Denver-born songwriter, guitarist, singer, activist, and performer Jill Sobule, is possibly best-known because of her breakthrough hit of “I Kissed a Girl” (pre-dating Katy Perry by more a decade), and “Supermodel,” the anthem from the film Clueless. In her over seven albums, troubadour Jill has "mused on topics such as the death penalty, anorexia, shoplifting, reproduction, the French resistance movement, adolescence and the Christian right." She has also written music for TV and theater, been active in numerous social and political causes, and been a pioneer in the art of crowdfunding.

On her new record, Nostalgia Kills, released on her own Pinko Records, the songwriter/composer tackles adult topics, and looks back without sentimentality to “exorcise some junior high school demons.” Jill Sobule and her band join us to perform some of these songs in-studio. - Caryn Havlik

Watch the session HERE:

Vocalist and composer Meredith Monk is a multi-disciplinary artist, whose work involves music, dance, film, theatre, and now: biology meets anthropology. In her most recent large-scale work, Cellular Songs, musical forms evoke biological processes as layering, replication, division, and mutation in a “deeply affecting meditation on the nature of the biological cell as a metaphor for human society” (Financial Times). Through this work, Monk takes the microscopic unit of the cell, then projects and expands it as a proposal for “an alternative possibility of human behavior, where the values are cooperation, interdependence and kindness,” (much like how a cell functions, minus the kindness part.) Using their voices-as-instruments, Meredith Monk & Vocal Ensemble perform some of these Cellular Songs, along with violin, piano and keyboard, in-studio. -Caryn Havlik

Meredith Monk & Vocal Ensemble perform 'Cellular Songs' at Le Poisson Rouge, Oct. 14-16

Watch the session HERE:

Vocalist and composer Meredith Monk is a multi-disciplinary artist, whose work involves music, dance, film, theatre, and now: biology meets anthropology. In her most recent large-scale work, Cellular Songs, musical forms evoke biological processes as layering, replication, division, and mutation in a “deeply affecting meditation on the nature of the biological cell as a metaphor for human society” (Financial Times). Through this work, Monk takes the microscopic unit of the cell, then projects and expands it as a proposal for “an alternative possibility of human behavior, where the values are cooperation, interdependence and kindness,” (much like how a cell functions, minus the kindness part.) Using their voices-as-instruments, Meredith Monk & Vocal Ensemble perform some of these Cellular Songs, along with violin, piano and keyboard, in-studio. -Caryn Havlik

Meredith Monk & Vocal Ensemble perform 'Cellular Songs' at Le Poisson Rouge, Oct. 14-16

Watch the session HERE:

Chicago-based duo OHMME serves up fuzz and melodies, along with vocal hockets and harmonies, oh - and lots of time and feel changes. Sima Cunningham and Macie Stewart, the songwriters and multi-instrumentalists of Ohmme, are both trained classical pianists with ties to the collaborative Chicago improvising scene. They made a decision to stretch their comfort levels and go with the guitar for their noise-making, and have composed a hard-to-categorize batch of songs that lean toward the experimental without losing that rockenroll bite.

On their latest record Parts, they’ve enlisted improvising cellist Tomeka Reid, Tortoise’s Doug McCombs, and composer/sax player Ken Vandermark, a jazzer and improviser, while drawing from influences like the vocal adventures of Kate Bush, the sonic playfulness of Dirty Projectors, and Brian Eno’s Here Come the Warm Jets. Complemented by the highly inventive percussion of drummer Matt Carroll, Ohmme joins us in-studio to play songs from Parts. -Caryn Havlik

Watch the session here: 

Chicago-based duo OHMME serves up fuzz and melodies, along with vocal hockets and harmonies, oh - and lots of time and feel changes. Sima Cunningham and Macie Stewart, the songwriters and multi-instrumentalists of Ohmme, are both trained classical pianists with ties to the collaborative Chicago improvising scene. They made a decision to stretch their comfort levels and go with the guitar for their noise-making, and have composed a hard-to-categorize batch of songs that lean toward the experimental without losing that rockenroll bite.

On their latest record Parts, they’ve enlisted improvising cellist Tomeka Reid, Tortoise’s Doug McCombs, and composer/sax player Ken Vandermark, a jazzer and improviser, while drawing from influences like the vocal adventures of Kate Bush, the sonic playfulness of Dirty Projectors, and Brian Eno’s Here Come the Warm Jets. Complemented by the highly inventive percussion of drummer Matt Carroll, Ohmme joins us in-studio to play songs from Parts. -Caryn Havlik

Watch the session here: 

The Mercury Prize-nominated quartet Sons of Kemet is a super-group led by London-based Barbados-born saxophonist and composer Shabaka Hutchings, and propelled by tuba player Theon Cross, and two drummers - Tom Skinner and Eddie Hick. (Kemet - the black land, is one of the ancient Egyptian names for Egypt.) The music is a dance party which may or may not touch upon techno, hip hop, grime, psychedelia, Caribbean music, and social commentary using jazz vocabulary. Their latest album, Your Queen Is A Reptile, is a seething thinkpiece of a record, in which Hutchings suggests some black women across history who were worthy of the title of queen – queens who were made, not born. They perform some of these tunes live. -Caryn Havlik

Watch the session here:

The Mercury Prize-nominated quartet Sons of Kemet is a super-group led by London-based Barbados-born saxophonist and composer Shabaka Hutchings, and propelled by tuba player Theon Cross, and two drummers - Tom Skinner and Eddie Hick. (Kemet - the black land, is one of the ancient Egyptian names for Egypt.) The music is a dance party which may or may not touch upon techno, hip hop, grime, psychedelia, Caribbean music, and social commentary using jazz vocabulary. Their latest album, Your Queen Is A Reptile, is a seething thinkpiece of a record, in which Hutchings suggests some black women across history who were worthy of the title of queen – queens who were made, not born. They perform some of these tunes live. -Caryn Havlik

Watch the session here:

Mountain Man, the Appalachian a cappella trio, features the timeless sound of three voices singing in harmony, with an occasional strum of the guitar. They released an album in 2010, a trio of college friends who’d gotten used to singing together, but then went their separate ways after college. All three of them toured for a long time as Feist’s backup singers, and lately Amelia Meath, one third of the trio, has been keeping busy as half of Sylvan Esso. Meath, along with Alexandra Sauser-Monnig and Molly Sarle are back, with their first album in eight years, Magic Ship. Mountain Man joins us to perform songs, chat about community in North Carolina, and the cat, Magic Ship. 

Mountain Man, the Appalachian a cappella trio, features the timeless sound of three voices singing in harmony, with an occasional strum of the guitar. They released an album in 2010, a trio of college friends who’d gotten used to singing together, but then went their separate ways after college. All three of them toured for a long time as Feist’s backup singers, and lately Amelia Meath, one third of the trio, has been keeping busy as half of Sylvan Esso. Meath, along with Alexandra Sauser-Monnig and Molly Sarle are back, with their first album in eight years, Magic Ship. Mountain Man joins us to perform songs, chat about community in North Carolina, and the cat, Magic Ship. 

Sax player and bandleader Donny McCaslin, who collaborated with David Bowie on Blackstar, freely mixes pop, jazz, electronica, and art-rock on his striking new album, Blow., which sees the band moving into sonic terrain that shows even more of Bowie’s impact. It’s some daring sax-led badassery - a blast of concentrated, powerful, and wonderful pop that rocks, with jazz tendencies - with lyrics and guest vocalists. He and his band play some of the new tunes in-studio. - Caryn Havlik

Watch the full session here: