Arts

Books

Fashion & Beauty

Performing Arts

Food

Visual Arts

Design

Business

Entrepreneurship

Investing

Marketing

Careers

Management

Non-Profit

Comedy

Stand-Up

Comedy Interviews

Improv

Education

Self-Improvement

How To

Courses

Language Learning

Fiction

Comedy Fiction

Drama

Science Fiction

Government

Health & Fitness

Medicine

Alternative Health

Nutrition

Mental Health

Fitness

Sexuality

History

Kids & Family

Parenting

Stories for Kids

Education for Kids

Pets & Animals

Leisure

Video Games

Games

Automotive

Animation & Manga

Hobbies

Aviation

Home & Garden

Crafts

Music

Music Commentary

Music Interviews

Music History

News

Sports News

Entertainment News

News Commentary

Politics

Daily News

Business News

Tech News

Religion & Spirituality

Christianity

Spirituality

Religion

Judaism

Islam

Buddhism

Hinduism

Science

Social Sciences

Life Sciences

Natural Sciences

Nature

Chemistry

Mathematics

Earth Sciences

Physics

Astronomy

Society & Culture

Documentary

Relationships

Philosophy

Personal Journals

Places & Travel

Sports

Golf

Soccer

Wrestling

Basketball

Football

Fantasy Sports

Baseball

Wilderness

Running

Hockey

Rugby

Cricket

Volleyball

Tennis

Swimming

Technology

True Crime

TV & Film

Film Interviews

TV Reviews

After Shows

Film Reviews

Film History

Matthías Már Magnússon tekur á móti gesti í hverri viku sem ræðir um tónlist frá misminandi tímum sem er í uppáhaldi.

Laugardagskvöld með Matta

DJ EMMANUELR (NR² / WAF / Concept 2.0) 
Ex : Soundays - P.U.L.P. - Allo Sparrow - NFTG/SUSrec. (...)

Mix Live 100% Electro TekHouse Minimalist Progressive Deep Techno House Trance (...)
Also Available for Booking in France &amp; International / Contact Booking solo = NouvelRparis@gmail.com
Contact Booking NR² (With WaneR) = NR2paris@gmail.com 



http://bit.ly/dcZJH8 
http://mix.dj/EmmanuelR
http://mixify.com/DjEmmanuelR 
http://twitter.com/DjEmmanuelR
https://hearthis.at/DjEmmanuelR
http://mixcloud.com/EmmanuelR
http://youtube.com/DjEmmanuelR
http://podomatic.com/EmmanuelR
http://myspace.com/DjEmmanuelR
http://facebook.com/DjEmmanuelR
http://reverbnation.com/EmmanuelR
http://soundcloud.com/DjEmmanuelR
http://residentadvisor.net/dj/EmmanuelR
http://podcloud.fr/podcast/emmanuelrs-podcast
ALL BOOKING = NouvelRparis@gmail.com



NR² ft Marlyston @ FHD Recording
Beatport : http://urlz.fr/2p3N
Deezer : http://urlz.fr/2pCb
Juno Download : http://urlz.fr/2pC5
iTunes / Apple Music : http://urlz.fr/2pC9
Spotify : http://urlz.fr/2pE9
musicMe : http://urlz.fr/2pC8
YouTube : http://urlz.fr/2pDl
SoundCloud : http://urlz.fr/2pDm
(...)

DJ EMMANUELR (NR² / WAF / Concept 2.0) Ex : Soundays - P.U.L.P. - Allo Sparrow - NFTG/SUSrec. (...) Mix Live 100% Electro TekHouse Minimalist Progressive Deep Techno House Trance (...) Also Available for Booking in France & International / Contact Booking solo = NouvelRparis@gmail.com Contact Booking NR² (With WaneR) = NR2paris@gmail.com http://bit.ly/dcZJH8 http://mix.dj/EmmanuelR http://mixify.com/DjEmmanuelR http://twitter.com/DjEmmanuelR https://hearthis.at/DjEmmanuelR http://mixcloud.com/EmmanuelR http://youtube.com/DjEmmanuelR http://podomatic.com/EmmanuelR http://myspace.com/DjEmmanuelR http://facebook.com/DjEmmanuelR http://reverbnation.com/EmmanuelR http://soundcloud.com/DjEmmanuelR http://residentadvisor.net/dj/EmmanuelR http://podcloud.fr/podcast/emmanuelrs-podcast ALL BOOKING = NouvelRparis@gmail.com NR² ft Marlyston @ FHD Recording Beatport : http://urlz.fr/2p3N Deezer : http://urlz.fr/2pCb Juno Download : http://urlz.fr/2pC5 iTunes / Apple Music : http://urlz.fr/2pC9 Spotify : http://urlz.fr/2pE9 musicMe : http://urlz.fr/2pC8 YouTube : http://urlz.fr/2pDl SoundCloud : http://urlz.fr/2pDm (...)

Les Missions Électroniques by EmmanuelR (NR² from Paris)

Safari Sound was founded in south Sweden in 2003 by a couple of reggae fans and record collectors who loved reggae music since they first discovered it during their early school days. Two of the three founding members left the sound leaving Shirkhan to carry on the Safari name. Shortly after the founding members left, Zoro joined the sound as Safari’s first MC. Zoro and Shirkhan played the sound together until Zoro decided to focus on his career as a recoding artist.

In late 2006 Sammy K joined the sound as an MC. Together he and Shirkhan began taking the sound to the next level. Safari quickly established their name as one of the major contributors to the music scene in Southern Sweden. Safari established their presence through their show on Swedish National Radio, regular mixtape releases and several weekly and monthly events.

In 2009 Safari Sound started doing guest mixes for Din Gata (a local radio station belonging to Swedish National Radio). These mixes were so popular the sound was offered a monthly radio slot on P3, the biggest radio station in Sweden, which is apart of Swedish National Radio. The popularity of the monthly program grew to the point that in 2011 Safari was offered a weekly spot on Musikguiden i P3 every Friday evening (in 2017 the day changed to Wednesdays in order to attract more traffic).

This placement made Safari’s show the biggest Reggae and Dancehall show in Scandinavia.

In 2011 Safari relocated from its birthplace Malmö to Stockholm. Some of the events that made the sound famous were also re-launched in Stockholm.

In 2014 Safari Sound started participating in soundclashes, two in Stockholm and one in Denmark.

In 2015 DJ Autograph, longtime colleague and friend, joined the sound. DJ Autograph was born and raised in Kingston Jamaica and moved to New York in the 90s. He worked behind the scenes until mid 2016 when his announcement as part of Safari was made official along with his move to Sweden.

2017 was the year Safari Sound dedicated themselves to releasing original music via their own label. This resulted in the formation of Safari Records in early 2018, together with Swedish producer Binnie Smalls. The first single (Pon Di DJ with Red Fox) was released early 2018 and was followed up by an official remix of Chronixx’s mega scorcher Likes. Look out for more releases from Safari Records in 2018.

Originality, quality and their ability to play for any type of crowd has gained Safari supporters both within Sweden and internationally. Safari has toured Europe, Japan, Gambia, The Middle East, USA and Jamaica, performing at festivals and clubs in the aforementioned places.

Safari Sound is known for playing the latest Reggae & Dancehall mixed with exclusive dubplates and remixes. These days you should expect the unexpected when you catch the sound jugglin’: from old school Rub A Dub Reggae to todays Hip-Hop and R&B to 90s Dancehall scorchers and todays dancehall anthems. One thing is certain, when you step into a Safari Sound party you’re guaranteed to be at every future Safari event.

Safari Sound was founded in south Sweden in 2003 by a couple of reggae fans and record collectors who loved reggae music since they first discovered it during their early school days. Two of the three founding members left the sound leaving Shirkhan to carry on the Safari name. Shortly after the founding members left, Zoro joined the sound as Safari’s first MC. Zoro and Shirkhan played the sound together until Zoro decided to focus on his career as a recoding artist. In late 2006 Sammy K joined the sound as an MC. Together he and Shirkhan began taking the sound to the next level. Safari quickly established their name as one of the major contributors to the music scene in Southern Sweden. Safari established their presence through their show on Swedish National Radio, regular mixtape releases and several weekly and monthly events. In 2009 Safari Sound started doing guest mixes for Din Gata (a local radio station belonging to Swedish National Radio). These mixes were so popular the sound was offered a monthly radio slot on P3, the biggest radio station in Sweden, which is apart of Swedish National Radio. The popularity of the monthly program grew to the point that in 2011 Safari was offered a weekly spot on Musikguiden i P3 every Friday evening (in 2017 the day changed to Wednesdays in order to attract more traffic). This placement made Safari’s show the biggest Reggae and Dancehall show in Scandinavia. In 2011 Safari relocated from its birthplace Malmö to Stockholm. Some of the events that made the sound famous were also re-launched in Stockholm. In 2014 Safari Sound started participating in soundclashes, two in Stockholm and one in Denmark. In 2015 DJ Autograph, longtime colleague and friend, joined the sound. DJ Autograph was born and raised in Kingston Jamaica and moved to New York in the 90s. He worked behind the scenes until mid 2016 when his announcement as part of Safari was made official along with his move to Sweden. 2017 was the year Safari Sound dedicated themselves to releasing original music via their own label. This resulted in the formation of Safari Records in early 2018, together with Swedish producer Binnie Smalls. The first single (Pon Di DJ with Red Fox) was released early 2018 and was followed up by an official remix of Chronixx’s mega scorcher Likes. Look out for more releases from Safari Records in 2018. Originality, quality and their ability to play for any type of crowd has gained Safari supporters both within Sweden and internationally. Safari has toured Europe, Japan, Gambia, The Middle East, USA and Jamaica, performing at festivals and clubs in the aforementioned places. Safari Sound is known for playing the latest Reggae & Dancehall mixed with exclusive dubplates and remixes. These days you should expect the unexpected when you catch the sound jugglin’: from old school Rub A Dub Reggae to todays Hip-Hop and R&B to 90s Dancehall scorchers and todays dancehall anthems. One thing is certain, when you step into a Safari Sound party you’re guaranteed to be at every future Safari event.

Safari Sound was founded in south Sweden in 2003 by a couple of reggae fans and record collectors who loved reggae music since they first discovered it during their early school days. Two of the three founding members left the sound leaving Shirkhan to carry on the Safari name. Shortly after the founding members left, Zoro joined the sound as Safari’s first MC. Zoro and Shirkhan played the sound together until Zoro decided to focus on his career as a recoding artist.

In late 2006 Sammy K joined the sound as an MC. Together he and Shirkhan began taking the sound to the next level. Safari quickly established their name as one of the major contributors to the music scene in Southern Sweden. Safari established their presence through their show on Swedish National Radio, regular mixtape releases and several weekly and monthly events.

In 2009 Safari Sound started doing guest mixes for Din Gata (a local radio station belonging to Swedish National Radio). These mixes were so popular the sound was offered a monthly radio slot on P3, the biggest radio station in Sweden, which is apart of Swedish National Radio. The popularity of the monthly program grew to the point that in 2011 Safari was offered a weekly spot on Musikguiden i P3 every Friday evening (in 2017 the day changed to Wednesdays in order to attract more traffic).

This placement made Safari’s show the biggest Reggae and Dancehall show in Scandinavia.

In 2011 Safari relocated from its birthplace Malmö to Stockholm. Some of the events that made the sound famous were also re-launched in Stockholm.

In 2014 Safari Sound started participating in soundclashes, two in Stockholm and one in Denmark.

In 2015 DJ Autograph, longtime colleague and friend, joined the sound. DJ Autograph was born and raised in Kingston Jamaica and moved to New York in the 90s. He worked behind the scenes until mid 2016 when his announcement as part of Safari was made official along with his move to Sweden.

2017 was the year Safari Sound dedicated themselves to releasing original music via their own label. This resulted in the formation of Safari Records in early 2018, together with Swedish producer Binnie Smalls. The first single (Pon Di DJ with Red Fox) was released early 2018 and was followed up by an official remix of Chronixx’s mega scorcher Likes. Look out for more releases from Safari Records in 2018.

Originality, quality and their ability to play for any type of crowd has gained Safari supporters both within Sweden and internationally. Safari has toured Europe, Japan, Gambia, The Middle East, USA and Jamaica, performing at festivals and clubs in the aforementioned places.

Safari Sound is known for playing the latest Reggae &amp; Dancehall mixed with exclusive dubplates and remixes. These days you should expect the unexpected when you catch the sound jugglin’: from old school Rub A Dub Reggae to todays Hip-Hop and R&amp;B to 90s Dancehall scorchers and todays dancehall anthems. One thing is certain, when you step into a Safari Sound party you’re guaranteed to be at every future Safari event.

Safari Radio

Dax On Sax is represented by Six15 Artist Management www.six15am.com

Six15 Presents The Dax On Sax Podcast

Ads Lehane presents 'Get On It', the monthly show that brings you a one hour mix of the most upfront dance music around. Expect the freshest floorfillers around from House, Progressive, Techno to electro www.twitter.com/adslehane www.facebook.com/adslehane

Ads Lehane Presents Get On It!

Beat Dungeon Radio

Lift Me Up! by Ted Murvol

Podcast Series developed by DGF. Agency, and hosted by Duarte "Duda" Figueira (@dudafyahbox).

DaGoodFacts

Mario discovered his passion for electronic culture by the year 2003/04. Influenced by the rhythms and melodies that sounded in sessions such as Space of Sound, People, Danzoo or Goa, he began his journey reaching rooms such as Fabrik, La Riviera, Arena, Nazca, Republik, Wind, Privee, X Club, Dsigual, Mambo, Essence, Black and White, Massai, Pahïa among others and other festivals...

During all these years he has shared a poster with artists of the stature of Steve Lawler, Alan Fitzpatrick, Ismael Rivas, Oscar de Rivera, Javier Gonzalez, Ivan Pica, Vico Deep, Oscar L, M.A.N.D.Y, Caal, Samuel Wallen, King aka Sampleking, Eddy M, Alvaro AM, Dj Pepo, Nuke, Cesar Almena, Jesús Riaño, Karretero, Pelacha or Elesbaan among others...

Creator of the well-known podcast SOBERBIUS, a virtual club where he shares in set format many novelties in electronic music that are coming out. Inviting many renowned artists and of course giving voice to many others.

He has a fairly wide and very personal taste of club culture with which he plays with different styles such as Progressive, Melodic-House, Tech, Afro-House or Techno, creating a synergy of atmospheres with a lot of groove with which he surprises the audience by giving him what he did not know he wanted.

Mario discovered his passion for electronic culture by the year 2003/04. Influenced by the rhythms and melodies that sounded in sessions such as Space of Sound, People, Danzoo or Goa, he began his journey reaching rooms such as Fabrik, La Riviera, Arena, Nazca, Republik, Wind, Privee, X Club, Dsigual, Mambo, Essence, Black and White, Massai, Pahïa among others and other festivals... During all these years he has shared a poster with artists of the stature of Steve Lawler, Alan Fitzpatrick, Ismael Rivas, Oscar de Rivera, Javier Gonzalez, Ivan Pica, Vico Deep, Oscar L, M.A.N.D.Y, Caal, Samuel Wallen, King aka Sampleking, Eddy M, Alvaro AM, Dj Pepo, Nuke, Cesar Almena, Jesús Riaño, Karretero, Pelacha or Elesbaan among others... Creator of the well-known podcast SOBERBIUS, a virtual club where he shares in set format many novelties in electronic music that are coming out. Inviting many renowned artists and of course giving voice to many others. He has a fairly wide and very personal taste of club culture with which he plays with different styles such as Progressive, Melodic-House, Tech, Afro-House or Techno, creating a synergy of atmospheres with a lot of groove with which he surprises the audience by giving him what he did not know he wanted.

Soberbius Podcast

Anton Kuznetsoff - андеграундный, олдскульный, трушный диджей - музыкант. Тот самый Dj Kuznetsoff, чьи сеты на CD-дисках в стиле Electro House в середине нулевых разлетелись по всей центральной части России. 

Сейчас Антон играет в нескольких стилях, это - Progressive House, Deep House, Indie Dance, Melodic House, Techno, Tech House, Electronica, Downtempo. При этом он не разграничивает стилистически музыку и берёт от каждого направления что-то своё, тем самым создаёт собственное уникальное звучание. С его неповторимым стилем можно познакомиться в ежемесячной подборке свежих и актуальных треков "Illuminati - podcast", и конечно же на его выступлениях.

Anton Kuznetsoff - андеграундный, олдскульный, трушный диджей - музыкант. Тот самый Dj Kuznetsoff, чьи сеты на CD-дисках в стиле Electro House в середине нулевых разлетелись по всей центральной части России. Сейчас Антон играет в нескольких стилях, это - Progressive House, Deep House, Indie Dance, Melodic House, Techno, Tech House, Electronica, Downtempo. При этом он не разграничивает стилистически музыку и берёт от каждого направления что-то своё, тем самым создаёт собственное уникальное звучание. С его неповторимым стилем можно познакомиться в ежемесячной подборке свежих и актуальных треков "Illuminati - podcast", и конечно же на его выступлениях.

Dj Kuznetsoff

LISSOUND - weekly EDM radioshow hosted by dj/soundproducer Lia Lisse.

LISSOUND

The Official DJ Asiatic Podcast presented by Ichiban Studio. Dj Asiatic is a Dj who understands the turntable movement from every element. Check out DJ Asiatic.com for photos, mixes, and videos.

DJ Asiatic

Che cos’hanno in comune gli Area e i cartoni giapponesi? Quali sono i vinili più rari al mondo? Giunta alla stagione numero 17, Bollicine - ogni domenica, dalle 16.30 alle 17.30 - racconta la musica attraverso le sue storie e le voci dei suoi protagonisti: in ogni puntata un filo rosso a cui sono legate una decina di canzoni, con un occhio di riguardo per la musica italiana. Come sempre, tutte le playlist si trovano sul celeberrimo Bolliblog.com. A cura di Francesco Tragni e Marco Carini

Bollicine

This Music Podcast regroups all the mIxTaPes released by @eRiC mIxTaPe from 2010 to 2024...Enjoy!

eRiC's mIxTaPe (2010-2024)

Evolution of Popular Song Podcast

Paolo Gaffurini,  Davide Lombardi, Lorenzo Gei, Alessandro Ferrari e Luca Minelli sono 5 colleghi di lavoro di Brescia, appassionati di trekking. L'anno scorso il primo piccolo trekking in cammino in Corsica. Quest'anno è la volta del Galles. 4 giorni su Anglesey Coastal path, un'isola poco conosciuta, senza grandi centri abitati.
Le tappe sono:
Beamuris, Moelfre (circa 29 km).
Moelfre,Cemaes (32 km).
Cemaes, Holyhead (39 km).
Holyhead, Four miles bridge (31 km).
Partenza da Orio al serio con destinazione Manchester. Il Galles è uno dei paesi europee con uno dei più lunghi trekking che si sviluppa su tutta la costa.

