Soundcheck

Norwegian pianist Tord Gustavsen and his trio, featuring new bassist Sigurd Hole and long-time collaborator, drummer Jarle Vespestad, combine together folk influences and church music for unhurried embraces of melody. Expressive and reflective, Gustavsen’s ‘Nordic blues’ slowly unfurls passages of delicate lyricism, with enough space for contemplation, and only the notes that are needed from all players in the trio.

On the latest record, The Other Side, the trio effortlessly injects old Norwegian lullabies and dance forms into original works, and develops haunting and riveting responses to both Scandinavian hymns and Bach Chorales. The Tord Gustavsen Trio joins us to play some of these compositions in-studio. - Caryn Havlik

Set list:

Watch the session here:

Norwegian pianist Tord Gustavsen and his trio, featuring new bassist Sigurd Hole and long-time collaborator, drummer Jarle Vespestad, combine together folk influences and church music for unhurried embraces of melody. Expressive and reflective, Gustavsen’s ‘Nordic blues’ slowly unfurls passages of delicate lyricism, with enough space for contemplation, and only the notes that are needed from all players in the trio.

On the latest record, The Other Side, the trio effortlessly injects old Norwegian lullabies and dance forms into original works, and develops haunting and riveting responses to both Scandinavian hymns and Bach Chorales. The Tord Gustavsen Trio joins us to play some of these compositions in-studio. - Caryn Havlik

Set list:

Watch the session here:

Boston-based Marissa Nadler writes intimate, sweeping dreamy and eerie songs, that shimmer with gothic melancholy. On her latest record, For My Crimes, she’s enlisted accomplished musicians: harpist Mary Lattimore, drummer Patty Schemel (Hole), experimental multi-instrumentalist Janel Leppin, and Eva Gardner plays additional bass. Guest vocals come from Angel Olsen, Kristin Kontrol (Dum Dum Girls), and Sharon Van Etten, and there is but one non-female collaborator - saxophonist Dana Colley (Morphine). These bittersweet and sharp slow burning tunes have a piercing intensity, driven home by Nadler’s gripping voice. Marissa Nadler performs some of these songs in their stripped-down form, in-studio. -Caryn Havlik

Watch the session here: 

Boston-based Marissa Nadler writes intimate, sweeping dreamy and eerie songs, that shimmer with gothic melancholy. On her latest record, For My Crimes, she’s enlisted accomplished musicians: harpist Mary Lattimore, drummer Patty Schemel (Hole), experimental multi-instrumentalist Janel Leppin, and Eva Gardner plays additional bass. Guest vocals come from Angel Olsen, Kristin Kontrol (Dum Dum Girls), and Sharon Van Etten, and there is but one non-female collaborator - saxophonist Dana Colley (Morphine). These bittersweet and sharp slow burning tunes have a piercing intensity, driven home by Nadler’s gripping voice. Marissa Nadler performs some of these songs in their stripped-down form, in-studio. -Caryn Havlik

Watch the session here: 

Havana pianist, composer and bandleader Harold López-Nussa delivers a range of drama and the irresistible rhythms of Cuban music, fully integrating his conservatory training and love of the jazz continuum with his Cuban roots and soul.  

His wide mastery of styles includes a jazz album and documentary film with David Sánchez, Christian Scott and Stefon Harris, an album of compositions by revered Cuban classical guitarist, composer and conductor Leo Brouwer, and three years spent in the touring band of singer Omara Portuondo. Harold holds dual citizenship in both Cuba and France, but will spend some of September touring the United States, which brings Harold López-Nussa and his trio play music from the new record, Un Día Cualquiera, in the studio. 

Watch the full session:

Havana pianist, composer and bandleader Harold López-Nussa delivers a range of drama and the irresistible rhythms of Cuban music, fully integrating his conservatory training and love of the jazz continuum with his Cuban roots and soul.  

His wide mastery of styles includes a jazz album and documentary film with David Sánchez, Christian Scott and Stefon Harris, an album of compositions by revered Cuban classical guitarist, composer and conductor Leo Brouwer, and three years spent in the touring band of singer Omara Portuondo. Harold holds dual citizenship in both Cuba and France, but will spend some of September touring the United States, which brings Harold López-Nussa and his trio play music from the new record, Un Día Cualquiera, in the studio. 

Watch the full session:

Mary Halvorson has established herself as one of the finest guitarists of her generation; Robbie Lee has established himself as a versatile flutist, sax player, and keyboardist. But if they’re not careful, they could wind up being known as the weird instrument team, because their new album together sports such oddities as a 19th-century harp guitar with 18 strings, the world’s smallest saxophone, and a Renaissance reed instrument called the chalumeau. The music of edited improvisations covers a lot of sonic ground, floating between folk and jazz and world music. Robbie Lee and Mary Halvorson are in the studio for an improvised set of "mutant chamber jazz" (via @robbielee.)

Watch the full session:

Mary Halvorson has established herself as one of the finest guitarists of her generation; Robbie Lee has established himself as a versatile flutist, sax player, and keyboardist. But if they’re not careful, they could wind up being known as the weird instrument team, because their new album together sports such oddities as a 19th-century harp guitar with 18 strings, the world’s smallest saxophone, and a Renaissance reed instrument called the chalumeau. The music of edited improvisations covers a lot of sonic ground, floating between folk and jazz and world music. Robbie Lee and Mary Halvorson are in the studio for an improvised set of "mutant chamber jazz" (via @robbielee.)

Watch the full session:

British singer, songwriter and guitarist Richard Thompson OBE was part of the groundbreaking folk rock band Fairport Convention in the 1960's, made records with his then-wife, Linda Thompson, and has many fan-favourite solo records as well. Rolling Stone lists him as one of the 100 greatest guitarists of all time and the LA Times called him the greatest living songwriter after Bob Dylan. His new album is called 13 Rivers and it is largely an electric, band record. The folk-shredder and troubadour Richard Thompson joins us today to play some acoustic solo versions of these songs.

Watch the full session here:

British singer, songwriter and guitarist Richard Thompson OBE was part of the groundbreaking folk rock band Fairport Convention in the 1960's, made records with his then-wife, Linda Thompson, and has many fan-favourite solo records as well. Rolling Stone lists him as one of the 100 greatest guitarists of all time and the LA Times called him the greatest living songwriter after Bob Dylan. His new album is called 13 Rivers and it is largely an electric, band record. The folk-shredder and troubadour Richard Thompson joins us today to play some acoustic solo versions of these songs.

Watch the full session here: