Story Nerd

Story Nerd

By Valerie Francis, Melanie Hill, Kathleen FoxxArtsBooks
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Story Nerd episodes

  • Wild: stories need conflict
    It's hard to know quite where this film went off the rails, but certainly, one of the main problems is that there isn't any real conflict or tension. Just as tension begins to form, it fizzles, and so too does the viewer's interest. Why did this happen and how can you avoid it in your story? The Hook Formula: the works-every-time method for describing your book
    in a way that captivates readers and makes them beg for more.
    Submit your query letter and first 10 pages writing sample at
    storynerd.ca.
    For your FREE First 10 Pages Checklist, visit
    valeriefrancis.ca/checklist
    To learn to read like a writer, visit Melanie's website.
    To subscribe to Kat's Keynotes (Substack), click here.
    Watch us on YouTube!
    35 min
  • A Few Good Men: this is how you handle exposition
    If you've ever been told to "show, don't tell" then you'll want to listen to this episode because the truth is that exposition (i.e., "tell") is an effective storytelling tool. This film is a brilliant example of forces of antagonism, the hero's gift expressed, and just about every other storytelling principle you can think of — including exposition. The Hook Formula: the works-every-time method for describing your book
    in a way that captivates readers and makes them beg for more.
    Submit your query letter and first 10 pages writing sample at
    storynerd.ca.
    For your FREE First 10 Pages Checklist, visit
    valeriefrancis.ca/checklist
    To learn to read like a writer, visit Melanie's website.
    To subscribe to Kat's Keynotes (Substack), click here.
    Watch us on YouTube!
    53 min
  • Booksmart: an unfortunate train wreck
    Well, the good news is that as writers we often learn more from the stories that don't work, than from the stories that do work. Booksmart is a great example of what not to do. Are you making any of the same mistakes as these screenwriters? The Hook Formula: the works-every-time method for describing your book
    in a way that captivates readers and makes them beg for more.
    Submit your query letter and first 10 pages writing sample at
    storynerd.ca.
    For your FREE First 10 Pages Checklist, visit
    valeriefrancis.ca/checklist
    To learn to read like a writer, visit Melanie's website.
    To subscribe to Kat's Keynotes (Substack), click here.
    Watch us on YouTube!
    46 min
  • Death on the Nile: the moustache mystery
    This might be one of Agatha Christie's best known mysteries, but does it work for a modern audience? This week, Valerie and Melanie analyze Sir Kenneth Branagh's version of Christie's classic tale, and discuss just how far into a story the inciting incident can be. And don't miss Melanie's super sleuth skills in action as she uncovers a major plot hole that has to do with Poirot's famous moustache. The Hook Formula: the works-every-time method for describing your book
    in a way that captivates readers and makes them beg for more.
    Submit your query letter and first 10 pages writing sample at
    storynerd.ca.
    For your FREE First 10 Pages Checklist, visit
    valeriefrancis.ca/checklist
    To learn to read like a writer, visit Melanie's website.
    To subscribe to Kat's Keynotes (Substack), click here.
    Watch us on YouTube!
    47 min
  • Promising Young Woman: when society is the villain
    The writing in this film is nothing short of masterful. Among the many reasons to study it is the way it develops Society as a force of antagonism. The heroine isn't just battling men, she's up against women, societal attitudes, and institutions too. The Hook Formula: the works-every-time method for describing your book
    in a way that captivates readers and makes them beg for more.
    Submit your query letter and first 10 pages writing sample at
    storynerd.ca.
    For your FREE First 10 Pages Checklist, visit
    valeriefrancis.ca/checklist
    To learn to read like a writer, visit Melanie's website.
    To subscribe to Kat's Keynotes (Substack), click here.
    Watch us on YouTube!
    51 min
  • The Matrix: give your story away
    In the first 10 pages of your story, you need to give the ending away. Sounds crazy, right? But, it's true. Why on earth would we do that? It would ruin the story, wouldn't it? Nope. When done right, it makes the story better. How would we do it? Listen to this episode to find out. The Hook Formula: the works-every-time method for describing your book
    in a way that captivates readers and makes them beg for more.
    Submit your query letter and first 10 pages writing sample at
    storynerd.ca.
    For your FREE First 10 Pages Checklist, visit
    valeriefrancis.ca/checklist
    To learn to read like a writer, visit Melanie's website.
    To subscribe to Kat's Keynotes (Substack), click here.
    Watch us on YouTube!
    51 min
  • Captain Marvel: the alter ego is key
    Did you know that if the alter ego doesn't have a gift to express, the superhero doesn't have a superpower? In this episode Valerie and Melanie discuss the importance of Carol Danvers's gift, and how expressing it ultimately enables her to both outsmart and overpower the forces of antagonism. The Hook Formula: the works-every-time method for describing your book
    in a way that captivates readers and makes them beg for more.
    Submit your query letter and first 10 pages writing sample at
    storynerd.ca.
    For your FREE First 10 Pages Checklist, visit
    valeriefrancis.ca/checklist
    To learn to read like a writer, visit Melanie's website.
    To subscribe to Kat's Keynotes (Substack), click here.
    Watch us on YouTube!
    43 min
  • The Invisible Man: thriller or horror?
    This week's episode is a bit of a throwback to season one, as Valerie and Melanie debate the genre and whether the antagonist is a monster, or a man who is monstrous. (In the world of storytelling, there's a big difference!) What do you think, is The Invisible Man a horror or a thriller? The Hook Formula: the works-every-time method for describing your book
    in a way that captivates readers and makes them beg for more.
    Submit your query letter and first 10 pages writing sample at
    storynerd.ca.
    For your FREE First 10 Pages Checklist, visit
    valeriefrancis.ca/checklist
    To learn to read like a writer, visit Melanie's website.
    To subscribe to Kat's Keynotes (Substack), click here.
    Watch us on YouTube!
    50 min
  • Bend It Like Beckham
    You can't go wrong with a performance story; it's a crowd-pleaser every time. With this genre, the opponent is usually the sole antagonist. But this film has a whole host of antagonists working together to complicate the plot and make life for the heroine very, very difficult. How did the writers weave together multiple forces of antagonism so seamlessly? Tune in to find out. The Hook Formula: the works-every-time method for describing your book
    in a way that captivates readers and makes them beg for more.
    Submit your query letter and first 10 pages writing sample at
    storynerd.ca.
    For your FREE First 10 Pages Checklist, visit
    valeriefrancis.ca/checklist
    To learn to read like a writer, visit Melanie's website.
    To subscribe to Kat's Keynotes (Substack), click here.
    Watch us on YouTube!
    40 min
  • Legally Blonde
    We're kicking off a new season with a focus on two new storytelling principles! In Season 2, Valerie is studying The Hero's Gift Expressed and Melanie is studying Forces of Antagonism. Legally Blonde is a beautiful example of both! The Hook Formula: the works-every-time method for describing your book
    in a way that captivates readers and makes them beg for more.
    Submit your query letter and first 10 pages writing sample at
    storynerd.ca.
    For your FREE First 10 Pages Checklist, visit
    valeriefrancis.ca/checklist
    To learn to read like a writer, visit Melanie's website.
    To subscribe to Kat's Keynotes (Substack), click here.
    Watch us on YouTube!
    40 min

About Story Nerd

From the publisher's feed

For novelists, memoirists and screenwriters who want to write stories readers will love, and who want to work with a literary agent. Each week, editors Valerie Francis and Melanie Hill use films to…

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