Paolo Gaffurini, Davide Lombardi, Lorenzo Gei, Alessandro Ferrari e Luca Minelli sono 5 colleghi di lavoro di Brescia, appassionati di trekking. L'anno scorso il primo piccolo trekking in cammino in Corsica. Quest'anno è la volta del Galles. 4 giorni su Anglesey Coastal path, un'isola poco conosciuta, senza grandi centri abitati. Le tappe sono: Beamuris, Moelfre (circa 29 km). Moelfre,Cemaes (32 km). Cemaes, Holyhead (39 km). Holyhead, Four miles bridge (31 km). Partenza da Orio al serio con destinazione Manchester. Il Galles è uno dei paesi europee con uno dei più lunghi trekking che si sviluppa su tutta la costa.

Viaggiatori Straordinari - Isle of Anglesey Coastal Path - Galles

Подкаст для  настроения. Случайная музыка из коллекции собранная в небольшие сборники без лишних комментариев.

Подкаст для настроения. Случайная музыка из коллекции собранная в небольшие сборники без лишних комментариев.

Randome Radio

Go behind the scene to get to know the owner, musicians, singers and more. You will get to hear what inspires us and how our goal is to create music that gives you goosebumps.

Music 4 The Future's Exclusive

Seres Produções Established in Luanda, 2000
Established in Lisbon since 2015
https://linktr.ee/seresproducoes
demo@seresproducoes.com
Label Boss: @djsatelite
Bookings: booking@seresproducoes.com

#AfrohouseIsUs

Seres Produções Established in Luanda, 2000 Established in Lisbon since 2015 https://linktr.ee/seresproducoes demo@seresproducoes.com Label Boss: @djsatelite Bookings: booking@seresproducoes.com #AfrohouseIsUs

Seres Radio Show

Jacques... Jacques Higelin

Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur <a href="http://www.radiofrance.fr/?at_campaign=desc_podcast&at_medium=lien_RSS">Radio France</a>.

Jacques... Jacques Higelin Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France.

Jacques... Jacques Higelin

Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur <a href="http://www.radiofrance.fr/?at_campaign=desc_podcast&amp;at_medium=lien_RSS" rel="noopener noreferrer">Radio France</a>.

Jacques... Jacques Higelin

Learn how to play the most common Hearthstone Decks.

Hearthstone Deck Techs

Originally broadcast on alternate Sunday's, between 12 and 2pm UK time on Starpoint Radio, with a large helping of all the new and forthcoming releases, from burning soul ballads through to the best in soulful dance, via the odd bit of jazz, deep house, an occasional broken beat or two..........basically all that's good for those that feel it!

Originally broadcast on alternate Sunday's, between 12 and 2pm UK time on Starpoint Radio, with a large helping of all the new and forthcoming releases, from burning soul ballads through to the best in soulful dance, via the odd bit of jazz, deep house, an occasional broken beat or two..........basically all that's good for those that feel it!

The Music Box with Mark Randle on Starpoint Radio

O  GTA Rádio é um programa da Engenharia Rádio sobre jogos, onde se  discute todos os aspetos da indústria gaming. Algumas rubricas do  programa são a pergunta da semana, o relatório e-sports e as apostas  mensais.

O GTA Rádio é um programa da Engenharia Rádio sobre jogos, onde se discute todos os aspetos da indústria gaming. Algumas rubricas do programa são a pergunta da semana, o relatório e-sports e as apostas mensais.

GTA Rádio

Giulia Salvi ci racconta i testi più belli mai cantati, accompagnata dalle più belle canzoni rock di sempre

Rock in Translation

Join Sarah, New Zealand&#039;s worst Suzy Cato impersonator, as she galumphs through two hours of arguably decent tunes.

Join Sarah, New Zealand's worst Suzy Cato impersonator, as she galumphs through two hours of arguably decent tunes.

95bFM: Saturday Afternoon with Sarah

en este podcast hablaremos sobre la gran trayectoria musical del gran cantante "Zoe" destacando sus canciones y el significado de algunas de ellas.

en este podcast hablaremos sobre la gran trayectoria musical del gran cantante "Zoe" destacando sus canciones y el significado de algunas de ellas.

El gran cantante "ZOE"

Kendrick Lamar sent shockwaves through the music world on November 22, 2024, with the surprise release of his sixth studio album, GNX. This highly anticipated 12-track project comes two years after the release of his critically acclaimed Mr. Morale &amp; The Big Steppers and marks his first major release as an independent artist following his departure from Top Dawg Entertainment. Known for his intricate lyricism, poignant social commentary, and dynamic soundscapes, Lamar once again proves why he is regarded as one of the most compelling voices in contemporary hip-hop. With GNX, he crafts a deeply personal and electrifying work that dives into themes of redemption, rivalry, identity, and the complexities of fame. The title GNX has sparked widespread speculation among fans and critics. Many believe it is an abbreviation for “Genesis,” signaling a new beginning in Lamar’s career, as well as themes of transformation and renewal that resonate throughout the album. Others interpret the title as a reference to “gangster,” reflecting Kendrick’s reflections on street culture, morality, and his ongoing quest for self-definition. Whatever the title’s origins, the music speaks for itself: GNX blends Lamar’s signature introspection with unrelenting energy, creating a work that feels both intimate and grand. Opening with the track “Genesis Flow,” Lamar immediately sets the tone for the album, weaving a narrative that reflects on his journey from Compton to international superstardom. The song’s production, a haunting mix of strings and bass-heavy beats, underscores the tension between his humble beginnings and the high stakes of life at the top. From there, the album delves into a wide range of themes, with standout tracks addressing everything from personal growth to industry rivalries. A major highlight of the album is “Heart Pt. 6,” a continuation of Lamar’s iconic "Heart" series. Known for their raw vulnerability and unfiltered commentary, each installment has provided insight into Lamar’s personal struggles and triumphs. In this latest entry, he confronts his ongoing rivalry with Drake, delivering sharp, introspective lyrics that dissect the tensions between competition and mutual respect. The song has already sparked widespread debate, with listeners analyzing every line for hidden meanings and references to past feuds. By addressing such a contentious relationship head-on, Lamar reaffirms his status as a fearless artist unafraid to wade into the complexities of human relationships. The collaboration on GNX further elevates its appeal. Lamar reunites with SZA for the sultry and introspective track “Last Call,” where their chemistry shines as they explore themes of vulnerability and resilience. Kamasi Washington’s contributions on “Jazzman’s Blues” infuse the album with lush instrumentation, blending Lamar’s spoken-word delivery with Washington’s soaring saxophone melodies. These collaborations not only showcase Lamar’s ability to bring out the best in his peers but also reflect his commitment to pushing musical boundaries. The album’s production is a masterclass in sonic diversity, with tracks that range from minimalist beats to orchestral compositions. Songs like “Squabble Up” feature aggressive rhythms that echo Lamar’s earlier works, while tracks like “Underdog’s Prayer” take a more contemplative approach, using stripped-down instrumentation to highlight his lyrical prowess. The seamless transitions between moods and genres reflect Lamar’s evolution as an artist and his ability to remain at the forefront of hip-hop innovation. Accompanying the album’s release is a visually stunning music video for “Squabble Up,” directed by Calmatic. The video is packed with symbolic imagery that complements the album’s themes. Lamar is seen reading a fictional book titled How to Be More Like Kendrick for Dummies, a tongue-in-cheek nod to his influence as an artist. Another striking moment features Lamar holding a sign that reads “JESUS SAVES GANGSTERS TOO!” These visuals underscore the album’s exploration of identity, redemption, and spirituality, adding depth to the auditory experience. Critics have lauded GNX as one of Lamar’s most direct and urgent projects to date. Many have noted the album’s balance between the personal and the universal, with Lamar offering introspective meditations while addressing broader societal issues. Tracks like “War Stories” delve into the impact of systemic oppression, while “New Testament Flow” grapples with morality and legacy. These songs highlight Lamar’s ability to weave complex narratives that resonate across audiences. For fans, GNX has been a cause for celebration. The album’s surprise release generated instant buzz, with social media platforms flooded with reactions, analyses, and praise. Streaming numbers skyrocketed within hours, solidifying Lamar’s dominance in the digital age. The decision to drop the album unannounced mirrors strategies Lamar has employed in the past, creating a sense of immediacy and excitement around his work. However, GNX feels different in its approach, less about spectacle and more about delivering a clear artistic statement. The release of GNX also signifies a pivotal moment in Lamar’s career as an independent artist. Having parted ways with Top Dawg Entertainment, the label that helped catapult him to fame, Lamar appears determined to chart his own path. This autonomy is evident in the album’s fearless exploration of themes and its refusal to conform to commercial expectations. GNX feels like an artist reclaiming his narrative, free to experiment and speak without constraints. Despite its critical acclaim, the album has not been without its controversies. The track “Heart Pt. 6,” in particular, has reignited discussions about Lamar’s rivalry with Drake, with fans of both artists debating the merits and implications of their feud. While some view the track as a bold confrontation, others see it as a reflection of the competitive pressures inherent in the music industry. Regardless of interpretation, the song has ensured that GNX remains a topic of conversation well beyond its release. As 2024 draws to a close, GNX stands as a testament to Kendrick Lamar’s enduring relevance and artistic vision. In a year filled with high-profile releases, the album manages to carve out its own space, reminding listeners of Lamar’s unparalleled ability to combine technical skill with emotional depth. Whether reflecting on his personal journey, addressing societal injustices, or experimenting with new sounds, Lamar continues to push the boundaries of what hip-hop can achieve. The legacy of GNX will likely be defined not only by its artistic achievements but also by its cultural impact. Lamar’s decision to release the album independently, paired with its bold thematic content, sets a precedent for creative freedom in an industry often driven by commercial considerations. As fans and critics continue to unpack its layers, GNX reaffirms Kendrick Lamar’s position as a leader in the world of music and a voice that challenges, inspires, and resonates. GNX is more than just an album; it is a declaration of independence, a reflection on identity, and a showcase of artistic excellence. Through its vivid storytelling, innovative production, and fearless exploration of difficult topics, Kendrick Lamar has once again proven why he remains at the forefront of contemporary culture. In a career defined by evolution and reinvention, GNX marks the beginning of an exciting new chapter.

