It’s third time lucky for the National Theatre: it tried to re-open the Olivier, its largest auditorium, with The Death of England – Delroy in October. The first night was a triumph but, because of the lockdown, it was also the last night. Dick Whittington, the panto, was cancelled a fortnight before Christmas. But the Olivier sprang to life again this week with Under Milk Wood; Michael Sheen leading an almost entirely Welsh cast in Dylan Thomas’s much-loved play for voices - the voices of the townsfolk of Llaregub, a small port by the fishingboatbobbing sea, as they dream and remember through the bible-black night. But in the NT’s new production not all the words are provided by Dylan Thomas. There is additional material by playwright Siân Owen, which suggests director Lyndsey Turner is taking an original approach to this almost sacred text. John Wilson talks to Siân Owen to find out what she has added, and why.

Film director Nick Broomfield discusses Last Man Standing: Suge Knight and the Murders of Biggie & Tupac, the sequel to his 2002 film Biggie and Tupac, which considered the background to the murder of two celebrated hip-hop artists and the rumoured involvement of the LAPD.

Black TikTok creators are currently protesting the lack of credit they receive for the dance crazes they’ve generated by going on strike. Music journalist Jacqueline Springer explains why Black TikTokers are keeping their moves to themselves.

Negative stereotypes of Essex man and Essex girls have been around since the Thatcher era but what do they mean today? We speak to Michael Landy about his new exhibition Welcome to Essex at Firstsite gallery in Colchester and Southend playwright Sadie Hasler about how they’ve been challenging Essex stereotypes in their work.

Presenter: John Wilson