Holy moly, this is a good movie! It's an especially good movie to study for anyone writing a quiet, character-driven story. THE WIFE originally aired as Episode 4 of Season 6 when Melanie was studying stakes and I was studying empathy. But honestly, this is one of those rare films that novelists (and memoirists!) can study to learn just about any storytelling principle. -V.

*Programming Note: In next week's episode we review the movie NYAD, not GONE BABY GONE as indicated in the intro.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample at storynerd.ca.

For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist

To learn to read like a writer, visit Melanie's website.

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This movie is a masterclass on characters, character development, cast design and the relationships between characters. It honestly doesn't get any better than this. So no matter what kind of story you're writing, grab your notepad and dive in! -V.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample at storynerd.ca.

For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist

To learn to read like a writer, visit Melanie's website.

To subscribe to Kat's Keynotes (Substack), click here.

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Melanie chose Lego Batman from the vault because, in addition to being a really well-written story, it made her laugh. And that, imo, is the mark of superior writing. This episode originally aired in Season 5 when Melanie was studying resonance. If you're curious about what that is, and how it can truly enhance your storytelling, be sure to give this episode a listen. - V.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample at storynerd.ca.

For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist

To learn to read like a writer, visit Melanie's website.

To subscribe to Kat's Keynotes (Substack), click here.

Watch us on YouTube!

Melanie and I are taking a short mid-winter/mid-summer break, so while we recharge our batteries we're reposting some of our favourite episodes starting this week with THE GODFATHER. Wow, there just aren't too many movies with this level of storytelling craft in them. I had a whole lot to say about this classic film and I know that no matter which genre you're writing in, there's something in this episode to help you. Enjoy! - V.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample at storynerd.ca.

For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist

To learn to read like a writer, visit Melanie's website.

To subscribe to Kat's Keynotes (Substack), click here.

Watch us on YouTube!

We visit the joys of multiplot stories this week. Valerie discovers (again) the issues with multiplot stories in movies, and I investigate how the different timelines impact the narrative drive. We both learnt what happens to a story when conflict triangles and curiosity and concern are absent - a cautionary tale for writers. -M

“A character can’t un-know something or completely ignore something that is right in front of them.” Melanie Hill. 

RELATED STORY NERD EPISODES

Nashville Season 5, Episode 5

As Good as it Gets Season 6, Episode 5 (Empathy)

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample at storynerd.ca.

For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist

To learn to read like a writer, visit Melanie's website.

To subscribe to Kat's Keynotes (Substack), click here.

Watch us on YouTube!

If you're writing a story with multiple protagonists/POVs, or if you're tackling a big social issue in your story, then you'll want to study The Help. As it happens, it's also a cracking example of Conflict Triangles and Narrative Drive - and that's what Melanie and I talk about in this week's episode. - V.

"The bigger the scope of the issue, the smaller the scope of your story." Valerie Francis

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample at storynerd.ca.

For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist

To learn to read like a writer, visit Melanie's website.

To subscribe to Kat's Keynotes (Substack), click here.

Watch us on YouTube!

This week one of mystery writing’s deadly sins makes a guest appearance. Valerie and I discuss if the appearance is welcome or not. A Simple Favour has good examples of how Narrative Drive works - great for my topic. However, it wasn’t so good for Valerie’s study of Conflict Triangles, so we see how superficial a story can be when the conflict isn’t complex. -M.

"After studying this movie, I understand that multiple narrative drive devices can be used simultaneously." Melanie Hill

Related Story Nerd Episodes

Knives Out (Season 1, Episode 107)

The Gentlemen (Season 8, Episode 806)

The Good Liar (Season 9, Episode 906)

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample at storynerd.ca.

For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist

To learn to read like a writer, visit Melanie's website.

To subscribe to Kat's Keynotes (Substack), click here.

Watch us on YouTube!

In BELFAST, Kenneth Branagh does something that most, if not all, new writers do. In a movie, it's kind of hard to spot because filmmakers have access to tools (like costume design, cinematography, and a musical score) that obscure it. In a novel, it's obvious —stark even — because all we have is black text on a white page. It's laid bare for all readers to see, and readers don't like it. Here it is ... in BELFAST the protagonist is passive. He's observing the action but not part of the action (and he's not a narrator either). So what can we do about it? Tune in to this week's episode to find out. - V.

"I felt like I should have liked it. I felt like that there was like, if I didn't like it, then there was something wrong with me." - Melanie Hill

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample at storynerd.ca.

For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist

To learn to read like a writer, visit Melanie's website.

To subscribe to Kat's Keynotes (Substack), click here.

Watch us on YouTube!

Sometimes we learn more from our mistakes than our successes - that’s my story and I’m sticking to it this week! Narrative drive is an important storytelling principle to learn and this week’s movie is an example of poor story structure resulting in terrible narrative drive. A mystery writer should have control of the information. Valerie’s study of conflict triangles was more fruitful than my area of study this week. The conflict triangle is present and clear to see. -M

"Narrative drive is all about information and the emotions it creates in the readers. It’s also about understanding your role as the writer to control that information." - Melanie Hill

Related Story Nerd Episodes

Late Night (Season 1, Episode 101)

Doubt (Season 11, Episode 1101)

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample at storynerd.ca.

For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist

To learn to read like a writer, visit Melanie's website.

To subscribe to Kat's Keynotes (Substack), click here.

Watch us on YouTube!

It's a brand new season and that means Melanie and I are studying two new topics: narrative drive and conflict triangles. Conflict and page-turners are usually associated with action stories, thrillers and the like. But DOUBT is a quiet, character-driven film that is so expertly crafted it grabs the viewer's attention immediately and holds it right to the bitter end. Seriously, there's so much for novelists in here. -V.

"The main conflict in a story is between the protagonist and the antagonist, right? Fine. We all understand that. But if that's all we got, then our story is like a tug of war." Valerie Francis

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample at storynerd.ca.

For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist

To learn to read like a writer, visit Melanie's website.

To subscribe to Kat's Keynotes (Substack), click here.

Watch us on YouTube!