Kendrick Lamar sent shockwaves through the music world on November 22, 2024, with the surprise release of his sixth studio album, GNX. This highly anticipated 12-track project comes two years after the release of his critically acclaimed Mr. Morale & The Big Steppers and marks his first major release as an independent artist following his departure from Top Dawg Entertainment. Known for his intricate lyricism, poignant social commentary, and dynamic soundscapes, Lamar once again proves why he is regarded as one of the most compelling voices in contemporary hip-hop. With GNX, he crafts a deeply personal and electrifying work that dives into themes of redemption, rivalry, identity, and the complexities of fame. The title GNX has sparked widespread speculation among fans and critics. Many believe it is an abbreviation for “Genesis,” signaling a new beginning in Lamar’s career, as well as themes of transformation and renewal that resonate throughout the album. Others interpret the title as a reference to “gangster,” reflecting Kendrick’s reflections on street culture, morality, and his ongoing quest for self-definition. Whatever the title’s origins, the music speaks for itself: GNX blends Lamar’s signature introspection with unrelenting energy, creating a work that feels both intimate and grand. Opening with the track “Genesis Flow,” Lamar immediately sets the tone for the album, weaving a narrative that reflects on his journey from Compton to international superstardom. The song’s production, a haunting mix of strings and bass-heavy beats, underscores the tension between his humble beginnings and the high stakes of life at the top. From there, the album delves into a wide range of themes, with standout tracks addressing everything from personal growth to industry rivalries. A major highlight of the album is “Heart Pt. 6,” a continuation of Lamar’s iconic "Heart" series. Known for their raw vulnerability and unfiltered commentary, each installment has provided insight into Lamar’s personal struggles and triumphs. In this latest entry, he confronts his ongoing rivalry with Drake, delivering sharp, introspective lyrics that dissect the tensions between competition and mutual respect. The song has already sparked widespread debate, with listeners analyzing every line for hidden meanings and references to past feuds. By addressing such a contentious relationship head-on, Lamar reaffirms his status as a fearless artist unafraid to wade into the complexities of human relationships. The collaboration on GNX further elevates its appeal. Lamar reunites with SZA for the sultry and introspective track “Last Call,” where their chemistry shines as they explore themes of vulnerability and resilience. Kamasi Washington’s contributions on “Jazzman’s Blues” infuse the album with lush instrumentation, blending Lamar’s spoken-word delivery with Washington’s soaring saxophone melodies. These collaborations not only showcase Lamar’s ability to bring out the best in his peers but also reflect his commitment to pushing musical boundaries. The album’s production is a masterclass in sonic diversity, with tracks that range from minimalist beats to orchestral compositions. Songs like “Squabble Up” feature aggressive rhythms that echo Lamar’s earlier works, while tracks like “Underdog’s Prayer” take a more contemplative approach, using stripped-down instrumentation to highlight his lyrical prowess. The seamless transitions between moods and genres reflect Lamar’s evolution as an artist and his ability to remain at the forefront of hip-hop innovation. Accompanying the album’s release is a visually stunning music video for “Squabble Up,” directed by Calmatic. The video is packed with symbolic imagery that complements the album’s themes. Lamar is seen reading a fictional book titled How to Be More Like Kendrick for Dummies, a tongue-in-cheek nod to his influence as an artist. Another striking moment features Lamar holding a sign that reads “JESUS SAVES GANGSTERS TOO!” These visuals underscore the album’s exploration of identity, redemption, and spirituality, adding depth to the auditory experience. Critics have lauded GNX as one of Lamar’s most direct and urgent projects to date. Many have noted the album’s balance between the personal and the universal, with Lamar offering introspective meditations while addressing broader societal issues. Tracks like “War Stories” delve into the impact of systemic oppression, while “New Testament Flow” grapples with morality and legacy. These songs highlight Lamar’s ability to weave complex narratives that resonate across audiences. For fans, GNX has been a cause for celebration. The album’s surprise release generated instant buzz, with social media platforms flooded with reactions, analyses, and praise. Streaming numbers skyrocketed within hours, solidifying Lamar’s dominance in the digital age. The decision to drop the album unannounced mirrors strategies Lamar has employed in the past, creating a sense of immediacy and excitement around his work. However, GNX feels different in its approach, less about spectacle and more about delivering a clear artistic statement. The release of GNX also signifies a pivotal moment in Lamar’s career as an independent artist. Having parted ways with Top Dawg Entertainment, the label that helped catapult him to fame, Lamar appears determined to chart his own path. This autonomy is evident in the album’s fearless exploration of themes and its refusal to conform to commercial expectations. GNX feels like an artist reclaiming his narrative, free to experiment and speak without constraints. Despite its critical acclaim, the album has not been without its controversies. The track “Heart Pt. 6,” in particular, has reignited discussions about Lamar’s rivalry with Drake, with fans of both artists debating the merits and implications of their feud. While some view the track as a bold confrontation, others see it as a reflection of the competitive pressures inherent in the music industry. Regardless of interpretation, the song has ensured that GNX remains a topic of conversation well beyond its release. As 2024 draws to a close, GNX stands as a testament to Kendrick Lamar’s enduring relevance and artistic vision. In a year filled with high-profile releases, the album manages to carve out its own space, reminding listeners of Lamar’s unparalleled ability to combine technical skill with emotional depth. Whether reflecting on his personal journey, addressing societal injustices, or experimenting with new sounds, Lamar continues to push the boundaries of what hip-hop can achieve. The legacy of GNX will likely be defined not only by its artistic achievements but also by its cultural impact. Lamar’s decision to release the album independently, paired with its bold thematic content, sets a precedent for creative freedom in an industry often driven by commercial considerations. As fans and critics continue to unpack its layers, GNX reaffirms Kendrick Lamar’s position as a leader in the world of music and a voice that challenges, inspires, and resonates. GNX is more than just an album; it is a declaration of independence, a reflection on identity, and a showcase of artistic excellence. Through its vivid storytelling, innovative production, and fearless exploration of difficult topics, Kendrick Lamar has once again proven why he remains at the forefront of contemporary culture. In a career defined by evolution and reinvention, GNX marks the beginning of an exciting new chapter.

Kendrick Lamar - GNX

Kendrick Lamar's recent achievements have further solidified his position as one of the most influential artists of his generation. His latest single, Not Like Us, has not only dominated the charts but has also set records that will likely stand the test of time. The track, released in 2024, debuted at number one on the Billboard Hot 100, marking a major milestone in Lamar’s career. This was his third number-one single overall but his first to debut directly at the top spot. More impressively, the song maintained its number-one position for an astonishing 21 weeks, surpassing the previous record held by Lil Nas X’s Old Town Road, which had a 20-week reign. Such an achievement demonstrates not only Lamar’s ability to craft culturally significant music but also his unique command over the rap and hip-hop industry. The overwhelming success of Not Like Us can be attributed to multiple factors, including its hard-hitting lyrics, its production value, and the social and musical context in which it was released. The song resonated deeply with fans, partly due to its direct confrontation of contemporary issues within the hip-hop world, including his ongoing rivalry with Drake. The feud between the two rappers reached new heights in 2024, and Not Like Us was widely interpreted as a diss track aimed at Drake, which only fueled public interest. Feuds in the hip-hop industry have long been a driving force behind some of the genre’s biggest hits, and Lamar’s ability to turn conflict into a record-breaking moment speaks to his artistry and influence. Following the success of his chart-topping single, Lamar took the industry by surprise when he announced the release of his album GNX in November 2024. The album’s arrival was met with immense anticipation, and it did not disappoint. GNX debuted at number one on the Billboard 200, moving 319,000 equivalent album units in its first week. This feat marked Lamar’s fourth consecutive studio album to debut at the top, following the critically acclaimed Mr. Morale &amp; the Big Steppers, DAMN., and To Pimp a Butterfly. What made GNX particularly remarkable was the way in which it seamlessly blended Lamar’s signature storytelling with innovative production and deeply personal lyricism. The album contained several standout tracks, three of which simultaneously occupied the top ten positions on the Billboard Hot 100—an unprecedented accomplishment for a rap artist. The success of these songs highlighted Lamar’s ability to appeal to both mainstream audiences and dedicated hip-hop purists, a balancing act that few artists can maintain. His lyrical depth and thematic complexity, combined with his ear for compelling beats, have allowed him to maintain an unparalleled level of consistency in an industry where trends change rapidly. The cultural weight of GNX also contributed to its commercial triumph, with fans and critics alike praising Lamar for continuing to push the boundaries of hip-hop while staying true to his artistic roots. Beyond his achievements in recorded music, Lamar also made history with his performance at the Super Bowl LIX halftime show in February 2025. The event, held at the Caesars Superdome in New Orleans, was groundbreaking in multiple ways. Lamar became the first solo rap artist to headline the halftime show, a testament to how far hip-hop has come as a mainstream cultural force. The performance was nothing short of spectacular, drawing a record-breaking 133.5 million viewers, the highest viewership for a Super Bowl halftime show in history. His setlist featured a mix of classic hits and new material from GNX, creating a performance that was both a celebration of his past and a bold statement about his continued relevance in the industry. While the halftime show cemented his reputation as a generational artist, Lamar’s year was also marked by a widely publicized and increasingly personal feud with Drake. The tension between the two artists had been simmering for years, but in 2024, it boiled over into one of the most intense rivalries in modern hip-hop. Lamar and Drake exchanged a series of diss tracks, with Not Like Us serving as one of the most powerful statements in the ongoing battle. The feud went beyond music, leading to legal disputes, allegations of defamation, and accusations of streaming manipulation. Despite the controversy, Lamar’s artistry remained at the forefront, with fans and critics largely viewing his contributions as more impactful than those of his rival. Lamar’s impact was further recognized at the 67th Annual Grammy Awards, where he enjoyed a historic night. Not Like Us swept multiple categories, winning Record of the Year, Song of the Year, Best Rap Performance, Best Rap Song, and Best Music Video. Such dominance at the Grammys reaffirmed Lamar’s place among the greatest artists of his era. His ability to consistently deliver both commercially successful and critically acclaimed music is a rare feat, and his Grammy wins underscored just how much of an impact he has had on the industry. Throughout his career, Lamar has demonstrated an unwavering commitment to artistic integrity, using his platform to address social issues, personal struggles, and the evolution of hip-hop. His recent accomplishments serve as yet another reminder that he is not just one of the best rappers of his generation, but one of the most important voices in contemporary music. From breaking chart records to delivering electrifying performances, Lamar continues to set new standards for what a hip-hop artist can achieve. His influence extends far beyond sales and streaming numbers—he shapes conversations, challenges expectations, and continually redefines the boundaries of the genre. As the music industry evolves, Lamar remains at the forefront, proving that true artistry can coexist with mainstream success. Whether through his chart-topping singles, record-breaking albums, or historic performances, he continues to push the culture forward. In a time when trends often dictate success, Lamar stands out as an artist who dictates his own path, setting new benchmarks along the way. With a career that shows no signs of slowing down, his recent achievements are not just milestones but indicators of an even greater legacy still in the making. This has been a Quiet Please production. Head over to Quiet Please dot A I to “Hear What Matters”

Kendrick Lamar's recent achievements have further solidified his position as one of the most influential artists of his generation. His latest single, Not Like Us, has not only dominated the charts but has also set records that will likely stand the test of time. The track, released in 2024, debuted at number one on the Billboard Hot 100, marking a major milestone in Lamar’s career. This was his third number-one single overall but his first to debut directly at the top spot. More impressively, the song maintained its number-one position for an astonishing 21 weeks, surpassing the previous record held by Lil Nas X’s Old Town Road, which had a 20-week reign. Such an achievement demonstrates not only Lamar’s ability to craft culturally significant music but also his unique command over the rap and hip-hop industry. The overwhelming success of Not Like Us can be attributed to multiple factors, including its hard-hitting lyrics, its production value, and the social and musical context in which it was released. The song resonated deeply with fans, partly due to its direct confrontation of contemporary issues within the hip-hop world, including his ongoing rivalry with Drake. The feud between the two rappers reached new heights in 2024, and Not Like Us was widely interpreted as a diss track aimed at Drake, which only fueled public interest. Feuds in the hip-hop industry have long been a driving force behind some of the genre’s biggest hits, and Lamar’s ability to turn conflict into a record-breaking moment speaks to his artistry and influence. Following the success of his chart-topping single, Lamar took the industry by surprise when he announced the release of his album GNX in November 2024. The album’s arrival was met with immense anticipation, and it did not disappoint. GNX debuted at number one on the Billboard 200, moving 319,000 equivalent album units in its first week. This feat marked Lamar’s fourth consecutive studio album to debut at the top, following the critically acclaimed Mr. Morale & the Big Steppers, DAMN., and To Pimp a Butterfly. What made GNX particularly remarkable was the way in which it seamlessly blended Lamar’s signature storytelling with innovative production and deeply personal lyricism. The album contained several standout tracks, three of which simultaneously occupied the top ten positions on the Billboard Hot 100—an unprecedented accomplishment for a rap artist. The success of these songs highlighted Lamar’s ability to appeal to both mainstream audiences and dedicated hip-hop purists, a balancing act that few artists can maintain. His lyrical depth and thematic complexity, combined with his ear for compelling beats, have allowed him to maintain an unparalleled level of consistency in an industry where trends change rapidly. The cultural weight of GNX also contributed to its commercial triumph, with fans and critics alike praising Lamar for continuing to push the boundaries of hip-hop while staying true to his artistic roots. Beyond his achievements in recorded music, Lamar also made history with his performance at the Super Bowl LIX halftime show in February 2025. The event, held at the Caesars Superdome in New Orleans, was groundbreaking in multiple ways. Lamar became the first solo rap artist to headline the halftime show, a testament to how far hip-hop has come as a mainstream cultural force. The performance was nothing short of spectacular, drawing a record-breaking 133.5 million viewers, the highest viewership for a Super Bowl halftime show in history. His setlist featured a mix of classic hits and new material from GNX, creating a performance that was both a celebration of his past and a bold statement about his continued relevance in the industry. While the halftime show cemented his reputation as a generational artist, Lamar’s year was also marked by a widely publicized and increasingly personal feud with Drake. The tension between the two artists had been simmering for years, but in 2024, it boiled over into one of the most intense rivalries in modern hip-hop. Lamar and Drake exchanged a series of diss tracks, with Not Like Us serving as one of the most powerful statements in the ongoing battle. The feud went beyond music, leading to legal disputes, allegations of defamation, and accusations of streaming manipulation. Despite the controversy, Lamar’s artistry remained at the forefront, with fans and critics largely viewing his contributions as more impactful than those of his rival. Lamar’s impact was further recognized at the 67th Annual Grammy Awards, where he enjoyed a historic night. Not Like Us swept multiple categories, winning Record of the Year, Song of the Year, Best Rap Performance, Best Rap Song, and Best Music Video. Such dominance at the Grammys reaffirmed Lamar’s place among the greatest artists of his era. His ability to consistently deliver both commercially successful and critically acclaimed music is a rare feat, and his Grammy wins underscored just how much of an impact he has had on the industry. Throughout his career, Lamar has demonstrated an unwavering commitment to artistic integrity, using his platform to address social issues, personal struggles, and the evolution of hip-hop. His recent accomplishments serve as yet another reminder that he is not just one of the best rappers of his generation, but one of the most important voices in contemporary music. From breaking chart records to delivering electrifying performances, Lamar continues to set new standards for what a hip-hop artist can achieve. His influence extends far beyond sales and streaming numbers—he shapes conversations, challenges expectations, and continually redefines the boundaries of the genre. As the music industry evolves, Lamar remains at the forefront, proving that true artistry can coexist with mainstream success. Whether through his chart-topping singles, record-breaking albums, or historic performances, he continues to push the culture forward. In a time when trends often dictate success, Lamar stands out as an artist who dictates his own path, setting new benchmarks along the way. With a career that shows no signs of slowing down, his recent achievements are not just milestones but indicators of an even greater legacy still in the making. This has been a Quiet Please production. Head over to Quiet Please dot A I to “Hear What Matters”

