The 1990s are often looked back at fondly as a largely peaceful time. But for former Australian ambassador to Germany Ian Kemish, the conflicts in the former Yugoslavia and Northern Ireland featured largely in his job at the time. Now retired, he has chosen to set his debut thriller novel, Two Islands, during this timeframe. In this episode he shares his inspiration for the book, the real life characters and how to capture the nuances of the story and the decade. What do you do after you retire from a celebrated 25-year diplomatic career? Play golf? Take up birdwatching? No, you write your first novel.

00:00 Welcome
07:26 Writing tip: Ask “why?” to being blocked
10:31 WIN!: Aubrey Wants to Die by Pip Knight
12:15 Word of the week: ‘Absquatulate’
16:16 Writer in residence: Ian Kemish
17:14 Ian describes what Two Islands is about
19:34 What are the two islands in question?
22:04 Remembering Yugoslavia and Northern Ireland
23:30 Inspiration for the novel
25:53 Why the Balkans?
27:35 The inspiration for the Australian character, Anita
30:01 Writing about the 1990s: distance before the internet
31:22 How the story took shape
34:07 Researching the book
38:15 From bad poetry to diplomacy: finding his writing voice
40:52 The challenges of writing fiction for the first time
45:28 Landing the publishing deal
47:54 What’s next?
49:09 Ian’s tip for writers
50:32 Final thoughts

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How would you like to spend summers in Australia and then travel to a small village in France to bask in the northern summer during the other half of the year? Well, that’s the current reality of journalist and author Sheryle Bagwell – and in her new memoir, Letter from Provence, she not only documents her French experiences, but also connects to her late mother and the writings of 17th century French writer Madame de Sévigné. In this episode, Sheryle talks about writing the book, resisting her journalistic instincts and her experience publishing it.

00:00 Welcome
03:21 Writing tip: Don’t limit your writing identity
07:01 WIN!: Whispering Rooms by Genki Kawamura & Marie Kondo
08:45 Word of the week: ‘Manel’
10:12 Writer in residence: Sheryle Bagwell
11:04 Sheryle explains her memoir, Letter from Provence
12:30 A homage to her own mother and Madame de Sévigné
15:59 Telling a new story about France and her mother
18:14 Journalism vs memoir writing
20:00 Telling a personal version of events
22:27 The timeline of writing this book
25:16 Editing and shaping the initial draft
26:14 The publishing experience
28:36 The process of writing the book
34:44 The story of three women across time
36:45 Living between two worlds
37:28 The double life is possible
40:40 Future plans for writing
41:32 Final thoughts

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What’s more fascinating than reading actual books? Well, it’s the weird and bizarre stories behind the stories themselves! At least, that’s what journalist and author Alex Johnson hopes with his latest book, When Books Go Bad – exploring some of the strangest and most infamous stories about book writing and publishing experiences through the years. In this episode, Alex shares his love of writing these kinds of ‘behind the scenes’ industry books and how he ended up with the publishing relationship that has yielded 20 books to date. He also explains how he chooses the stories to go in his books and some of the more surprising entries.

00:00 Welcome
06:11 Writing tip: Associative triggers
11:00 WIN!: Diaries of Note by Shaun Usher
13:02 Word of the week: ‘Deuteragonist’
15:12 Writer in residence: Alex Johnson
16:00 Alex explains his latest book, When Books Go Bad
16:55 Why he wrote this book
19:58 Journalistic not academic
21:51 Starting his relationship with the British Library
24:00 Compiling the material for the book
25:09 Authors and their naughty and odd tendencies
28:20 Pitching and publishing books
32:57 The editing process
36:21 Illustrations and book design
38:06 Surprising stories from the book
41:34 Publicity and social media
43:06 Upcoming projects and tips
44:39 A writing tip
46:20 Final thoughts

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We often talk about persistence in the journey of an aspiring author, and for podcaster Sam Elliott, his 20 years of working towards publication had many twists and turns. Now finally with his debut crime/thriller novel Haze under his belt, in this episode Sam shares the turning points that got him to this stage – including completing a particular AWC course – and the inspiration for telling this particular story. He also shares advice for other aspiring writers and the importance of a writing community.

