreferrer" target="_blank">Tiktok</a> &amp; <a href="https://www.twitter.com/glitterstepspod" rel="noopener noreferrer" target="_blank">X</a>Email: <a href="mailto:glitterstepspod@gmail.com" rel="noopener noreferrer" target="_blank">glitterstepspod@gmail.com</a>Logo &amp; Brand Design: <a href="https://bvrlycreative.com/" rel="noopener noreferrer" target="_blank">BvrlyCreative</a> <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Welcome to Glitter &amp; Gold: The Original Steps Podcast - the first podcast dedicated to discussing and dissecting the legacy of Steps; the UK's biggest mixed-sex group of all time! Follow Us: <a href="https://www.instagram.com/glitterstepspod" rel="noopener noreferrer">Instagram</a>, <a href="https://www.TikTok.com/@glitterstepspod/" rel="noopener noreferrer">Tiktok</a> &amp; <a href="https://www.twitter.com/glitterstepspod" rel="noopener noreferrer">X</a>Email: <a href="mailto:glitterstepspod@gmail.com" rel="noopener noreferrer">glitterstepspod@gmail.com</a>Logo &amp; Brand Design: <a href="https://bvrlycreative.com/" rel="noopener noreferrer">BvrlyCreative</a> Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Glitter & Gold: The Original Steps Podcast

king of vocal deep house  تشکر و قدردانی از مدیریت اپل پادکست که از همان ابتدا همیشه هوایم را داشت . شاید یکی از دلایل اصلی استقامتم تا امروز نگاه ویژه شما بود. ممنونم

DEEP HOUSE VOCAL

The Grateful Dead, one of the most influential and iconic rock bands in history, emerged from the vibrant San Francisco music scene of the 1960s. Over the course of their 30-year career, the band created a unique blend of rock, folk, bluegrass, blues, reggae, country, jazz, psychedelia, and space rock that captivated audiences and earned them a dedicated following known as "Deadheads." This essay will provide an in-depth exploration of the Grateful Dead's history, their musical journey, and their lasting impact on popular culture. Formation and Early Years (1965-1966) The roots of the Grateful Dead can be traced back to 1964 in Palo Alto, California, when Jerry Garcia, a young musician and former army private, met Robert Hunter, a poet and aspiring musician. The two began playing together in various folk and bluegrass bands, laying the foundation for what would eventually become the Grateful Dead. In 1965, Garcia joined a jug band called Mother McCree's Uptown Jug Champions, which included Bob Weir and Ron "Pigpen" McKernan. As the band evolved and began incorporating electric instruments, they changed their name to The Warlocks. However, upon discovering that another band had already claimed the name, they eventually settled on "Grateful Dead," a name suggested by Garcia after he came across the phrase in a dictionary. The newly christened Grateful Dead began performing at local venues and quickly gained a following among the growing counterculture movement in San Francisco. The band's original lineup consisted of Jerry Garcia (lead guitar, vocals), Bob Weir (rhythm guitar, vocals), Phil Lesh (bass, vocals), Ron "Pigpen" McKernan (keyboards, harmonica, vocals), and Bill Kreutzmann (drums). In 1966, the Grateful Dead became the house band for Ken Kesey's Acid Tests, a series of events where attendees were encouraged to use LSD and other psychedelic drugs. These experiences had a profound impact on the band's music and philosophy, helping to shape their improvisational approach and their commitment to creating immersive, transformative experiences for their audiences. Rise to Prominence (1967-1970) As the San Francisco music scene exploded in popularity, the Grateful Dead's reputation grew. They signed with Warner Bros. Records in 1967 and released their self-titled debut album, which showcased their eclectic mix of genres and psychedelic experimentation. Although the album received mixed reviews, it established the band as a force to be reckoned with in the burgeoning rock scene. The late 1960s saw the Grateful Dead's popularity soar as they continued to tour extensively and release groundbreaking albums such as "Anthem of the Sun" (1968) and "Aoxomoxoa" (1969). These albums featured extended improvisational passages, intricate harmonies, and a blend of musical styles that set them apart from their contemporaries. In 1969, the band performed at the legendary Woodstock Music &amp; Art Fair, cementing their status as countercultural icons. They also began to incorporate acoustic sets into their concerts, showcasing their versatility and deep roots in American folk music. Tragedy struck the band in 1973 when founding member Ron "Pigpen" McKernan died of alcohol-related complications at the age of 27. His death marked a turning point for the band, as they began to move away from their blues-influenced sound and towards a more experimental, jazz-inspired approach. Expansion and Experimentation (1971-1979) The 1970s saw the Grateful Dead continue to evolve and push the boundaries of their music. They added two new members to their lineup: keyboardist Keith Godchaux and his wife, vocalist Donna Jean Godchaux. The addition of the Godchauxs brought a new dimension to the band's sound, with Keith's jazz-influenced playing and Donna's soulful vocals adding depth and texture to their performances. During this period, the band released some of their most iconic and influential albums, including "Workingman's Dead" (1970), "American Beauty" (1970), and "Europe '72" (1972). These albums showcased the band's songwriting prowess and their ability to craft intricate, emotionally resonant compositions that drew from a wide range of musical traditions. The Grateful Dead's live performances also became more elaborate and immersive during the 1970s. They began incorporating elaborate stage setups, including the "Wall of Sound," a massive sound system that allowed them to achieve unprecedented levels of clarity and volume. The band's concerts became legendary for their length, with shows often lasting for four hours or more and featuring extended improvisational jams that took audiences on a psychedelic journey. As the decade progressed, the Grateful Dead's music continued to evolve and expand. They incorporated elements of funk, disco, and world music into their sound, as evidenced on albums like "Terrapin Station" (1977) and "Shakedown Street" (1978). They also began to experiment with new technologies, such as MIDI and synthesizers, which allowed them to create even more intricate and layered soundscapes. Mainstream Success and Challenges (1980-1989) The 1980s brought new challenges and opportunities for the Grateful Dead. The decade began with the tragic death of keyboardist Keith Godchaux in a car accident, which left the band reeling. They eventually recruited keyboardist Brent Mydland to fill the void, and his energetic playing and powerful vocals brought a new dimension to the band's sound. Despite the loss of Godchaux, the Grateful Dead's popularity continued to grow throughout the 1980s. They released a string of successful albums, including "Go to Heaven" (1980), "In the Dark" (1987), and "Built to Last" (1989), which showcased their evolving sound and their ability to adapt to changing musical trends. The band's live performances also reached new heights during this period. They began playing larger venues, including stadiums and arenas, and their concerts became major cultural events that attracted fans from all over the world. The Grateful Dead's fanbase, known as "Deadheads," became legendary for their devotion to the band and their willingness to travel long distances to attend shows. However, the 1980s also brought new challenges for the band. Garcia's health began to deteriorate due to years of drug use and a demanding touring schedule, and he slipped into a diabetic coma in 1986. Although he eventually recovered, the incident served as a wake-up call for the band and forced them to reassess their priorities. Despite these challenges, the Grateful Dead continued to innovate and push the boundaries of their music. They incorporated new technologies into their live performances, including giant video screens and elaborate lighting rigs, which created an even more immersive and psychedelic experience for their audiences. Final Years and Jerry Garcia's Death (1990-1995) The early 1990s saw the Grateful Dead reach the pinnacle of their commercial success. Their 1991 album, "Without a Net," was a major hit and showcased the band's improvisational prowess and their ability to connect with audiences on a deep, emotional level. The band's concerts continued to draw massive crowds, with their annual summer tours becoming major cultural events. However, the band's success was overshadowed by Garcia's declining health. He had long struggled with drug addiction, and by the early 1990s, his use of heroin and cocaine had begun to take a severe toll on his body and mind. Despite attempts to get clean, Garcia's addiction continued to worsen, and he began to miss shows and rehearsals. In August 1995, the band's worst fears were realized when Garcia died of a heart attack at a rehabilitation clinic in Forest Knolls, California. He was 53 years old. Garcia's death sent shockwaves through the music world and left the Grateful Dead and their fans reeling. The band had lost their leader, their musical and spiritual guide, and the driving force behind their success. In the wake of Garcia's death, the remaining members of the Grateful Dead decided to disband. They played their final show together on July 9, 1995, at Soldier Field in Chicago, in a concert that was broadcast live on pay-per-view and attended by more than 60,000 fans. The show, which featured guest appearances by Bruce Hornsby and Bob Dylan, was an emotional and cathartic experience for the band and their fans, a celebration of Garcia's life and legacy and a farewell to an era. Post-Grateful Dead Projects and Legacy (1996-Present) In the years following the Grateful Dead's disbandment, the surviving members of the band continued to make music and keep the spirit of the Dead alive. Bob Weir and drummer Mickey Hart formed a new band called The Other Ones, which later evolved into The Dead, featuring Weir, Hart, bassist Phil Lesh, and various guest musicians. The band toured extensively and released several live albums, keeping the Grateful Dead's music and legacy alive for new generations of fans. Lesh formed his own band, Phil Lesh and Friends, which featured a rotating cast of musicians and focused on exploring the Grateful Dead's vast catalog of songs. Drummer Bill Kreutzmann also formed several bands, including BK3 and 7 Walkers, which continued to push the boundaries of improvisational rock music. In 2015, Weir, Hart, and Kreutzmann formed a new band called Dead &amp; Company, featuring guitarist John Mayer, bassist Oteil Burbridge, and keyboardist Jeff Chimenti. The band has toured extensively and has introduced the Grateful Dead's music to a new generation of fans, while also providing a platform for the surviving members to continue to explore and expand upon their musical legacy. The Grateful Dead's influence on popular music and culture cannot be overstated. They were pioneers of the

