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The Texas singer/songwriter/poet Blaze Foley never hit it big, although his song “If I Could Only Fly,” would later be covered by the great Merle Haggard. Actually, several of his songs have been covered by John Prine, Willie Nelson, Nanci Griffith, Lyle Lovett, and others. But if you’ve never heard of him, don’t worry – the new film called Blaze will change that. The film recounts Foley’s stormy career – a career that ended when he was shot and killed in Austin at the age of 39. The film was directed and co-written by Ethan Hawke, and stars a cast full of musicians. Ben Dickey, who plays Blaze Foley, and Charlie Sexton, who plays the songwriter Townes Van Zandt, join us in the studio along with Ethan Hawke to talk more about the film and play a few songs.
Watch the full session here:
The Texas singer/songwriter/poet Blaze Foley never hit it big, although his song “If I Could Only Fly,” would later be covered by the great Merle Haggard. Actually, several of his songs have been covered by John Prine, Willie Nelson, Nanci Griffith, Lyle Lovett, and others. But if you’ve never heard of him, don’t worry – the new film called Blaze will change that. The film recounts Foley’s stormy career – a career that ended when he was shot and killed in Austin at the age of 39. The film was directed and co-written by Ethan Hawke, and stars a cast full of musicians. Ben Dickey, who plays Blaze Foley, and Charlie Sexton, who plays the songwriter Townes Van Zandt, join us in the studio along with Ethan Hawke to talk more about the film and play a few songs.
Watch the full session here:
German producer & multi-instrumentalist Aukai, aka Markus Sieber, grew up in the former East Germany, but his travels have taken him through Latin America, and he is now based in Colorado. "Aukai" is a Hawaiian term for a seafaring traveler, and on his second record, Branches of Sun, he has captured a certain nomadic wanderlust which might connect a listener to a certain peace of being in nature, high in the mountains.
With an ensemble that centers on the South American ronroco, a kind of mandolin-like lute, (“the bigger brother of the charango”), harp, violin, percussion and electronics, Aukai and Ensemble perform some of his electro-acoustic creations, in the studio.
Watch the complete live session:
German producer & multi-instrumentalist Aukai, aka Markus Sieber, grew up in the former East Germany, but his travels have taken him through Latin America, and he is now based in Colorado. "Aukai" is a Hawaiian term for a seafaring traveler, and on his second record, Branches of Sun, he has captured a certain nomadic wanderlust which might connect a listener to a certain peace of being in nature, high in the mountains.
With an ensemble that centers on the South American ronroco, a kind of mandolin-like lute, (“the bigger brother of the charango”), harp, violin, percussion and electronics, Aukai and Ensemble perform some of his electro-acoustic creations, in the studio.
Watch the complete live session:
Canadian electronic outfit Bob Moses is actually two guys: Tom Howie and Jimmy Vallance, who are originally from Vancouver, British Columbia. Named after master builder and urban planner Robert Moses, their thinking went something like - choose a New York icon because the aim was to be kings of the New York club scene, but keep it a bit irreverent, with “Bob.” The guys also think that it might be the gloomy northwest climate they grew up in that keeps their dance-floor ready yet moody pop songs on the dark side.
The latest record from Bob Moses is Battle Lines, and it takes on how and why struggles occur both without and within and looks to identify the cause of the suffering - all the while offering grooves for dancing as catharsis. Interestingly, the duo brings us these fiery, dark, and video game-ready songs in unexpectedly direct and unplugged arrangements, in-studio.
Canadian electronic outfit Bob Moses is actually two guys: Tom Howie and Jimmy Vallance, who are originally from Vancouver, British Columbia. Named after master builder and urban planner Robert Moses, their thinking went something like - choose a New York icon because the aim was to be kings of the New York club scene, but keep it a bit irreverent, with “Bob.” The guys also think that it might be the gloomy northwest climate they grew up in that keeps their dance-floor ready yet moody pop songs on the dark side.
The latest record from Bob Moses is Battle Lines, and it takes on how and why struggles occur both without and within and looks to identify the cause of the suffering - all the while offering grooves for dancing as catharsis. Interestingly, the duo brings us these fiery, dark, and video game-ready songs in unexpectedly direct and unplugged arrangements, in-studio.
Randy Weston, who died today at 92, was a jazz pianist. There, now that we’ve got that out of the way, let me tell you why he was so much more than a "jazz pianist." Well before World Music became a trend, and then a marketing term, Weston was creating a personal, deeply spiritual style of music that assimilated West African, Moroccan, and later Egyptian and East Asian elements. Although he was a Brooklyn boy through and through, he did live in Morocco for a few formative years and over the course of his career would frequently perform with that country’s Gnawa musicians. (The Gnawa are the traditional music healers of Morocco, famous for playing trance-inducing rhythms that can run all night.)
In his later years, at a time when many musicians are either retired or retrenched (or dead, as was the case with most of Weston's generation of jazz legends), he was exploring new sonic avenues, incorporating instruments like the Chinese pipa, or lute. He also continued to play live right up to this spring, when he did a series of birthday concerts in New York that showed the range of his interests, with different ensembles each night.
I looked up to Randy Weston. Most people did, unless they were NBA stars. He was tall enough to be a basketball player himself ("I didn’t like practicing," he once told me when I asked why he didn’t go that route). But it’s hard to look at his body of work, from his piano standard "Hi-Fly" to his work with Morocco’s master musicians, created and sustained over a career of almost 70 years, and not be impressed. He was also a genuine, gracious man with a ready laugh, which helped make him a regular welcome guest in our studios over the years, and this show was his final appearance. With his birthday approaching, we took the opportunity to look back as well as ahead. (Added September 1, 2018)
The American pianist, composer, innovator, and "Legend of Jazz," Randy Weston, joins us to play some of his solo piano works - many of which border on ritual blues with a dash of Ellington stride here and there a crashing note cluster of Thelonious Monk in mind. His latest recording is a two-album set called Sound, which contains many of his own compositions, recorded when he was 75 years old, back in 2001. In advance of his 92nd birthday, he honors our studio once again.
Watch the full session:
Randy Weston, who died today at 92, was a jazz pianist. There, now that we’ve got that out of the way, let me tell you why he was so much more than a "jazz pianist." Well before World Music became a trend, and then a marketing term, Weston was creating a personal, deeply spiritual style of music that assimilated West African, Moroccan, and later Egyptian and East Asian elements. Although he was a Brooklyn boy through and through, he did live in Morocco for a few formative years and over the course of his career would frequently perform with that country’s Gnawa musicians. (The Gnawa are the traditional music healers of Morocco, famous for playing trance-inducing rhythms that can run all night.)
In his later years, at a time when many musicians are either retired or retrenched (or dead, as was the case with most of Weston's generation of jazz legends), he was exploring new sonic avenues, incorporating instruments like the Chinese pipa, or lute. He also continued to play live right up to this spring, when he did a series of birthday concerts in New York that showed the range of his interests, with different ensembles each night.
I looked up to Randy Weston. Most people did, unless they were NBA stars. He was tall enough to be a basketball player himself ("I didn’t like practicing," he once told me when I asked why he didn’t go that route). But it’s hard to look at his body of work, from his piano standard "Hi-Fly" to his work with Morocco’s master musicians, created and sustained over a career of almost 70 years, and not be impressed. He was also a genuine, gracious man with a ready laugh, which helped make him a regular welcome guest in our studios over the years, and this show was his final appearance. With his birthday approaching, we took the opportunity to look back as well as ahead. (Added September 1, 2018)
The American pianist, composer, innovator, and "Legend of Jazz," Randy Weston, joins us to play some of his solo piano works - many of which border on ritual blues with a dash of Ellington stride here and there a crashing note cluster of Thelonious Monk in mind. His latest recording is a two-album set called Sound, which contains many of his own compositions, recorded when he was 75 years old, back in 2001. In advance of his 92nd birthday, he honors our studio once again.
Watch the full session:
Singer-songwriter, pianist, and composer Gabriel Kahane writes music between classical art song and pop song. His best-known work is probably Craigslistlieder (2006) – a song cycle of personal ads set to music -which made it clear that this songwriter could make music from the most unlikely of source material.
The day after the 2016 Presidential election, he unplugged from the internet and slowed down time; he spent two weeks traveling the country on Amtrak. He logged 8980 miles and lots of conversations across America in the dining car (and elsewhere), seated next to nuclear engineers, schoolteachers, farm equipment saleswomen, nurses, and long haul truck drivers, among others.
His latest record, Book of Travelers, is a ten-song musical travelogue - a sort of loose diary of that time spent with strangers, while on the train. Kahane joins us to perform some of these tunes in the studio.
Watch the full session here:
Singer-songwriter, pianist, and composer Gabriel Kahane writes music between classical art song and pop song. His best-known work is probably Craigslistlieder (2006) – a song cycle of personal ads set to music -which made it clear that this songwriter could make music from the most unlikely of source material.
The day after the 2016 Presidential election, he unplugged from the internet and slowed down time; he spent two weeks traveling the country on Amtrak. He logged 8980 miles and lots of conversations across America in the dining car (and elsewhere), seated next to nuclear engineers, schoolteachers, farm equipment saleswomen, nurses, and long haul truck drivers, among others.
His latest record, Book of Travelers, is a ten-song musical travelogue - a sort of loose diary of that time spent with strangers, while on the train. Kahane joins us to perform some of these tunes in the studio.
Watch the full session here:
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