00:00 Welcome
03:45 Writing tip: Check your Notes app
07:41 WIN!: The Violin Maker’s Secret by Evie Woods
09:07 Word of the week: ‘Ditheism’
10:41 Writer in residence: Sam Elliott
11:55 Sam describes his debut crime thriller, Haze
14:00 Sam’s history of writing
16:45 The inspirations for the bushfire storyline
18:03 Creating and developing characters
19:02 Writing about cults
20:55 The experience of completing the AWC course
22:20 Finding a last writing community
24:29 Advice for aspiring writers
25:54 Making peace with the publishing journey
27:40 Writing the book and securing an agent
30:30 Getting the offer and how surreal it was
32:53 Research for this book
36:44 The best and worst part of writing the book
38:10 Being on the other side of interviews
39:55 Balancing writing with life
41:37 Final thoughts

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The cosy crime genre has exploded in recent years, with older protagonists featuring heavily (they tend to have more time on their hands for solving mysteries, you see). But what happens when your older protagonist has a murderous past? That’s the hilarious set up for British actor, comedian and author Fergus Craig’s new ‘cracked cosy’ whodunnit I’m Not the Only Murderer in my Retirement Home. In this episode, Fergus talks about how he started writing crime books, the joys and challenges of bringing his latest novel to life, its international bidding war, and why he decided to walk from the UK to New Zealand.

00:00 Welcome
03:59 Writing tip: Keep track of your stories
07:29 WIN!: On the Edge by Kate Horan
09:47 Word of the week: ‘Infuscate’
12:05 Writer in residence: Fergus Craig
13:00 Fergus explains I’m Not the Only Murderer in my Retirement Home
15:30 The attraction of cosy crime
16:55 Getting a book deal via social media
17:54 The appeal of a whodunnit plot
22:42 The writing process: Planning vs. improvisation
24:27 Challenges and joys of writing the book
26:04 Differences between writing for TV and books
28:02 Fergus’s daily writing routine
29:49 Publishing journey and success
32:59 Advice on writing comedy
35:32 Promoting the book and social media success
39:20 Extra tips about writing
40:46 Final thoughts

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Two thousand years ago in Britain, the historical figure of Boudicca famously revolted against the Roman Empire and carved a path across the land. This later sparked many myths and stories – including the new historical fantasy novel Nightshade and Oak by author Molly O’Neill. In this episode, Molly discusses her inspirations for telling this story and the experience of writing and editing it. She also shares her take on blending science and creativity and the joys of writing under contract. 

00:00 Welcome
06:18 Writing tip: Block in time for your writing
08:12 WIN!: The Ironbark Promise by Léonie Kelsall
9:56 Word of the week: ‘Parvenu’
10:22 Writer in residence: Molly O’Neill
10:57 Molly explains her new book, Nightshade and Oak
12:42 Landing on the point of view character
18:08 How Molly fits writing into her geologist life
21:53 Balancing science and creativity
23:04 The importance of accurate physics in writing
23:53 Molly’s prolific reading and reviewing pastime
25:44 Backing yourself as an author
26:40 Landing her first publishing deal
28:10 The pressure of writing under contract
30:19 Engaging with readers and book clubs
31:34 Upcoming projects and genre exploration
33:23 A writing tip on editing
34:26 Final thoughts

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There are three short words you’re often told when you first walk into a nail salon – and they form the title of award-winning Laotian Canadian poet and author Souvankham Thammavongsa’s new novel Pick a Colour. In this episode, Souvankham explains how the novel came about, its unusual inspiration and timeframe as well as the cultural and power dynamics it explores.