The Grateful Dead, one of the most influential and iconic rock bands in history, emerged from the vibrant San Francisco music scene of the 1960s. Over the course of their 30-year career, the band created a unique blend of rock, folk, bluegrass, blues, reggae, country, jazz, psychedelia, and space rock that captivated audiences and earned them a dedicated following known as "Deadheads." This essay will provide an in-depth exploration of the Grateful Dead's history, their musical journey, and their lasting impact on popular culture. Formation and Early Years (1965-1966) The roots of the Grateful Dead can be traced back to 1964 in Palo Alto, California, when Jerry Garcia, a young musician and former army private, met Robert Hunter, a poet and aspiring musician. The two began playing together in various folk and bluegrass bands, laying the foundation for what would eventually become the Grateful Dead. In 1965, Garcia joined a jug band called Mother McCree's Uptown Jug Champions, which included Bob Weir and Ron "Pigpen" McKernan. As the band evolved and began incorporating electric instruments, they changed their name to The Warlocks. However, upon discovering that another band had already claimed the name, they eventually settled on "Grateful Dead," a name suggested by Garcia after he came across the phrase in a dictionary. The newly christened Grateful Dead began performing at local venues and quickly gained a following among the growing counterculture movement in San Francisco. The band's original lineup consisted of Jerry Garcia (lead guitar, vocals), Bob Weir (rhythm guitar, vocals), Phil Lesh (bass, vocals), Ron "Pigpen" McKernan (keyboards, harmonica, vocals), and Bill Kreutzmann (drums). In 1966, the Grateful Dead became the house band for Ken Kesey's Acid Tests, a series of events where attendees were encouraged to use LSD and other psychedelic drugs. These experiences had a profound impact on the band's music and philosophy, helping to shape their improvisational approach and their commitment to creating immersive, transformative experiences for their audiences. Rise to Prominence (1967-1970) As the San Francisco music scene exploded in popularity, the Grateful Dead's reputation grew. They signed with Warner Bros. Records in 1967 and released their self-titled debut album, which showcased their eclectic mix of genres and psychedelic experimentation. Although the album received mixed reviews, it established the band as a force to be reckoned with in the burgeoning rock scene. The late 1960s saw the Grateful Dead's popularity soar as they continued to tour extensively and release groundbreaking albums such as "Anthem of the Sun" (1968) and "Aoxomoxoa" (1969). These albums featured extended improvisational passages, intricate harmonies, and a blend of musical styles that set them apart from their contemporaries. In 1969, the band performed at the legendary Woodstock Music &amp; Art Fair, cementing their status as countercultural icons. They also began to incorporate acoustic sets into their concerts, showcasing their versatility and deep roots in American folk music. Tragedy struck the band in 1973 when founding member Ron "Pigpen" McKernan died of alcohol-related complications at the age of 27. His death marked a turning point for the band, as they began to move away from their blues-influenced sound and towards a more experimental, jazz-inspired approach. Expansion and Experimentation (1971-1979) The 1970s saw the Grateful Dead continue to evolve and push the boundaries of their music. They added two new members to their lineup: keyboardist Keith Godchaux and his wife, vocalist Donna Jean Godchaux. The addition of the Godchauxs brought a new dimension to the band's sound, with Keith's jazz-influenced playing and Donna's soulful vocals adding depth and texture to their performances. During this period, the band released some of their most iconic and influential albums, including "Workingman's Dead" (1970), "American Beauty" (1970), and "Europe '72" (1972). These albums showcased the band's songwriting prowess and their ability to craft intricate, emotionally resonant compositions that drew from a wide range of musical traditions. The Grateful Dead's live performances also became more elaborate and immersive during the 1970s. They began incorporating elaborate stage setups, including the "Wall of Sound," a massive sound system that allowed them to achieve unprecedented levels of clarity and volume. The band's concerts became legendary for their length, with shows often lasting for four hours or more and featuring extended improvisational jams that took audiences on a psychedelic journey. As the decade progressed, the Grateful Dead's music continued to evolve and expand. They incorporated elements of funk, disco, and world music into their sound, as evidenced on albums like "Terrapin Station" (1977) and "Shakedown Street" (1978). They also began to experiment with new technologies, such as MIDI and synthesizers, which allowed them to create even more intricate and layered soundscapes. Mainstream Success and Challenges (1980-1989) The 1980s brought new challenges and opportunities for the Grateful Dead. The decade began with the tragic death of keyboardist Keith Godchaux in a car accident, which left the band reeling. They eventually recruited keyboardist Brent Mydland to fill the void, and his energetic playing and powerful vocals brought a new dimension to the band's sound. Despite the loss of Godchaux, the Grateful Dead's popularity continued to grow throughout the 1980s. They released a string of successful albums, including "Go to Heaven" (1980), "In the Dark" (1987), and "Built to Last" (1989), which showcased their evolving sound and their ability to adapt to changing musical trends. The band's live performances also reached new heights during this period. They began playing larger venues, including stadiums and arenas, and their concerts became major cultural events that attracted fans from all over the world. The Grateful Dead's fanbase, known as "Deadheads," became legendary for their devotion to the band and their willingness to travel long distances to attend shows. However, the 1980s also brought new challenges for the band. Garcia's health began to deteriorate due to years of drug use and a demanding touring schedule, and he slipped into a diabetic coma in 1986. Although he eventually recovered, the incident served as a wake-up call for the band and forced them to reassess their priorities. Despite these challenges, the Grateful Dead continued to innovate and push the boundaries of their music. They incorporated new technologies into their live performances, including giant video screens and elaborate lighting rigs, which created an even more immersive and psychedelic experience for their audiences. Final Years and Jerry Garcia's Death (1990-1995) The early 1990s saw the Grateful Dead reach the pinnacle of their commercial success. Their 1991 album, "Without a Net," was a major hit and showcased the band's improvisational prowess and their ability to connect with audiences on a deep, emotional level. The band's concerts continued to draw massive crowds, with their annual summer tours becoming major cultural events. However, the band's success was overshadowed by Garcia's declining health. He had long struggled with drug addiction, and by the early 1990s, his use of heroin and cocaine had begun to take a severe toll on his body and mind. Despite attempts to get clean, Garcia's addiction continued to worsen, and he began to miss shows and rehearsals. In August 1995, the band's worst fears were realized when Garcia died of a heart attack at a rehabilitation clinic in Forest Knolls, California. He was 53 years old. Garcia's death sent shockwaves through the music world and left the Grateful Dead and their fans reeling. The band had lost their leader, their musical and spiritual guide, and the driving force behind their success. In the wake of Garcia's death, the remaining members of the Grateful Dead decided to disband. They played their final show together on July 9, 1995, at Soldier Field in Chicago, in a concert that was broadcast live on pay-per-view and attended by more than 60,000 fans. The show, which featured guest appearances by Bruce Hornsby and Bob Dylan, was an emotional and cathartic experience for the band and their fans, a celebration of Garcia's life and legacy and a farewell to an era. Post-Grateful Dead Projects and Legacy (1996-Present) In the years following the Grateful Dead's disbandment, the surviving members of the band continued to make music and keep the spirit of the Dead alive. Bob Weir and drummer Mickey Hart formed a new band called The Other Ones, which later evolved into The Dead, featuring Weir, Hart, bassist Phil Lesh, and various guest musicians. The band toured extensively and released several live albums, keeping the Grateful Dead's music and legacy alive for new generations of fans. Lesh formed his own band, Phil Lesh and Friends, which featured a rotating cast of musicians and focused on exploring the Grateful Dead's vast catalog of songs. Drummer Bill Kreutzmann also formed several bands, including BK3 and 7 Walkers, which continued to push the boundaries of improvisational rock music. In 2015, Weir, Hart, and Kreutzmann formed a new band called Dead &amp; Company, featuring guitarist John Mayer, bassist Oteil Burbridge, and keyboardist Jeff Chimenti. The band has toured extensively and has introduced the Grateful Dead's music to a new generation of fans, while also providing a platform for the surviving members to continue to explore and expand upon their musical legacy. The Grateful Dead's influence on popular music and culture cannot be overstated. They were pioneers of the

