Up-and-coming Spanish alt pop artist Vizzconde made his debut earlier this year with the instrumental dance single “Portents.” He’s followed that up with “Camaleón,” an upbeat song that draws inspiration from medieval times and his Galician roots. The song begins with a gentle piano intro, but with electronic vocal stylings, a driving beat, and a choral background, the song quickly builds to a…

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New Zealand-born, New York-based Dion Lunadon, former bassist of Brooklyn post-punk band A Place to Bury Strangers, has released his latest single “Gold Standard Love” via a limited edition 7″ flexi disc inside the fall issue of the illustrious CREEM magazine. 100 flexi’s inside 100 copies. Whoa. This crunchy, post-punk romp carries that signature NYC early 00’s rock revival sound…

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After a year or so of releasing individual dance-pop candies, Austin’s Jane Leo released their sophomore album Creature of Destruction in September. One of the tracks on the album is “Goldmine,” a slightly more subdued song from the art-pop duo, but still dripping with energy and that funky “Imma dance here in my own little circle, in my own little world” energy. Bouncy, sexy…

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Perfect for the chilling temperatures is the latest from Austin world-folk duo Her Mana. Emilie Basez and Kate Robberson return with their latest single “Suena,” a slow, tender tune made for slow dances with long, locked gazes. Produced by Jim Eno and featuring the Ibiza String Ensemble to brighten the thoughtfully equipped negative space in the song and to elevate Basez and Robberson’s angelic…

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It’s the last day of October, so it’s time for one final spooky toast to our October Artist of the Month. Teethe was formed up in the DIY music enclave of Denton, all students of the University of North Texas. Now, with streaming numbers on their side, a move to Austin, and a European and east coast tour filling out the rest of their year, the quartet is champing at the bit to keep their incisors…

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For years now, we’ve been in a bit of a cuffing season with former KUTX Artist of the Month Skateland‘s synth-driven dream pop that’s as delectable and ethereal as the roller rink of his stage name origins. It’s cozy, groovy, and hypnotic all at the same time. After years of breadcrumbing us singles, he’s releasing his debut album Heavenly Bodies, and he’s celebrating the album release tonight at…

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Yesterday, I watched a video of a guy unsuccessfully attempting to get a beached dolphin back into the ocean, and as luck would have it, today I get to write about a song from a dolphin’s POV. And a louche little devil they are. “Eep Eep” is the appropriately named title and single from the Austin quintet The John-Pauls’ new album, out today. While most of the album features the group’s brand of…

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I’m not sure there’s a better way to say you’re basically a space punk band than to name yourselves MoonKill, and, hey, that’s exactly what this Austin quartet has done. But it’s not like floating-in-space post punk; it’s more like if the Thunderdome had a Tatooine location. They’ve been busy back in the studio working on their sophomore album (due out next spring), and in the meantime you can…

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ACL Fest may be but a flicker in your rearview mirror at this point, but our ACL Fest content is still poppin’ fresh. LA’s Claire Chicha is Spill Tab, a lo-fi alt pop project focused on incorporating rhythms from across time and the globe and nestling them warmly in her dulcet, mezzo soprano jazz vocals. Not surprising considering someone of French-Korean origins, born in Thailand and raised…

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They’re back, baby! After a several-year hiatus, the Aussie-meets-Austin rock group Go Fever returns to retake Austin by storm. Known for putting out banger after absolute banger, their “vibrant jungle print, but in rock music” brand with earwormy hooks and lyrics that warrant an English-class close read have been profoundly missed across Austin’s stages. With a little warm-up reunion a…

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