00:00 Welcome
06:03 Writing tip: Dealing with rejection|
08:58 WIN!: Staged by John M. Green
10:44 Word of the week: ‘Lactometer’
13:19 Writer in residence: Souvankham Thammavongsa
14:33 Explaining the story of Pick a Colour
15:25 The Seinfeld episode inspiration!
18:10 How her characters see the world
19:40 The boxing inspiration
21:41 Setting limitations on the story
23:26 Language and cultural identity
25:07 From short stories to the novel
27:31 Writing techniques and influences
29:41 Character dynamics and power themes
33:14 The writing process and Souvankham’s backstory
37:00 Awards and recognition
40:55 Discussing the work done in the margins
43:47 Advice for aspiring writers
45:11 Final thoughts

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War stories are often famously told by the victors. But what of the stories of civilians caught up in the conflict? These themes intersect in World-War-II-era Hong Kong in AWC graduate Emma Pei Yin’s debut historical novel, When Sleeping Women Wake – and in this episode she shares her inspirations, the book’s themes and the publishing process, including a fascinating connection with the cover designer.

00:00 Welcome
03:41 Writing tip: Avoiding info dumping
07:05 WIN!: The First Time I Saw Him by Laura Dave
08:39 Word of the week: ‘Gimcrack’
12:03 Writer in residence: Emma Pei Yin
13:05 Emma explains When Sleeping Women Wake
13:53 Why this story?
16:20 Influences and inspirations for the book
17:35 Balancing historical fiction and fact
19:10 The research process
21:20 The note collection process
22:27 Telling the authentic voices of Chinese people
23:39 Character development and their unique resistance
25:55 Class structure and historical contexts
27:35 Language and authenticity in this story
29:03 Morally ambiguous choices in war
30:49 The publishing process
34:51 Cover designs and market differences
38:04 Promoting the book and meeting readers
39:44 The importance of solidarity in telling niche stories
40:52 Emma’s advice for writers
42:03 Final thoughts

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A lot of old bands these days seem to be reforming for reunion tours – allowing older fans to reminisce (usually while sipping wine and sitting in a comfy picnic chair). This idea fascinated author Rebecca Heath, so in her new book The Last Encore, she decided to not only get a fictional old-school band back together but add a documentary crew and a dead body into the mix! In this episode, Rebecca shares the real-life music inspirations for the book, her editing insights and much more!

00:00 Welcome
04:09 Writing tip: Watch Shrek
07:39 WIN!: Kill Your Boss by Jack Heath
09:30 Word of the week: ‘Cucumiform’
13:59 Writer in residence: Rebecca Heath
14:34 Rebecca outlines The Last Encore
17:55 Music inspirations for the book
20:00 Defining what a ‘boy band’ is
22:28 Exploring the theme of secrets
23:55 Publishing journey insights
24:52 Writing process and routine
27:52 Balancing writing and editing
29:00 Deciding whodunnit
31:22 What to cut
34:21 The role of community in writing
37:23 Future projects and staying on brand
41:04 Rebecca’s tip for writers
43:00 Final thoughts

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It was a single photo of AWC graduate William J. Byrne’s grandmother standing outside a ramshackle home that formed the spark that inspired this self-confessed history buff to explore stories of his past and the experiences of Aboriginal people leading up to the 1960s. The result is his debut novel, The Warrumbar – spanning half a century and casting light on a lesser-told chapter of Australia. In this episode, William shares his inspirations and publishing journey, and the AWC course that made all the difference.

00:00 Welcome
04:03 Writing tip: Enter writing competitions
07:18 WIN!: What Happened That Night by Nicci French
09:55 Word of the week: ‘Puissance’
10:45 Writer in residence: William J. Byrne
11:05 What The Warrumbar is about
12:58 Why he wrote for this time frame
15:00 What inspired William to write the book
16:45 Stories from family members
18:00 Writing a teenage character
19:00 Balancing research with family stories
21:12 The note-taking process
22:23 Moses as a lens for the Aboriginal experience
23:38 Australia's historical awareness
25:44 The path to publication
29:11 Completing a writing course with AWC
30:50 The importance of writing communities
33:42 Major themes of the book
35:55 Advice for writers
36:34 Future writing projects
37:59 Final thoughts

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