Grateful Dead - Audio Biography

"Presse"-Musikkritiker Wilhelm Sinkovicz präsentiert jeden Donnerstag seine Lieblingsaufnahmen und lädt uns ein, mit ihm in seiner Klassiksammlung zu wühlen und einzudringen in die Geheimnisse von Mozart, Bach, Beethoven und anderen. Ein Podcast für Kenner und Neulinge: Jeden zweiten Samstag stellt Katrin Nussmayr im Einsteiger-Format "Klassik für Taktlose" neugierige Fragen.

Jeden Donnerstag auf der Webseite der "Presse" und überall, wo es Podcasts gibt.
Produktion: Wilhelm Sinkovicz/www.sinkothek.at
Audio-Finish: Georg Gfrerer/ www.audio-funnel.com.
Redaktion/Konzeption: Anna Wallner
Grafik: Adobe Stock

Musiksalon

ALL Your Favorite Bands SUCK! with Jesse Blaze Snider puts a weekly spotlight on a band that doesn't get enough mainstream credit for their incredible contributions to the musical art form. Join us every episode as we dive into the incredible catalogs of the world's greatest bands, one incredible act at a time! Racing across genres to give you all the best unsung music heroes you've somehow neglected to hear! Not interested in one of our subjects? Check the next episode's subject! Are you looking to get into some particular bands? Scroll through. Music tastes run all over &amp; everyone is a bit different. Still, no one will more consistently recommend GOLD for YOUR EARS than a professional songwriter, former MTV VJ &amp; son of Rock Royalty, Jesse Blaze Snider! MONDAYS!

All Your Favorite Bands SUCK!

The Fat Controller #OLDSKOOL Show Podcast is broadcast live weekly on Centreforce 883 Radio, Tuesday evening 10pm until midnight. Featuring classic choonage from the golden Old Skool era of 88-95, with plenty of banter along the way...

Fat Controllers PODCAST

Each week host Alex Spears chats with a musician or public figure about the music that has influenced them and shaped their life. We also offer a focus on local and up-and-coming talent from Toronto.

611 Productions 

Produced by Alex Spears, Alex Andersen, & Hillary Johnson

Cover art by Paitra Walker

Theme Music by Duncan Briggs

Each week host Alex Spears chats with a musician or public figure about the music that has influenced them and shaped their life. We also offer a focus on local and up-and-coming talent from Toronto.

611 Productions 

Produced by Alex Spears, Alex Andersen, &amp; Hillary Johnson

Cover art by Paitra Walker

Theme Music by Duncan Briggs

Havin' a Chat

Join Rohan Gaikwad, one half of the house music DJ/Producer duo, Brk/thru as he chats weekly with his friends from the dance music fraternity. The podcast will be all about dance music &amp; the nightlife culture.

Join us on telegram - The Brkthru Podcast
https://t.me/thebrkthrupodcast

Support the Brkthru Podcast - 
https://www.patreon.com/Thebrkthrupodcast Support this podcast: <a href="https://podcasters.spotify.com/pod/show/thebrkthrupodcast/support" rel="payment">https://podcasters.spotify.com/pod/show/thebrkthrupodcast/support</a>

Join Rohan Gaikwad, one half of the house music DJ/Producer duo, Brk/thru as he chats weekly with his friends from the dance music fraternity. The podcast will be all about dance music &amp; the nightlife culture.

Join us on telegram - The Brkthru Podcast
https://t.me/thebrkthrupodcast

Support the Brkthru Podcast - 
https://www.patreon.com/Thebrkthrupodcast Support this podcast: <a href="https://podcasters.spotify.com/pod/show/thebrkthrupodcast/support" rel="noopener noreferrer">https://podcasters.spotify.com/pod/show/thebrkthrupodcast/support</a>

The Brkthru Podcast

A série semanal do Farofa Conceito que te conta mais sobre gêneros musicais e influências usadas por seus artistas favoritos em sua discografia!

Dossiê FC

Packed with all the power you need, Serious Spinach, often raw, never over cooked.

Music History Podcasts / Page 33