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How can we better educate young people about the future & the planet? How can we address eco-anxiety while providing students with climate optimism, hope, and solutions?
Bryce Coon is the Director of Education at EarthDay.ORG, a nonprofit that champions climate education for all students and is the global driving force behind Earth Day. Previously, Coon was a high school teacher for 11 years in Montgomery County, teaching economics and leading a variety of projects for students, such as a school-wide tutoring program. Throughout his teaching career, Bryce participated in international fellowships where he studied climate education and policy in Asia, Europe, and Oceania.
https://www.earthday.org/campaign/climate-environmental-literacy/
Planet vs. Plastics www.earthday.org
Sign The Global Plastic Treaty Petition
https://action.earthday.org/global-plastics-treaty
Toolkits: https://www.earthday.org/our-toolkits
NDC Guide for Climate Education
https://www.earthday.org/wp-content/uploads/2023/11/NDC-GUIDE-Final.pdf
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photos courtesy of EARTHDAY.ORG
How can we reimagine a world without plastic? How can we push governments and companies to admit what they know about the health impacts of plastics and change public policy?
Kathleen Rogers is the President of EARTHDAY.ORG. Under her leadership, it has grown into a global year-round policy and activist organization with an international staff. She has been at the vanguard of developing campaigns and programs focused on diversifying the environmental movement, highlighted by Campaign for Communities and Billion Acts of Green. Prior to her work at EARTHDAY.ORG, Kathleen held senior positions with the National Audubon Society, the Environmental Law Institute, and two U.S. Olympic Organizing Committees. She’s a graduate of the University of California at Davis School of Law, where she served as editor-in-chief of the law review and clerked in the United States District Court for the District of Columbia. EARTHDAY.ORG’s 2024 theme, Planet vs. Plastics, calls to advocate for widespread awareness of the health risks of plastics, rapidly phase out all single-use plastics, urgently push for a strong UN Treaty on Plastic Pollution, and demand to end fast fashion. Let's build a plastic-free planet for generations to come.
"The world recognizes that plastics have imperiled our future. Many environmentalists, myself included, view plastics as on par with, if not worse than, climate change because we do see a little light at the end of the tunnel on climate change. Babies vs. Plastics is a collection of studies, and we particularly focused on children and babies because their bodies and brains are more impacted than adults by the 30, 000 chemicals that assault us every day.
We have histories littered with dozens of stories and court cases of malfeasance where companies knew for years before we, the public, did about the impacts. Climate change is a perfect example because we know Exxon scientists knew in 1957 that burning fossil fuels was creating climate change and that eventually, the temperature of the planet would heat up, and they hid it from us for 50-plus years. And more and more reports are coming out every day about what companies and some governments know. Tobacco companies knew tobacco caused cancer for decades before our scientists did. And so we have the same problem with plastics.”
Planet vs. Plastics www.earthday.org
Sign The Global Plastic Treaty Petition
https://action.earthday.org/global-plastics-treaty
Toolkits: https://www.earthday.org/our-toolkits
NDC Guide for Climate Education
https://www.earthday.org/wp-content/uploads/2023/11/NDC-GUIDE-Final.pdf
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photos courtesy of EARTHDAY.ORG
Microplastics and nanoplastic pollution are currently blanketing the planet. They are in the air we breathe, the food we eat, and the water we drink, infiltrating our bodies and even brains and human embryos. Coca-Cola alone sells 100 billion+ single-use plastic bottles each year, ending up in landfills and the ocean. Earth’s population will reach 9.8 billion people by 2050. Two-thirds of humans will become city dwellers. Our waste will drive a mounting worldwide crisis.
Highlights from our interview with Kathleen Rogers, the President of EarthDay.org. The full episode will be published next week.
Planet vs. Plastics
Sign The Global Plastic Treaty Petition
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“I was fortunate to be able to be out in Hollywood in the 90s and to be able to work early on seminal LGBT-presenting shows like Tales of the City series, and Six Feet Under with Alan Ball. When it comes to Tokyo Vice, I did push hard for there to be a queer storyline because in the late 90s, in Japan, there was a huge thriving gay subculture. But it wasn't on the table to come out because your sexual orientation was considered irrelevant to your obligations to society.”
Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.
https://www.imdb.com/name/nm0693561
https://www.imdb.com/title/tt2887954/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What does learning another language and living in another culture do for your humanity and creative process?
Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.
“I was fortunate to be able to be out in Hollywood in the 90s and to be able to work early on seminal LGBT-presenting shows like Tales of the City series, and Six Feet Under with Alan Ball. When it comes to Tokyo Vice, I did push hard for there to be a queer storyline because in the late 90s, in Japan, there was a huge thriving gay subculture. But it wasn't on the table to come out because your sexual orientation was considered irrelevant to your obligations to society.”
https://www.imdb.com/name/nm0693561
https://www.imdb.com/title/tt2887954/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“I would go back to that very simple thing of treating animals the way that you would like to be treated. And I know that humane education is becoming a more welcome subject or way of teaching in schools. And I definitely think we need more of that where it's not just you go to school and learn about maths and science and history and so on, but you learn about those subjects within the realm of real-life issues and real-life problems.
I wrote Survival at Stake because I've been working in animal rights for nearly the past 25 years. Throughout that time, one common question has been asked: Well, shouldn't we deal with human issues first. But animal rights are human rights. Animal rights is environmentalism. These things are not distinct. And that's the point I was really trying to make in my book. I was inspired to write it because of the COVID-19 crisis. It just brings us back to the point of why it is so important to teach people, young people, and young men the importance of being kind to everyone, animals included. If you teach them that, I think the other lessons start to much more automatically transfer over.”
Poorva Joshipura is PETA U.K. Senior Vice President. She is the Author of Survival at Stake: How Our Treatment of Animals is Key to Human Existence and For a Moment of Taste: How What You Eat Impacts Animals, the Planet and Your Health.
https://usw2.nyl.as/t1/24/2jdwp5ogezjqb5wxg76eqfqeq/0/14474d94f4e832cd573ffc39be471e57616314b12314a26ca7dd9c2bbf559ac0
www.harpercollins.com/products/for-a-moment-of-taste-poorva-joshipura?variant=39399505592354
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How can we improve animal-human relationships? How can we increase our sensitivity to the other animals who share this planet with us?
Poorva Joshipura is PETA U.K. Senior Vice President. She is the Author of Survival at Stake: How Our Treatment of Animals is Key to Human Existence and For a Moment of Taste: How What You Eat Impacts Animals, the Planet and Your Health.
“I would go back to that very simple thing of treating animals the way that you would like to be treated. And I know that humane education is becoming a more welcome subject or way of teaching in schools. And I definitely think we need more of that where it's not just you go to school and learn about maths and science and history and so on, but you learn about those subjects within the realm of real-life issues and real-life problems.
I wrote Survival at Stake because I've been working in animal rights for nearly the past 25 years. Throughout that time, one common question has been asked: Well, shouldn't we deal with human issues first. But animal rights are human rights. Animal rights is environmentalism. These things are not distinct. And that's the point I was really trying to make in my book. I was inspired to write it because of the COVID-19 crisis. It just brings us back to the point of why it is so important to teach people, young people, and young men the importance of being kind to everyone, animals included. If you teach them that, I think the other lessons start to much more automatically transfer over.”
https://usw2.nyl.as/t1/24/2jdwp5ogezjqb5wxg76eqfqeq/0/14474d94f4e832cd573ffc39be471e57616314b12314a26ca7dd9c2bbf559ac0
www.harpercollins.com/products/for-a-moment-of-taste-poorva-joshipura?variant=39399505592354
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
In this episode on Speaking Out of Place podcast Professor David Palumbo-Liuand Azeezah Kanji talk with former UN Special Rapporteur on Palestine Michael Link, Palestinian human rights attorney, scholar, activist, and teacher Noura Erakat, and Burmese scholar and dissident in exile, Maung Zarni. They discuss the recent International Court of Justice ruling on the Gaza genocide case, which found that Israel is plausibly engaging in genocide in Gaza. They explore the case and its implications, as well as the colonial backdrop of the international law behind it, with
They also address the recent decision of a number of countries to defund the UN Relief Works Agency for Palestinian Refugees, which was established by the United Nations in 1949. Finally, they talk about what global civil society can and must do to effect change where international law cannot.
www.palumbo-liu.com
https://speakingoutofplace.com
Bluesky @palumboliu.bsky.social
www.instagram.com/speaking_out_of_place
“When people say, oh, yeah, AI is going to help everyone or change humanity or all these claims, they don't realize people don't have access to the Internet in some places or cell phones or the fact that the data used by AI models is not representative of many parts of the world. It's mostly in English, and the data generated on the Internet and AI is mostly by educated, white, male users who post on forums. So there are whole generations and whole regions of the world that are not represented in this data. And so I think that all these claims of the universality of AI or how it's going to help everyone are techno-optimistic. I think it's really important to stay, once again, skeptical of AI, but also learn about it and see it not as some magical thing, but more as a technology. A technology that works but also doesn't work. A technology that comes with costs and benefits.”
What are the pros and cons of AI’s integration into our institutions, political systems, culture, and society? How can we develop AI systems that are more respectful, ethical, and sustainable?
Dr. Sasha Luccioni is a leading scientist at the nexus of artificial intelligence, ethics, and sustainability, with a Ph.D. in AI and a decade of research and industry expertise. She spearheads research, consults, and utilizes capacity-building to elevate the sustainability of AI systems. As a founding member of Climate Change AI (CCAI) and a board member of Women in Machine Learning (WiML), Sasha is passionate about catalyzing impactful change, organizing events, and serving as a mentor to under-represented minorities within the AI community. She is an AI Researcher & Climate Lead at Hugging Face, an open-source hub for machine learning and natural language processing.
https://www.sashaluccioni.com
https://huggingface.co/
http://www.climatechange.ai
https://wimlworkshop.org
What are the pros and cons of AI’s integration into our institutions, political systems, culture, and society? How can we develop AI systems that are more respectful, ethical, and sustainable?
Dr. Sasha Luccioni is a leading scientist at the nexus of artificial intelligence, ethics, and sustainability, with a Ph.D. in AI and a decade of research and industry expertise. She spearheads research, consults, and utilizes capacity-building to elevate the sustainability of AI systems. As a founding member of Climate Change AI (CCAI) and a board member of Women in Machine Learning (WiML), Sasha is passionate about catalyzing impactful change, organizing events, and serving as a mentor to under-represented minorities within the AI community. She is an AI Researcher & Climate Lead at Hugging Face, an open-source hub for machine learning and natural language processing.
“When people say, oh, yeah, AI is going to help everyone or change humanity or all these claims, they don't realize people don't have access to the Internet in some places or cell phones or the fact that the data used by AI models is not representative of many parts of the world. It's mostly in English, and the data generated on the Internet and AI is mostly by educated, white, male users who post on forums. So there are whole generations and whole regions of the world that are not represented in this data. And so I think that all these claims of the universality of AI or how it's going to help everyone are techno-optimistic. I think it's really important to stay, once again, skeptical of AI, but also learn about it and see it not as some magical thing, but more as a technology. A technology that works but also doesn't work. A technology that comes with costs and benefits.”
https://www.sashaluccioni.com
https://huggingface.co/
http://www.climatechange.ai
https://wimlworkshop.org
From the publisher's feed
Social Justice & Activism episodes of the popular The Creative Process podcast. We speak to activists, environmental organizations, indigenous groups, artists, writers & others who have devoted their life to making a difference.
Exploring the fascinating minds of creative people. Conversations with writers, artists & creative thinkers across the Arts & STEM. We discuss their life, work & artistic practice. Winners of Oscar, Emmy, Tony, Pulitzer, leaders & public figures share real experiences & offer valuable insights. Notable guests and participating museums and organizations include: Academy of Motion Picture Arts & Sciences, Neil Patrick Harris, Smithsonian, Roxane Gay, Musée Picasso, EARTHDAY.ORG, Neil Gaiman, UNESCO, Joyce Carol Oates, Mark Seliger, Acropolis Museum, Hilary Mantel, Songwriters Hall of Fame, George Saunders, The New Museum, Lemony Snicket, Pritzker Architecture Prize, Hans-Ulrich Obrist, Serpentine Galleries, Joe Mantegna, PETA, Greenpeace, EPA, Morgan Library & Museum, and many others.
The interviews are hosted by founder and creative educator Mia Funk with the participation of students, universities, and collaborators from around the world. These conversations are also part of our traveling exhibition.

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