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Sometimes, studying a story that you love can be a bit scary. What if it turns out that the story is rubbish, and what you really like is the soundtrack, or the actor, or the costumes? Well, you can cast those worries aside this week because The Devil Wears Prada is solid. In terms of structure, it isn't fancy. It doesn't waver from the Hero's Journey/Archplot form, and that's okay. In fact it's more than okay because it teaches us what can happen when we focus on the fundamentals.-V.
The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.
Submit your query letter and first 10 pages writing sample at storynerd.ca.
For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist
To learn to read like a writer, visit Melanie's website.
To subscribe to Kat's Keynotes (Substack), click here.
Watch us on YouTube!
Does the nickname "baby" bother us? Why yes, yes it does. But we've got to admit, Dirty Dancing is an excellent example of the heroine's journey, as well as female archetypes and how women are presented in stories. It also happens to be, structurally, an excellent film. It's not a complex story, but it's well told. -V.
The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.
Submit your query letter and first 10 pages writing sample at storynerd.ca.
For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist
To learn to read like a writer, visit Melanie's website.
To subscribe to Kat's Keynotes (Substack), click here.
Watch us on YouTube!
Wowzers! This is a terrific movie. If you're writing a thriller (any sub-genre), or a story with nuanced and complex characters, this episode is for you. In fact, CONCLAVE is one of the movies we recommend you put on your short list of films to study because, seriously, you can learn about almost any aspect of storytelling from it. It's so good that I'm not even angry that the bad guy turns out to be a Canadian - lol! -V.
The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.
Submit your query letter and first 10 pages writing sample at storynerd.ca.
For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist
To learn to read like a writer, visit Melanie's website.
To subscribe to Kat's Keynotes (Substack), click here.
Watch us on YouTube!
What does a literary agent look for in the sample writing pages of a query? In this special bonus episode, I speak with agent Kathleen Foxx (The Rights Factory) about the 4 criteria she uses to evaluate a submission, her 21-point checklist (which you can get for free), and the importance (or not) of a novel's opening line. This is an episode you're going to want to bookmark and share with your writer friends!
https://kathleenfoxxagent.com/
The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.
Submit your query letter and first 10 pages writing sample at storynerd.ca.
For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist
To learn to read like a writer, visit Melanie's website.
To subscribe to Kat's Keynotes (Substack), click here.
Watch us on YouTube!
Valerie asked me, “How are you going to explain this?”
Trippy.
It’s David Lynch and it’s trippy.
It’s also an antiplot story with characters who have two identities. Where is the speech in praise of the villain and what arc does the story and protagonist have? Well…it’s a mix of pessimistic, dreamy, constant, whoa, what is going on, and none.
Pick and choose. Close your eyes and we’ll see you in the void. -M
The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.
Submit your query letter and first 10 pages writing sample at storynerd.ca.
For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist
To learn to read like a writer, visit Melanie's website.
To subscribe to Kat's Keynotes (Substack), click here.
Watch us on YouTube!
Calling historical fiction writers, memoirists, and anyone writing a "David and Goliath" style story! In this episode, I do a deep dive into the Speech in Praise of the Villain and I show how the filmmakers expertly (and seamlessly) used exposition to let the viewing audience know just how formidable the antagonist is. (The level of craft here is truly next-level stuff!) And Melanie explains how, yet again, we have a story where the protagonist is a constant character...he doesn't have an arc, but the story sure does!
The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.
Submit your query letter and first 10 pages writing sample at storynerd.ca.
For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist
To learn to read like a writer, visit Melanie's website.
To subscribe to Kat's Keynotes (Substack), click here.
Watch us on YouTube!
HEADS-UP! Amour is beautiful but heavy (have the tissue ready!).
Do you want to write gritty stories that leave readers grief struck long after they read THE END and close the book? Amour is a fantastic template for a complex moral problem that will never be resolved. This is another example of how a story can have an arc when the protagonist is constant. And Valerie does a stellar job of working out who or what the force of antagonism is and how the speech in praise of the villain applies when the antagonist isn't obvious. -M.
The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.
Submit your query letter and first 10 pages writing sample at storynerd.ca.
For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist
To learn to read like a writer, visit Melanie's website.
To subscribe to Kat's Keynotes (Substack), click here.
Watch us on YouTube!
HEADS-UP! Amour is beautiful but heavy (have the tissue ready!).
Do you want to write gritty stories that leave readers grief struck long after they read THE END and close the book? Amour is a fantastic template for a complex moral problem that will never be resolved. This is another example of how a story can have an arc when the protagonist is constant. And Valerie does a stellar job of working out who or what the force of antagonism is and how the speech in praise of the villain applies when the antagonist isn't obvious. -M.
The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.
Submit your query letter and first 10 pages writing sample at storynerd.ca.
For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist
To learn to read like a writer, visit Melanie's website.
To subscribe to Kat's Keynotes (Substack), click here.
Watch us on YouTube!
Stories need both characters and a plot. That sounds obvious, I know...but you'd be surprised. In this week's episode, Melanie and I examine a film that, sadly, forgot to include a plot. No, really! INVITATION TO A MURDER has unfortunately fallen prey to a very common storytelling trap but the fix is super easy! To find out the problem (so you can avoid it), and the solution (if you've already erred), tune into this week's episode. Enjoy! - V.
The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.
Submit your query letter and first 10 pages writing sample at storynerd.ca.
For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist
To learn to read like a writer, visit Melanie's website.
To subscribe to Kat's Keynotes (Substack), click here.
Watch us on YouTube!
This season I'm blowing the idea that ‘characters need arcs’ out of the water. Erin Brockovich is a constant character and she’s an underdog. With the odds against her, she does not change instead, she bends the world to suit herself. This is no mean feat, because the villain is powerful and wealthy. In underdog movies the speech in praise of the villain is essential. It's through this speech that we understand how powerful and how unlikely it is for our protagonist to come out on top. Join us as we unpack how a constant character and speeches in praise of the villain work together to deliver a deeply satisfying story. - M.
The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.
Submit your query letter and first 10 pages writing sample at storynerd.ca.
For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist
To learn to read like a writer, visit Melanie's website.
To subscribe to Kat's Keynotes (Substack), click here.
Watch us on YouTube!
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