Kendrick Lamar: A New Era of Hip-Hop Supremacy

QUESTO VIDEO RACCONTA DEGLI ANTECEDENTI MUSICALI DI COMPOSITORI ITALIANI DELLE BEN PIù NOTE SEI SUITES PER VIOLONCELLO SOLO DI JOHANN SEBASTIAN BACH

GLI ANTECEDENTI ITALIANI DELLE SEI SUITE

El CondensaRock de Fluzo es una aventura musical donde, subidos en nuestro DeLorean, surcamos el tiempo y el espacio a trav&eacute;s del Rock y el Metal de todas las &eacute;pocas.

El CondensaRock de Fluzo es una aventura musical donde, subidos en nuestro DeLorean, surcamos el tiempo y el espacio a través del Rock y el Metal de todas las épocas.

El CondensaRock de Fluzo

Welcome to "Beats &amp; Basslines with Neil Hume", the ultimate destination for lovers of unforgettable club sounds. With nearly 40 years in the DJ scene, Neil has set dancefloors ablaze at Sydney’s iconic nightclubs like Ziggurat, Black Market, and the legendary DCM—once ranked among the world’s top 10 clubs. He’s also played historic events like the Horden Pavilion’s RAT parties, shaping Sydney’s nightlife history. From commercial house and pop anthems to dark, driving beats of the underground, Neil's sets are powered by deep basslines, infectious rhythms, and unforgettable melodies. His signature style keeps crowds moving from Sydney’s Universal and Newtown Hotel to Melbourne’s Rock City and Sundaylicious Daywash events. Tune in and experience the sound of a true DJ legend. This is "Beats &amp; Basslines with Neil Hume"—where the floor is always full, and the beats never stop.

Welcome to "Beats & Basslines with Neil Hume", the ultimate destination for lovers of unforgettable club sounds. With nearly 40 years in the DJ scene, Neil has set dancefloors ablaze at Sydney’s iconic nightclubs like Ziggurat, Black Market, and the legendary DCM—once ranked among the world’s top 10 clubs. He’s also played historic events like the Horden Pavilion’s RAT parties, shaping Sydney’s nightlife history. From commercial house and pop anthems to dark, driving beats of the underground, Neil's sets are powered by deep basslines, infectious rhythms, and unforgettable melodies. His signature style keeps crowds moving from Sydney’s Universal and Newtown Hotel to Melbourne’s Rock City and Sundaylicious Daywash events. Tune in and experience the sound of a true DJ legend. This is "Beats & Basslines with Neil Hume"—where the floor is always full, and the beats never stop.

Beats & Basslines with Neil Hume

radiohashtag+ ist dein neuer Jugendsender für Schweinfurt und ganz Unterfranken (Bamberg bis Frankfurt). Wir spielen dir die angesagtesten Hits, brandneue Mucke, auf die bald jeder abfahren wird – und: Wir quatschen mit dir über die neuesten Trends in Technik und Design, haben coole Fashiontipps für dich und verraten dir die fettesten Events und Stories. radiohashtag+ – läuft bei dir!

radiohashtag+ - #läuft bei dir

A podcast dedicated to showcasing underground house music producers and DJ's across New Zealand and Australia

High Frequency Podcast

Muzik Artists #1 hits, Chicagoland’s street beef, newly released businesses, and community activities

Muzik Artists #1 hits, Chicagoland’s street beef, newly released businesses, and community activities

LingoMedia

Taking a behind the scenes look at the lives of people on the road. Join Jon as he takes a deep dive into his own life and the lives of his friends to see the real trials and tribulations of traveling.

Stoury Time

KEYTALKの寺中友将と八木優樹がお送りするMOSラジNACK5店！
ラジオの中のハンバーガーショップを舞台に寺中店長と八木副店長がモスバーガーの魅力を発見したり、コラボ商品の開発に奔走します。
ラジオの前のあなたからメッセージも募集中！
Podcastでは本編のアーカイブとともに姉妹番組「MOSラジ バックヤード」も一緒に開店中！

KEYTALKの寺中友将と八木優樹がお送りするMOSラジNACK5店！ ラジオの中のハンバーガーショップを舞台に寺中店長と八木副店長がモスバーガーの魅力を発見したり、コラボ商品の開発に奔走します。 ラジオの前のあなたからメッセージも募集中！ Podcastでは本編のアーカイブとともに姉妹番組「MOSラジ バックヤード」も一緒に開店中！

MOSラジNACK5店

Canzoni per le quali vale la pena stupirsi, tra passato, presente e prossimo futuro. Un compendio di canzoni per cui stupirsi ogni mese in compagnia di Tommaso Toma, pescando dal presente e dal passato tra nuove scoperte, ristampe di catalogo e composizioni che possono dare indizi sul prossimo futuro.

Music Podcasts / Page 2136